England
“W.E.”: Madonna’s Wallis Simpson fantasy hits Toronto
Empty seats and polite applause greet the pop legend's "W.E.," about an earlier Material Girl
A still from "W.E." TORONTO — As I left the North American premiere of “W.E.” in Roy Thomson Hall, home to this city’s symphony orchestra and the largest of the Toronto International Film Festival’s venues, a hubbub suddenly erupted just to my left. A tiny woman in a black diaphanous gown, with her hair in blond ringlets that glowed with an almost radioactive brilliance, was walking out of an adjacent door. For a second or two she was right next to me, and then her pursuing entourage pushed her onward, through the crowd of photographers and ordinary people with iPhones, and she was gone. Of course I knew it was Madonna, since I’d just sat through her sad, silly and rather sweet motion picture and couldn’t help noticing that she was sitting a few rows away. But I couldn’t see any relationship between this trim, ferocious middle-aged lady with the painted smile and the once-notorious pop singer. It didn’t feel at all like an encounter with Madonna. Did Freud have a term for this phenomenon?
I don’t simply mean that the film “W.E.” is sad and silly and sweet, although those are good words for it. The whole evening had those qualities. Madonna was pursued on the red carpet by an impressive phalanx of photographers, and there were several hundred fans on the sidewalk outside Roy Thomson Hall who screamed in joy on her arrival. (Despite rumors of her prickly backstage behavior here, she worked the outside crowd generously.) Both as the lights went down in the theater and as the final credits rolled, several people in the audience shouted, “Thank you, Madonna!” and had to be shushed severely. In her opening remarks before the film, Madonna got a huge ovation when she said that, as a native of Detroit, she felt “almost Canadian,” and a big laugh for joking about her near-arrest by Toronto police in 1991 for simulated onstage masturbation.
But in the wake of “W.E.’s” reportedly disastrous Venice premiere, the Toronto screening was not even close to a sellout. There were banks of empty seats in the Roy Thomson upper reaches, and the press section where I sat was barely half-full. Harvey Weinstein, whose company will distribute “W.E.” in the United States, was not present, and the film’s theatrical and commercial future appears uncertain. But Canadians are a kind and polite people, especially compared to the boorish audiences at Venice, and there was no booing and catcalling at all, and a generous round of applause at the end. Were we applauding “W.E.” for not being as bad as all that, applauding Madonna to make her feel better, or applauding ourselves for being such a nice, supportive audience? All of the above.
You can’t call “W.E.” a total disaster; it’s too pretty, too nonsensical and finally too insignificant for that. Rather, it’s a heavily decorated and overly complicated exercise in female narcissism, which in its plotless meandering fashion seeks to draw a mystical connection between an unhappy Manhattan wife (Abbie Cornish), circa 1998, and Wallis Simpson (Andrea Riseborough), the Baltimore socialite who married King Edward VIII. Riseborough gives a richly enjoyable performance as the prickly, strange and not especially beautiful American who pulled a king and emperor from his throne, and some of the 1930s scenes are pretty fun, after the fashion of outtakes from “The King’s Speech” turned into music videos or haute couture shoots. Madonna and co-writer Alek Keshishian (who directed “Truth or Dare” way back in 1991) go right at the historical reputation of Wallis and Edward as Nazi sympathizers, and to the extent that “W.E.” is an attempt to rehabilitate them at least it has a clear agenda.
But even having seen the movie I can’t figure out what mistreated, ultra-rich 1990s Manhattan housewife Wally (Cornish) is doing in it. OK, she was named after Wallis Simpson and has always been fascinated with her, and an auction of Wallis-and-Edward memorabilia at Sotheby’s serves as her introduction to a deadly handsome Russian security guard (Oscar Isaac) who also plays concert-level Rachmaninoff and has a conveniently dead wife. It’s tempting to conclude that Cornish’s character is a therapeutic stand-in for Madonna, who has acknowledged comparing herself to Wallis Simpson — an American expatriate from humble origins who used shrewdness, sexuality and an intimate understanding of fashion and ritual to pull herself to the top of aristocratic Europe’s social pyramid.
Once you get through the atrocious early scenes, “W.E.” becomes a reasonably watchable and mostly non-narrative curiosity, a handsome fantasy mounted by someone who has no storytelling ability and no connection to real life. It’s entirely possible that a radical re-edit could find a more normal seeming movie about the marriage of Wallis and Edward (James D’Arcy), but one that would require abandoning Madonna’s crackpot central conceit, in which Wallis and Wally occasionally converse across the decades, offering advice and consolation one Material Girl to another. But whether we defend it or deride it, “W.E.” just doesn’t matter. It’s an inconsequential footnote to the declining career of an immense pop superstar, one who is battling irrelevance with all her might but can’t fend it off forever.
