Editor's Picks
Trust me on this: David Bowie’s “Hunky Dory”
The Old 97's singer credits Bowie's brilliant "Hunky Dory" for rescuing his adolescence and inspiring his career
(Credit: Benjamin Wheelock) Dear Kiddos,
Hey, you turkeys. Listen up. I need you to listen for five minutes. I’m going to impart a little wisdom. You can take it or leave it. For what it’s worth, I’d rather you took it.
The advice is this: David Bowie’s “Hunky Dory” is a perfect album, and, since perfect albums are a rare commodity, it is worthy of deep and repeated listenings.
I’m listening to “Hunky Dory” as I write this. How many times have I listened to this, my favorite record? Like a million? And it never gets old.
I discovered “Hunky Dory” by accident. I was a sad, lonely little kid. Eleven years old and obsessed with Joan Jett, another artist I imagine you kids would enjoy. Back then, the radio was still a real thing that people listened to, believed in and learned from. I stayed up past my bedtime one Saturday night during the Christmas holiday to listen to a weekly show called “The King Biscuit Flower Hour” featuring a concert by my secret girlfriend, Joan Jett. At the end of the set, she played a cover of a song that would forever change the course of my budding musical tastes, “Rebel Rebel.” As it turned out, “Rebel Rebel” would never be one of my favorite Bowie tunes, but I could detect, within its lyric, a narrative voice to which I could relate. Like really relate.
I was a latchkey kid, a thing that no longer exists. Both of my parents worked, so every weekday after school, I had a few hours wherein I could do whatever the heck I wanted. What I usually wanted to do was go to Half Price Books & Records. The next Monday, released from the grim confines of Armstrong Elementary, I walked to Half Price where I found exactly one David Bowie album. I brought home “Hunky Dory,” marveling at its weird, androgynous cover. In those pre-Internet days, one was always left with questions. Is that David Bowie on the album cover? Is that person a guy or a lady? Is it a painting or some sort of artsy photo? Is this even rock ‘n’ roll, or is it some other kind of music, the name of which has been kept a secret from me?
It was just that, some other, new kind of music. New to me, anyway. This album, recorded when I had been less than a year old, opened doors for me. And I thought I caught a glimpse of my own future. My family’s house on Gillon Avenue was empty when the needle dropped on Side A. “Changes,” turned up to top volume, was my anthem from the first line of the first verse. “Still don’t know what I was waiting for,” indeed. This was what I had been waiting for. Putting up with all the cruel dullards in my grade school, all the teachers and coaches, all the stupid kids and mean adults, had been almost unbearable. Suddenly, I wasn’t alone.
“Hunky Dory” is not a kids’ record, but there is certainly a preponderance of imagery relating to childhood. “Changes” speaks of “these children that you spit on.” “Oh You Pretty Things” has the song’s object driving his “mama and papa insane.” In “Kooks,” the singer begs his own kid to stay, reassuring the lucky little guy that “we believe in you.” At the time, I needed to hear that sentiment. I went back to it over and over again throughout the difficult years of adolescence. David Bowie was not my dad, but he was there in a pinch.
As the album goes on, it gets weirder. And deeper. And darker. “Quicksand” offers up an epic take on the human experience, turning on a phrase that would echo dangerously throughout those most perilous years of my youth, “knowledge comes with death’s release.” I didn’t understand, but I did understand, if you catch my drift. These were meditations on the difficulty of everyday life, and the insane nature of our very existence. Heavy, beautiful stuff.
Antidotes appear in the record’s latter portion. “Happiness is happening/dragons have been bled … fear’s just in your head,” Bowie proclaims in the goofy-but-right-on “Fill Your Heart.” Then he proceeds to introduce the listener to Andy Warhol and Bob Dylan. And then comes “Queen Bitch,” wherein we meet Bowie’s longtime foil, the most underrated guitarist in rock history, Mick Ronson. The riff in “Queen Bitch” hints at what is to come on Bowie’s next LP, “The Rise and Fall of Ziggy Stardust and the Spiders From Mars,” Bowie’s breakthrough album, but “Hunky Dory” is still pre-fame Bowie at his folkie best.
