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	<title>Salon.com > Books</title>
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	<link>http://www.salon.com</link>
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		<title>Here&#8217;s how to change the world</title>
		<link>http://www.salon.com/2013/05/02/heres_how_to_change_the_world/</link>
		<comments>http://www.salon.com/2013/05/02/heres_how_to_change_the_world/#comments</comments>
		<pubDate>Thu, 02 May 2013 15:00:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Books]]></category>
		<category><![CDATA[School of life]]></category>
		<category><![CDATA[John-Paul Flintoff]]></category>

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		<description><![CDATA[You can create global change -- if you go slowly and set goals. An expert explains a very real step-by-step process]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/dp/1250030676/?tag=saloncom08-20">“How to Change the World”</a> takes as its modest premise the idea that everyone is capable of creating massive, global change -- if only we start small and set manageable goals. It’s just like quitting smoking!</p><p>The book’s author, British journalist and life coach John-Paul Flintoff, has some experience in this area: for his last book, “Sew Your Own,” he learned to make all his own clothes. This allowed him to opt out of the unethical labor practices of the big clothing companies, and also gave him something to do with an old sewing machine. He reports that shirts are his favorite things to make.</p><p>“How to Change the World” is different from “Sew Your Own” in that it doesn’t offer a roadmap for a particular kind of change -- instead, Flintoff invites us to imagine what kinds of change we’d like to make, and suggests some ways to go about it.</p><p>For example, Flintoff tells a story about how he got very worried about global warming and decided the only solution was for everyone to grow their own produce. It wasn’t enough to just change his own habits -- everyone would need to pitch in to make a dent in carbon consumption. He wanted to start with the people living in his section of London, but rather than harangue his neighbors, Flintoff devised a plan.</p><p><a href="http://www.salon.com/2013/05/02/heres_how_to_change_the_world/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Claire Messud to Publishers Weekly: &#8220;What kind of question is that?&#8221;</title>
		<link>http://www.salon.com/2013/05/01/claire_messud_to_publishers_weekly_what_kind_of_question_is_that/</link>
		<comments>http://www.salon.com/2013/05/01/claire_messud_to_publishers_weekly_what_kind_of_question_is_that/#comments</comments>
		<pubDate>Wed, 01 May 2013 14:47:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Claire Messud]]></category>
		<category><![CDATA[Jonathan Franzen]]></category>
		<category><![CDATA[David Foster Wallace]]></category>
		<category><![CDATA[Martin Amis]]></category>
		<category><![CDATA[Junot Diaz]]></category>

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		<description><![CDATA[Do you like Jonathan Franzen's characters? David Foster Wallace's? Roth? Then stop asking Claire Messud about hers]]></description>
			<content:encoded><![CDATA[<p>In Salon this week, Laura Miller raved that Claire Messud's new novel,<a href="http://www.amazon.com/dp/0307596907/?tag=saloncom08-20"> "The Woman Upstairs," </a>is "claustrophobically hypnotic" and "a ferocious portrait of creative and spiritual frustration."</p><p>The author's feeling some of that frustration as well, with reductive media questions about the likability of her main character -- a question that might not be posed to a male author in quite this way -- as this <a href="http://www.publishersweekly.com/pw/by-topic/authors/interviews/article/56848-an-unseemly-emotion-pw-talks-with-claire-messud.html">new interview with Publishers Weekly shows: </a></p><p><a href="http://www.salon.com/2013/05/01/claire_messud_to_publishers_weekly_what_kind_of_question_is_that/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
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		<title>Secret to happiness: &#8220;I want this job for a week&#8221;</title>
		<link>http://www.salon.com/2013/05/01/secret_to_happiness_i_want_this_job_for_a_week/</link>
		<comments>http://www.salon.com/2013/05/01/secret_to_happiness_i_want_this_job_for_a_week/#comments</comments>
		<pubDate>Wed, 01 May 2013 14:07:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Roman Krznaric]]></category>
		<category><![CDATA[Alain de Botton]]></category>
		<category><![CDATA[School of life]]></category>
		<category><![CDATA[Unemployment]]></category>
		<category><![CDATA[Great Recession]]></category>

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		<description><![CDATA[How can we be fulfilled at work? A British theorist argues that we should experiment, not specialize]]></description>
