Why America’s “war on terror” failed

Washington blames the rise of ISIS on the Iraqi government. But it has created a situation where ISIS can flourish

Topics: TomDispatch.com, isis, Al-Qaida, Taliban, Pakistan, U.S. foreign policy, Syria, , ,

Why America's "war on terror" failedHillary Clinton, Barack Obama (Credit: Reuters/Jason Reed)
This piece originally appeared on TomDispatch.

There are extraordinary elements in the present U.S. policy in Iraq and Syria that are attracting surprisingly little attention. In Iraq, the U.S. is carrying out air strikes and sending in advisers and trainers to help beat back the advance of the Islamic State of Iraq and the Levant (better known as ISIS) on the Kurdish capital, Erbil. The U.S. would presumably do the same if ISIS surrounds or attacks Baghdad. But in Syria, Washington’s policy is the exact opposite: there the main opponent of ISIS is the Syrian government and the Syrian Kurds in their northern enclaves. Both are under attack from ISIS, which has taken about a third of the country, including most of its oil and gas production facilities.

But U.S., Western European, Saudi, and Arab Gulf policy is to overthrow President Bashar al-Assad, which happens to be the policy of ISIS and other jihadis in Syria. If Assad goes, then ISIS will be the beneficiary, since it is either defeating or absorbing the rest of the Syrian armed opposition. There is a pretense in Washington and elsewhere that there exists a “moderate” Syrian opposition being helped by the U.S., Qatar, Turkey, and the Saudis.  It is, however, weak and getting more so by the day. Soon the new caliphate may stretch from the Iranian border to the Mediterranean and the only force that can possibly stop this from happening is the Syrian army.

The reality of U.S. policy is to support the government of Iraq, but not Syria, against ISIS. But one reason that group has been able to grow so strong in Iraq is that it can draw on its resources and fighters in Syria. Not everything that went wrong in Iraq was the fault of Prime Minister Nouri al-Maliki, as has now become the political and media consensus in the West. Iraqi politicians have been telling me for the last two years that foreign backing for the Sunni revolt in Syria would inevitably destabilize their country as well.  This has now happened.

By continuing these contradictory policies in two countries, the U.S. has ensured that ISIS can reinforce its fighters in Iraq from Syria and vice versa. So far, Washington has been successful in escaping blame for the rise of ISIS by putting all the blame on the Iraqi government. In fact, it has created a situation in which ISIS can survive and may well flourish.

Using the al-Qa’ida Label



The sharp increase in the strength and reach of jihadist organizations in Syria and Iraq has generally been unacknowledged until recently by politicians and media in the West. A primary reason for this is that Western governments and their security forces narrowly define the jihadist threat as those forces directly controlled by al-Qa‘ida central or “core” al-Qa‘ida. This enables them to present a much more cheerful picture of their successes in the so-called war on terror than the situation on the ground warrants.

In fact, the idea that the only jihadis to be worried about are those with the official blessing of al-Qa‘ida is naïve and self-deceiving. It ignores the fact, for instance, that ISIS has been criticized by the al-Qa‘ida leader Ayman al-Zawahiri for its excessive violence and sectarianism. After talking to a range of Syrian jihadi rebels not directly affiliated with al-Qa‘ida in southeast Turkey earlier this year, a source told me that “without exception they all expressed enthusiasm for the 9/11 attacks and hoped the same thing would happen in Europe as well as the U.S.”

Jihadi groups ideologically close to al-Qa‘ida have been relabeled as moderate if their actions are deemed supportive of U.S. policy aims. In Syria, the Americans backed a plan by Saudi Arabia to build up a “Southern Front” based in Jordan that would be hostile to the Assad government in Damascus, and simultaneously hostile to al-Qa‘ida-type rebels in the north and east. The powerful but supposedly moderate Yarmouk Brigade, reportedly the planned recipient of anti-aircraft missiles from Saudi Arabia, was intended to be the leading element in this new formation. But numerous videos show that the Yarmouk Brigade has frequently fought in collaboration with JAN, the official al-Qa‘ida affiliate. Since it was likely that, in the midst of battle, these two groups would share their munitions, Washington was effectively allowing advanced weaponry to be handed over to its deadliest enemy. Iraqi officials confirm that they have captured sophisticated arms from ISIS fighters in Iraq that were originally supplied by outside powers to forces considered to be anti-al-Qa‘ida in Syria.

