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Shows that went on way too long
"Californication" (seven seasons)
INDIANAPOLIS (AP) — Crying and shaken by the sight of Kevin Ware writhing on the court, his right leg splintered, Rick Pitino and his Louisville players had no idea how they were going to pull it together with a half still left to play and a Final Four berth on the line.
Ware showed them the way.
“I don’t think we could have gathered ourselves — I know I couldn’t have — if Kevin didn’t say over and over again, ‘Just go win the game,’” Pitino said. “I don’t think we could have gone in the locker room with a loss after seeing that. We had to gather ourselves. We couldn’t lose this game for him.
“We just couldn’t.”
With Russ Smith, Peyton Siva and Gorgui Dieng leading the way, the Cardinals finally shook off their grief early in the second half, erupting for a 13-2 run that Duke was powerless to answer. The 85-63 victory clinched a second straight trip to the Final Four for the top-seeded Cardinals, who are determined to win it all for Ware, a New York City native who moved to the Atlanta area for high school.
The Cardinals (33-5) will play Wichita State in the national semifinals next Saturday. The ninth-seeded Shockers (30-8) added to their streak of upsets with a 70-66 victory over Ohio State on Saturday night.
As the final seconds ticked down, Ware’s best friend on the team, Chane Behanan, put on the guard’s No. 5 jersey and stood at the end of the bench, screaming. Cardinals fans chanted “Kevin Ware! Kevin Ware!”
“We talked about it every timeout, ‘Get Kevin home,’” Pitino said.
Smith finished with 23 points and earned Most Outstanding Player honors for the Midwest Region. Siva added 16 while Dieng had 14 points and 11 rebounds.
Mason Plumlee had 17 points and 12 rebounds for Duke. But the Blue Devils (30-6) couldn’t overcome a poor start by Seth Curry, who scored all 12 of his points in the second half, or their foul trouble.
“I thought we had a chance there, and then, boom,” coach Mike Krzyzewski said. “That’s what they do to teams. They can boom you.”
This was the first time Pitino and Krzyzewski had met in the regional finals since that 1992 classic that ended with Christian Laettner’s improbable buzzer-beater, a game now considered one of the best in NCAA tournament history.
This game will be remembered, too, but for a very different — and much more somber — reason.
With 6:33 left in the first half, Ware, who has played a key role in Louisville’s 14-game winning streak, jumped to try and block Tyler Thornton’s 3-point shot. When he landed, Ware’s right leg snapped midway between his ankle and knee, the bone skewing almost at a right angle. Ware dropped to the floor right in front of the Louisville bench and, almost in unison, his teammates turned away in horror. Thornton grimaced, putting his hand to his mouth as he turned around.
“I heard it and then I seen what happened, (the bone) come out,” Smith said. “I immediately just, like, fell. I almost didn’t feel nothing.”
Pitino went to help Ware up and then saw the leg, which broke in two places.
“I literally almost threw up,” Pitino said, his voice catching. “Then I just wanted to get a towel to get it over that. But all the players came over and saw it.”
Louisville forward Wayne Blackshear fell to the floor and Behanan looked as if he was going to be sick on the court, kneeling on his hands and feet. Luke Hancock patted Ware’s chest as doctors worked on the sophomore and Smith walked away, pulling his jersey over his eyes. The arena was silent, and several fans wept and bowed their heads.
Pitino had tears in his eyes as he tried to console his players. Dieng draped an arm around the shoulders of Smith, who repeatedly wiped at his eyes and shook his head.
“It was really hard for me to pull myself together,” Smith said. “I didn’t ever think in a million years I would ever see something like that. And that it happened, especially, to a guy like Kevin Ware, I was completely devastated.”
As the Cardinals (33-5) gathered at halfcourt to try and regroup before play resumed, Pitino called them over to the sideline, saying Ware wanted to talk to them before he left.
“Basically, the bone popped out of the skin. It broke in two spots,” Pitino said. “Remember the bone is six inches out of his leg, and all he’s yelling is ‘Win the game, win the game.’ I’ve never seen anything like that.”
Added Siva, “He told us countless times: ‘Just go win this game for me. Just go win this game. Don’t worry about me, I’m fine. Just go win this game.’ I don’t know how he did it. I don’t know how he got strength to do it, but he told us to go out there and win.”
News of the injury dominated social media. Joe Theismann, whose NFL career ended with a horrific broken leg, said on Twitter, “Watching Duke/ Louisville my heart goes out to Kevin Ware.”
Pitino wiped away tears as Ware, whom Smith described as the Cardinals’ “little brother” was wheeled off the court. Surgeons reset his leg and inserted a rod in his right tibia during a 2-hour operation at Methodist Hospital. Ware is expected to remain in Indianapolis until at least Tuesday, and Pitino said he, his son Richard and the Cardinals’ equipment manager planned to visit the player later Sunday night and again Monday morning.
“He’ll come back,” Pitino said. “We’ll get Kevin back as good as new.”
But when play resumed, it was clear the Cardinals’ minds were elsewhere. They missed four of their next five shots along with two free throws, and were uncharacteristically sloppy. But they regrouped after a timeout, with Smith’s finger roll sparking a 12-6 run to finish the half that gave them a 35-32 lead.
Smith picked up where he left off at the start of the second half, making all three free throws after being fouled on a 3-point attempt to give Louisville a 38-32 lead, its largest of the game to that point.