			<content:encoded><![CDATA[<p>Looking for meaningful, fulfilling work? Good luck. With unemployment at 7.7 percent, anything that keeps us off the bread lines should be counted as a victory.</p><p>So it seems like an inopportune time to think about changing jobs, if you’re lucky enough to have one, or being very picky if you don’t. But Roman Krznaric, a British author, empathy theorist and “lifestyle philosopher,” thinks he has the solution.</p><p>Krznaric’s book <a href="http://www.amazon.com/dp/1250030692/?tag=saloncom08-20">“How to Find Fulfilling Work”</a> is an entry in the School of Life, <a href="http://www.salon.com/2012/12/22/think_more_about_sex/">Alain de Botton’s series of self-help books</a> for people who wouldn’t be caught dead in the self-help section. In it, Krznaric argues that the way we’ve been trained to find our life’s work is completely wrong. He takes issue in particular with the personality tests administered by career counselors to judge one’s strengths and interests. They’re complete bunk, Krznaric argues, pointing out that you’ve got a 50 percent chance of being placed in a different personality category if you retake the test.</p><p><a href="http://www.salon.com/2013/05/01/secret_to_happiness_i_want_this_job_for_a_week/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<title>Was Mother Teresa a masochist?</title>
		<link>http://www.salon.com/2013/04/30/love_to_be_real_has_to_hurt_the_masochism_of_mother_teresa_partner/</link>
		<comments>http://www.salon.com/2013/04/30/love_to_be_real_has_to_hurt_the_masochism_of_mother_teresa_partner/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 16:04:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Catholicism]]></category>
		<category><![CDATA[Mother Teresa]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Charity]]></category>

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		<description><![CDATA[The nun viewed human suffering as integral to faith, prompting the question: Why does Catholicism fetishize pain?]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.alternet.org"><img align="left" style="margin: 0 10px 0 0;" src="http://images.salon.com/img/partners/ID_alternetInline.jpg" alt="AlterNet" /></a></p><div id="insert_advertisement"> <div id="change_BottomBar"> <div id="block-altads-inline"> <div id="google_ads_div_AlterNet_Belief_300"> <div id="google_ads_div_AlterNet_Belief_300">With a new Pope at the helm, the Catholic hierarchy has set about to polish its tarnished image. Can an increased focus on the poor make up for the Church’s opposition to contraception and marriage equality or its <a href="http://awaypoint.wordpress.com/2012/06/20/%ef%bb%bfeight-ugly-sins-the-catholic-bishops-hope-lay-members-and-others-wont-notice/" target="_blank">sordid</a> financial and sexual affairs? The Bishops can only hope. And pray.  And perhaps accelerate the sainthood of Agnes Gonxha, better known as Mother Teresa.</div> </div> </div> </div> </div><p>In the last century, no one icon has improved the Catholic brand as much as the small woman who founded the Missionaries of Charity, whose image aligns beautifully with that of the new pope. In March a team of Canadian researchers <a href="http://www.nouvelles.umontreal.ca/udem-news/news/20130301-mother-teresa-anything-but-a-saint.html" target="_blank">noted</a> the opportunity: “What could be better than beatification followed by canonization of [Mother Teresa] to revitalize the Church and inspire the faithful, especially at a time when churches are empty and the Roman authority is in decline?”</p><p><a href="http://www.salon.com/2013/04/30/love_to_be_real_has_to_hurt_the_masochism_of_mother_teresa_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Steven Soderbergh is writing a novella on Twitter</title>
		<link>http://www.salon.com/2013/04/29/steven_soderbergh_is_writing_a_novella_on_twitter/</link>
		<comments>http://www.salon.com/2013/04/29/steven_soderbergh_is_writing_a_novella_on_twitter/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 22:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[cinema]]></category>
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		<category><![CDATA[novella]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[mystery]]></category>

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		<description><![CDATA[The "Traffic" and "Magic Mike" director has completed seven chapters so far]]></description>