BBC: Coulson took tabloid cash while Cameron aide
Ex-News of the World editor still received money from Murdoch company while working for Conservative Party
July 8 2011 photo of former Downing Street communications chief and previously News of the World tabloid editor Andy Coulson who avoided the top-level security checks by Government investigators that his predecessors endured, it has been claimed Thursday July 21, 2011. Britain's Prime Minister David Cameron admitted Wednesday that his former media strategist, now arrested under suspicion of phone hacking while at the paper, had only a basic level of vetting, which meant he was not cleared to view the most secret Government files unlike his predecessors under former Prime Ministers. Opposition lawmakers ask if he was vetted at a less stringent level to avoid information about his past coming to light. (AP Photo/ Dominic Lipinski / PA ) UNITED KINGDOM OUT - NO SALES - NO ARCHIVES(Credit: AP) The former editor of the News of the World received payments and benefits from the newspaper while working as an aide to Conservative leader David Cameron, the BBC reported Tuesday.
Andy Coulson resigned from the now-defunct tabloid early in 2007 after a reporter and a private investigator were jailed for hacking into the voicemails of royal staff.
Six months later he was hired as communications chief to Cameron, then Britain’s opposition leader. Cameron became prime minister in May 2010.
The BBC, without giving its source, reported that Coulson continued to receive severance pay amounting to several hundred thousand dollars from the paper until the end of 2007, and also kept his health care plan and company car.
Continue Reading CloseWhat are Murdoch’s American misdeeds?
As Britain's phone hacking scandal broadens, we investigate News Corp.'s dirty laundry in the U.S.
FILE - In this July 22, 2011 file photo, News Corporation head Rupert Murdoch enters the News Corp. building, in New York. News Corp. reports quarterly financial results Wednesday, Aug. 10, 2011, after the market close. (AP Photo/Louis Lanzano, File)(Credit: AP) LONDON — In Britain, the phone hacking scandal at the heart of Rupert Murdoch’s media empire is a yarn that seemingly never stops unleashing juicy new details.
As the week began, a letter emerged alleging that senior News Corp. editors routinely discussed phone hacking — suggesting that executives likely knew about their newspapers’ illegal eavesdropping on voicemail messages of celebrities, politicians and crime victims. That revelation called into question whether Murdoch’s son James, a senior executive, misled Parliament in his recent testimony, when he said he was unaware of the practice.
London police charge 1,000th person in riots probe
Liberal Democrats criticize harsh sentencing for two young men who encouraged rioting on Facebook
London Mayor Boris Johnson visits a Police CCTV Investigation Unit in London, that is gathering evidence of the London riots Monday Aug. 15, 2011. Britain must confront a culture of laziness, irresponsibility and selfishness which fueled four days of riots that left five dead, thousands facing criminal charges and hundreds of millions of pounds (dollars) of damage, Prime Minister David Cameron acknowledged Monday. (AP Photo/Lewis Whyld/PA Wire) UNITED KINGDOM OUT NO SALES NO ARCHIVE(Credit: AP) London police force say 1,000 people have now been charged in the unrest that rocked the capital for four days, as human rights groups reiterated concerns that the sentences being handed out nationwide are disproportionate.
Acting chief Tim Godwin issued a statement Wednesday that said while the milestone is significant, the investigation is ongoing. He urged the public to turn in anyone involved in the disorder.
“Don’t let them get away with it,” he said.
UK police have arrested more than 3,000 people over riots that erupted Aug. 6 in north London and flared for four nights across the capital and other English cities.
Continue Reading CloseNew News Corp. revelations once again implicate everyone in wrongdoing
A 2007 letter from News of the World's original phone-hacking fall guy alleges a coverup
Rupert Murdoch and James Murdoch Now that the U.K. is done rioting, it is time for all of them to get back to reading a seemingly endless series of appalling news stories about Rupert Murdoch’s News Corp. tabloids and the corrupt, power-mad executives who ran them. The Guardian today publishes an “explosive letter” written four years ago by the original News of the World phone-hacking fall guy, former royal correspondent Clive Goodman.
Continue Reading Close
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at apareene@salon.com and follow him on Twitter @pareene More Alex Pareene.
Police on my back: Songs for burning London
The ahead-of-its-time pop-punk of the Equals has never sounded fresher or more relevant
Decades before this week’s riots in England, a racially mixed band provided a powerful soundtrack for London’s youth uprisings. Even in their prime, some 45 years ago, the Equals were nearly as obscure as they are today. Nevertheless, their sound is more powerful and relevant than ever. Their scorching music explains everything you need to know about the fires that periodically light up the London slums, from the 1960s until today.
The heavy, political, proto-punk, power pop-soul nastiness of the Equals was birthed from the mad mind of Eddy Grant, a Guyanan transplant whose parents emigrated to London in the early 1960s. After building a guitar in shop class, Grant, dyed-blond hair and all, went roaming the streets of London, where he eventually found his future bandmates — a white English-born rhythm section, and a pair of black brothers from Jamaica, who split guitar and lead vocals.
Continue Reading ClosePage 2 of 30 in England