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A L S O+.T O D A Y
The big baby Monica's nightmare - - - - - - - - - - - - - - - -
"The Handyman"
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STARRING MONICA LEWINSKY, AS HERSELF | PAGE 1, 2, 3, 4
Whatever you think of Monica Lewinsky and her family's peculiar notion of fidelity (which includes friendship and love but often excludes marriage), you cannot read the third section of "Monica's Story" without pity. Mother, father and daughter collapse time and again in hotel rooms, kitchens, balconies and courtroom bathrooms, howling with despair, crumpled, shamed and broken, weeping, saying the kaddish, contemplating suicide, hiding behind closed blinds, fearing that any confidence they offer one another may result in jail time. Particularly poignant is Marcia's account of how a housebound Monica, unable to keep herself from watching the parade of her own ignominy scrolling across CNN week after week, would sob out loud each time she saw another of her close friends brought in to answer Starr's subpoenas. "Monica would cry, 'Oh my God, it's Ashley,' or whoever, and break down in tears. It was enough that they were coming after her, but to watch these friends being marched in was unbearable for my daughter." Not only did Monica's friends stick by her, one of them, Catherine Allday Davis, is now considering renouncing her U.S. citizenship to show her contempt for the legal system that permitted this witch hunt. Last month the wider public got the chance to hear and see Monica speak when her Senate testimony was televised. For the first time, a murmur went around that she might not be completely bad after all. She was sharp, poised, witty and articulate; and a voice that people had thought would be Gidget-giddy turned out to be sandy and wry. During her grand jury testimony last August, Monica had won over the 23 jurors, and when the ordeal was through the forewoman announced in front of everyone, "We wanted to offer you a bouquet of good wishes that includes luck, success, happiness and blessings." ("I've never seen a lovefest like it," the Starr prosecutor, Karin Immergut, commented acidly.) With her iconic appearance on "20/20" with Barbara Walters, Monica was clearly hoping that she could spread the lovefest to a wider audience. Like a lot of people, I watched the Monica and Barbara show with a group of people who professed themselves sick of the whole tawdry spectacle. And yet, once the Nefertiti coif came up on the screen, we all sat rapt for two solid hours, munching cheese and bread, drinking red wine and watching Monica spill the beans. Her long-lashed eyes widened to Marilyn Monroe O's, she laughed, she cried, she gasped -- and her lips remained smoothly crinkle-glossed throughout (the next day, CNN Moneyline ran a clip on her amazingly lick-proof lip gloss -- it may achieve a popularity Monica never will). Every now and then someone would squeal squeamishly at some Monica moment that was as hard to watch as a "Brady Bunch" crush scene. Often, people would object to some pridelessly pandering comment -- of Barbara's. But the women ruefully admitted that they identified with the Monica they saw onscreen more than they wanted to, and more than they had thought they would. The men decided she was more of a looker than they had realized, and thus a less reprehensible choice for presidential lust. She was young, everyone agreed, but she was not a sport of nature, she was not un-American -- and she was not stupid. For more than a year, this ordinary California girl has been the most reviled woman in the world. After reading Morton's book and watching Monica's performance with Walters, I jotted down some of the redeeming qualities that ought to count in her favor:
1) She has a pretty face. Reason No. 25 obviously outweighs all the rest. Monica Lewinsky's disgrace did not come from doing something that many women don't do, as pleasant as that might be to think; it came from being caught at it. If every woman in this country were subpoenaed to testify in full, in the presence of her mother, her father and a thousand cameras, about sex acts she has regretted, chastity would become the next trend, full purdah the next fashion statement. And yet, even people who feel a new sympathy toward Monica probably wouldn't want to leave her unattended in a room with their boyfriend, husband or father, at least until she gets a man of her own. (If death row inmates can find pen-pal wives, surely there is hope for a voluptuous beauty not yet out of her 20s.)
Common sense aside, though, there is still one reason that a lot of people,
particularly women, will choose to continue disliking Monica, however many
extenuating circumstances pile up in her favor. She has revealed in public,
on camera, for an entire year, the private meltdown that other women in the
middle of love affairs gone sour allow themselves to succumb to only at 3
in the morning, when nobody's watching. Other women have, like Monica, been
despondent, obsessed, crazily hopeful, blind, unreasonable, entirely
exposed, wondering who they can call to vent and, more likely than not,
inhaling a tubful of New York Fudge Chunk ice cream. That is something no
woman wants to be and that no woman wants a man to see.
Liesl Schillinger writes on culture and sexual politics
for the New York Times, the Washington Post and many other publications.
She is on the staff of the New Yorker.
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