Finally, he leaves us with the epic poem that is “Bewlay Brothers.” As an 11-year-old, I played it repeatedly in an attempt to decipher this song’s meaning. I wrote out the lyrics in my journal, hoping to make sense of them. To no avail. I did know that something had gone horribly wrong, there was madness and sadness, and then the record was over. Just like that.
Again and again, I listened. Memorized. Marveled. Sang along. When I could take it no longer, I found a guitar teacher and learned how to do these things myself. Well, not exactly these things, but my own version thereof. My early songs were such a pale imitation of early-’70s Bowie, that I could have been sued — had anyone ever heard my early songs. It’s quite possible that I spent the whole of my teenage years singing with an English accent. As they say, mistakes were made.
I never got over Bowie. Especially “Hunky Dory.” Many of his other records have remained favorites: “Low,” “Ziggy Stardust,” “Station to Station.” But “Hunky Dory” was my first love. I caught a lot of grief for my borderline-obsessive Bowie fandom. Kids at school used it as ammunition in their attacks on my masculinity. Did I care? Sure. Did I care enough to throw Bowie under the bus and pretend to withdraw my admiration for this artist who set me on the path I knew I was destined to follow? Hell no. David Bowie was and is my hero.
Listen, kids: I want you to hear “Hunky Dory” because I think you will love it. Like I said, it’s a perfect record, and how often do those come along? But the real reason I want you to listen to “Hunky Dory” is because, in its 11 tracks, you will find the clues that will lead you to an understanding of me, your dad. You’ll see signposts pointing the way to the path I chose in life.
Making music for a living isn’t easy. Many things about it are tough as hell: The touring and its requisite absences; the self-absorption; the occasional financial insecurity; the mood swings one attributes to the “artistic personality.” This life, however, is what I was made for. This calling is the only one I’ve ever known. I’m not curing cancer or solving the global hunger crisis. I’m making music. But there is a certain hazy nobility in that vocation. Somewhere, an 11-year-old kid may be putting on an album of mine and discovering that the universe isn’t a meaningless jumble of coincidences, that there is purpose to be found in these three-minute constructions of music and lyrics. Some small but elegant meaning.
Heck, before you guys came along, that was all I had. The great thing is that now I have everything.
Rhett Miller is the lead singer of the Old 97s. His latest solo album, "The Dreamer," will be released on June 5. More Rhett Miller.
“Battlefield Earth”: Romney vs. the Psychlos
The GOP's standard bearer calls L. Ron Hubbard's bizarro sci-fi epic his favorite novel. Is that cause for concern?
Republican presidential candidate and former Massachusetts Governor Mitt Romney reads a book to children in Manchester(Credit: Brian Snyder / Reuters) There’s a scene near the end of “Battlefield Earth,” Scientology founder L. Ron Hubbard’s 1982 science fiction epic, that may explain a bit of why Mitt Romney has said (most recently this week) that it’s his favorite novel.
Our hero, Jonnie Goodboy Tyler, has just finished taking down the Psychlo empire, which has ruled Earth for the past millennium and has dominated most of the known 16 universes for going on 300,000 years. Now Jonnie has to negotiate with the alien powers who are jockeying to fill the power vacuum left behind, and things aren’t looking so good for the human race.
Continue Reading CloseDaniel Oppenheimer's book "Turncoats: The Journey from Left to Right and How It’s Transformed America," a political and intellectual history of six prominent American intellectuals who journeyed from the left to the right of the political spectrum, will be published by Simon and Schuster More Daniel Oppenheimer.
