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Booker, in retreat

His attempt to downplay his “nauseating” comment doesn’t pass the sniff test

It didn’t take long for Cory Booker to get the message. Just hours after undermining the Obama campaign’s main line of attack against Mitt Romney, the Newark mayor released a video late Sunday afternoon in an effort to repair some of the damage.

Booker had seemed to pronounce the Obama effort to highlight unflattering aspects of Romney’s private equity background “nauseating,” but in the video, he suggested he was making a broader statement about negative campaigning.

“I used the word ‘nauseating’ on ‘Meet the Press’ because that’s really how I feel when I see people in my city struggling with real issues and still feeling the challenges of this economy, and still looking for hope and opportunity and real specific plans,” Booker said. “I get very upset when I see such a level of dialogue and calls to our lowest common denominator.”

But he insisted that he sees Bain as a legitimate topic for Obama to raise: “Let me be clear. Mitt Romney has made his business record a centerpiece of his campaign. He’s talked about himself as a job creator. And therefore it is reasonable — and in fact I encourage it — for the Obama campaign to examine that record and discuss it. I have no problem with that.”

Booker’s new line is a bit hard to swallow, though, because his “Meet the Press” comments clearly went beyond simply decrying the tone of the campaign. At one point, he offered a pointed defense of Romney’s Bain past, saying:  “I’m not about to sit here and indict private equity. If you look at the totality of Bain Capital’s record, it — they’ve done a lot to support businesses, to grow businesses. And this to me — I’m very uncomfortable.”

An RNC spokesman told Politico that “it’s clear this video was orchestrated by the Obama campaign,” which certainly sounds plausible. Shortly after Booker posted his clarification, an Obama campaign press secretary tweeted out a link to a condensed version of it featuring only Booker’s statement about Bain being fair game.

As I noted yesterday, Booker has throughout his political career cultivated and maintained close ties to Wall Street and affluent, investor class donors – people who, in many cases, believe the administration has declared war on their world and see the Bain attacks as an extension of that effort. Booker’s statewide political aspirations are no secret in New Jersey, and the presumption is that he’s eyeing a Senate run in 2014 (others have mentioned him for governor next year, but that’s less likely for a number of reasons).

Booker’s actions on Sunday are best understood in that context. In sticking up for private equity, he was tending to a financial base that’s been there for him before and that he’ll need in the future. Running ads in the New York and Philadelphia markets is an expensive proposition, so Booker will need a ton of cash for a statewide run. And in rushing to clarify (but not exactly retract) what he said, Booker was trying to contain the damage with a Democratic Party base that likes Obama and has no problem with his attacks on Bain.

In a way, the episode is simply a high-profile illustration of the very real tension that exists, especially in the New York area, between elite Democratic donors and rank-and-file voters. Booker is hardly the only tri-state region Democrat who’s cultivated Wall Street, but in 2012 not many are as open about it as he is.

Steve Kornacki

Steve Kornacki writes about politics for Salon. Reach him by email at SKornacki@salon.com and follow him on Twitter @SteveKornacki

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Don’t mention income inequality please, we’re entrepreneurs

At this point, TED is a massive, money-soaked orgy of self-congratulatory futurism

There was a bit of a scandal last week when it was reported that a TED Talk on income equality had been censored. That turned out to be not quite the entire story. Nick Hanauer, a venture capitalist with a book out on income inequality, was invited to speak at a TED function. He spoke for a few minutes, making the argument that rich people like himself are not in fact job creators and that they should be taxed at a higher rate.

The talk seemed reasonably well-received by the audience, but TED “curator” Chris Anderson told Hanauer that it would not be featured on TED’s site, in part because the audience response was mixed but also because it was too political and this was an “election year.”

Hanauer had his PR people go to the press immediately and accused TED of censorship, which is obnoxious — TED didn’t have to host his talk, obviously, and his talk was not hugely revelatory for anyone familiar with recent writings on income inequity from a variety of experts — but Anderson’s responses were still a good distillation of TED’s ideology.

In case you’re unfamiliar with TED, it is a series of short lectures on a variety of subjects that stream on the Internet, for free. That’s it, really, or at least that is all that TED is to most of the people who have even heard of it. For an elite few, though, TED is something more: a lifestyle, an ethos, a bunch of overpriced networking events featuring live entertainment from smart and occasionally famous people.

