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	<title>Salon.com > humor</title>
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		<title>Allie Brosh returns to Hyperbole and a Half with comic on depression</title>
		<link>http://www.salon.com/2013/05/09/allie_brosh_returns_to_hyperbole_and_a_half_with_comic_on_depression/</link>
		<comments>http://www.salon.com/2013/05/09/allie_brosh_returns_to_hyperbole_and_a_half_with_comic_on_depression/#comments</comments>
		<pubDate>Thu, 09 May 2013 18:41:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[allie brosh]]></category>
		<category><![CDATA[hyperbole and a half]]></category>
		<category><![CDATA[depression]]></category>
		<category><![CDATA[Mental health]]></category>
		<category><![CDATA[rage comics]]></category>
		<category><![CDATA[web comics]]></category>
		<category><![CDATA[humor]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13293989</guid>
		<description><![CDATA[After an 18-month hiatus, the cartoonist and blogger returns to share her struggle]]></description>
			<content:encoded><![CDATA[<p>After an 18-month hiatus, Allie Brosh, the creator of a Web comic and blog that <a href="https://www.facebook.com/pages/Hyperbole-and-a-Half/103009646411654?id=103009646411654&amp;sk=info">"tries hard to be funny"</a> (and overwhelmingly succeeds) Hyperbole and a Half, <a href="http://hyperboleandahalf.blogspot.com/2011/10/adventures-in-depression.html">is back</a>, with a poignant post about the creator's struggle with depression.</p><p>Brosh's site, which revolves around personal stories "told very dramatically (hyperbolically, even)" from her real life, has 339,000 Facebook fans and <a href="http://gigaom.com/2011/01/19/hyperbole-and-a-half-allie-brosh-youtub/">has been considered</a> <a href="http://tech.ca.msn.com/photogallery.aspx?cp-documentid=29032801&amp;page=14">among one of the funniest sites on the Internet</a>. In 2011, Brosh signed a book deal with Touchstone, a division of Simon &amp; Schuster, based on the blog.</p><p><a href="http://www.salon.com/2013/05/09/allie_brosh_returns_to_hyperbole_and_a_half_with_comic_on_depression/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<title>6 old Twitter parody accounts still worth following</title>
		<link>http://www.salon.com/2013/04/25/6dated_twitter_parody_accounts_still_worth_following/</link>
		<comments>http://www.salon.com/2013/04/25/6dated_twitter_parody_accounts_still_worth_following/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 21:04:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[humor]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[bronx zoo cobra]]></category>
		<category><![CDATA[invisible obama]]></category>
		<category><![CDATA[mexican mitt]]></category>
		<category><![CDATA[Angelina Jolie]]></category>
		<category><![CDATA[Binders Full of Women]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13282248</guid>
		<description><![CDATA[Including the Bronx Zoo Cobra, Invisible Obama and Tom Coburn's Beard]]></description>
			<content:encoded><![CDATA[<p>Everything and anything that has even the slightest potential to become a meme will <a href="http://www.salon.com/2013/03/28/twitter_parody_mocks_antonin_scalia_in_wake_of_doma/">eventually get its own</a> Twitter parody account, <a href="https://twitter.com/russiameteor"> even if it shouldn't</a>. Twitter parody accounts require discretion, you see, namely from someone those who are funny.</p><p>That said, occasionally the right person starts the right Twitter parody account at the right time, and the commentary can take on a life of its own. The result: an account that can retain followers long after the prompting event or person has disappeared from headlines. </p><p>Here are 6 accounts based on memes well past their Internet prime that still making it work:</p><p>1. <a href="https://twitter.com/BronxZoosCobra">The Bronx Zoo's Cobra,</a> which caused a panic when it disappeared from the Zoo in 2011, soon resurfaced on Twitter, gaining thousands of followers overnight. Although it was soon recovered in real life, the parody account still updates frequently and retains almost 200K followers:</p><p>[embedtweet id="318797186991288320"]</p><p>[embedtweet id="315230065459863552"]</p><p><a href="http://www.salon.com/2013/04/25/6dated_twitter_parody_accounts_still_worth_following/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>It&#8217;s OK to use incomplete sentences. Really</title>
		<link>http://www.salon.com/2013/04/18/nb_grammar_nazis_its_ok_to_use_incomplete_sentences_partner/</link>
		<comments>http://www.salon.com/2013/04/18/nb_grammar_nazis_its_ok_to_use_incomplete_sentences_partner/#comments</comments>
		<pubDate>Thu, 18 Apr 2013 18:45:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[The Week]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Grammar]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[humor]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13275248</guid>
		<description><![CDATA[Forget what you learned in school. When it comes to writing sentence fragments, even Shakespeare broke the rules]]></description>
