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	<title>Salon.com > Bob Dylan</title>
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		<title>Bob Dylan predicts Obama will have a &#8220;landslide&#8221; victory</title>
		<link>http://www.salon.com/2012/11/06/bob_dylan_predicts_obama_will_have_a_landslide_victory/</link>
		<comments>http://www.salon.com/2012/11/06/bob_dylan_predicts_obama_will_have_a_landslide_victory/#comments</comments>
		<pubDate>Tue, 06 Nov 2012 16:54:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Politics]]></category>
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		<category><![CDATA[Obama]]></category>
		<category><![CDATA[Bob Dylan]]></category>
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		<category><![CDATA[landslide]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13064049</guid>
		<description><![CDATA[The singer predicts that the president will win today's election]]></description>
			<content:encoded><![CDATA[<p>MADISON, Wis. (AP) -- Bob Dylan says he thinks President Barack Obama is going to win a landslide.</p><p>Dylan made the prediction Monday night midway through the song "Blowin' in the Wind" during a concert in the battleground state of Wisconsin.</p><p>Dylan spoke to the Madison audience as he was wrapping up his concert that came just hours after Obama appeared at a morning rally in the same city with rocker Bruce Springsteen.</p><p>Dylan made his comments during his encore when he said, "We tried to play good tonight since the president was here today."</p><p>He went on to say he thinks Obama will prevail Tuesday.</p><p>Dylan says, "Don't believe the media. I think it's going to be a landslide."</p><p>After his comments, Dylan completed the song to the roar of the crowd.</p><p>&nbsp;</p><p><a href="http://www.salon.com/2012/11/06/bob_dylan_predicts_obama_will_have_a_landslide_victory/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Black Power: American as apple pie</title>
		<link>http://www.salon.com/2012/10/17/black_power_american_as_apple_pie/</link>
		<comments>http://www.salon.com/2012/10/17/black_power_american_as_apple_pie/#comments</comments>
		<pubDate>Wed, 17 Oct 2012 16:28:00 +0000</pubDate>
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				<category><![CDATA[Social]]></category>
		<category><![CDATA[Life]]></category>
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		<category><![CDATA[Racism]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Black Panthers]]></category>
		<category><![CDATA[John Lennon]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13043283</guid>
		<description><![CDATA[Pat Thomas's latest book reveals that the political movement has had an enduring influence on American culture]]></description>
			<content:encoded><![CDATA[<p>“WHAT HAPPENS TO A DREAM deferred? Does it dry up, like a raisin in the sun?” Langston Hughes asked in 1951, “Or does it explode?” An answer came when the Black Power Movement burst upon the American political and cultural landscape of the late 1960s and early 1970s. The Movement took on significant dimensions in many realms — politics, public policy, education — but nowhere was its impact more tangible than in the culture, especially music. Movement activists utilized more than speeches, proclamations and marches to motivate their followers: rhythmic, expressive, improvisational music also propelled the struggle. Unlike the gospel-fueled Civil Rights Movement, Black Power had fewer ties to the church than to the street. Its rhetorical models included the self-aggrandizing rhymes of Muhammad Ali and the militant sloganeering of Malcolm X, Stokely Carmichael and H. Rap Brown, while its urgent resilience found a danceable counterpart in the soul music of James Brown, Wilson Pickett, Aretha Franklin, and hundreds of others.</p><p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los Angeles Review of Books" align="left" /></a></p><p><a href="http://www.salon.com/2012/10/17/black_power_american_as_apple_pie/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Johnny Depp starting book imprint</title>
		<link>http://www.salon.com/2012/10/16/johnny_depp_starting_book_imprint/</link>
		<comments>http://www.salon.com/2012/10/16/johnny_depp_starting_book_imprint/#comments</comments>
		<pubDate>Tue, 16 Oct 2012 14:21:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[HarperCollins]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13041839</guid>
		<description><![CDATA[Actor Johnny Depp will help run a publishing imprint under HarperCollins Publishers]]></description>
			<content:encoded><![CDATA[<p>NEW YORK (AP) -- Johnny Depp is bringing a dash of cool to the book world.</p><p>Depp will help run a publishing imprint with the same name as his production company, Infinitum Nihil, meaning "Nothing is forever." Already on the list of books is "The Unraveled Tales of Bob Dylan," which aims to set the record straight on the songwriter's enigmatic life and career and will be based in part on interviews with Dylan by best-selling historian Douglas Brinkley.</p><p>The imprint will be part of HarperCollins Publishers, which announced Monday that Depp will seek "authentic, outspoken and visionary ideas and voices."</p><p>"I pledge, on behalf of Infinitum Nihil, that we will do our best to deliver publications worthy of peoples' time, of peoples' concern, publications that might ordinarily never have breached the parapet," Depp said in a statement released by HarperCollins. "For this dream realized, we would like to salute HarperCollins for their faith in us and look forward to a long and fruitful relationship together."</p><p>Brinkley, who recently wrote a cover story on Dylan for Rolling Stone, said he and Depp thought the Dylan book was "the ideal way" to inaugurate the Infinitum Nihil series.</p><p><a href="http://www.salon.com/2012/10/16/johnny_depp_starting_book_imprint/">Continue Reading...</a></p>]]></content:encoded>