Before streaming video, TED was a conference — it is not named for a person, but stands for “technology, entertainment and design” — organized by celebrated “information architect” (fancy graphic designer) Richard Saul Wurman. Wurman sold the conference, in 2002, to a nonprofit foundation started and run by former publisher and longtime do-gooder Chris Anderson (not the Chris Anderson of Wired). Anderson grew TED from a woolly conference for rich Silicon Valley millionaire nerds to a giant global brand. It has since become a much more exclusive, expensive elite networking experience with a much more prominent public face — the little streaming videos of lectures.

It’s even franchising — “TEDx” events are licensed third-party TED-style conferences largely unaffiliated with TED proper — and while TED is run by a nonprofit, it brings in a tremendous amount of money from its members and corporate sponsorships. At this point TED is a massive, money-soaked orgy of self-congratulatory futurism, with multiple events worldwide, awards and grants to TED-certified high achievers, and a list of speakers that would cost a fortune if they didn’t agree to do it for free out of public-spiritedness.

According to a 2010 piece in Fast Company, the trade journal of the breathless bullshit industry, the people behind TED are “creating a new Harvard — the first new top-prestige education brand in more than 100 years.” Well! That’s certainly saying… something. (What it’s mostly saying is “This is a Fast Company story about some overhyped Internet thing.”)

To even attend a TED conference requires not just a donation of between $7,500 and $125,000, but also a complicated admissions process in which the TED people determine whether you’re TED material; so, as Maura Johnston says, maybe it’s got more in common with Harvard than is initially apparent.

Strip away the hype and you’re left with a reasonably good video podcast with delusions of grandeur. For most of the millions of people who watch TED videos at the office, it’s a middlebrow diversion and a source of factoids to use on your friends. Except TED thinks it’s changing the world, like if “This American Life” suddenly mistook itself for Doctors Without Borders.

The model for your standard TED talk is a late-period Malcolm Gladwell book chapter. Common tropes include:

  • Drastically oversimplified explanations of complex problems.
  • Technologically utopian solutions to said complex problems.
  • Unconventional (and unconvincing) explanations of the origins of said complex problems.
  • Staggeringly obvious observations presented as mind-blowing new insights.

What’s most important is a sort of genial feel-good sense that everything will be OK, thanks in large part to the brilliance and beneficence of TED conference attendees. (Well, that and a bit of Vegas magician-with-PowerPoint stagecraft.)

Look at Jonathan Haidt’s talk on morality and its relation to political preference, which Dave Weigel linked to as an example of a political TED talk.

It’s a very good TED talk, and a good précis on Haidt’s interesting work. It’s also full of dubious assertions that Haidt doesn’t really have time to support with relevant arguments or data (morality is an evolutionary adaption — that is, biological?), gross flattery of the audience (“This is an amazing group of people who are doing so much, using so much of their talent, their brilliance, their energy, their money, to make the world a better place, to fight — to fight wrongs, to solve problems”), and some decidedly flaky material on the superiority of Eastern religions. (There is, at least, no techno-utopianism to be found.)

And Haidt is talking about politics, or liberalism, in the way it’s commonly defined by the sort of liberal rich people who make up the majority of the media elite and the Hollywood elite and even the (more libertarian) Silicon Valley elite: “social liberalism.” He is talking about moral issues, and while economic issues are also moral, he does not mention social justice or economic redistributionism.

Because TED is for, and by, unbelievably rich people, they tiptoe around questions of the justness of a society that rewards TED attendees so much for what usually amounts to a series of lucky breaks. Anderson says he declined to promote the Hanauer talk because it was “mediocre” (that has never once stopped TED before, but we needn’t get too deep into that), but an email from Anderson to Hanauer on the decision was more a critique of Hanauer’s thesis than a criticism of his performance. Anderson cited, specifically, his concern that “a lot of business managers and entrepreneurs would feel insulted” by the argument that multimillionaire executives hire more employees only as a “last resort.” (The entire recent history of the fixation on short-term returns, obsession with “efficiency,”  and “streamlining” of most American corporations escaped the notice of Mr. Anderson, apparently.) I can’t imagine this line-by-line response to all the points raised in a TED Talk happening for an “expert” on any subject other than the general uselessness and self-importance of self-proclaimed millionaire “job creators.”