			<content:encoded><![CDATA[<p>It's an exciting day on Twitter. Donald Trump is fighting with <a href="http://www.salon.com/2013/04/29/donald_trump_to_modern_familys_danny_zuker_you_are_a_loser/">Danny Zuker</a>, <a href="http://new.livestream.com/comedyfest/melbrooksjoinstwitter?xrs=synd_twitter">Mel Brooks just joined</a> for Twitter's ComedyFest and "Magic Mike" director Steven Soderbergh is tweeting a novella:</p><p>[embedtweet id="328648080301903872"]</p><p>The first chapter begins in "Amsterdam."</p><p>[embedtweet id="328648452579930115"]</p><p>It's a crime mystery told in the second-person:</p><p><a href="http://www.salon.com/2013/04/29/steven_soderbergh_is_writing_a_novella_on_twitter/screen_shot_2013_04_29_at_5_54_25_pm/" rel="attachment wp-att-13285099"><img src="http://media.salon.com/2013/04/Screen-Shot-2013-04-29-at-5.54.25-PM.png" alt="" title="Screen Shot 2013-04-29 at 5.54.25 PM" width="567" height="296" class="size-full wp-image-13285099" /></a></p><p>There are pictures:</p><p>[embedtweet id="328649328967155714"]</p><p>Read chapters one through seven <a href="https://twitter.com/Bitchuation">here</a>.</p><p><a href="http://www.salon.com/2013/04/29/steven_soderbergh_is_writing_a_novella_on_twitter/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<title>Beastie Boys to write memoir</title>
		<link>http://www.salon.com/2013/04/29/beastie_boys_to_write_memoir/</link>
		<comments>http://www.salon.com/2013/04/29/beastie_boys_to_write_memoir/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 15:50:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[hip-hop]]></category>
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		<description><![CDATA[The hip-hop group wants to publish "a multidimensional experience" and oral history]]></description>
			<content:encoded><![CDATA[<p>The surviving members of the Beastie Boys, Michael Diamond (Mike D) and Adam Horovitz (Ad-Rock), are writing a high-concept memoir, reports the <a href="http://www.nytimes.com/2013/04/29/business/media/beastie-boys-sign-memoir-deal.html?_r=0">New York Times</a>.</p><p>The band has been toying with the idea for years -- even before third member Adam Yauch (MCA) died at 47 from cancer in 2012. “After Yauch died, I didn’t push them,” said agent Luke Janklow. “But I think that Adam and Mike ended up realizing that it was the right time for them.”</p><p>From the Times:</p><blockquote><p>The Beastie Boys are “interested in challenging the form and making the book a multidimensional experience,” [publisher Julie] Grau said in an interview. “There is a kaleidoscopic frame of reference, and it asks a reader to keep up.”</p> <p>The book, to be edited by the hip-hop journalist Sacha Jenkins, will be loosely structured as an oral history. It will also have contributions by other writers, as well as a strong visual component. Ms. Grau and Luke Janklow, the group’s agent, both compared it to Grand Royal, the Beastie Boys’ acclaimed but short-lived magazine in the 1990s, which explored some of its wide-ranging pop-culture interests with curiosity and snark.</p></blockquote><p>Random House imprint Spiegel &amp; Grau, which published Jay-Z's "Decoded," has taken on the project and is targeting a fall 2015 release.</p><p><a href="http://www.salon.com/2013/04/29/beastie_boys_to_write_memoir/">Continue Reading...</a></p>]]></content:encoded>
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		<title>How &#8220;Life of Pi&#8221; anticipated 9/11</title>
		<link>http://www.salon.com/2013/04/28/a_boy_a_boat_and_a_tiger_life_of_pi_as_contemporary_fable_partner/</link>
		<comments>http://www.salon.com/2013/04/28/a_boy_a_boat_and_a_tiger_life_of_pi_as_contemporary_fable_partner/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 19:00:00 +0000</pubDate>
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				<category><![CDATA[Oscars]]></category>
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		<category><![CDATA[yann martel]]></category>
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		<description><![CDATA[Published the same month as the attacks, Yann Martel's novel offers a prescription for life post-catastrophe]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2013/03/LARB_LOGO_RED_LIGHT1_sm.jpg" alt="Los Angeles Review of Books" align="left" /></a><br /> PERHAPS THE BIGGEST SURPRISE at the 2013 Oscar ceremony was that Ang Lee beat out Steven Spielberg for Best Director with his adaptation of Yann Martel’s novel <em><a href="http://www.amazon.com/dp/0156027321/?tag=saloncom08-20">Life of Pi</a></em>. Martel’s novel was itself a surprising Man Booker Prize award winner in 2002. You may remember that a controversy followed: according to some, Martel’s book, about a boy in a lifeboat with a tiger, was suspiciously similar to that of Brazilian author Moacyr Scliar’s 1981 novella <em>Max and the Cats</em>, about a man in a lifeboat with a jaguar. In a short essay titled “<a href="http://www.powells.com/fromtheauthor/martel.html" target="_blank">How I Wrote <em>Life of Pi</em></a>,” Martel has accounted for the influence that Scliar’s novel — or rather, what he recalls as John Updike’s negative review of the novel in <em>The New York Times Book Review </em>— had on him. (In fact, Updike never seems to have reviewed the book at all, and the only review that ran in <em>The</em> <em>Times</em> was positive.) Martel — who claims he only read <em>Max and the Cats</em> after the accusations of plagiarism surfaced in 2002 — borrowed Scliar’s basic premise, trying to turn it into a novel that was more successful than the one Updike had allegedly reviewed:</p><p><a href="http://www.salon.com/2013/04/28/a_boy_a_boat_and_a_tiger_life_of_pi_as_contemporary_fable_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>When Derrida discovered Marx</title>
