Obama surfs through

Pages 1 2
  • S S S
  • RSS

Pursuing the truth about Ayers, I recently rented the 2002 documentary "The Weather Underground," from Netflix. It was riveting. Although the film seems to waver between ominous exposé and blatant whitewash, the full extent of the group's bombing campaign is dramatically demonstrated. It's not for everyone: The film uses gratuitous cutaways of horrifying carnage, from the Vietnam War to the Manson murders (such as Sharon Tate's smiling corpse, bathed in blood). But the news footage of the Greenwich Village townhouse destroyed in 1970 by bomb-making gone wrong in the basement still has enormous impact. Standing in the chaotic street, actor Dustin Hoffman, who lived next door, seems like Everyman at the apocalypse.

Ayers comes off in the film as a vapid, slightly dopey, chronic juvenile with stunted powers of ethical reasoning. The real revelation is his wife, Bernardine Dohrn (who evidently worked at the same large Chicago law firm as Michelle Obama in the mid-1990s). Of course I had heard of Dohrn -- hers was one of the most notorious names of our baby-boom generation -- and I knew her black-and-white police mug shot. But I had never seen footage of her speaking or interacting with others. Well, it's pretty obvious who wears the pants in that family!

The mystery of Bernardine Dohrn: How could such a personable, attractive, well-educated young woman end up saying such things at a 1969 political rally as this (omitted in the film) about the Manson murders: "Dig it. First they killed those pigs, then they ate dinner in the same room with them. They even shoved a fork into a victim's stomach. Wild!" And how could Dohrn have so ruthlessly pursued a decade-long crusade of hatred and terrorism against innocent American citizens and both private and public property?

"The Weather Underground" never searches for answers, but it does show Dohrn, then and now, as a poised, articulate woman of extremely high intelligence and surprising inwardness. The audio extra of her reading the collective's first public communiqué ("Revolutionary violence is the only way") is chilling. But the tumultuous footage of her 1980 surrender to federal authorities is a knockout. Mesmerized, I ran the clip six or seven times of her seated at a lawyer's table while reading her still defiant statement. The sober scene -- with Dohrn hyper-alert in a handsome turtleneck and tweedy jacket -- was tailor-made for Jane Fonda in her "Klute" period, androgynous shag. Only illegalities by federal investigators prevented Dohrn from being put away on ice for a long, long time.

Given that Obama had served on a Chicago board with Ayers and approved funding of a leftist educational project sponsored by Ayers, one might think that the unrepentant Ayers-Dohrn couple might be of some interest to the national media. But no, reporters have been too busy playing mini-badminton with every random spitball about Sarah Palin, who has been subjected to an atrocious and at times delusional level of defamation merely because she has the temerity to hold pro-life views.

How dare Palin not embrace abortion as the ultimate civilized ideal of modern culture? How tacky that she speaks in a vivacious regional accent indistinguishable from that of Western Canada! How risible that she graduated from the University of Idaho and not one of those plush, pampered commodes of received opinion whose graduates, in their rush to believe the worst about her, have demonstrated that, when it comes to sifting evidence, they don't know their asses from their elbows.

Liberal Democrats are going to wake up from their sadomasochistic, anti-Palin orgy with a very big hangover. The evil genie released during this sorry episode will not so easily go back into its bottle. A shocking level of irrational emotionalism and at times infantile rage was exposed at the heart of current Democratic ideology -- contradicting Democratic core principles of compassion, tolerance and independent thought. One would have to look back to the Eisenhower 1950s for parallels to this grotesque lock-step parade of bourgeois provincialism, shallow groupthink and blind prejudice.

I like Sarah Palin, and I've heartily enjoyed her arrival on the national stage. As a career classroom teacher, I can see how smart she is -- and quite frankly, I think the people who don't see it are the stupid ones, wrapped in the fuzzy mummy-gauze of their own worn-out partisan dogma. So she doesn't speak the King's English -- big whoop! There is a powerful clarity of consciousness in her eyes. She uses language with the jumps, breaks and rippling momentum of a be-bop saxophonist. I stand on what I said (as a staunch pro-choice advocate) in my last two columns -- that Palin as a pro-life wife, mother and ambitious professional represents the next big shift in feminism. Pro-life women will save feminism by expanding it, particularly into the more traditional Third World.

As for the Democrats who sneered and howled that Palin was unprepared to be a vice-presidential nominee -- what navel-gazing hypocrisy! What protests were raised in the party or mainstream media when John Edwards, with vastly less political experience than Palin, got John Kerry's nod for veep four years ago? And Gov. Kathleen Sebelius of Kansas, for whom I lobbied to be Obama's pick and who was on everyone's short list for months, has a record indistinguishable from Palin's. Whatever knowledge deficit Palin has about the federal bureaucracy or international affairs (outside the normal purview of governors) will hopefully be remedied during the next eight years of the Obama presidencies.

The U.S. Senate as a career option? What a claustrophobic, nitpicking comedown for an energetic Alaskan -- nothing but droning committees and incestuous back-scratching. No, Sarah Palin should stick to her governorship and just hit the rubber-chicken circuit, as Richard Nixon did in his long haul back from political limbo following his California gubernatorial defeat in 1962. Step by step, the mainstream media will come around, wipe its own mud out of its eyes, and see Palin for the populist phenomenon that she is.

On the culture front, I was startled to read of the death last week of Yma Sumac, the virtuoso five-octave Peruvian singer who seems like a legendary figure of the misty past. Sumac's 1950 debut album, "Voice of the Xtabay," made a tremendous impact on me as a child. My family attended her performance (with her company of 20 artists) at the Binghamton Theatre in what was probably 1951. I still have the yellowed clippings and program, which lists songs eerily mimicking the sound of the Andean winds and earthquakes. The cover image of "Voice of the Xtabay" with a glamorous Sumac in the pose of a prophesying priestess against a background of fierce sculptures and an erupting volcano, contains the entire pagan worldview and nature cult of what would become my first book, "Sexual Personae," published 40 years later. Thank you, Yma!

News items: My article "Final Cut: The Selection Process for 'Break, Blow, Burn'" has just been published in the Fall 2008 issue of Arion at Boston University. It is available online at Arion or via that invaluable international site, Arts & Letters Daily. No more Mr. Nice Guy: I've taken the gloves off against John Ashbery, Jorie Graham and the rest of that insufferably pretentious crowd. For real English used in a vital, vigorous contemporary way, see the new book of poems by my colleague Jack DeWitt, "Almost Grown," which deals with cars, gals and brawls -- American culture at its finest!

My keynote lecture for the Theodore Roethke Centenary Conference, held at the University of Michigan last month, has gone to press for the forthcoming issue of the Michigan Quarterly Review. The lecture is called "Dance of the Senses: Natural Vision and Psychotic Mysticism in Theodore Roethke." One of my main points: I'm sick of the insipid bourgeois neuroticism in current, careerist American poetry. Bring back the psychotics!

Camille Paglia's column appears on the second Wednesday of each month. Every third column is devoted to reader letters. Please send questions for her next letters column to this mailbox. Your name and town will be published unless you request anonymity.

Pages 1 2
  • S S S
  • RSS

About the writer

Camille Paglia is the University Professor of Humanities and Media Studies at the University of the Arts in Philadelphia. Her most recent book is "Break, Blow, Burn: Camille Paglia Reads Forty-Three of the World's Best Poems." You can write her at this address.

Story finder

Powered by Yahoo! Search