"The Game" Charles Taylor reviews 'The Game', directed by David Fincher and starring Michael Douglas and Sean Penn.
By Charles Taylor [October 12, 1997]

"Gattaca" The genetically engineered future depicted in "Gattaca" makes for a chilly, neurotic night at the movies.
By Scott Rosenberg [October 24, 1997]

"The General" Heist society: With a mixture of humor and brutality, John Boorman's extraordinary film 'The General' paints a dark portrait of Irish outlaw Martin Cahill.
By Charles Taylor [December 18, 1998]

"The General's Daughter" John Travolta's dancing days are definitely over, but who knew his acting days were numbered, too?
By Andrew O'Hehir [June 17, 1999]

"Genghis Blues" Blues musician Paul Pena heads to Central Asia to unlock the secrets of the ancient art of throat-singing.
By Daniel Mangin [July 8, 1999]

"Get Carter" Stallone returns in a gangster remake that wears itself (and the audience) out trying to be cutting-edge stylish.
By Charles Taylor [October 11, 2000]

"Ghost Dog: The Way of the Samurai" Jim Jarmusch adds lyrical violence to a Zen meditation on warriors hip-hop and ancient.
By Stephanie Zacharek [March 8, 2000]

"Ghost World" Two teenage girls spring to life in Daniel Clowes and Terry Zwigoff's comic tale of obsessives, compulsives and searchers for authenticity.
By Andrew O'Hehir [July 27, 2001]

"The Gift" A certain magic moves this ghostly Southern Gothic nail-biter. Forget the cards: It's all about Cate Blanchett, Keanu Reeves and some great acting.
By Stephanie Zacharek [January 19, 2001]

"G.I. Jane" With "G.I. Jane," Demi Moore hopes that hard work and a controversial subject will rescue her drowning career.
By Charles Taylor [September 22, 1997]

"The Gingerbread Man" Salon Entertainment: Robert Altman goes Southern Gothic with his potent new thriller "The Gingerbread Man," based on the John Grisham screenplay
By Charles Taylor [March 6, 1998]

"Girl, Interrupted" Not even foxy sociopath Angelina Jolie can save this nut house drama.
By Stephanie Zacharek [December 19, 1999]

"Girl on the Bridge" A knife thrower, a beautiful assistant and a couple who just can't lose -- this lovely French film takes wing on giddy, reckless faith.
By Charles Taylor [July 28, 2000]

"Girlfight" Director Karyn Kusama gets the beauty of boxing, but why is her debut film so dreary?
By Charles Taylor [September 29, 2000]

"Gladiator" We who are about to be bored salute you! Russell Crowe stars in Ridley Scott's Roman bloodfest.
By Andrew O'Hehir [May 4, 2000]

"The Gleaners and I" Agnès Varda's new film is part documentary, part personal reflection -- and a celebratory jig to squeezing every last drop out of life.
By Stephanie Zacharek [March 8, 2001]

"Gloria" 'Gloria' proves once again that filmmakers don't know what to do with Sharon Stone.
By Charles Taylor [January 29, 1999]

"Gods and Monsters" Scream queen: Ian McKellen gives a virtuoso performance as early Hollywood's only ecstatically "out" gay director in 'Gods and Monsters.
By Jonathan Lethem [November 20, 1998]

"Godzilla" 'Godzilla' is about as profound as a bad Saturday-morning cartoon, but it will make your kid go to the bathroom five times.
By Gary Kamiya [May 21, 1998]

"Gone in 60 Seconds" In the new Jerry Bruckheimer movie, see cars go fast and get banged up!
By Charles Taylor [June 9, 2000]

"Good Will Hunting" Andrew O'Hehir reviews 'Good Will Hunting' directed by Gus Van Sant and starring Robin Williams and Matt Damon
By Andrew O'Hehir [December 5, 1997]

"Gossip" It doesn't really matter who sleeps with whom in this sub-"Melrose Place" college fantasy, just that both actors will end up shirtless.
By Andrew O'Hehir [April 20, 2000]

"The Graduate" You may have been a randy, spiteful old drunk, but at least you didn't wind up like your lover-boy -- as the '60s generation's most embarrassingly Oedipal symbol.
By Robin Dougherty [March 21, 1997]

"Grass" Dope enthusiast Woody Harrelson narrates a flashy, smoker-friendly documentary on the twisted history of the evil weed -- and the misguided drug war against marijuana.
By Jeff Stark [June 15, 2000]

"Great Expectations" A strange, breathtaking and rapturous new updating of Dickens' 'Great Expectations.' Film review by Charles Taylor.
By Charles Taylor [December 30, 1998]

"Greenfingers" A tradition of British cinematic whimsy meets a garden of good and evil.
By Charles Taylor [July 27, 2001]

"The Green Mile" Tom Hanks and a sparkling cast squeeze Stephen King's story for surprisingly effective Hollywood melodrama.
By Andrew O'Hehir [December 9, 1999]

"Grosse Pointe Blank" A review of the movie 'Grosse Pointe Blank' directed by George Armitage, reviewed by Stephanie Zacharek.
By Stephanie Zacharek [May 11, 1997]