		<link>http://www.salon.com/2013/04/28/grappling_with_specters_of_marx_partner/</link>
		<comments>http://www.salon.com/2013/04/28/grappling_with_specters_of_marx_partner/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 15:00:00 +0000</pubDate>
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				<category><![CDATA[Social]]></category>
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		<description><![CDATA[Revisiting the post-structuralist's legendary lecture "Specters of Marx"]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2013/03/LARB_LOGO_RED_LIGHT1_sm.jpg" alt="Los Angeles Review of Books" align="left" /></a> ON THE OCCASION of the 20th anniversary of the “Whither Marxism?” conference conceived by Stephen Cullenberg and Bernd Magnus and organized by the Center for Ideas and Society at the University of California, Riverside, we asked Peggy Kamuf to reflect on the lecture that Jacques Derrida delivered there: “Specters of Marx.” The lecture was eventually published as a book, translated into English by Kamuf, and subtitled The State of the Debt, the Work of Mourning, and the New International<em>. It stands as a landmark text in Derrida’s oeuvre.</em></p><p>¤</p><p>“I meant to read Marx my way when the time came.” So Jacques Derrida declared in an interview with Michael Sprinker in 1989. Four years later, the conference “Whither Marxism?” was going to give him the occasion to do just that: read Marx his way. That was also the year, of course, the Berlin Wall fell, and then the dominoes continued to fall all over the former Communist bloc. So — in the ruins of Marxism, on the grave (good riddance!) of Marxist-Leninist-Stalinism, or whatever name is finally settled upon for the monstrous construction that had just fallen apart — the time had finally come to read Marx.</p><p><a href="http://www.salon.com/2013/04/28/grappling_with_specters_of_marx_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Is Michael Pollan a sexist pig?</title>
		<link>http://www.salon.com/2013/04/28/is_michael_pollan_a_sexist_pig/</link>
		<comments>http://www.salon.com/2013/04/28/is_michael_pollan_a_sexist_pig/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 01:00:00 +0000</pubDate>
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		<description><![CDATA["Femivores" have made DIY domesticity cool. But critics who blame feminism for obesity and fast food have it wrong]]></description>
			<content:encoded><![CDATA[<p>My grandmother, a 1960s housewife of the cigarette-in-one-hand-cocktail-in-the-other variety, thought a slab of frozen Sara Lee pound cake was a totally appropriate breakfast for her children. My mother, a busy working baby boomer, was a serviceable cook who mostly just wanted to get something healthy into her three kids’ bellies before bath time. This meant lots of cheese quesadillas, rotisserie chickens from the Kroger, and “face plates”—slices of banana, mini chicken sausages, olives, and the like, arranged like smiley faces. We loved those. Now divorced and in her fifties, she says she’s “done” cooking and happily subsists on granola bars and apples and hard-boiled eggs.</p><p>As for me, I’ve been learning to can jam, bake bread from scratch in my Dutch oven (though my husband is better at it), and make my own tomato sauce from a bushel of ugly tomatoes I bought at the farmer’s market.</p><p>My grandmother, were she not dead (the cigarettes), would no doubt look at me like I’m crazy.</p><p>“Don’t you know that you can buy that stuff ?” she’d ask.</p><p>But it’s not about buying stuff these days, it’s about making it (if you’re middle-class, liberal, and white, that is). Homemade, from scratch, DIY, straight from the backyard, fresh baked, artisan.</p><p><a href="http://www.salon.com/2013/04/28/is_michael_pollan_a_sexist_pig/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>106</slash:comments>
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		<title>We tried to weaponize the weather</title>
		<link>http://www.salon.com/2013/04/27/we_tried_to_weaponize_the_weather/</link>
		<comments>http://www.salon.com/2013/04/27/we_tried_to_weaponize_the_weather/#comments</comments>
		<pubDate>Sat, 27 Apr 2013 19:00:00 +0000</pubDate>
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				<category><![CDATA[Technology]]></category>
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		<category><![CDATA[Weather]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13280800</guid>
		<description><![CDATA[Cold War secrets: Melting polar ice cap with nukes, changing the sea level, even LSD weapons were all on the table]]></description>
