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- - - - - - - - - - - - May 16, 2001 | Here are the authors and titles of the pieces from which these statements are drawn: 1. Luigi Russolo, "The Art of Noises," 1913
2. F.T. Marinetti, "Tactilism," 1924 3. Umberto Boccioni and others, "Futurist Painting: Technical Manifesto," 1910 4. Kurt Schwitters, "Cow Manifesto," 1922 5. Blaise Cendrars, "The ABCs of Cinema," 1917-1921 6. Valentine de Saint-Point, "Manifesto of Futurist Woman," 1912 7. F.T. Marinetti, "The Founding and Manifesto of Futurism," 1909 8. Ilya Zdanevich and Mikhail Larionov, "Why We Paint Ourselves: A Futurist Manifesto," 1913 9. Piet Mondrian, "Natural Reality and Abstract Reality," 1919 10. Carlo Carra, "The Painting of Sounds, Noises and Smells," 1913 11. Tristan Tzara, "Dada Manifesto," 1918 12. Mina Loy, "Auto-Facial-Construction," 1919 13. Francis Picabia, "Francis Picabia is an Imbecile, an Idiot, a Pickpocket!!!" 1921 14. R. Aldington and others including Wyndham Lewis, Ezra Pound and Gaudier Bzeska, "Our Vortex," 1914 15. Mario de Andrade, "Extremely Interesting Preface," 1922 16. Volt [Vicenzo Fani], "Futurist Manifesto of Women's Fashion," 1920 salon.com - - - - - - - - - - - -
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Maya Angelou reads from "The Heart of a Woman" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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