"Dancer in the Dark"Lars von Trier is a mechanic, not an artist. And his movies are meat grinders he feeds his characters through.
By Stephanie Zacharek [September 22, 2001]

"The Damned" Almost two decades after she documented the L.A. punk scene, Penelope Spheeris returns to find its legacy -- and finds no legacy at all.
By Mark Athitakis [August 6, 1998]

"The Deep End of the Ocean" Waiting to exhale: Andrew O'Hehir reviews 'The Deep End of the Ocean'.
By Andrew O'Hehir [March 12, 1999]

"Deep Impact" Charles Taylor reviews 'Deep Impact,' directed by Mimi Leder and starring Tea Leoni, Robert Duvall and Morgan Freeman
By Charles Taylor [May 7, 1998]

"Detroit Rock City" Shout it out loud: You'll be in sweet pain after a retro glimpse at four kids smoking through the '70s heyday of Kiss.
By Stephanie Zacharek [August 12, 1999]

"Devil's Advocate" Lawyers and moviegoers alike go to hell in the convoluted 'The Devil's Advocate.'
By Charles Taylor [October 17, 1997]

"The Devil's Own" Salon movie review for March 28, 1997 -- "The Devil's Own".
By Charles Taylor [April 28, 1997]

"Dick"A flinty little comedy gives the Nixon years another turn.
By Stephanie Zacharek [August 3, 1999]

"Different for Girls" "Different for Girls" is a likable, genuine look at a relationship between a man and a woman who used to be one.
By Andrew O'Hehir [October 12, 1997]

"Dinosaur" Bambi meets Godzilla: Disney goes for the goo in a by-turns gory and sappy new epic of computer-generated images.
By Michael Sragow [May 18, 2000]

"The Discreet Charm of the Bourgeoisie" A restored version of Luis Bu–uel's Academy Award-winning black satire takes aim at the Spanish director's most cherished old hates.
By Charles Taylor [May 15, 2000]

"Disney's the Kid" A sentimental Bruce Willis stars in a perfectly acceptable, unforgivably titled entertainment in the Mouse Factory's most familiar vein.
By Andrew O'Hehir [July 7, 2000]

"Doctor Dolittle" Animal crackers: A review of the movie 'Doctor Dolittle,' starring Eddie Murphy, by Stephanie Zacharek.
By Stephanie Zacharek [June 25, 1998]

"Dr. Dolittle 2" Eddie Murphy goes animal crackers again -- and reminds us how truly funny he can be.
By Charles Taylor [June 22, 2001]

"Dogma" Kevin Smith's comic-book vision of church doctrine is a celebratory leap of faith.
By Charles Taylor [November 11, 1999]

"Donnie Brasco" With Al Pacino and Johnny Depp in top form, "Donnie Brasco" is smarter than the average mob movie.
By Charles Taylor [March 28, 1997]

"Double Jeopardy" This action thriller bets it all -- and loses.
By Andrew O'Hehir [September 23, 1999]

"Double Take" Yuppie vs. homeboy or drug lord vs. FBI agents -- who knows? This hyperactive road comedy provides pointless, good-natured laughs.
By Andrew O'Hehir [January 12, 2001]

"Down to Earth" Chris Rock, reborn as a white guy, blazes through a perfectly pleasant "Heaven Can Wait" rip-off.
By Stephanie Zacharek [February 16, 2001]

"Dreaming of Joseph Lees" Samantha Morton, the best actress to emerge in the last decade, finds a film deserving of her talents.
By Charles Taylor [October 28, 1999]

"Driven" Sylvester Stallone's homoerotic car-racing actioner delivers something between "Speed Racer" and gay porn.
By Andrew O'Hehir [April 27, 2001]

"Drop Dead Gorgeous" A mockumentary about a Midwestern teen beauty pageant turns out to be the guiltiest of this summer's guilty pleasures.
By Mary Elizabeth Williams [July 22, 1999]

"Drowning Mona" Bette Midler, Casey Affleck and Danny DeVito star in a backwoods slapstick that lacks the anarchy needed for true farce.
By Charles Taylor [March 2, 2000]

"Dr. T & the Women" Robert Altman's newest film is a madcap sprawl about the women who love the men who love them.
By Stephanie Zacharek [October 13, 2000]

"Dudley Do-Right" Brendan Fraser does the sweet-but-stupid big lug shtick again -- and again, and again ...
By Mary Elizabeth Williams [August 26, 1999]

"Duets"Huey Lewis emotes, Gwyneth Paltrow croons and her dad keeps this little karaoke tale nice and sweet.
By Stephanie Zacharek [September 15, 2000]

"Dungeons and Dragons"This fantasy crap, fake-o effects and all, betrays princes of dice, masters of graph and wielders of bong.
By Andrew O'Hehir [December 8, 2000]