			<content:encoded><![CDATA[<p>The years between the ﬁrst hydrogen bomb tests and the Limited Test Ban Treaty in 1963 saw more than just increased anxiety about the eﬀects of nuclear testing on weather. They also saw increased interest in large-scale, purposeful environmental modiﬁcation. Most climate modiﬁcation enthusiasts spoke of increasing global temperatures, in the hopes that this would increase the quantity of cultivated land and make for fairer weather. Some suggested blackening deserts or snowy areas, to increase absorption of radiation. Covering large areas with carbon dust, so the theory went, would raise temperatures. Alternatively, if several hydrogen bombs were exploded underwater, they might evaporate seawater and create an ice cloud that would block the escape of radiation. Meteorologist Harry Wexler had little patience for those who wanted to add weather and climate modiﬁcation to the set of tools in man’s possession. But by 1958 even he acknowledged that serious proposals for massive changes, using nuclear weapons as tools, were inevitable. Like most professional meteorologists, in the past he had dismissed the idea that hydrogen bombs had aﬀected the weather. But with the prospect of determined experiments designed to bring about such changes, he warned of “the unhappy situation of the cure being worse than the ailment.”</p><p><a href="http://www.salon.com/2013/04/27/we_tried_to_weaponize_the_weather/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>41</slash:comments>
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		<title>Austerity opposition goes mainstream</title>
		<link>http://www.salon.com/2013/04/27/a_lesson_to_the_left_it_will_no_longer_do_to_simply_be_anti_austerity_partner/</link>
		<comments>http://www.salon.com/2013/04/27/a_lesson_to_the_left_it_will_no_longer_do_to_simply_be_anti_austerity_partner/#comments</comments>
		<pubDate>Sat, 27 Apr 2013 15:00:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
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		<guid isPermaLink="false">http://www.railrode.net/?p=13283171</guid>
		<description><![CDATA[Bad data, dodgy assumptions and a basic inability to use Microsoft Excel may have doomed the economic movement]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.jacobinmag.com"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/Jacobin.jpg" alt="Jacobin" /></a>Austerity is collecting a lot of high-flying enemies these days. In the past month the <a href="http://www.ft.com/intl/cms/s/0/6c023bdc-a93c-11e2-a096-00144feabdc0.html">manager of PIMCO</a>, the largest bond-buying firm in the world, top figures <a href="http://blogs.ft.com/the-a-list/2013/04/03/europe-needs-to-focus-more-on-reform-not-just-austerity/#axzz2RPkoZRrD">at Blackrock</a>, one of the most influential investment banks in the world, the President of the European Commission, <a href="http://www.ft.com/intl/cms/s/0/73f2aafe-ab65-11e2-ac71-00144feabdc0.html#axzz2RO82qRgs">Jose Manuel Barroso</a>, and <a href="http://www.ft.com/intl/cms/s/0/60b7a4ec-ab58-11e2-8c63-00144feabdc0.html#axzz2RO82qRgs">Martin Wolf</a>, world-renowned finance commentator for the <em>Financial Times</em>, have all come out vigorously against austerity.</p><p><a href="http://www.salon.com/2013/04/27/a_lesson_to_the_left_it_will_no_longer_do_to_simply_be_anti_austerity_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>12</slash:comments>
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		<title>New documents reveal A.A. Milne was a secret wartime propagandist</title>
		<link>http://www.salon.com/2013/04/26/new_documents_reveal_a_a_milne_was_a_secret_wartime_propagandist/</link>
		<comments>http://www.salon.com/2013/04/26/new_documents_reveal_a_a_milne_was_a_secret_wartime_propagandist/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 20:52:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[a a milne]]></category>
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		<description><![CDATA[The "Winnie-the-Pooh" author was a pacifist, but was recruited by a secret British intelligence unit during WWI]]></description>
			<content:encoded><![CDATA[<p>New documents reveal that venerated "Winnie-the-Pooh" author A.A. Milne, a steadfast pacifist, secretly served as a wartime propagandist for a top-secret intelligence unit called MI7b during WWI. </p><p>According to the <a href="http://www.telegraph.co.uk/history/britain-at-war/10015206/Agony-of-AA-Milne-the-reluctant-wartime-propagandist-and-the-lies-about-German-atrocities.html">Telegraph</a>, MI7b was founded in 1916 and designed "to sustain support for the war": </p><blockquote><p>The secret propaganda unit was established in 1916 to sustain support for the war when the enormous numbers of soldiers killed were rising and increasing anti-war movements were sweeping war-torn Europe.</p> <p>It was made up of 20 other authors taken from the best of British talent at the time, who had to write thousands of positive newspaper articles about Victoria Cross winners, heroism and sanitised accounts of life in the trenches - as well as reports of atrocities by German troops.</p></blockquote><p>Although most of the articles were destroyed, one of the members of the unit, Capt James Lloyd, saved a collection that his great nephew, Jeremy Arter, only recently discovered. He told the Telegraph that "I was astonished when my research showed that they were meant to have been destroyed soon after the war because they were deemed 'too incriminating.'"</p><p><a href="http://www.salon.com/2013/04/26/new_documents_reveal_a_a_milne_was_a_secret_wartime_propagandist/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Owen King&#8217;s sparkling debut</title>
