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The year in television 1997 By Joyce Millman
Ellen comes out, Mike Tyson flips out, Fox bottoms out
(12/24/97)

The year in film By Charles Taylor
There were a few shining glories in a lackluster year
(12/24/97)

Brother from beyond the grave By Natasha Stovall
How much did Hollywood lose with the death of Tupac Shakur?
(10/10/97)

Little monsters By Nell Bernstein
"187": The scariest aliens on the screen this summer are our teenage children
(08/06/97)

Acting big By Laura Miller
Can a 4-year-old be a great actor?
(07/18/97)

The leading man exits:

The secret John Wayne By Jonathan Lethem
The darkness of Jimmy Stewart By Christopher Hitchens
Boozing with Robert Mitchum By Dick Lochte
(07/11/97)

Stone rocks By Laura Miller
A Valentine to Sharon Stone, the goddess of screen irony
(06/20/97)

Cynicsaurus Rex By Charles Taylor
How Steven Spielberg betrayed his talent
(05/28/97)

Oscar Post-Mortem By Cintra Wilson
The 69th Oscars: The dowdy, the disabled and the Devil
(03/25/97)

Oscar Post-Mortem By Camille Paglia
The people cry out to the Academy gods: More cleavage and glitz! Less Crystal!
(03/25/97)

Personal Best: The Movies By Laura Miller and the Salon staff
Salon critics pick their all-time favorites

Jon Carroll: All of Me
Dwight Garner: Who's Afraid of Virginia Woolf?
Gary Kamiya: Lawrence of Arabia
Gary Kaufman: This is Elvis
Laura Miller: The Third Man
Joyce Millman: The King of Comedy
Scott Rosenberg: 2001: A Space Odyssey
Andrew Ross: Days of Heaven
Jenn Shreve: Delicatessen
Charles Taylor: McCabe and Mrs. Miller
Mary Elizabeth Williams: Psycho
Cintra Wilson: Network
Stephanie Zacharek: Holiday
(03/24/97)

The dark side of the force By Charles Taylor
How "Star Wars" ruined American movies
(1/27/97)

Don't believe the "Hype!" By Jennie Yabroff
Neophyte filmmakers attempt — and fail — to capture Seattle's "insider" music scene
(11/25/96)

The cappuccino conspiracy By Charles Taylor
Art house film-goers think they're seeing the world's best movies. They're wrong
(9/16/96)

No laughing matter By Mary Elizabeth Williams
The problem with today's movie comedies is that they're just not funny.
(8/26/96)

It's a girl thing By Laura Miller
In "Girls Town" and "Foxfire" girl gangs rumble with male creeps
Text-only version
(8/26/96)

Virtue's Hack By Laura Miller
Why John Sayles should be stopped before he directs again
(7/29/96)

Odd girls in By Laura Miller
"Welcome to the Dollhouse" and "I Shot Andy Warhol" put two ugly ducklings in the spotlight
(5/20/96)

Oscar's makeover By Joyce Millman
Ten modest proposals for juicing up the Academy Awards' annual snooze-fest
(3/9/96)

"You, Sir, Are an Unmitigated Cad!" By Gary Kamiya
An appreciation of Hollywood's greatest lounge lizard: George Sanders
(2/10/96)

Sluts and Addicts By Laura Miller
Jennifer Jason Leigh and Juliette Lewis, two of Hollywood's most talented young actresses, take the low road to acclaim
(1/27/96)

Sundance Report By Debra Jo Immergut:

Mr. Todd's wild ride
The surprise discovery of this year's Sundance Film Festival is director Todd Solondz, whose "Welcome to the Dollhouse" offers a remarkable vision of the hell that is seventh grade

The Women's Hour
Forget Tarantino and the bad boys: Sundance's best offerings this year are about women

Slamdance
A report from the scruffy alternative to Sundance
(1/27/96)

The Meaning of Death By Gary Kamiya
"Dead Man Walking" and "An Eye for an Eye" offer two vastly different takes on the desire for murderous vengence.
(1/27/96)

Blood Ties By Laura Miller
Behind today's feverish obsession with vampires lurks the desire to create the cool family we never had.
(1/13/96)

Maestro Marty By James Marcus
Martin Scorsese's romance with pop music
(12/30/95)

Austenmania By Laura Miller
Why, after years of neglect, Hollywood is scrambling to film Jane Austen's novels
(12/2/95)














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