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"After Silence: Rape and My Journey Back" By Nancy Venable Raine
Crown Publishers
Nonfiction, 278 pages
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May 26, 1999 |
The city trees were at their peak of color when I moved back to Boston after a year in Maine, where I had taken an extended consulting contract. I felt I was beginning again in Boston, although I'd lived there before for nearly a decade. The day I was raped I was settling into a new apartment in a familiar neighborhood, and enjoying the feeling
of putting my world in order, leafing through books before placing them on the shelves, polishing candlesticks and washing dishes.
For more information on rape, including what to do when it happens and how to help prevent it from happening, click here.
The bird that sang from the cherry tree felt welcoming. I wanted to identify it, but my field guide was hopelessly inaccessible, still packed up in the jumble of boxes stacked in the living room. So I closed my eyes and listened. I remember still that the notes were tumbling down one after the other. They seemed to carry a singular joy, as if the light of the Indian summer day were becoming sound. As suddenly as it had appeared, the bird -- a migrant, perhaps, on its way south -- flew away and the mutterings of the city returned -- traffic on the busy avenue a block away, a distant siren, the shouts of children playing baseball. I returned with renewed concentration to my tasks. I unpacked my kitchen utensils and put them in a drawer. I sharpened my kitchen knives and laid them on the counter. Then I filled a plastic bag with packing paper and dragged it out of the back door to the metal garbage cans at the side of the house. The air was a summery dream, sweeter still because a New England winter paced impatiently in the wings. As I stuffed the trash bag into a can, my back to the kitchen door, I listened for the bird, but it was gone. When I returned to the kitchen, I locked the back door behind me. There is nothing more reassuring than a locked door -- unless you've locked the devil in with you. I am standing at the sink, washing a pan. I see my kitchen knives on the counter. I am always seeing my kitchen knives. I am still standing at the sink, washing a pan. Later I wondered, Did the man who raped me hear the bird's song? And if so, what did the notes sound like in his ear? How could he have heard what I heard and still be what he was? Was the bird a warning that I should have heeded? How could I have felt so alive and not have sensed his shambling darkness drawing near? Had I not been awake at all, but asleep? I could not trust even my most fundamental perceptions. The feelings of wholeness evoked by my connection with nature, feelings that had been a glimpse of heaven since my childhood, were transformed in an instant into feelings of foreboding. In a single moment, I was robbed of what had always soothed me. A bird's song became a harbinger of evil, the prelude to a season in the underworld.
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