CBS
What if Joan was one of us?
CBS's "Joan of Arc" miniseries is a history lesson in end-of-the-millennium American pop culture.
Like many celebrities who died young, Joan of Arc has remained a vital presence in pop culture, forever fixed in our minds at age 19. Since she was burned at the stake in 1431, Joan has been endlessly rehabilitated and recycled: by historians, by the Catholic Church (which finally got around to canonizing her in 1920) and by writers from Shakespeare to Twain to Shaw.
Over the centuries, fictionalized versions of Joan’s story have tended to reflect the eras in which they were written. Shakespeare’s Joan, in “Henry VI: Part I,” was overshadowed by the play’s England-first jingoism. In Shaw’s “Saint Joan” she was a modern woman, a reaction against the melodramatic heroines who dominated 19th century theater. And thanks to CBS, we now have a Joan of Arc for the end of the millennium. She arrives in miniseries form on Sunday and Tuesday nights, with 16-year-old Leelee Sobieski, a dead ringer for a young Helen Hunt, in the title role. (The cast also includes Peter O’Toole, Olympia Dukakis, Shirley MacLaine and Neil Patrick Harris, better known to TV viewers as Doogie Howser.) As with earlier versions, this one is more interesting for what it says about our culture than what it says about Joan’s.
A few telltale signs of our time:
We can’t get enough of angels. Sweet and always upbeat, solidly Christian but not overbearingly so, angels are the perfect ambassadors of American religion. It’s no coincidence that CBS, the network that has scored huge ratings with the sugarcoated series “Touched by an Angel,” is behind this current version of Joan. In “Saint Joan,” Shaw’s heroine rather bluntly announces that she’s been holding regular conversations with Catholic saints; it’s up to the audience to decide if they actually descend upon her from the heavens. Here, we get the full supernatural treatment, complete with winged, ethereal angels, parting clouds and choirboy vocals. Joan’s most important and dangerous religious legacy — as a Protestant avant la lettre, she wanted to bypass the all-powerful Church and talk directly to God — is pushed to the periphery.
We lap up violence, especially if it’s softened by historical distance and lots of horses. In the wake of Littleton, America may be reexamining its love affair with guns, but who’s going to complain about lances, crossbows and battering rams?
Teen angst is where it’s at. In the eyes of most biographers, Joan’s most striking feature was her unnatural wisdom — she was a brilliant military strategist stuck in a girl’s body. But this Joan is a teenager through and through: She argues tearfully with her parents and develops crushes on cute boys. After hearing Joan describe her vision of St. Michael — “He was tall, with long, dark hair and big, warm blue eyes” — I thought maybe I’d accidentally switched over to “Dawson’s Creek.”
It’s hardly surprising that this period piece is overlong and generally lifeless. What is surprising is that hidden under all that armor is such a clear picture of contemporary America. Like it or not, this Joan is one of us.
Christopher Hawthorne is arts editor of the East Bay Express in Berkeley, Calif. More Christopher Hawthorne.
Media Circus
Right-wing political commentator Laura Ingraham has parlayed good looks, facile commentary and star quality into media power.
I first met Laura Ingraham on the set of MSNBC on the network’s first day on the air. If memory serves, she asked former Israeli Prime Minister Shimon Peres a question displaying both amazing audacity and embarrassing ignorance. Coming just days after the explosion aboard TWA flight 800 over Long Island, Laura wanted to know if Peres thought it was a good idea for the U.S. to bomb Syria or Libya in response. Peres clearly thought she was nuts and did his best to explain that no one even knew if foul play had been involved yet. In between interview segments, Laura and I gossiped about Joe Klein, who had just been unmasked as “Anonymous.” She told me that a day earlier she had seen Klein coming out of a meeting at CBS all smiles, chuckling over something with his bosses there and so, as far as she could tell, his future was assured.
Continue Reading CloseEric Alterman last piece for Salon was "Confessions of a box-set sucker." More Eric Alterman.
Dragonslayer
An interview with Ralph Nader who is organizing a conference in Washington, D.C., in Nov. 1997 to explore how Microsoft is extending its near-monopolistic control of the software business into other industries, including banking, insurance, car dealerships, travel services, real estate and television.
ralph Nader, the legendary consumer advocate, has a new enemy: Bill Gates and his software giant, Microsoft.
Nader is organizing a conference in Washington, D.C., next month that he says will explore how Microsoft is working to extend its near-monopolistic control of the software business into other industries, including banking, insurance, car dealerships, travel services, real estate and television.
He has sent invitations to lawyers, writers, academics and corporate critics of Microsoft, along with Vice President Al Gore and Gates himself. The aim, Nader says, is to begin a public discussion about Microsoft’s business practices and possibly mobilize the Justice Department’s antitrust division to take the growing chorus of complaints more seriously.
Continue Reading CloseJonathan Broder is Salon's Washington correspondent. More Jonathan Broder.
Media Circus: With “education” like this, who needs infomercials?
Thanks to the new FCC guidelines mandating more educational TV, kids have learned essential facts -- like the NBA is really cool and always to watch for spies when leaving the house.
It may be the least edifying lesson of the budding school year. Starting in September, under new Federal Communications Commission guidelines, TV stations are supposed to be airing three hours of “educational or informational” programming each week, at some reasonable time of day. And you know what, kids? A lot of the stuff the networks have programmed to fulfill their stations’ obligations has the pedagogical value of one of those paper place mats at a pancake house. Of course, this has nothing, nothing at all, to do with the FCC’s decision to leave it up to broadcasters themselves to decide what goes on the curriculum.
Continue Reading CloseAlyssa Katz is television critic for the Nation. More Alyssa Katz.
Media Circus – Russian tanks invade Tokyo! See page C-32
American media are running less and less foreign news.
to judge by what appears in the nightly TV news or the morning newspapers, the American people spend most of their time pondering their gallbladders and cheering for cat-rescue stories. Yes, there’s still news out there. But hard news, and particularly hard foreign news, is increasingly being squeezed by soft family, health, celebrity and “lifestyle” stories.
While the fate of O.J. Simpson led every broadcast and headlined every newspaper for a year, the genocide in Rwanda quickly grew old and disappeared. Many nights, you won’t even see a foreign story on the evening news. Bombs in Johannesburg? Crisis in Paris? Sorry — but are you interested in the library crisis in Bangor? According to Andrew Tyndall, whose New York-based Tyndall Report monitors the three nightly network newscasts, there’s only half as much international coverage today as there was in 1989. Last year, for example, NBC aired only 327 minutes of stories filed by reporters from abroad, compared to 1,013 minutes at the end of the Cold War.
Continue Reading CloseMartha Ann Overland is a writer who lives in Washington, D.C. She has worked for the New York Times, the New York Post and National Public Radio. More Martha Ann Overland.
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