On his blog, Anderson attempted to deflate the growing anti-TED outrage by saying that while he supported Hanauer’s “overall stance” (a claim belied by his email to Hanauer), the talk was not good enough to merit posting.

At TED we post one talk a day on our home page. We’re drawing from a pool of 250+ that we record at our own conferences each year and up to 10,000 recorded at the various TEDx events around the world, not to mention our other conference partners. Our policy is to post only talks that are truly special. And we try to steer clear of talks that are bound to descend into the same dismal partisan head-butting people can find every day elsewhere in the media.

The word “partisan” or variations on it appear three times in Anderson’s explanation. The words “Democrat” and “Republican” appear only once in Hanauer’s talk, at the very beginning.

Anderson is using “partisanship” the same way idiotic centrist pundits like Thomas Friedman do: as a meaningless catch-all term for any political action or belief that they disagree with. “Nonpartisanship” is, as always, defined as “whatever I think is reasonable and correct.” Hanauer’s argument is certainly left-leaning, but it’s not “partisan” — the Democratic Party helped usher in our new Gilded Age, and its leaders do not have an anti-income-inequality platform, even if Democrats are more likely to speak out on the subject than Republicans.

“Partisan” is the word that reveals how full of shit Anderson is, even if he doesn’t know it. This is the blinding ideology of the globe-trotting do-gooder billionaire class that mistakes its self-evident dogma for a pure lack of ideology.

The people at Davos and in Aspen also think they’re saving the world, and the majority of them are also deeply involved in making it much worse for people who can’t afford to go to Davos and Aspen. It is no wonder at all that a talk on how their voluntary charity can better the lives of the unwashed is received with much more enthusiasm than one on how a better use for their money would be for them to have much less of it and everyone else a little more.

Hanauer’s talk was remarkably dry — and I am sure that was part of the reason for its burying, because TED truly values flash and surprise over substance — and not remotely mistakable for a pro-Democratic Party stump speech. But its central message was incompatible with the TED ethos: that TED People Are Good for the World.

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Alex Pareene

Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene

Our most dangerous hike

When a casual excursion turned dangerous, I didn't know if it would end my relationship, or define it

(Credit: Blazej Lyjak via Shutterstock)

At 6 years old, I reluctantly joined my Brownie troop on an all-day hike into the woods, and two days later, my appendix burst. I blamed the woods. Maybe it was the grit at the bottom of my Thermos, which my troop leader had told me to ignore. Maybe my appendix was allergic to the outdoors. (“Maybe it’s because you suck on your hair,” my mom said, a habit she regularly predicted would lead to my ruin.) Soon after, I quit Brownies and never went hiking again.

Until age 26. I was in a faltering relationship with a man who loved hiking and camping, and who sincerely believed that I would love these activities too, if he could be my guide.

V was the first Indian-American I’d ever met who actually liked to camp. I’d always associated camping with white people, along with sunbathing and being grounded, but here was V at REI — testing compasses, lusting after tents — with a thrilled, drifting look in his eye. I kept thinking about a term that a friend and hiking enthusiast had once taught me — “poop trowel” — two words that returned to me now with great foreboding.

But as I trailed along, I found myself vaguely infected by V’s enthusiasm. It was one of the things I liked best about him, his ready embrace of adventure. He had once done a seven-day solo hike through the Himalayas, sans guide, and slept at a tea house each night. Before I bought a bicycle, V got me to double on his and we rode all around New York City that way, though it took me a while to loosen my clench on his waist.

Ironically, it was that very sense of adventure that seemed to prove us incompatible. We were plagued by the question of where we would live for the next 10 to 20 years, if we were to get married. Prior to meeting me, V had spent a year in rural India and three years in Sierra Leone. He had always envisioned living and working abroad, either in India or Africa; I had never even entertained the possibility. The question of where led to a multitude of what ifs. We tried coming up with timelines and spreadsheets that would fulfill both our geographical needs. Google Docs became a primary form of correspondence.

I think we both believed that we would soon be parting ways, and that this camping trip would be some lovely, pastoral memory we would linger over, long from now, when we were married to other people. I agreed to go hiking, mostly because of his enthusiasm, and how much I would miss it.

