Booker had seemed to pronounce the Obama effort to highlight unflattering aspects of Romney’s private equity background “nauseating,” but in the video, he suggested he was making a broader statement about negative campaigning.

“I used the word ‘nauseating’ on ‘Meet the Press’ because that’s really how I feel when I see people in my city struggling with real issues and still feeling the challenges of this economy, and still looking for hope and opportunity and real specific plans,” Booker said. “I get very upset when I see such a level of dialogue and calls to our lowest common denominator.”

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The talk seemed reasonably well-received by the audience, but TED "curator" Chris Anderson told Hanauer that it would not be featured on TED's site, in part because the audience response was mixed but also because it was too political and this was an "election year."

Hanauer had his PR people go to the press immediately and accused TED of censorship, which is obnoxious -- TED didn't have to host his talk, obviously, and his talk was not hugely revelatory for anyone familiar with recent writings on income inequity from a variety of experts -- but Anderson's responses were still a good distillation of TED's ideology.

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Until age 26. I was in a faltering relationship with a man who loved hiking and camping, and who sincerely believed that I would love these activities too, if he could be my guide.

V was the first Indian-American I’d ever met who actually liked to camp. I’d always associated camping with white people, along with sunbathing and being grounded, but here was V at REI — testing compasses, lusting after tents — with a thrilled, drifting look in his eye. I kept thinking about a term that a friend and hiking enthusiast had once taught me — “poop trowel” — two words that returned to me now with great foreboding.

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I don't know how to put this any way but bluntly, so here goes. My mom let me and my brother breast-feed really, really late-- until we were 4 or 5. She let us touch and play with her breasts for years after that. She never told us what sex was, and later when I found out for myself, my body changing on its own, I felt revulsion at the all-too-recent memories of how I touched, and wanted to touch, my own mother. I hated that she hadn't stopped me.

Now I'm 18 and have a little sister. Just like with me and my older brother, Mom breast-fed her really late, and now at 9 years old, my sister still likes to feel my mother's breasts. My sister is my mom's last child, and so in several areas Mom persists in regarding her as a baby.

I try to understand my mom. I realize the idea of her last kid growing up must be scary and depressing. But this behavior is disgusting to watch or even to know it is going on when you're not there. Additionally, it's delusional and perverse to excuse, and even encourage, such behavior in a growing young woman on the grounds that she's an infant. Who knows why I wanted, and now my sister wants, to touch my mother's breasts at age 9? Certainly not because we wanted to breast-feed. But Mom's so convinced of my sister's innocence that she refuses to consider she could be encouraging inappropriate impulses that my sister is too unaware to understand.

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One thing made a difference: The actions of Lucie's father, Tim Blackman, who arrived in Tokyo to join his other daughter, Sophie, in publicizing the search and prodding the police. Richard Lloyd Parry, Tokyo bureau chief for the Times of London, covered the case as it unfolded, first over the course of several months while Lucie's whereabouts and abductor remained unknown, and finally for the six years it took to try the man accused of killing her, Joji Obara. The book Parry wrote about the case, "People Who Eat Darkness," is an exceptionally perceptive and nuanced look at a terrible crime, one that put nations, institutions and family members at odds, and often into bitter and toxic conflict.

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More likely, Booker went on the show to help himself and to advance his own long-term political prospects. And on that score, his appearance was a success.

You’ve probably seen or are now seeing the headlines Booker generated by calling the Obama campaign’s attacks on Mitt Romney’s private equity background “nauseating” and likening them to efforts by some on the right to inject Rev. Jeremiah Wright into the campaign.

“Enough is enough,” Booker said. “Stop attacking private equity. Stop attacking Jeremiah Wright.”

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Barton -- “one of the most important men alive,” according to Glenn Beck -- is frequently criticized as a pseudo-historian by progressives and academic historians for his claims about the Founders. He is now facing scrutiny, however, from evangelicals. After Barton’s speech in the Capitol, John Fea, chairman of the history department at evangelical Messiah College, accused Barton of “peddling falsehoods” about Washington, and asked, “Is it time to gather Christian historians together to sign some kind of formal statement condemning Barton's brand of propaganda and hagiography?”

