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Is Jim Carrey really the best comic since Chaplin?
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Andrew O'Hehir writes, "I see Carrey as the greatest film comic of our generation, and perhaps the finest physical comedian since the silent era of Charlie Chaplin,
Buster Keaton and Harold Lloyd." What kind of hyperbole is this? In addition to physical comedy, the
aforementioned were shaping consistent screen characters, comedic film
language and techniques -- in a very explicit manner, and for the
silent screen. Has Carrey reached the level of visual poetry
that was Chaplin's? For expert physical comedy, O'Hehir should watch the films of Stan Laurel, Oliver Hardy, Harpo Marx, Curly Howard, W.C. Fields and Lou Costello. -- Charles Greenberg Jim Carrey is among the best comic talent of our generation. I do, however, take issue with Andrew O'Hehir's dismissal of Tom Hanks' roles of late: Does anyone really think that Hanks should still be making comedies like "The Money Pit" instead of dramas like "Forest Gump," "Apollo 13" and "Saving Private Ryan"? O'Hehir is spot on with regard to his assessment of Robin Williams' recent career, but he does a disservice by including Hanks in that same category. -- David Bzdak Blackballed Sallie Tisdale's review was heavily
burdened by her preoccupation with the supposed mysteries underlying
black dominance of the NBA and white dominance of other sports. "I've
been called a racist myself simply for asking the question," she
tells us at one point. Blacks came to dominate basketball
because basketball is an inexpensive sport to participate in -- all you
need is a space to act as a court, a basket, a ball and young bodies full
of energy. Cities across the United States created courts in inner cities because
the overhead is slight and it gave kids something to do. This created a
proving ground for black young men, a place to sharpen skills in this one
sport. And of course, from this competition the most talented often rose
to NBA stardom. I grew up as one of those black kids with one organized sport available to me.
In suburban communities there are also basketball courts -- but these
facilities are not alone. Hockey, figure skating, tennis, soccer -- all
sports requiring more infrastructure (and therefore more money) -- are
often all supported at the same school. Inner city kids (mostly black and
Hispanic) rarely have such a cornucopia of choices. -- Dwayne Monroe Sallie Tisdale is another Salon writer who believes that
it takes courage for a white writer to discuss "taboos" about race. Don't
these people read newspapers, watch television or go to the
movies? Performing one-sided rants about racial "taboos"
is the easiest gig in town, and minorities are assaulted by hostile and
inflammatory commentary on an around-the-clock basis.
Even more insidious are the tough-love opinions offered by those who are hypocrites in their own
lives, and who never discuss "taboos" about other ethnic groups, including their own. -- Ishmael Reed Sallie Tisdale states, "He sees unspoken
racism ... in a woman's glance at a black man jogging by." The phrase is
troubling because, Tisdale makes all women white women. This is
the kind of historically "invisibilizing" language we who speak and write
about race must look for, diligently, in our own thoughts and communication. -- Elizabeth McNeil
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