China
“Red Corner”
Andrew O'Hehir reviews 'Red Corner' directed Jon Avnet and starring Richard Gere and Bai Ling.
“RED CORNER” IS less the movie in which Richard Gere goes to China than the movie in which China comes to Richard Gere. That’s a literal as well as metaphorical description — director Jon Avnet had scores of Chinese actors (appealing Audrey Hepburn-esque co-star Bai Ling prominent among them) and tons of props flown to Los Angeles, where production designer Richard Sylbert constructed a scrupulously accurate Beijing neighborhood on a Culver City studio lot. Through digital effects and computer-generated composite shots, a few key Beijing exteriors are integrated seamlessly into several scenes. Filmgoers outside the Hollywood hype loop (if there are any left) will assume that the filmmakers somehow got permission to shoot in China.
But if the geographical illusion is completely convincing, the narrative illusion is fatally compromised. An intermittently engaging normal-guy-framed-by-police-state thriller (screenwriter Robert King originally meant it to be set in the Soviet Union), “Red Corner” is finally overwhelmed by the persona of its star, who practically oozes caring from every Dalai Lama-kissed crease in his suntanned visage. The more Christlike suffering Gere’s character (imprisoned lawyer Jack Moore) must endure, the more the movie’s subtext swallows its story, until all that is left is Gere’s superior virtue, intermixed with his superior virility — both of which are greatly appreciated by the evidently underserviced Chinese female population. “Red Corner” is a zone of conundrums where sexual exploitation of the rankest sort mingles with cloying sentimentality, where sophomoric cultural relativism bumps heads with the hoariest stereotyping. In the end, its painstaking attention to detail only underscores its fundamental bogusness; it’s a movie where everything is correct and nothing is true.
Hold your fire, Tibet-lovers; I’m not criticizing Gere for his activism, or even for his acting. In fact, in the long list of contemporary American lead actors who excel at playing creepy guys, Gere’s air of middle-class implacability has earned him a special place. He doesn’t seethe inwardly, like Michael Douglas or Harrison Ford; he doesn’t boil over, like Al Pacino or Robert De Niro. He just sits there with a cocksure smirk and those indolent, intelligent eyes. Even his outrage, when it comes, comes from a certainty that the dice rolled his way a long time ago. When Jack shakes his manacled hands at his Chinese captors and roars, “I’m an American citizen!” you believe he’s exactly the kind of guy who would use that line.
When we first meet Jack, he’s a top-drawer Gere character, a reptilian Western businessman who uses quotations from Chairman Mao to sell the Beijing government a softcore porn-laden satellite TV package. Jack watches wryly as a roomful of smoking, dark-suited apparatchiks comes quiveringly close to collective orgasm over an American T&A show called “Beachside.” Throughout the film, in fact, Chinese men’s sexuality is portrayed as onanistic and distasteful, in apparent contrast to Jack’s full-blooded masculinity.
In short order, Jack’s equally unctuous Chinese associate, Lin Dan (Byron Mann), takes him to see “the new China,” which mostly means a disco throng dancing to “YMCA” and a lissome fashion model named Hong Ling (Jessey Meng), who takes Jack home for some rudimentary cross-cultural exchange. (In Hong Ling’s apartment, Avnet actually treats us to several shots of champagne bottles copiously spewing foam.) To this point, the movie is slick, superficial and energetically paced, with that ominous psychic undertow all good thrillers possess.
We know what’s coming, and Jack’s arrogance and sense of entitlement are such that we half-believe he deserves his fate. But from the moment Jack is rousted out of bed by the cops and told that Hong Ling lies gutted in the next room, “Red Corner” begins to veer off course. The central plot riddle is garbled and amateurishly handled (I still don’t know which of the nefarious Chinese men in suits killed Hong Ling and framed Jack), and the drama of wrongful imprisonment has been handled better in dozens of other films. Perhaps the problem is that Avnet — best known for “Fried Green Tomatoes” and “Up Close and Personal” — is more comfortable with sentiment than intrigue, and his attention quickly fastens on the budding relationship between Jack and Shen Yuelin (Bai Ling), the pixieish-yet-tough defense attorney assigned to his case.
Or, just maybe, the film is afflicted by its own bad conscience. After all, it employs an improbable case involving a white man to call attention to the myriad injustices of Chinese jurisprudence, under which thousands of citizens are executed for minor crimes every year. (If a big-shot American businessman really did kill a Chinese club chick, wouldn’t the authorities be more likely to hush it up?) As if to justify this, “Red Corner” reverses its polarities, suddenly converting Jack from a schmuck to a saint — albeit a manly saint who charms every woman from Shen Yuelin to her aged grandma to the grim-faced trial judge (Tsai Chin). He’s not a soulless yuppie, it turns out, but a wounded one who lost his wife and child in a taxicab accident and has tried to fill the void with money.
Never in the history of capital-punishment cases has such insouciant billing and cooing transpired between lawyer and client. “You have beautiful hands,” Jack twinkles. “Chemistry,” Shen Yuelin giggles, “is that the right word? You are a romantic.” She tells him that Chinese men — all 600 million of them — are threatened by her independence; his glowing approval gives her the strength to stand up to her conformist society.