Not 15 minutes into our hike, I was faced with a number of immutable truths — that my backpack was the approximate shape and weight of a mini-fridge, that my one prized possession, a king-size Hershey bar, was somewhere in his backpack instead of mine, that we had to first ascend a mountain in order to descend it. V went ahead of me, leaping from stone to stone, chatty and upbeat, immune to my slightly exaggerated mouth-breathing. The first bad sign came early on, when we were met by a hiker descending the mountain. He said that the weather, on his way up, had grown so chilly and cloudy that he’d decided not to go above treeline. We told the hiker where we were planning to go: up the mountain, along the ridge, through a ravine, along another ridge, and into a colony of shelters by sundown.

The hiker took one look at me in my oversize yellow poncho, bowed under the weight of my mini-fridge, and asked for our full names. “Just in case,” he said, leaving off the rest.

This is the point in the TV movie where you curse the foolish hikers and urge them to turn back. In our defense, a park ranger had initially approved our route, had even guessed that a yellow blob like me could tackle the whole journey without a problem. The views, he said, would be worth it.

But at the top of the mountain, the landscape turned lunar, drained of color, bereft of plant life. We stood among the gray rock, surrounded by cloud on all sides, a far cry from the turning leaves we had come to see, the livid orange and garnet that lavished the slopes at this time of year. This was a more desolate beauty, remote and isolating. But we’d been planning this trip for weeks, and after a mere hour of suffering and no sign of those magical, mist-clad mountains, we weren’t about to turn back around.

I decided to adopt a certain philosophy toward the hike, which was something like my approach to life at 26: I don’t know where I am but I’m keeping on. I was living in New York City, working as an assistant editor on a documentary film, writing my first novel in the evenings, and trying to negotiate with the mouse that lived in the bowels of my gas stove. Around that time, I read Rilke’s “Letters to a Young Poet,” in which I’d starred these lines: “Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question.”

As the hike went on, I found myself living a lot of questions. I kept waiting for the visual rewards that the White Mountains website had promised us — a sapphire lake, a giant, sleepy moose — but no. The uphill climb flattened out into a hostile field of gray boulders. Buffeted by wind and nearly horizontal rain, I struggled to keep my balance.

And I learned another word — “cairns” — cryptic little piles of stones that marked the trail. Those stone snowmen became for me tiny totems of authority and hope in our increasingly bleak surroundings. After we crossed the boulder field, we checked the map. We weren’t covering enough ground to stick to our original plan. We had no time to sit and eat. Instead we took turns shoveling mixed nuts into our mouths from a sweaty Ziploc bag, and though I hate mixed nuts, I nibbled with a feral intensity.

Cold and wet and miserable, I focused on composing a series of speeches, which I planned to deliver as soon as we found ourselves within reach of a proper toilet. Rhetorical questions included: Why couldn’t we have started with a day hike? Why didn’t we obey the several signposts that read, DO NOT GO PAST THIS SIGN? But the light was fading too quickly to pause and interrogate. The sun had begun to set by the time we reached the ravine, a steep descent among jagged rocks and a rather anemic stream. We had no choice but to strap on our headlights, like miners, and scoot from stone to wet stone on our rears. Propelled by resentment, I led the way.

At some point, I turned and noticed that V had fallen a good bit behind. When he finally reached me, he showed me his hands, which were pale and trembling slightly. His lips were going numb, making it difficult to talk. Hypothermia, he guessed. I could see he was scared. I pressed his wet-gloved hands between mine. It didn’t help.

We went on boulder-scooting, slowly now. Every so often, I called behind and he replied, but if his voice was too distant, I waited until he reached me. Soon, the dark engulfed us completely, and all I could see was the small tunnel of light from my headlamp, brightening the few steps ahead but nothing more. The snowman totems were lost to us. Our map had fallen apart. All we had was the sound of our names in the dark, or I’m here, or Go on.

It was pitch black when we reached the bottom of the ravine, and yet instantly warmer below treeline. We stumbled along what we thought was the trail and finally arrived at a group of rickety lean-to’s in which hikers could pitch their tents. Climbing into a lean-to, I felt an almost deranged euphoria. I didn’t even mind, later that night, when we realized that V’s sleeping bag had been soaked through by the rain. We stuffed ourselves into my lady-size sleeping bag, packed so tight that I couldn’t move my torso or legs, a sort of two-headed sausage. As was his custom, V fell asleep within minutes. Exhausted as I was, I lay awake, listening to him snore, never so content to be partially paralyzed next to another.