The name al-Qa‘ida has always been applied flexibly when identifying an enemy. In 2003 and 2004 in Iraq, as armed Iraqi opposition to the American and British-led occupation mounted, U.S. officials attributed most attacks to al-Qa‘ida, though many were carried out by nationalist and Baathist groups. Propaganda like this helped to persuade nearly 60% of U.S. voters prior to the Iraq invasion that there was a connection between Saddam Hussein and those responsible for 9/11, despite the absence of any evidence for this. In Iraq itself, indeed throughout the entire Muslim world, these accusations have benefited al-Qa‘ida by exaggerating its role in the resistance to the U.S. and British occupation.

Precisely the opposite PR tactics were employed by Western governments in 2011 in Libya, where any similarity between al-Qa‘ida and the NATO-backed rebels fighting to overthrow the Libyan leader, Muammar Gaddafi, was played down. Only those jihadis who had a direct operational link to the al-Qa‘ida “core” of Osama bin Laden were deemed to be dangerous. The falsity of the pretense that the anti-Gaddafi jihadis in Libya were less threatening than those in direct contact with al-Qa‘ida was forcefully, if tragically, exposed when U.S. ambassador Chris Stevens was killed by jihadi fighters in Benghazi in September 2012. These were the same fighters lauded by Western governments and media for their role in the anti-Gaddafi uprising.

Imagining al-Qa’ida as the Mafia

Al-Qa‘ida is an idea rather than an organization, and this has long been the case. For a five-year period after 1996, it did have cadres, resources, and camps in Afghanistan, but these were eliminated after the overthrow of the Taliban in 2001. Subsequently, al-Qa‘ida’s name became primarily a rallying cry, a set of Islamic beliefs, centering on the creation of an Islamic state, the imposition of sharia, a return to Islamic customs, the subjugation of women, and the waging of holy war against other Muslims, notably the Shia, who are considered heretics worthy of death. At the center of this doctrine for making war is an emphasis on self-sacrifice and martyrdom as a symbol of religious faith and commitment. This has resulted in using untrained but fanatical believers as suicide bombers, to devastating effect.

It has always been in the interest of the U.S. and other governments that al-Qa‘ida be viewed as having a command-and-control structure like a mini-Pentagon, or like the mafia in America. This is a comforting image for the public because organized groups, however demonic, can be tracked down and eliminated through imprisonment or death. More alarming is the reality of a movement whose adherents are self-recruited and can spring up anywhere.

Osama bin Laden’s gathering of militants, which he did not call al-Qa‘ida until after 9/11, was just one of many jihadi groups 12 years ago. But today its ideas and methods are predominant among jihadis because of the prestige and publicity it gained through the destruction of the Twin Towers, the war in Iraq, and its demonization by Washington as the source of all anti-American evil. These days, there is a narrowing of differences in the beliefs of jihadis, regardless of whether or not they are formally linked to al-Qa‘ida central.

Unsurprisingly, governments prefer the fantasy picture of al-Qa‘ida because it enables them to claim victories when it succeeds in killing its better known members and allies. Often, those eliminated are given quasi-military ranks, such as “head of operations,” to enhance the significance of their demise. The culmination of this heavily publicized but largely irrelevant aspect of the “war on terror” was the killing of bin Laden in Abbottabad in Pakistan in 2011. This enabled President Obama to grandstand before the American public as the man who had presided over the hunting down of al-Qa‘ida’s leader. In practical terms, however, his death had little impact on al-Qa‘ida-type jihadi groups, whose greatest expansion has occurred subsequently.