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It could be worse, I realized. I could live here.

Cold comfort, perhaps, but comfort nonetheless. And so, for providing the enforced monotony that only a dull road trip can provide, and the bleak void to which to compare my own relatively full life, I am grateful to the state of Nebraska. Nebraska has a special place in my heart.

It has no place, however, on a map of the United States.

Let me explain: California is a state. New York is a state. Texas, for the time being at least, is a state. And they deserve to be. They’re big, they’re boisterous — but most crucially, they’re populated. Thirty-seven million people live in California, four million in Los Angeles alone. New York is home to almost 20 million people. If California were a country, it would have the eighth largest economy in the world. If New York City were its own state, it would be the 12th largest — and in my humble New Yorker opinion, the best.

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The silver, hand-cranked contraption is usually kept behind glass at Good Vibrations' Antique Vibrator Museum in San Francisco -- but staff sexologist Carol Queen made a rare exception. "This is very special," she whispered, unlocking the case and carefully pulling out Dr. Johansen's Auto Vibrator, a relic from 1904. The "auto" part is not so much: It was a two-person job, with her having to crank the device's handle to get it thrumming. Pressing my finger tips to its inch-wide circular platform of pleasure, I was pleasantly surprised by its power.

As I was by the two other vintage vibrators that I got to try out -- the White Cross Electric Vibrator from 1917, which has a pronged aperture that makes it seem like the ancestor of Jimmyjane's Form 2, and the Beautysafe Vibrator from the 1940s, which is reminiscent in look, feel and sound to a car waxer.

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INTRO [announcer]: Life after center court turns hot. Tennis legend Martina Navratilova, is she anti-American? Tonight, Martina sets the record straight with Connie. . . .

CHUNG [intro]:  It's not the game that's now getting Navratilova in the news again. The very personal admission to a paper that she wants to adopt a child and some very damaging quotes in German newspaper allegedly made by the tennis phenom. . . . All of this has pitted Navratilova against the country that has given her so much.

CHUNG [interview starts]: All right. I'm going to read what was said, a quote from that German newspaper. Quote: "The most absurd part of my escape from the unjust system is that I have exchanged one system that suppresses free opinion for another. The Republicans in the U.S. manipulate public opinion and sweep controversial issues under the table. It's depressing. Decisions in America are based solely on the question of how much money will come out of it and not on the questions of how much health, morals or environment suffer as a result."

So, is that accurate? . . . .

NAVRATILOVA: Well, obviously, I'm not saying this is a communist system, but I think we're having -- after 9/11, there's a big centralization of power. President Bush is having more and more power. John Ashcroft is having more and more power. Americans are losing their personal rights left and right. I mean, the ACLU is up in arms about all of the stuff that's going on right now. . . .

CHUNG: Can I be honest with you? I can tell you that when I read this, I have to tell you that I thought it was un-American, unpatriotic. I wanted to say, go back to Czechoslovakia. You know, if you don't like it here, this a country that gave you so much, gave you the freedom to do what you want.

NAVRATILOVA: And I'm giving it back. This is why I speak out. When I see something that I don't like, I'm going to speak out because you can do that here. And again, I feel there are too many things happening that are taking our rights away. 

CHUNG: But you know what? I think it is, OK, if you believe that, you know, then go ahead and think that at home. But why do you have to spill it out? You know, why do you have to talk about it as a celebrity so that people will write it down and talk about what you said?

NAVRATILOVA: I think athletes have a duty to speak out when there is something that's not right, when they feel that perhaps social issues are not being paid attention to. As a woman, as a lesbian, as a woman athlete, there is a whole bunch of barriers that I've had to jump over, and we shouldn't have to be jumping over them any more.

CHUNG: Got you. But sometimes, when you hear celebrities saying something, do you ever say to yourself, I don't care what so and so thinks, you know. Yes, go ahead and say whatever you want to say. But you're not a politician. You're not in a position of government power or whatever.

NAVRATILOVA: No. And I just might do that. I may run for office one of these days and really do make a difference. But...