As I write this, I’m in New Delhi and V is in Mozambique, but usually we live in Washington, D.C. We got married two years after our White Mountains hike, and while we spend some months out of each year in different countries, I’ve come to believe that the question of where we’ll live 15 years from now is as foggy as who we will be. Ours is a marriage that some of my relatives call “modern,” and by modern, I think they mean inscrutable.

And as married folk do, we’ve recounted That Time We Went Hiking to our friends so often that we can call up the smallest details, like the squirrel scratching all night at the skin of our tent. (Another rodent negotiation.) What I don’t remember as readily is the growing panic, the uncertainty behind every step. The memory of that fear fades a bit with every telling.

In retrospect, the happy ending of our hike seems a fated eventuality, but logic — and a hundred other hiker horror stories — suggest otherwise. There is a multitude of other routes the story could have taken, that our story could still take, twists and boulder-scooting turns that no Google Doc spreadsheet could foresee. Such is the wilderness of marriage. We continue calling across the dark, across continents, and so long as the other answers, I’m here, we are safe; we keep on.

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Tania James' new book of stories "Aerogrammes" is now out from Knopf. She is the author of a novel "Atlas of Unknowns," and her writing has appeared in Boston Review, Granta, Kenyon Review, One Story, Orion, and The New York Times. Visit her at www.taniajames.com or on Twitter at @taniajam.

We were breast-fed really late

My mother continued to let us touch her for years after feeding stopped, and now it feels creepy and revolting

(Credit: Zach Trenholm/Salon)

Dear Cary,

I don’t know how to put this any way but bluntly, so here goes. My mom let me and my brother breast-feed really, really late– until we were 4 or 5. She let us touch and play with her breasts for years after that. She never told us what sex was, and later when I found out for myself, my body changing on its own, I felt revulsion at the all-too-recent memories of how I touched, and wanted to touch, my own mother. I hated that she hadn’t stopped me.

Now I’m 18 and have a little sister. Just like with me and my older brother, Mom breast-fed her really late, and now at 9 years old, my sister still likes to feel my mother’s breasts. My sister is my mom’s last child, and so in several areas Mom persists in regarding her as a baby.

I try to understand my mom. I realize the idea of her last kid growing up must be scary and depressing. But this behavior is disgusting to watch or even to know it is going on when you’re not there. Additionally, it’s delusional and perverse to excuse, and even encourage, such behavior in a growing young woman on the grounds that she’s an infant. Who knows why I wanted, and now my sister wants, to touch my mother’s breasts at age 9? Certainly not because we wanted to breast-feed. But Mom’s so convinced of my sister’s innocence that she refuses to consider she could be encouraging inappropriate impulses that my sister is too unaware to understand.

I know those impulses are there. It happened to me. But for obvious reasons, I can’t tell my mother that.

What I do tell her? That I’m grossed out and that my sister is too old? Mom won’t listen. My sister, of course, listens to Mom over me and gets mad at me for saying anything. So I’m at a loss for what to do, and I don’t want my sister to turn out with the revulsion of her own memories and the confusion of her feelings that I suffered.

I’m so disgusted it’s keeping me up at night. I’m angry and stressed.

What should I do?

Revolted

Dear Revolted,

I want you to consult with a psychotherapist. Look for someone who has helped others with experiences similar to yours.

You could read and study about this. It wouldn’t hurt to get a basic understanding of child development and how such experiences can later affect us in troubling and unexpected ways. But knowledge alone will not be enough to avoid the later effects of this early experience.

The best thing you can do for yourself now is to find a therapist who can respond to you in a clear, responsible and nonjudgmental way and sit with you, week after week, as you tell your story. That would also be the best person to advise you on how to talk with your mom and your sister should you choose to do so at some point.

You are in a great situation right now. You know what happened, and it is still fresh. You have not distorted what happened or rationalized it or put it out of your mind. So this is the time to act.

You will meet obstacles in your search for the right psychotherapist. So consider this a quest of monumental importance. It may be the most important thing you ever do — more important than your education or your later occupation.

Feelings of guilt and self-hatred may arise. As such feelings come up, remind yourself that they are not helpful. They are, in fact, the direct result of this experience that has left you feeling troubled and conflicted.

You may also hear voices telling you that talking about it is taboo or will expose others to harm. That is why the confidential setting of a psychotherapist’s office is the ideal space in which to tell your story. You will not be “outing” your mother or have to confront her; you will not be causing family conflict. All you will be doing in therapy is resuming, as a slightly older person, the course of development that was sidetracked at an early age by these unusual experiences.

