<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Salon.com > 1970s</title>
	<atom:link href="http://www.salon.com/topic/1970s/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.salon.com</link>
	<description></description>
	<lastBuildDate>Wed, 22 May 2013 00:22:48 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>The ballad of John and Yoko — and Paul — continues more than 40 years later</title>
		<link>http://www.salon.com/2013/03/03/the_ballad_of_john_and_yoko_%e2%80%94_and_paul_%e2%80%94_continues_more_than_40_years_later/</link>
		<comments>http://www.salon.com/2013/03/03/the_ballad_of_john_and_yoko_%e2%80%94_and_paul_%e2%80%94_continues_more_than_40_years_later/#comments</comments>
		<pubDate>Sun, 03 Mar 2013 20:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[village voice]]></category>
		<category><![CDATA[yoko ono]]></category>
		<category><![CDATA[altamont]]></category>
		<category><![CDATA[John Lennon]]></category>
		<category><![CDATA[Paul McCartney]]></category>
		<category><![CDATA[rock music]]></category>
		<category><![CDATA[entertainment news]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[1970s]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13215560</guid>
		<description><![CDATA[Newly discovered interview tapes with the Beatle reveal his take on "real love" — and real hate]]></description>
			<content:encoded><![CDATA[<p>In 2000, a New York-based architect named Cass Calder Smith was helping his father move into a new apartment, when he discovered a tremendous inventory of interview tapes — hundreds of hours of conversations with the biggest rock legends. His journalist father, Howard Smith, had enviable gigs as both a New York City radio personality (for WABC, later WPLJ) and a star columnist at the Village Voice during its heyday, in the late 1960s and early ‘70s, when every revolution — sexual, anti-war, civil rights, gay liberation— was not only at its height, but converging. Unflappable, immensely knowledgeable, and sharp-witted, he earned the confidence of his subjects — people like Mick Jagger, Dennis Hopper and Peter Fonda (freshly returned from Cannes, after the premiere of "Easy Rider"), Frank Zappa, Eric Clapton, Lou Reed, John Lennon and Yoko Ono, and Jerry Garcia (though Howard admits to John Lennon in an interview that he's not a fan of the Dead) — who spoke with him, on repeat occasions, often at a crucial juncture in history, or in their lives, and opened up at length and with rare candor. These original reels from the interviews, which were conducted for Howard Smith’s column and radio show, were packed away in boxes, untouched for 40 years, in the back of his West Village loft. Howard Smith, now 76, and fighting cancer,  <a href="http://www.nytimes.com/2012/11/19/arts/music/howard-smiths-interviews-from-the-60s-to-be-released.html">confessed to Ben Sisario in the New York Times in November</a> that he’d kept them around, half-hoping to use them for his memoirs, thinking they would be “a good memory jogger. Things were happening every day that were just incredible.”</p><p><a href="http://www.salon.com/2013/03/03/the_ballad_of_john_and_yoko_%e2%80%94_and_paul_%e2%80%94_continues_more_than_40_years_later/">Continue Reading...</a></p>]]></content:encoded>
			<wfw:commentRss>http://www.salon.com/2013/03/03/the_ballad_of_john_and_yoko_%e2%80%94_and_paul_%e2%80%94_continues_more_than_40_years_later/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Forty years later, Garfunkel is still bitter after all these years</title>
		<link>http://www.salon.com/2013/02/12/forty_years_later_garfunkel_explains_troubled_waters_with_simon/</link>
		<comments>http://www.salon.com/2013/02/12/forty_years_later_garfunkel_explains_troubled_waters_with_simon/#comments</comments>
		<pubDate>Tue, 12 Feb 2013 18:15:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[1970s]]></category>
		<category><![CDATA[Folk music]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[entertainment news]]></category>
		<category><![CDATA[Paul Simon]]></category>
		<category><![CDATA[Art Garfunkel]]></category>
		<category><![CDATA[simon & garfunkel]]></category>
		<category><![CDATA[mike nichols]]></category>
		<category><![CDATA[the graduate]]></category>
		<category><![CDATA[catch-22]]></category>
		<category><![CDATA[joseph heller]]></category>
		<category><![CDATA[charles grodin]]></category>
		<category><![CDATA[paley center]]></category>
		<category><![CDATA[nyc]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13198488</guid>
		<description><![CDATA[He blames director Mike Nichols for the breakup of Simon &#038; Garfunkel]]></description>
			<content:encoded><![CDATA[<p>Art Garfunkel, 71 years old and still reeling decades later from the breakup of the musical act that made him a household name, is now saying that one of the reasons Simon &amp; Garfunkel broke up was because of Mike Nichols' 1970 film adaptation of Joseph Heller's "Catch-22." In the late 1960s, he says, the two were cast in the film, and while Garfunkel managed to hold onto his fourth-billing role, Simon ended up on the cutting room floor, <a href="http://www.guardian.co.uk/music/2013/feb/12/art-garfunkel-paul-simon">reports the Guardian</a>.</p><p>Garfunkel was speaking at the Paley Center for Media in New York last Wednesday, as part of a screening of Charles Grodin's 1969 Simon &amp; Garfunkel documentary "Songs of America." <a href="http://www.hollywoodreporter.com/news/who-is-responsible-simon-garfunkels-419153">According to the Hollywood Reporter</a>, both the singer and Grodin implicated Nichols. Recall that Nichols featured Simon &amp; Garfunkel's "Mrs. Robinson" and "Scarborough Fair" in "The Graduate," his now-iconic 1967 film that won him an Oscar for best director.</p><p>"That was the beginning of their split-up," said Grodin. "You don't take Simon &amp; Garfunkel and ask them to be in a movie and then drop one of their roles on them."</p><p><a href="http://www.salon.com/2013/02/12/forty_years_later_garfunkel_explains_troubled_waters_with_simon/">Continue Reading...</a></p>]]></content:encoded>
			<wfw:commentRss>http://www.salon.com/2013/02/12/forty_years_later_garfunkel_explains_troubled_waters_with_simon/feed/</wfw:commentRss>
		<slash:comments>56</slash:comments>
		</item>
	</channel>
</rss>