CHUNG: Are you kidding me?

NAVRATILOVA: No, I'm not. One of these days, hopefully. But when you say go back to Czech Republic, why are you sending me back there? I live here. I love this country. I've lived here 27 years. I've paid taxes here for 27 years. Do I not have a right to speak out? Why is that unpatriotic?

CHUNG: Well, you know the old line, love it or leave it. 

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A small white cotton T-shirt. I'd bought it four days earlier at Fashion for Eva on Sunset Boulevard, slept in it for three nights in a row, and stored it in a Ziploc bag in my freezer during the day. Those were the instructions for attending the pheromone party at the Silent Movie Theatre in Hollywood -- part singles soirée, part science experiment, part hipster cornucopia.

Here's how it works: Participants imprint their odor on cotton T-shirts and then bring them to the party. Upon registering and shelling out $30, they place their shirts in plastic bags with numbered Post-its – pink for women, blue for men. The bags are placed on a table in the party area in the courtyard out back, where guests can leisurely (or voraciously, as was sometimes the case) sniff shirts in between trips to the bar for an absinthe cocktail. When you find a shirt you like, you stand in line to get your picture taken with the prized numbered shirt. The photographs are projected on a slideshow throughout the night at the bar and on the big screen inside the movie theater.

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That’s not all Fischer and Mourdock have in common. Both of them, as it happens, were born in the same year. Harry Truman was president of the United States. Perry Como, Tony Bennett and Mario Lanza dominated the Hit Parade; "I Love Lucy" debuted on TV, if you had TV; and Joe DiMaggio was still playing for the Yankees. They were born in 1951. If they’re elected, they will be 61 years old when they take office.

Fischer and Mourdock were first eligible to vote for president in 1972. That year, while Richard Nixon was sweeping to a landslide victory, 29-year-old Joe Biden was winning a Senate seat in Delaware; he wouldn’t even be eligible for the office until his birthday on Nov. 20. He’s about nine years older than them, but by January he’ll have completed a four-year term as vice president … after his 36-year run in the world’s most exclusive – and rapidly aging – club.

And that, in a nutshell, is a sign of one way the United States Senate has changed over the last several decades.

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We were really starting to feel the crunch. I think two years prior to me being laid off we had to cut our hours back and so everybody worked and got paid for 90 percent instead of 100 percent of the time. So everybody had one day unpaid every two weeks. And so that was the first big sign that things were getting bad. And then it just continued to spiral until we couldn't keep as many people on. And I was the low man on the totem pole. I was the assistant planner, which is the lowest step, and also I was the most recent one hired so I had the least seniority. I knew about almost six months before I was actually going to be laid off, they'd already told me that it was me.

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Or in this case, his son's. The -- neighborhood? development? -- was built by Ross Perot Jr. as an "urban lifestyle destination." But what it really is is an entertainment district: that swath of cityscape whose character has been preordained by a city council vote and is now identified by brightly colored banners affixed to lampposts. (The entertainment district's close cousin, the arts district, is often lurking somewhere nearby.)

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You were a writer. Were you losing your enthusiasm for it? Or you weren't happy with what you were producing?

No, the stuff was pretty good. For some reason it wasn't feeding me like it once had, I guess. Writing into the void on a daily basis was a hard thing and I did it for a couple years, where you don't know where your story's going. It's a fight. And I think I got to where I liked the fight. There was less of that.

Did you have a plan B?

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I get that Carolla is just cracking wise, from inside the bubble of his own lame version of post-rockabilly guy-shtick -- he is interviewed inside a garage, with what looks like an orange Camaro behind him in the middle distance -- and that if you brought up the fact that those old-time "chick jobs" paid 40 to 80 percent less than "guy jobs," he'd get all irritated with you for being a drag. He's still an idiot, though, even if he's an idiot in quotation marks. That's kind of the problem with "Mansome," which tries to tackle the enormous subject of contemporary male vanity as an assemblage of whimsical anecdotes, which are often entertaining in themselves but studiously avoid any semblance of intelligent analysis or historical understanding.

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