You have the chance to live a happy, productive life, unburdened by this. Moreover, once you attain some understanding of this, you can be of use to others who have had similar experiences.

Now, I believe that a rich country like ours ought to provide for its people in certain basic ways. One of these ways is in medical care. Psychotherapy is a kind of medical care. So I believe that high-quality psychotherapy and psychiatric care ought to be readily available to people of all income levels.

This is not currently the case in America. Instead, we  must be creative, energetic and insistent to get the care we need. This is cruelly paradoxical, because it is precisely at moments when we are most burdened that we are called upon to be entrepreneurial and creative in our search for care.

You will need strength and resilience as you search for the right therapist. To keep on your quest you may need to repeat to yourself that this is indeed a life-or-death matter. People who have such experiences can later fall into depression, suicide and addiction. We don’t want that to happen to you.

Some people are uncomfortable with this topic, so they snicker and make childish jokes. Beware of shaming remarks. It would be great if they could just slide off your back, but the truth is that such remarks often do sting. Do not pretend that such remarks are not hurtful. Instead, feel the sting and wait for it to subside, like the sting of a bee. Accept that the world has many cruel and ignorant people in it, but you can survive and live a happy life.

Don’t listen to anyone who says to just get over it. We humans don’t often just “get over” stuff like this. Not without help. So get help.

You can find the help you need, and you deserve it. It’s not your fault what happened when you were just a kid.

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Cary Tennis

Cary Tennis writes Salon's advice column, leads writing workshops and creative getaways, publishes books, writes an occasional newsletter and tweets as @carytennis.

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“People Who Eat Darkness”: The disappearing blonde

A true crime story set in Tokyo illuminates the complicated truths behind media cliches

Joji Obara and Lucie Blackman (Credit: Estate of Lucie Jane Blackman)

Lucie Blackman, 21, went out for the afternoon in 2000, phoning her roommate and best friend Louise to arrange a meeting later that night. Lucie never showed up, and within a few days she’d become one of those vanished blondes whose fates fuel headlines and hours of speculative media coverage. She was British, a former flight attendant, and she and Louise were living in Tokyo. They were also bar hostesses, a profession with a very specific meaning in Japan, difficult to explain to foreigners and not entirely clear to the Japanese themselves. Lucie both did and didn’t match the classic Missing Blonde profile, and for a while the mystery of what happened to her threatened to lapse into permanent obscurity.

One thing made a difference: The actions of Lucie’s father, Tim Blackman, who arrived in Tokyo to join his other daughter, Sophie, in publicizing the search and prodding the police. Richard Lloyd Parry, Tokyo bureau chief for the Times of London, covered the case as it unfolded, first over the course of several months while Lucie’s whereabouts and abductor remained unknown, and finally for the six years it took to try the man accused of killing her, Joji Obara. The book Parry wrote about the case, “People Who Eat Darkness,” is an exceptionally perceptive and nuanced look at a terrible crime, one that put nations, institutions and family members at odds, and often into bitter and toxic conflict.

Unlike Truman Capote, author of “In Cold Blood,” the most celebrated true crime narrative of all, Parry is in essence a reporter; this is no “nonfiction novel.” But like Capote, he’s less interested in dishing the eerie or lurid details than he is in exploring the penumbra of the crime, the complex factors that fed into it and the unpredictable effects it had on an ever-spreading network of people. The true crime genre has a (mostly well-earned) reputation for trashiness, but it fascinates for legitimate reasons, as well. Transgression, justice and punishment speak to the very heart of what a society is, how it holds its people together and how they decide who lies beyond the pale.

Because Lucie Blackman was a foreigner, and one employed in an industry that the Japanese view as disreputable, the Tokyo police were inclined to dismiss her disappearance. Bar hostesses get paid to talk to and flirt with customers, and they are expected to go on (paid) dinner dates with them outside the clubs where they work, but it’s an arrangement that usually stops short of actual sex. Nevertheless, the Japanese think of most foreign hostesses as irresponsible, drug-loving backpackers who might well run off without telling anyone or get mixed up with dangerous people. Whether or not a Westerner would call what bar hostesses do a part of the sex industry, for the Japanese, these women belong to that category of “bad” girl who can expect little help or concern from authorities should she get into serious trouble.