Gere and Bai Ling are an undeniably skilled duo, and I rode along as they made preposterous sacrifices for each other, outlasted the repeated assaults of kung fu assassins and vainly tried to turn “Red Corner” into “Casablanca.” But I left the theater feeling guilty for every time I’ve looked at an Asian woman on the street — and believing that the infamous Asian stereotypes of earlier Hollywood (from Frank Capra’s underappreciated “The Bitter Tea of General Yen” to “The World of Suzie Wong”) were at least more forthright in presenting the tormented mixture of anxiety and desire with which the West regards the East.
Newsreal: The real China threat
The world's most populous country could single-handedly wreck the global environment.
human rights, trade deals, secret campaign contributions and, most recently, stock market crashes — these are the issues that come to mind when Americans think of China. But so far we have overlooked what may be the real China problem: the environmental catastrophe rapidly unfolding there.
China’s environmental disaster threatens not only the Chinese people — who are dying in the hundreds of thousands every year from staggering levels of air and water pollution — but all humanity. With its gigantic population and booming economy, China can single-handedly guarantee that climate change, ozone depletion and other deadly hazards become a reality for people the world over.
Continue Reading CloseSALON Daily Clicks: Newsreal
The real winners of the China-Hong Kong handover are the vicious triads whose influence now extends to 1 billion people.
while Republican Sen. Fred Thompson tries vainly to prove that Chinese Communist money illegally made its way into U.S. political campaigns and the pundits debate whether Hong Kong’s freewheeling capitalism can survive under the red flag of the mainland, a much bigger, more ominous story is being ignored: that organized crime may have just taken over a major slice of the Asian continent.
The biggest winners of the historic handover of Hong Kong to China two weeks ago, argues journalist and author Frederic Dannen, are Hong Kong’s triad societies, the secretive gangs that have controlled the city’s underworld since 1949. In an alarming article in the July 14-21 New Republic, Dannen writes that in return for the triads’ support of Beijing, China’s communist leaders are doing business with the gangs. The result: a state-sponsored criminal alliance that is bound to change the face of Hong Kong and could be felt as far away as the United States.
Continue Reading CloseJonathan Broder is Salon's Washington correspondent. More Jonathan Broder.
Hong Kong Diary: June 30, the day of the handover
Simon Winchester's Hong Kong Diary -- Fifth Installment, June 30: Just what did China's president Jiang Zemin mean by "vicissitudes"?"
and so the rewriting of history begins. It was only 10 minutes, maybe less, into the long-awaited resumption of China’s superintendency over Hong Kong, when we heard a new and very curious phrase — a reference, by Chinese President Jiang Zemin, to the “vicissitudes” that Hong Kong and its people have supposedly suffered during the last century and a half of British colonial rule.
Perhaps it was the translation — perhaps the president actually meant “difficulties” or “trials” or “periods of turbulence.” We won’t be sure until the official English version of the speech is offered, in a day or so. But whatever the phrasing’s imprecision, it does seem abundantly clear that the new ultimate leader of Hong Kong thinks, and is telling his new subjects to think, that the past century and a half have been difficult times for the territory, and that now China has taken over, everything is going to be just fine.
Continue Reading CloseSimon Winchester is a contributing editor for Salon Wanderlust. He has previously written about Hong Kong, the Kurile Islands and China. More Simon Winchester.
Hong Kong Diary: June 26, four days to handover
The glitterati pour into Hong Kong four days before handover
the planes are coming in half-empty, most of the hotels are lying half-full. Everyone is saying of Hong Kong today that it is much like Los Angeles was during the 1984 Olympics; unnaturally empty, because all the ordinary would-be travelers were scared off by the gloomy talk of last spring, when the received wisdom was that everything over the handover period would be full, totally full.
The great and the good are pouring in nonetheless, preparing for what they expect will be the party of a lifetime. Actresses and models and society grand dames are here in abundance. Lauren Hutton is here, for some undefined reason. So is Yo-Yo Ma, who has come to play at the reunification concert. Margaret Thatcher is expected, taking a suite at the Mandarin for $10,000 a day. The trio of Jennings, Rather and Brokaw are all here, standing on street corners and making serious faces into expensive cameras, mouthing their customary platitudes, live from the exotic Orient.
Continue Reading CloseSimon Winchester is a contributing editor for Salon Wanderlust. He has previously written about Hong Kong, the Kurile Islands and China. More Simon Winchester.
Hong Kong Diary: Typhoon!
Hong Kong Diary by Simon Winchester
the weather is suddenly causing the greatest concern. It has been raining so
much and so heavily here in the past few days that Old China Hands are
beginning to think the unthinkable: What if, they say, there was a typhoon on
the handover day?
A Hong Kong typhoon is a terrible thing to behold. It is also a phenomenon
with which the territory, on the basis of decades of bitter experience, is now
more than amply organized to meet. And yet that very organization could spell
the death of any celebration due to be held next Monday, should the weather
turn really ugly.
Simon Winchester is a contributing editor for Salon Wanderlust. He has previously written about Hong Kong, the Kurile Islands and China. More Simon Winchester.
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