Ignoring the Roles of Saudi Arabia and Pakistan

The key decisions that enabled al-Qa‘ida to survive, and later to expand, were made in the hours immediately after 9/11. Almost every significant element in the project to crash planes into the Twin Towers and other iconic American buildings led back to Saudi Arabia. Bin Laden was a member of the Saudi elite, and his father had been a close associate of the Saudi monarch. Citing a CIA report from 2002, the official 9/11 report says that al-Qa‘ida relied for its financing on “a variety of donors and fundraisers, primarily in the Gulf countries and particularly in Saudi Arabia.”

The report’s investigators repeatedly found their access limited or denied when seeking information in Saudi Arabia. Yet President George W. Bush apparently never even considered holding the Saudis responsible for what happened. An exit of senior Saudis, including bin Laden relatives, from the U.S. was facilitated by the U.S. government in the days after 9/11. Most significant, 28 pages of the 9/11 Commission Report about the relationship between the attackers and Saudi Arabia were cut and never published, despite a promise by President Obama to do so, on the grounds of national security.

In 2009, eight years after 9/11, a cable from the U.S. secretary of state, Hillary Clinton, revealed by WikiLeaks, complained that donors in Saudi Arabia constituted the most significant source of funding to Sunni terrorist groups worldwide. But despite this private admission, the U.S. and Western Europeans continued to remain indifferent to Saudi preachers whose message, spread to millions by satellite TV, YouTube, and Twitter, called for the killing of the Shia as heretics. These calls came as al-Qa‘ida bombs were slaughtering people in Shia neighborhoods in Iraq. A sub-headline in another State Department cable in the same year reads: “Saudi Arabia: Anti-Shi’ism as Foreign Policy?” Now, five years later, Saudi-supported groups have a record of extreme sectarianism against non-Sunni Muslims.

Pakistan, or rather Pakistani military intelligence in the shape of the Inter-Services Intelligence (ISI), was the other parent of al-Qa‘ida, the Taliban, and jihadi movements in general. When the Taliban was disintegrating under the weight of U.S. bombing in 2001, its forces in northern Afghanistan were trapped by anti-Taliban forces. Before they surrendered, hundreds of ISI members, military trainers, and advisers were hastily evacuated by air. Despite the clearest evidence of ISI’s sponsorship of the Taliban and jihadis in general, Washington refused to confront Pakistan, and thereby opened the way for the resurgence of the Taliban after 2003, which neither the U.S. nor NATO has been able to reverse.

The “war on terror” has failed because it did not target the jihadi movement as a whole and, above all, was not aimed at Saudi Arabia and Pakistan, the two countries that fostered jihadism as a creed and a movement. The U.S. did not do so because these countries were important American allies whom it did not want to offend. Saudi Arabia is an enormous market for American arms, and the Saudis have cultivated, and on occasion purchased, influential members of the American political establishment. Pakistan is a nuclear power with a population of 180 million and a military with close links to the Pentagon.

The spectacular resurgence of al-Qa‘ida and its offshoots has happened despite the huge expansion of American and British intelligence services and their budgets after 9/11. Since then, the U.S., closely followed by Britain, has fought wars in Afghanistan and Iraq, and adopted procedures normally associated with police states, such as imprisonment without trial, rendition, torture, and domestic espionage. Governments wage the “war on terror” claiming that the rights of individual citizens must be sacrificed to secure the safety of all.

In the face of these controversial security measures, the movements against which they are aimed have not been defeated but rather have grown stronger. At the time of 9/11, al-Qa‘ida was a small, generally ineffectual organization; by 2014 al-Qa‘ida-type groups were numerous and powerful.

In other words, the “war on terror,” the waging of which has shaped the political landscape for so much of the world since 2001, has demonstrably failed. Until the fall of Mosul, nobody paid much attention.

Patrick Cockburn, Middle East correspondent for the British newspaper The Independent, was awarded the 2005 Martha Gellhorn prize for war reporting. His book on his years covering the war in Iraq, The Occupation: War and Resistance in Iraq (Verso) was a finalist for the National Book Critics Circle Award for non-fiction.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

Loading Comments...