		<link>http://www.salon.com/2013/04/25/double_feature_doubles_up_on_pathos_laughs_partner/</link>
		<comments>http://www.salon.com/2013/04/25/double_feature_doubles_up_on_pathos_laughs_partner/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 23:30:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<description><![CDATA["Double Feature" offers a heartbreaking and poignant meditation on the vagaries of art]]></description>
			<content:encoded><![CDATA[<p>I DON'T KNOW WHAT I was expecting from Owen King’s debut novel, <em><a href="http://www.amazon.com/dp/145167689/?tag=saloncom08-20">Double Feature</a></em>, but I wasn’t expecting to laugh so hard that my eyebrows hurt. But I did. I laughed <em>that</em> hard. I’m not sure why the impact on my eyebrows was so immediate and intense. Maybe because they’d jump up at certain scenes in the novel and then ride the rising waves shooting from the lower half of my face. <a href="http://www.lareviewofbooks.org/"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los Angeles Review of Books" /></a></p><p><a href="http://www.salon.com/2013/04/25/double_feature_doubles_up_on_pathos_laughs_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<title>David Sedaris has a pleasingly strange voice</title>
		<link>http://www.salon.com/2013/04/25/david_sedaris_has_a_pleasingly_strange_voice/</link>
		<comments>http://www.salon.com/2013/04/25/david_sedaris_has_a_pleasingly_strange_voice/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 19:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[david sedaris]]></category>
		<category><![CDATA[Let's Explore Diabetes With Owls]]></category>

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		<description><![CDATA[The brilliant essayist already writes for the listener, which makes his new audiobook yet another triumph]]></description>
			<content:encoded><![CDATA[<p>David Sedaris first rose to prominence on public radio, with his 1992 performance of “<a href="http://www.npr.org/2005/12/23/5066175/sedaris-and-crumpet-the-elf-a-holiday-tradition">Santaland Diaries</a>,” in which he told the story of his career as Crumpet the Elf at the New York Macy’s. The most astonishing thing about this and other early performances, in retrospect, is how all the elements that conspired to make Sedaris a writer-celebrity — the embellishment from his own life, the transparent hyperbole, the play with repetition, the sharp and occasionally dark edge of his observational humor, and most of all his own pleasingly strange voice — were already present and operating so strongly that they seemed to belong to their own special genre (the Sedaris, let’s say) long before Sedaris had written and performed enough pieces that the group of them could reasonably qualify as a genre.</p><p><a href="http://www.salon.com/2013/04/25/david_sedaris_has_a_pleasingly_strange_voice/">Continue Reading...</a></p>]]></content:encoded>
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		<title>With crowdsourcing, everyone&#8217;s a detective now</title>
		<link>http://www.salon.com/2013/04/25/crowdsourcing_will_not_go_away_everyones_a_detective_now/</link>
		<comments>http://www.salon.com/2013/04/25/crowdsourcing_will_not_go_away_everyones_a_detective_now/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 00:00:00 +0000</pubDate>
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		<description><![CDATA[Reddit got it all wrong. So why do we all think we have the expertise to solve crimes after watching "CSI"? ]]></description>
			<content:encoded><![CDATA[<p>Observers looked on in concern in the wake of the Boston Marathon bombings last week, as Reddit and 4Chan fingered assorted innocent civilians as suspects. Many were reminded of 17th-century witch hunts and Richard Jewell. Me, I thought of <a href="http://www.amazon.com/dp/0307949486/?tag=saloncom08-20">"The Girl With the Dragon Tattoo."</a></p><p>As is known by anyone who has either read Stieg Larsson's 2005 novel or seen one of the two film adaptations (and that seems to be just about everyone), the big break in the case comes when Mikael Blomkvist sees a photograph taken of spectators at a parade 36 years earlier. One of those spectators, a 16-year-old girl named Harriet Vanger, disappeared that day, and Blomkvist has been hired by her great uncle to find out what happened to her. Blomkvist notices that Harriet, unlike all the other people in the crowd on the sidewalk -- who are watching the parade and smiling -- is instead looking in another direction with an expression of great distress. After burying himself in the photo archives of the local newspaper for days, Blomkvist unearths a shot from a different angle, showing a woman taking yet another photo, over Harriet's shoulder. By tracking down <em>that</em> woman and her snapshot, he's able to see exactly who Harriet feared.</p><p><a href="http://www.salon.com/2013/04/25/crowdsourcing_will_not_go_away_everyones_a_detective_now/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>11</slash:comments>
