Yeah, totally. I just took my core favorite elements of what I think I’m the best at and what I enjoy doing the most, and we just kinda mushed them all together. I always loved those “Real Sex” interviews with the people on the street. It’s just fun to see, like, normal people talking openly about what they’re like behind closed doors. And I’ve been touring as a stand-up for almost 10 years, so we wanted that to be one of the elements, and I’m an actress and a writer, so we slapped that in there too.

Yeah, structurally, to me it kind of reads like a “Louie”/”Portlandia” hybrid — the stand-up segments interspersed with these quirky, eight-minute sketches — but I was wondering if you used any other TV shows, particularly other comics’ TV shows, while you were developing your own.

The truth is, even though we didn’t model our show after anybody else’s, people have compared it to “The Chappelle Show,” to “Louie” or to “Insomniac With Dave Attell.” So those are good things to be compared to.

One of my favorite moments of the second episode is when this guy you’re seeing sexts you, and you’re freaking out over what to text him back, and you call up your girlfriend, and she’s like, “Just be yourself,” and hangs up immediately. 

(Laughs) Yeah, that was my sister. That was my real-life sister.

It’s refreshing to see, because after “Sex and the City,” there’s been all this talk about lady solidarity and the strength of female friendships, and both your show and “Girls” kind of skewer that. Do you have a specific take on female friendships in general? Like, do you have a lot of female friends, or are you more “I’m a guy’s girl”?

No, I’m a girl’s girl. I’m very close with a lot of male comics, but I love my girlfriends and sometimes it feels like hanging out and talking about hooking up with someone and who you’re dating is more fun than the actual relationship. That sexting scene is obviously exaggerated, but it does come from a real place. Like, I have been sitting there and I have gotten a text from a guy I’ve been dating that’s so obviously an attempt to get us to send each other sext messages, and I don’t know what to say! So because I don’t know what to say, I just say things like, “Hold me,” or “I wanna hug your penis.” Those scenes come from somewhat real situations.

I assume that’s not the case with the opening sketch in the first episode, where you’re auditioning for a “viral marketing video” that turns out to be [2007 pornographic scat fetish video] “2 Girls 1 Cup.“

(Laughs) No, I can’t say I ever auditioned for that. That came from – with every situation, my mind always goes to the most mundane details. When I think about porn, I think about what that girl wears when she walks to her car after the shoot, you know? So I just thought, “What was the production meeting like for ’2 Girls 1 Cup’”?

And at the end, the punch line is that you’re totally down to do all the disgusting things that he’s describing, but then the casting director asks you to lose five pounds.

“Lose a couple pounds, mainly in your face.” Yeah, I think that’s like a little comment on how even though this girl must totally defile herself, they’re like, “OK, you’re willing to do all this stuff, but we’re gonna need you to lose some weight.” There are little social comments like that throughout the show.

You’ve been going on auditions for years. Is that something that’s happened to you when you’ve been auditioning? It seems to be a recurring theme in actresses’ Hollywood audition stories.

Well, I live in New York, but no one’s ever asked me to lose weight for a role. But my thing is never gonna be that I’m the most beautiful girl up for the role. My thing is gonna be that I’m funny and I’m smart.

With the success of shows like “Girls” and “The Mindy Project,” it seems like this cultural moment is so primed for the funny, smart girl.

I feel like I want to make an example. I’m in good shape. I’m comfortable in my skin. I don’t want to do what happens to a lot of chicks who get their first couple of roles. They drop all their weight and start looking like bobblehead versions of themselves.

In your stand-up special, “Mostly Sex Stuff,” you have a joke about how journalists are always asking you if it’s hard to be a female comic. Now that there are more visible female comics out there, do you get asked that question less now?

Yeah, you would think that would be a question that would come up less than it does. But no, almost every interview I’m asked if it’s harder to be a female comic. That, and also how I feel when people say women aren’t funny. I think that question just comes out of laziness. ‘Cause I don’t think it’s true. And while I’m sure there are some people who say that women aren’t funny, I don’t think most people do. I think those things are perpetuated by journalists, and I don’t actually run into it that much.

But you still hear, “I don’t usually think women are funny, but you’re funny”? Are these women or men telling you this, usually?

Both. It’s men and women, equally.

Do you think we’ll ever reach a point where that will no longer be an issue? I’ve read that your show makes a point of saying that you have one of the few female-driven writing staffs on television. And while it’s true that you have some amazing women on your team — Tig Notaro, [former "SNL" writer] Jessi Klein — do you think we’ll ever reach a point where it’s not even worth noting, because it’s such an accepted fact?

Nope. Somebody just told me that in interviews, people don’t necessarily want the truth, but I can’t help it. I don’t think that will be ever something we get past.

Why do you think that is?

I think it has something to do with the general aggression toward women, and it being pounded into people’s heads that it’s just not possible for women to be funny. Even though we’re living in the times we’re living in, there is still stigma with women in general. People want women to be in a certain place. And not everyone’s comfortable with a woman speaking openly and honestly. When I read Gloria Steinem quotes, I just think that we aren’t that far along, or much further along than when she was.

So when you see headlines like, “This is the year of women of comedy!” or “How ‘Bridesmaids’ changed everything,” do you say, “Oh, this is a great thing,” or, “Ugh, that’s so not true”?

It’s exhausting to hear about, of course. But it’s a battle that doesn’t seem like it can be won. The best thing for me to do is just do my work and make people laugh and change their minds without talking about how I’m changing their minds.