Emmanuelle Seigner: “In movies, most women are victims or prostitutes”

The "Venus in Fur" star on feminism, her career and shooting sex scenes directed by her husband, Roman Polanski

Topics: venus in fur, emmanuelle seigner, Roman Polanski,

Emmanuelle Seigner: "In movies, most women are victims or prostitutes"Emmanuelle Seigner (Credit: Reuters/Yves Herman)

The spotlight is finally on Emmanuelle Seigner — and all it took was years of sorting through scripts with her husband.

Seigner is the star of Roman Polanski’s new film, “Venus in Fur.” It’s a rare lead role for an actress best known on-screen for her supporting roles in films including “The Diving Bell and the Butterfly,” and off-screen for her role as Polanski’s wife. The actress brushes off any awkwardness over her husband having directed her — quite the feat, given that her character, Vanda, spends the film’s running time alternately seducing and rebuffing the pathetic Thomas (Mathieu Amalric) in a bizarre, leather-clad audition to get cast in his play. It’s a lengthy power struggle between a playwright and a woman who knows she can be his star.

The audition part, at least, was new. Seigner, who’d worked with Polanski on 1988′s “Frantic,” got cast because the director, frustrated with seeing his wife take boring parts, had been searching for a role for her. That meant translating a Tony-winning play from English to French and saying goodbye to Tony-winning stage star Nina Arianda — but for Seigner, it’s a victory. “In movies, most [women] are victims or prostitutes,” she told Salon. “It’s nice to see a movie where women have the power.”

Did you feel anxiety about appearing in a French-language adaptation of this play, that things would get lost in translation? 

You Might Also Like

Anxiety, no! I hadn’t seen the play in English but I read it in English. When they translated it, they did a big adaptation — and already it was a bit different from the play. Then they translated into French. We worked a lot with Roman on finding the right slang and right words that would be right in French. It was actually a lot of fun. 

Before, it was more American. But the theme is — it could be in any language, in any country. We tried to make it real as a French thing and to feel like it was happening in a Parisian theater. In the play, the action was not happening in the theater, it was in the rehearsal room. In Paris we do it in the theater. That’s different.

Did you view your role as a feminist one? 

It’s definitely a feminist role! I hear that women would come and see the play and each time Vanda would say a line, you’d hear, “Yeah!”

Actually, in movies, most characters are victims or prostitutes. It’s nice to see a movie where women have the power.

I think women and men are so different — maybe that’s what it is. it’s kind of nice, the way that the power changes: He has the power, then she does, and he likes it.

Were you self-conscious, filming these racy scenes with your husband directing you? 

Of course I was conscious of it! But when I rehearse with him, I don’t see him as my husband. I see him as one of the great directors of the world. So, I am lucky. It was a while we waited, because we wanted to do something together. We wanted to do something that was a great role for me, and close to his early movies, like “Knife in the Water” and “Repulsion.”

How did he view your career? 

Roman was frustrated for me about the roles I had, walking around looking beautiful. It’s so boring! We wanted to do a great role for me!

I never had such a big role — I hadn’t! I did great things in the theater. I did some nice roles, “The Diving Bell and the Butterfly” or “La Vie en Rose.” And I love my role in “Frantic.” I did some good stuff! But I never had such a big role or as much to do.

Do you feel as though U.S. audiences want something different from their stars than French audiences do? 

I don’t know — I’m not sure about that! America is much bigger, but I wouldn’t know more than that! I don’t know America well enough. I do know sometimes French people have strange taste.

Daniel D'Addario is a staff reporter for Salon's entertainment section. Follow him on Twitter @DPD_

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails
    Martyna Blaszczyk/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 1

    Pond de l'Archeveche - hundreds thousands of padlocks locked to a bridge by random couples, as a symbol of their eternal love. After another iconic Pont des Arts bridge was cleared of the padlocks in 2010 (as a safety measure), people started to place their love symbols on this one. Today both of the bridges are full of love locks again.

    Anders Andersson/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 2

    A bird's view of tulip fields near Voorhout in the Netherlands, photographed with a drone in April 2015.

    Aashit Desai/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 3

    Angalamman Festival is celebrated every year in a small town called Kaveripattinam in Tamil Nadu. Devotees, numbering in tens of thousands, converge in this town the day after Maha Shivratri to worship the deity Angalamman, meaning 'The Guardian God'. During the festival some of the worshippers paint their faces that personifies Goddess Kali. Other indulge in the ritual of piercing iron rods throughout their cheeks.

    Allan Gichigi/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 4

    Kit Mikai is a natural rock formation about 40m high found in Western Kenya. She goes up the rocks regularly to meditate. Kit Mikai, Kenya

    Chris Ludlow/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 5

    On a weekend trip to buffalo from Toronto we made a pit stop at Niagara Falls on the Canadian side. I took this shot with my nexus 5 smartphone. I was randomly shooting the falls themselves from different viewpoints when I happened to get a pretty lucky and interesting shot of this lone seagull on patrol over the falls. I didn't even realize I had captured it in the shot until I went back through the photos a few days later

    Jassen T./National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 6

    Incredibly beautiful and extremely remote. Koehn Lake, Mojave Desert, California. Aerial Image.

    Howard Singleton/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 7

    Lucky timing! The oxpecker was originally sitting on hippo's head. I could see the hippo was going into a huge yawn (threat display?) and the oxpecker had to vacate it's perch. When I snapped the pic, the oxpecker appeared on the verge of being inhaled and was perfectly positioned between the massive gaping jaws of the hippo. The oxpecker also appears to be screeching in terror and back-pedaling to avoid being a snack!

    Abrar Mohsin/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 8

    The Yetis of Nepal - The Aghoris as they are called are marked by colorful body paint and clothes

    Madeline Crowley/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 9

    Taken from a zodiac raft on a painfully cold, rainy day

    Ian Bird/National Geographic Traveler Photo Contest

    National Geographic Traveler Photo Contest Entries

    Slide 10

    This wave is situated right near the CBD of Sydney. Some describe it as the most dangerous wave in Australia, due to it breaking on barnacle covered rocks only a few feet deep and only ten metres from the cliff face. If you fall off you could find yourself in a life and death situation. This photo was taken 300 feet directly above the wave from a helicopter, just as the surfer is pulling into the lip of the barrel.

  • Recent Slide Shows

Comments

Loading Comments...