But just as he did against Michigan State, Curry got hot after halftime, making two 3s in the first three minutes. A Plumlee dunk tied the game at 42.
That, however, was all Louisville needed.
Clawing for every rebound, diving on the floor for loose balls and cranking the intensity up even higher on their ferocious defense, the Cardinals were not going to lose.
And everyone, Duke included, knew it.
This was only the second time the Blue Devils have reached the regional finals and failed to make it to the Final Four. The only other time? In 1998, when the Blue Devils lost to eventual national champion Kentucky.
“We got beat by a better team,” Krzyzewski said.
Smith made a layup. Siva had a nice jumper at the top of the key, and then followed with a layup. Just like that, Louisville was off. Siva had seven points during the run, which was only halted by a timeout. But Dieng kept it rolling with a jumper and a tip-in. After Plumlee made a pair of free throws, Hancock made a 3 and the roof of the Lucas Oil Stadium nearly blew off.
“When Kevin went down, it was devastating for all of us,” Siva said. “We just came together and Kevin Ware really was the reason why we pulled this game out.
“Everybody on the team just wanted to step up for him. For us to show that focus and that determination, we just tried to do it for him.”
"Californication" (seven seasons)
"Entourage" (eight seasons)
Much like “Californication,” this man-centric show started strong and buzzy -- a perpetual nominee at the Golden Globes and Emmys, and a perceived gender-swapped “Sex and the City.” Then it ground on and on, and what might once have been read as a sophisticated satire of Hollywood materialism became a grinding conveyor belt of self-congratulatory guest-star appearances.
"Will & Grace" (eight seasons)
Hey, did someone say “self-congratulatory guest-star appearances?” Look -- it’s Jennifer Lopez, and Cher, and Janet Jackson, and Madonna! The latter seasons of “Will & Grace” effectively ruined the fun of watching the show in syndication now -- will it be a fun and jaunty early episode, or a later episode in which title characters enact an Ibsen play about having a baby together (really) while Jack and Karen meet one pop star or another? The fact that the show hastened a widespread acceptance of gay people that, then, made the show something of a throwback by the time it ended is one thing; the fact that the show itself seemed uninterested in relying on its actors’ sharp comic timing is quite another.
"The King of Queens" (nine seasons)
This CBS stalwart just kind of kept going, exactly as long as was needed to launch Kevin James’ film career. In the show’s final minutes, a formulaic sitcom became a mile-a-minute soap, with the central characters considering divorce and then having two children.
"Frasier" (11 seasons)
Though it ended strong, "Frasier" had something of the opposite problem as “The King of Queens”: While the CBS comedy chucked a whole bunch of plot at viewers toward the end, NBC’s Emmy magnet stayed stuck in familiar ruts, with Frasier questing endlessly for love and Daphne and Niles in fairly unthrilling domestic bliss. The jokes stayed good, but this maybe could have gone one or two years shorter.
"Weeds" (eight seasons)
As “Homeland” viewers may be learning, Showtime isn’t particularly good at keeping its shows coherent over time. (Maybe this is “Californication”’s issue -- we wouldn’t know!) This show changed settings and, effectively, organizing conceits so many times that by the end, it had few earnest defenders.
"Nip/Tuck" (six seasons)
This FX series, too, changed settings midway through, moving from Miami to Los Angeles four seasons in for no compelling reason. The show’s most gripping subplots had a way of petering out (remember the anticlimactic solution to the mystery of the Carver?), and its bizarre tendencies overtook any sense of fun.
"Glee" (five seasons and counting)
The series has, like its sibling show “Nip/Tuck” (Ryan Murphy created them both), switched locations, moving in large part to New York once its core cast graduated high school. But what’s the point of a high school series when the stars graduate? Despite some lovely moments, the show’s heat seems gone, and attempts to get back into the conversation (the school shooting episode, for instance) have been more desperate and tone-deaf than effective.
"Grey's Anatomy" (10 seasons and counting)
Here’s the thing: By all accounts, “Grey’s Anatomy” is not a creative failure. And it’s still widely watched. But when you begin your life as a world-beating hit, anything else seems somewhat marginal. “Grey’s Anatomy” has shed more regular viewers than many shows will ever hope to get in the first place (same’s true of “Survivor” and latter-day “ER,” to name just a few). Those who stopped watching once the Golden Globe nominations petered out may wonder why the show is still on; loyal viewers know better.
"The Simpsons" (25 seasons and counting)
Like the “Grey’s” doctors, the Springfield clan and their neighbors still draw a crowd. But “The Simpsons” is so omnipresent in syndication and in pop culture that the first-run series seems besides the point (not least because, though there are good episodes here and there, the show’s best days are universally agreed to be behind it -- like way behind it, in the 1990s).
"The Office" (nine seasons)
There was a natural break for this show, where it ought to have ended -- with the departure of lead actor Steve Carell in Season 7. The latter years were a creative fugue state, and as NBC’s Thursday night lineup continued to flatline in the ratings, one-time fans could be forgiven at their surprise that the adventures of Jim and Pam kept on unfolding.
"The X-Files" (nine seasons)
Once one of the show’s leads departs and has to be replaced -- as Steve Carell did on “The Office,” or David Duchovny did here -- the show faces a reckoning; if the lead is so central to the show’s plot as to make people wonder how the show could possibly go on, maybe the show shouldn’t. And even “X-Files” superfans might have been happier with fewer seasons of drawing out the conspiracy string toward a famously unsatisfying ending.
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