Luke Russert, nepotist prince
Luke Russert is being groomed as a simulacrum of his father -- but without the inspiring rags-to-riches story
(Credit: Benjamin Wheelock) Tim Russert was not the unalloyed saint of tough journalism that his celebrators describe in posthumous tributes, but he was at least a classic American success story, of the sort that we still enjoy pretending is common: Blue-collar kid from Rust Belt town becomes enormously successful thanks largely to brains and hard work. The story of Luke Russert, alas, is a much more common one in American life: No-account kid of successful person has more success thrust upon him.
Pretty much immediately upon the death of his father, Luke Russert inexplicably had a full-time broadcasting job, supplanting his part-time broadcasting job co-hosting a satellite radio sports talk show with James Carville. (That was a real thing that actually existed. Can you imagine a human who would want to listen to that?)
Continue Reading Close
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene More Alex Pareene.
Sex ads: It isn’t just Backpage.com
From Facebook to Twitter and once again on Craigslist, a new study shows adult advertising permeates the Web
(Credit: Advanced Interactive Media Group) A new report could defend the besieged Backpage.com — and it comes from the same research organization that has been used in the campaign against the classified-ad site.
Activists calling for the site to shutter its adult classifieds section on the grounds that it promotes sex trafficking — like New York Times columnist Nicholas Kristof — have seized on research from Advanced Interactive Media Group (AIM) showing that across a handful of sites carrying prostitution ads, 70 percent come from Backpage. Another significant finding from the organization is that the site’s parent company, Village Voice Media, makes $22 million from such ads. Again and again, critics of the site trot out these, and similar, statistics drawn from AIM research — but the organization’s latest study highlights just how far online prostitution spans beyond Backpage.
Continue Reading Close
Tracy Clark-Flory is a staff writer at Salon. Follow @tracyclarkflory on Twitter. More Tracy Clark-Flory.
Trust me on this: “Star Wars”
A New York Mets all-star explains how he plans to pass the power of the Force on to his son. First in a new series
(Credit: Shutterstock/Salon) I saw “Star Wars” on VHS originally when I was 6. I was just captivated. I would come home every day after school, and before I would do my homework, I would pop it in and watch it, because I was largely alone. Both my parents worked. I remember the play button being green, the pause button was red, and the way the top would pop up and you’d slide the tape in and clank it down. And I remember knowing every line.
As I grew, I began to see “Star Wars” as a metaphor for so much – whether it was the natural depravity of man, or the redemption of man, or the relationship between a father and a son in Luke Skywalker and Darth Vader. That relationship can be broken and redeemed over the course of the trilogy. I really related and connected with it, and it encapsulated a lot of what I want to teach my children – people make mistakes, and they can ultimately be redeemed, even if those mistakes seem egregious, you know, in Darth Vader’s case. That there is a choice to be made between what side you choose in life. Our faith is a big part of our family, so the Force has special meaning for me. There’s just so many things that I think my son would get, that I hope my son would get.
Continue Reading CloseR.A. Dickey is a starting pitcher for the New York Mets and author of the memoir "Wherever I Wind Up: My Quest for Truth, Authenticity and the Perfect Knuckleball" More R.A. Dickey.
Listen up, doctors: Here’s how to talk to your patients
Patients need compassion and dignity, but too many doctors act like mechanics. Here's how we'd like them to behave
(Credit: Everett Collection via Shutterstock) My doctor always walks into the exam room smiling. It’s not necessarily the countenance you’d expect from a man who spends much of his time working with people with Stage 3 and Stage 4 cancers — the kind that haven’t responded to other forms of treatment. Yet even when we speak on the phone, I sometimes swear I can hear him smiling. Granted, I’ve given my doctor something to smile about – I’ve been doing spectacularly well in my Phase I trial, delivering CT scan results that he appreciatively refers to as “neat.” Yet the extraordinary thing about my doctor is that he was smiling the day I met him, when I was facing a diagnosis that put my long-term odds of survival in the “probably not going to happen” range. And from that first grin, he deflated my terror and made me believe I was in the hands of someone not just invested in my wellness, but downright optimistic about it.
Continue Reading Close
Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub. More Mary Elizabeth Williams.
Page 2 of 50 in Editor's Picks