<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Salon.com > Clive Linley</title>
	<atom:link href="http://www.salon.com/topic/clive_linley/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.salon.com</link>
	<description></description>
	<lastBuildDate>Tue, 21 May 2013 03:48:00 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Ian McEwan, novelist-historian</title>
		<link>http://www.salon.com/2012/11/14/ian_mcewan_novelist_historian/</link>
		<comments>http://www.salon.com/2012/11/14/ian_mcewan_novelist_historian/#comments</comments>
		<pubDate>Wed, 14 Nov 2012 21:06:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Saturday]]></category>
		<category><![CDATA[Atonement]]></category>
		<category><![CDATA[Thatcher]]></category>
		<category><![CDATA[Ian McEwan]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Clive Linley]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13072749</guid>
		<description><![CDATA[In his nostalgic "Sweet Tooth," the British author further cements his reputation as a master of the period novel]]></description>
			<content:encoded><![CDATA[<p>EVER SINCE HE EVOLVED out of producing what he describes as ‘staring-at-the-wall’ fiction — those slender stories such as <em>The Cement Garden</em> and <em>The Comfort of Strangers </em>set in no tangible time or place —Ian McEwan has become England’s premier documentarian, the chief recorder of her near past in novelistic form.</p><p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los  Angeles Review of Books" align="left" /></a></p><p>Moving seamlessly between time periods, from the Second World War to the liberation of Iraq, McEwan’s attention is drawn not towards the deeds of great men that flavor the works of say Hilary Mantel or Robert Harris. McEwan, while oftentimes anchoring his works in the past, is by no means a historical novelist. Rather, his novels attempt to reflect the <em>Zeitgeist</em>, how the ever-changing political, social, and cultural climate impacted or impacts the lives of ordinary or at times extraordinary people.</p><p><a href="http://www.salon.com/2012/11/14/ian_mcewan_novelist_historian/">Continue Reading...</a></p>]]></content:encoded>
			<wfw:commentRss>http://www.salon.com/2012/11/14/ian_mcewan_novelist_historian/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