Crime is not what it was in Capote’s day. In addition to finding and building a case against the perpetrator — jobs for law enforcement authorities — there’s handling the media, a task usually left to the victim and his or her relatives. Lucie’s father proved, initially at least, to be a master at this. Tim could detach himself emotionally from the horror of his situation and strategize. He was able to capitalize on a G-8 summit meeting being held in Japan around the same time Lucie vanished and parlay it into the intervention of British Prime Minister Tony Blair. Blair publicly asked Japan’s prime minister to front-burner the investigation, and met with Tim and his younger daughter Sophie while he was in Tokyo.

The police, who had been dragging their heels on Lucie’s disappearance, found this development (which made perfect sense in the political context of Britain) flabbergasting. Still, it worked: Lucie, who might have been written off as one of those “disposable” women of dubious virtue, was conclusively cast as an innocent girl, “naive perhaps, out of her depth,” but an adventurous daughter rather than a reckless slut. Tim was driving the narrative, as an electoral campaign manager might put it, and he was good at it. He liked talking to the press, even the tabloid press, and they liked him.

But if Tim was good at telling Lucie’s story, he was less successful at telling his own. Some of the most penetrating passages in “People Who Eat Darkness” concern what Parry refers to as the “script” expected from bereaved parents. Years later, Parry covered a press conference given by the father of another murdered girl and recognized in him “everything the world expected of a man in his situation: broken, helpless, turned inside out by loss.”

Tim, however, was composed, which aroused a formless popular suspicion regarding his sincerity. In similar cases, this uneasiness frequently takes the form of outside observers suddenly deciding that the parents might be implicated in their child’s disappearance or death. Tim, halfway around the world when Lucie vanished, was immune to that, but when he quarreled with the rich businessman funding the private search for his daughter, accusations of self-interest and even exploitation surfaced.

Lucie’s mother, Jane, on the other hand, behaved exactly as a grief-stricken mother is supposed to. In some respects, the truth about her parents’ failed marriage is as unknowable as the events of Lucie’s final hours. Unamicably divorced, Tim and Jane avoided even being in the same room together throughout the crisis. Was Jane, who seems to fall for every kind of supernatural hokum that crosses her path, pathologically vindictive, or was Tim as big a shit as she claimed? Just when you think you’ve made up your mind on that question, a new development comes along to knock you into the other camp.

As for the perpetrator himself, he remains something of a cipher to Parry, who was never able to interview him. Obsessively camera shy, Obara deftly avoided being properly photographed even after his arrest. He was clearly demented, as a long, self-justifying self-published book (disguised as the work of concerned supporters) amply demonstrates. Resolutely confident and unrepentant, Obara was also utterly unlike the vast majority of Japanese criminal defendants. (Parry explains that the justice system there depends almost completely on the ability of police investigators to shame suspects into confessing.) They simply didn’t know what to do with him. The Japanese blamed Obara’s recalcitrant behavior on his Korean ethnicity.

The Blackmans and Obara, Western-style players, descended on a criminal justice system unprepared to cope with them. “The inadequacy of its police force is one of the mysterious taboos of Japanese society,” Parry writes, “a subject that the media and politicians strain to avoid confronting, or even acknowledging.” The blunders of the police were many, but they could also be dogged investigators. Their real problem, according to Parry, is that they are good at dealing with “conventional Japanese criminals,” but when faced with the unexpected, they’re “sclerotic, unimaginative, prejudiced and procedure-bound.”

Obara behaved like a British or American criminal — taking charge of his defense, actively contesting the prosecutors, formulating a counternarrative to account for Lucie’s death. Watching how Japanese institutions responded to him, as well as to the Blackmans’ efforts to influence the investigation, proves fascinating. Since true crime, at its best, serves as a window on what a society cares about — how it constitutes not only what’s right and wrong but what’s sympathetic, reasonable, acceptable and important — the Obara trial was a most illuminating culture clash.

Parry doesn’t, however, forget what lies at the root of this drama: the death of a young woman who, whatever her doubts or flaws, had every reason to hope for a wonderful life. As the investigation would eventually reveal, this tragedy was eminently preventable. The people who tried to tip off the police about Obara were dismissed as not worth listening to. Let’s hope they’re not the only ones to learn from that mistake.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.com.

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