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Harrison Ford: Oof! Right in the kisser R E C E N T L Y The great Arlington National Cemetery smear By Jonathan Broder When it comes to screwing Bill Clinton, nothing is sacred, not even the dead (12/03/97) A tale of two families
America's Asian "Berlin Wall" has crumbled
All in la familia
Been there, Dunne that
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The ayatollah who came in from the cold
JOHN LE CARRÉ'S OUTRAGEOUS ATTACK ON SALMAN RUSHDIE KEEPS THE FLAMES OF CENSORSHIP BURNING - - - - - - - - - - - - - - - BY CHRISTOPHER HITCHENS
Most writers rallied to the side of Rushdie and his publishers. But a number of them decided that it would be boring to say all the obvious things. Instead, they criticized Rushdie for offending against the tenets and emotions of a great religion. They implied that criticism of Islam was a Western, elitist, colonialist practice. They accused him of caring more for royalties than for human life and of insisting on a paperback edition rather than acting to calm the passions aroused by the hardback. And they said, darkly, that "he must have known what he was doing." These were the positions of British writers Roald Dahl, John Berger, Paul Johnson, Hugh Trevor-Roper and John le Carré, among others. At the time, Rushdie was rather busy finding a place to stay, and didn't get around to replying to each in turn. But nor did he forget, as a recent rancorous correspondence in the Guardian of London has demonstrated. Le Carré, angered by the suggestion in the New York Times Book Review that the central character in his latest thriller, "The Tailor of Panama," was an anti-Semitic "Judas" caricature, had made a speech to a Jewish organization in his own defense and given it to the Guardian to reprint. In it, he bemoaned the tendency of some Jews to equate all criticism of Israel with anti-Semitism, and denounced said tendency as a form of "correctspeak." A day or so later came a letter from Salman Rushdie saying, in effect, that now that le Carré knew what it was like to face a mild form of religious correctness, would he care to change his mind about the real thing? Le Carré, it turned out, did not care. He repeated all the charges listed above, including the one about the pro-Rushdie forces evincing "colonial" attitudes. He added that he had been motivated in his call for a moratorium on the paperback of "The Satanic Verses" by concern for the "mailroom girls" who might get their hands blown off. This solicitude, he loftily implied, was more elevated than any concern for Rushdie's earnings. (Contempt for mere royalties is new for le Carré but then, so is the idea that the author of "Midnight's Children" and "The Jaguar's Smile" is an apologist for Western-style colonialism.) At this point, I should declare, I myself wrote a letter to the Guardian inquiring whether le Carré would have been satisfied by a free edition of the book, given out from trestles in the street. As for the "girls" in the mailroom, none had been harmed in eight years' worth of defiance of the fatwa. Instead, rather inspiringly, the staffs of Crown Books and B. Dalton had rebelled against their respective managements' proposal to drop the book as a security risk. This rather dented le Carré's suggestion that Rushdie's defenders were all members of the elite. To compare their brave conduct to blasphemy was, I suggested, like relieving yourself in your hat and then stuffing the hat on your head. (I now slightly regret the last bit, because it gave later correspondents the opportunity to change the subject.) N E X T+P A G E+| No right to offend the religious |
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