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TV to over-49s: You haven't dropped dead yet? | page 1, 2
That takes care of misconception one; misconception two is that advertisers want as many
people as possible to watch their spots. Advertisers, as a rule, aren't motivated by vanity. (Advertising agencies, now that's another
story.) Companies don't put out ads in the hope that as many people as possible will enjoy their product. They put out ads in the hope
that as many people as possible who would not otherwise have bought
their products will buy them. Note that who would not otherwise have. The catch here is that
advertisers will work harder -- and hence will pay more -- to reach
affluent younger viewers, whose TV watching hasn't increased as much
as older people's demonstrably has. In other words, it's not that
businesses don't want money tainted with the stench of the grave.
It's that they don't believe they have to chase after it. While some ad
professionals have attacked this reasoning as outdated, the
prevailing feeling among advertisers is that they can capture 50-and-ups through news, cheaper entertainment programs and the like. It's a familiar situation to older parents: You do and do and do for
the networks, but do they appreciate it? As American Demographics
pointed out, last TV season saw a decline in 18- to 34-year-old
viewership on every network but WB (which, if it wants me to put that
cockamamie "The" before its name, can send its lawyers after me).
The magazine extrapolated from this that the '99-00 season "may be
the first in a long time in which the networks return to one of the
basic tenets of their business: broadcasting," as opposed to
narrowcasting toward a young slice. Makes sense, right? If those
punks are too busy watching Eric Cartman, starting up e-businesses or
attending gun shows to catch the fine fare we slaved over a hot
banquette at Spago to cook up for them, then screw 'em! Except that,
as the fall lineups showed, the kids' absence has only made them
harder to get, and thus more valuable. A bit of advice, then, for older Americans (though considering that
Salon, ahem, boasts that 90 percent of its readers are between 18 and 49, I realize I'm addressing a
mostly empty chamber here). If you want your interests better
represented outside CBS, you need to start watching network TV more
like 12- to 34-year-olds: decreasingly and elusively. Oh, I know, you
personally don't watch that much television -- hey, I never
look at the damn thing! -- but because, um, so many of your peers are
skewing the figures, consider joining a bowling league or taking up
pottery making. In your restricted, valuable hours, watch fewer
shows. Those you do watch, watch slavishly. (You'll have to be cruel
in winnowing: If those young go-getters on "JAG" bore you for a
second, fire their asses!) And for God's sake, stop watching the
news; you'll concentrate your attention's value, and we'll all be
glad to be rid of the laxative commercials. It wouldn't hurt to be fickle with your money, as well: The other
part of TV's youth bias is advertisers' belief that codgers are set
in their ways. (This view seems especially old-fashioned in today's
market, as Christine Larson argued in the May 10 Adweek -- if
anyone's going to be drinking Surge in 30 years, send me straight to Carousel now.)
So switch from Colgate to Pepsodent, Delta to Northwest, Chrysler to
Toyota and back! Roll those big fat IRAs of yours over a few times,
and see who comes crawling! In other words, you can cry about anti-wrinkle bias, or you can wage
guerrilla war. Eat the same breakfast flakes two mornings in a row,
and you'll get all the Kevin Williamson dramedies you deserve; but
wise up and make advertisers paranoid, and Jane Seymour will never want for
employment again. And a generation to follow -- namely, mine -- will thank you for your
pioneering. We bask in attention today; but already NBC in
its advertising-mag ads is darkly hinting that "Gen Y [12- to 17-year-olds] is 60 million plus and growing, larger and more receptive
than Gen X." I only wish I could join your struggle. I hear, though,
that UPN's rolling out an hour-long dramedy about a white, 30ish
media critic hangin' in Brooklyn with his posse of quirky, free-spending friends, and, you know, something just tells me I Must See it.
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