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		<title>In praise of Nobel obscurity</title>
		<link>http://www.salon.com/2012/10/11/in_praise_of_nobel_obscurity/</link>
		<comments>http://www.salon.com/2012/10/11/in_praise_of_nobel_obscurity/#comments</comments>
		<pubDate>Thu, 11 Oct 2012 16:17:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Nobel Prize]]></category>
		<category><![CDATA[Literary Prizes]]></category>
		<category><![CDATA[Philip Roth]]></category>
		<category><![CDATA[Writers and Writing]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Mo Yan]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13037043</guid>
		<description><![CDATA[Quit saying the Nobel Prize should go to Philip Roth or Bob Dylan]]></description>
			<content:encoded><![CDATA[<p>Like a lot of people, I greeted today's news that Chinese writer Mo Yan has won the 2012 Nobel Prize in Literature with the familiar feeling that the Swedish Academy had me on the back foot. I have never read a word the man has written. I comforted myself with the thin reassurance that at least I'd heard of him — and I'd even seen "Red Sorghum," a film based on one of his best-known novels!</p><p>Unlike a substantial percentage of the back-foot club, however, I've got no problem with the Academy's choice, or its history of selecting purportedly "obscure" recipients for the prize. From the handful of articles and reviews I've read in my frantic scramble to get caught up, Mo Yan seems to write the kind of novels I enjoy (and I really did love "Red Sorghum"). "Hallucinatory realism"? "A world of magic, sexual exploitation, ignorance and senseless violence"? Individual stories told against a backdrop of political and social turmoil? Sign me up.</p><p><a href="http://www.salon.com/2012/10/11/in_praise_of_nobel_obscurity/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>Quote of the day</title>
		<link>http://www.salon.com/2012/09/12/quote_of_the_day_31/</link>
		<comments>http://www.salon.com/2012/09/12/quote_of_the_day_31/#comments</comments>
		<pubDate>Wed, 12 Sep 2012 21:35:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Bob Dylan Tempest]]></category>
		<category><![CDATA[Jonah Lehrer]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Celebrity]]></category>
		<category><![CDATA[Quote of the day]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13009442</guid>
		<description><![CDATA[Bob Dylan defends himself against plagiarism, calling his critics "wussies and pussies"]]></description>
			<content:encoded><![CDATA[<p>Long before Jonah Lehrer plagiarized text and <a href="http://www.salon.com/2012/07/30/jonah_lehrer_resigns_from_the_new_yorker/">fabricated Bob Dylan</a> quotes for "Imagine," Bob Dylan himself stood in the middle of several copycat controversies (some <a href="http://www.npr.org/blogs/13.7/2011/10/11/141209730/whats-new-is-always-old">baseless</a>, others <a href="http://www.npr.org/2011/10/18/141423977/new-paintings-reignite-the-bob-dylan-copycat-debate">not so much</a>). The singer-songwriter can get touchy about it, too: He was surprisingly dismissive when <a href="http://www.rollingstone.com/music/news/bob-dylan-on-his-dark-new-album-tempest-20120801#ixzz26HmPG9hE">discussing Shakespeare</a> in relation to his most recent album, "Tempest," which came out yesterday, telling Rolling Stone, "Shakespeare's last play was called 'The Tempest.' It wasn't called just plain 'Tempest.' The name of my record is just plain 'Tempest.' It's two different titles."</p><p>But if Dylan seemed overly defensive then, he goes far on the offense this month. In <a href="http://www.rollingstone.com/music/news/bob-dylan-strikes-back-at-critics-20120912">an interview</a> in this Friday's issue of Rolling Stone, he calls critics who accuse him of borrowing lyrics "wussies and pussies." Below is an excerpt:</p><p><a href="http://www.salon.com/2012/09/12/quote_of_the_day_31/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>8</slash:comments>
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		<title>Bob Dylan&#8217;s &#8220;Tempest&#8221;: Best album ever by 71-year-old?</title>
		<link>http://www.salon.com/2012/09/12/bob_dylans_tempest_best_album_ever_by_71_year_old/</link>
		<comments>http://www.salon.com/2012/09/12/bob_dylans_tempest_best_album_ever_by_71_year_old/#comments</comments>
		<pubDate>Wed, 12 Sep 2012 20:45:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Lloyd Cole]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13008995</guid>
		<description><![CDATA[The icon's new album is an exercise in beauty and refinement -- but also staggeringly loose, warm and alive]]></description>
			<content:encoded><![CDATA[<p>Bob Dylan just made me cry. Twice. I don’t know if I can listen to “Long and Wasted Years” again today. Nina Simone singing “Do What You Gotta Do” used to do it. Leonard Cohen did it with “Chelsea Hotel” at the Beacon Theater. OK, I’m a bit of a crier … but this is different. I’m sitting alone, smiling, with Kleenex, thanks to this old codger’s swagger, his audacity, his warmth. You read that right -- warmth.</p><p><em>Last night I heard you talking in your sleep, </em><br /> <em>Saying things you shouldn’t say,</em><br /> <em>Oh baby, you just might have to go to jail someday.</em></p><p>That he even dares to write this at 71 makes my day. That he pulls it off on <a href="http://www.amazon.com/dp/B008LZHA3G/?tag=saloncom08-20">his new album, "Tempest,"</a> well, it seems that it makes me so happy that I cry.</p><p><a href="http://www.salon.com/2012/09/12/bob_dylans_tempest_best_album_ever_by_71_year_old/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>23</slash:comments>
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