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		<title>Loneliness! Labial reconstruction! Some hostages!</title>
		<link>http://www.salon.com/2013/04/23/loneliness_labial_reconstruction_some_hostages/</link>
		<comments>http://www.salon.com/2013/04/23/loneliness_labial_reconstruction_some_hostages/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 21:02:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<description><![CDATA[What are the spring's hottest novels really about? Allison Amend, Amy Brill, Jennifer Gilmore and Fiona Maazel dish]]></description>
			<content:encoded><![CDATA[<p>Among the many sterling novels coming out this April, authors <a href="http://www.amazon.com/dp/0385536690/?tag=saloncom08-20">Allison Amend (“A Nearly Perfect Copy”),</a> <a href="http://www.amazon.com/dp/1594487448/?tag=saloncom08-20">Amy Brill (“The Movement of Stars”), </a><a href="http://www.amazon.com/dp/1451697252/?tag=saloncom08-20">Jennifer Gilmore (“The Mothers”)</a> and <a href="http://www.amazon.com/dp/1555976387/?tag=saloncom08-20">Fiona Maazel (“Woke Up Lonely”)</a> have stood out.</p><p>I interviewed all four, limiting them primarily to incomplete sentences and indirect responses -- and asked them to pose questions to each other at the end.</p><p><strong>Without summarizing the plot in any way, what would you say your novel is about?</strong></p><p><em>FIONA MAAZEL:</em> Loneliness! A city underneath the city of Cincinnati. North Korea. Labial reconstruction. Paths towards and away from estrangement. A cult. Some hostages. Cloud seeding.</p><p><em>ALLISON AMEND:</em> "A Nearly Perfect Copy" challenges our presumptions about originality and authenticity, loss and replacement, and the perilous pursuit of perfection. OK, I copied that from the book jacket. But I wrote it the first time …</p><p><a href="http://www.salon.com/2013/04/23/loneliness_labial_reconstruction_some_hostages/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;Where Islam meets America&#8221;: The making of Zaytuna College</title>
		<link>http://www.salon.com/2013/04/23/where_islam_meets_america_the_making_of_zaytuna_college_partner/</link>
		<comments>http://www.salon.com/2013/04/23/where_islam_meets_america_the_making_of_zaytuna_college_partner/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 18:38:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<description><![CDATA[In "Light Without Fire," author Scott Korb tells the story of America's first Muslim liberal arts college ]]></description>
			<content:encoded><![CDATA[<p><em><a href="http://www.amazon.com/dp/0807001635/?tag=saloncom08-20">Light without Fire: The Making of America's First Muslim College</a></em></p><p>by Scott Korb</p><p>Beacon Press, 2013<br /> <a href="http://www.religiondispatches.org"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/RDLogo165x180.jpeg" alt="Religion Dispatches" /></a><br /> <strong>What inspired you to write <em>Light Without Fire</em>? </strong></p><p>In the wake of the Fort Hood mass shooting by Army Medical Corps officer Nadil Malik Hasan, <em>Forbes</em> published an essay under the headline “<a href="http://www.forbes.com/2009/11/08/fort-hood-nidal-malik-hasan-muslims-opinions-columnists-tunku-varadarajan.html" target="_blank">Going Muslim</a>,” written by Tunku Varadarajan, who today often writes for The Daily Beast. At the time, Varadarajan was working at NYU, where I teach writing courses, often about religion. The coinage he explained this way:</p><blockquote><p>“This phrase would describe the turn of events where a seemingly integrated Muslim-American—a friendly donut vendor in New York, say, or an officer in the U.S. Army at Fort Hood—discards his apparent integration into American society and elects to vindicate his religion in an act of messianic violence against his fellow Americans.”</p></blockquote><p><a href="http://www.salon.com/2013/04/23/where_islam_meets_america_the_making_of_zaytuna_college_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>Secrets of the conservative media machine</title>
		<link>http://www.salon.com/2013/04/23/secrets_of_the_conservative_media_machine/</link>
		<comments>http://www.salon.com/2013/04/23/secrets_of_the_conservative_media_machine/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 16:21:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
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		<description><![CDATA[After mastering TV news and talk radio, conservatives lost control of their message online. That's about to change]]></description>
			<content:encoded><![CDATA[<p>To borrow a Sarah Palin aphorism, after their election defeat in 2008, conservatives didn’t retreat, they “reloaded.” Instead of finding new solutions to public policy problems or seriously reevaluating Bush’s failures, conservatives focused almost solely on new ways to communicate their old ideas. To do so, they looked to their natural allies in corporate marketing for inspiration -- and they looked to the Left for imitation. The result has been a recent and profound turnaround that has allowed the Right the bury Obama’s message and dominate the political debate.</p><p><strong>Historical right-wing domination of the media</strong></p><p>Traditionally, conservatives have almost always dominated direct mail solicitations, retained the best pollsters money could buy and paid for the most celebrated advertising makers. Message discipline is the first lesson for any Republican politician. Talk radio? unquestionably controlled by conservatives.</p><p><a href="http://www.salon.com/2013/04/23/secrets_of_the_conservative_media_machine/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Augusten Burroughs: &#8220;What did normal people do when they stopped drinking?&#8221;</title>
		<link>http://www.salon.com/2013/04/23/augusten_burroughs_what_did_normal_people_do_when_they_stopped_drinking/</link>
		<comments>http://www.salon.com/2013/04/23/augusten_burroughs_what_did_normal_people_do_when_they_stopped_drinking/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 00:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.railrode.net/?p=13274513</guid>
		<description><![CDATA[I had no idea how to fill the day when I got sober. Writing about it at least gave me something to do with my hands]]></description>
			<content:encoded><![CDATA[<p>When I was a kid, one of my many phobias was that somebody would read my diary. Not because I revealed anything particularly secret beyond run-of-the-mill complaints about my brother’s greasy metallic aroma or the lack of buying power afforded by my pittance of an allowance. It’s just that I’d written this journal only for me; it wasn’t polite enough or interesting enough or funny enough for anyone else to read.</p><p><em><a href="http://www.amazon.com/dp/125003440X/?tag=saloncom08-20">Dry</a> </em>began as nothing more ambitious than a journal I started the day I returned to New York City from rehab in Minnesota.</p><p>I was feeling nearly electriﬁed with the discomfort of existing with a blood alcohol level at zero. And I had no idea what to do with my sober self.</p><p><em>What did normal people do when they weren’t drinking?</em></p><p><a href="http://www.salon.com/2013/04/23/augusten_burroughs_what_did_normal_people_do_when_they_stopped_drinking/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>16</slash:comments>
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		<title>&#8220;Cooked&#8221;: Michael Pollan takes kitchen duty</title>
		<link>http://www.salon.com/2013/04/21/cooked_michael_pollan_takes_kitchen_duty/</link>
		<comments>http://www.salon.com/2013/04/21/cooked_michael_pollan_takes_kitchen_duty/#comments</comments>
		<pubDate>Sun, 21 Apr 2013 22:00:00 +0000</pubDate>
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		<description><![CDATA[A great food writer considers the deeper meanings of turning food into meals]]></description>
			<content:encoded><![CDATA[<p>Much food writing is little more than a gaseous substance that collects around recipes and advice. I like to cook and make most of my own meals, but I have no patience for the touchstones of foodie literature, like M.F.K. Fisher, with her preening sensuality, or the imperious fussiness of Richard Olney. Nigella Lawson's phone-sex cooing makes me grind my teeth. Just cut the mystification and razzamatazz, and tell me how to make a decent lentil soup, already! While we're at it, I also hate celebrity chefs and rhapsodic restaurant reviews. Especially during a week like the one we've just had, most food writing manifests a serious disorder of perspective, and its perpetrators come across as more navel-gazing and trivia-obsessed than the most self-involved memoirist.</p><p>Apart from flashing my curmudgeon credentials, I'm trying to say that in this department, my bar is set pretty high. There are three food writers I will listen to. Two are true cooks (<em>not</em> chefs): the peerless Mark Bittman, who understands what does and does not matter about how we cook and eat, and Martha Stewart, who -- say what you will! -- taught me everything I know about baking. (Julia Child seems delightfully down-to-earth, but I'm not very interested in French cooking.)</p><p><a href="http://www.salon.com/2013/04/21/cooked_michael_pollan_takes_kitchen_duty/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
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