			<content:encoded><![CDATA[<p><a href="http://theweek.com"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2013/04/Screen-shot-2013-03-27-at-1.54.02-PM-e1365444629271.png" alt="The Week" /></a>There are a few rules that are drummed so incessantly into our heads in school that we cannot help but internalize them. One is "No sentence fragments!"</p><p>Actually, that should be "Don't use sentence fragments!" so as not to break its own rule. What is a sentence fragment? Anything that looks like a sentence — starts with a capital letter and ends with a period — but is not a syntactically complete standard sentence.</p><p>This "rule" has some validity as a general guideline, especially to help adolescents get over some of their more atrocious writing habits. But respected authors and well-educated writers have always used exceptions to the "rule" for good effect. Here are some examples:</p><p><strong>Sentences without verbs</strong></p><p>It's obvious that a sentence needs a verb. Right? If not, why not?</p><p>Did you see what I just did there? I didn't need to say "Is that right? If it is not, why is it not?" You can sometimes get by without restating things. This is called <em>ellipsis</em>, and is found in many a well-polished work of prose. No need for extra information. The shorter the better. Out with the longwinded and in with the concise.</p><p><a href="http://www.salon.com/2013/04/18/nb_grammar_nazis_its_ok_to_use_incomplete_sentences_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>46</slash:comments>
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		<title>The New York Post gets the Onion treatment</title>
		<link>http://www.salon.com/2013/04/16/the_onion_satirizes_new_york_posts_poor_sourcing_over_boston_explosion/</link>
		<comments>http://www.salon.com/2013/04/16/the_onion_satirizes_new_york_posts_poor_sourcing_over_boston_explosion/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 21:16:00 +0000</pubDate>
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				<category><![CDATA[Media]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[The Onion]]></category>
		<category><![CDATA[New York Post]]></category>
		<category><![CDATA[Boston Marathon]]></category>
		<category><![CDATA[Boston Explosions]]></category>
		<category><![CDATA[Satire]]></category>
		<category><![CDATA[humor]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13273110</guid>
		<description><![CDATA[The news outlet spread rumors that a Saudi suspect was in custody, and the satire site is holding them accountable ]]></description>
			<content:encoded><![CDATA[<p>The Onion's bold attempts at humor <a href="http://www.salon.com/2013/02/25/the_onions_vile_quvenzhane_wallis_tweet/">are not always successful</a>, but today the satire news site took a risk in the wake of a national tragedy, and <a href="http://www.theonion.com/articles/this-is-a-tragedydoes-it-really-matter-exactly-how,32076/?ref=auto">hit the nail on the head</a>. In a column satirizing the New York Post, the Onion ridiculed the Post's <a href="http://livewire.talkingpointsmemo.com/entry/boston-police-no-arrests-have-been-made-in">poorly sourced story that</a> disseminated virtually no new information, and <a href="http://www.salon.com/2013/04/16/lets_not_be_terrorized/">instead fueled fears of Islamophobia</a> during a period of heightened anxiety.</p><p>Under the headline "This Is A Tragedy—Does It Really Matter Exactly How Many People Died Or What Any Of The Details Are?" the Onion writes as a New York Post columnist:</p><p><a href="http://www.salon.com/2013/04/16/the_onion_satirizes_new_york_posts_poor_sourcing_over_boston_explosion/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>J: The sexiest letter</title>
		<link>http://www.salon.com/2013/04/07/j_the_sexiest_letter_in_the_alphabet_partner/</link>
		<comments>http://www.salon.com/2013/04/07/j_the_sexiest_letter_in_the_alphabet_partner/#comments</comments>
		<pubDate>Sun, 07 Apr 2013 18:59:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[The Week]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[humor]]></category>
		<category><![CDATA[alphabet]]></category>
		<category><![CDATA[letters]]></category>
		<category><![CDATA[j]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13261593</guid>
		<description><![CDATA[Although less than 1 percent of English words start with J, the consonant has some steamy connotations]]></description>
			<content:encoded><![CDATA[<p><a href="http://theweek.com"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2013/04/Screen-shot-2013-03-27-at-1.54.02-PM-e1365444629271.png" alt="The Week" /></a><br /> Less than 1 percent of English words start with J, a minor letter with an odd shape and few other distinctions. Except when it comes to sex. Then J is jumping, one might even say jolly and juicy.</p><p>Leadbelly sang about Jumping Judy:</p><p><em>Well, jumping Little Judy, she was a mighty fine girl.</em><br /> <em>Judy brought jumping to this whole round world</em></p><p>Dylan Thomas liked to get juiced and tell the prettiest girl at the party, "I want to jump your bones."</p><p>J has some weird sexual <em>je-ne-sais-quoi</em> mojo, some humor (jests, jibes, jokes, jocularity), some sweetness (jams and jellies, Jujubes and Jujifruit) and some heat (joules).</p><p>Mick Jagger just sounds randy. And mint julep just sounds debauched, as The Clovers revealed in the 1952 hit "One Mint Julep":</p><p><em>I didn't know what I was doin'</em><br /> <em>I had to marry all day screwing ...</em><br /> <em>One mint julep was the cause of it all.</em></p><p><a href="http://www.salon.com/2013/04/07/j_the_sexiest_letter_in_the_alphabet_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<title>Neurotic&#8217;s guide to fasting</title>
		<link>http://www.salon.com/2013/03/20/neurotics_guide_to_fasting/</link>
		<comments>http://www.salon.com/2013/03/20/neurotics_guide_to_fasting/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 00:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Body Wars]]></category>
		<category><![CDATA[Diets]]></category>
		<category><![CDATA[Fasts]]></category>
		<category><![CDATA[Water fast]]></category>
		<category><![CDATA[humor]]></category>
		<category><![CDATA[Nutrition]]></category>
		<category><![CDATA[Toxins]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13242593</guid>
		<description><![CDATA[Long afraid of everything, I needed to find out what I was made of -- and what life without Diet Coke was like]]></description>
			<content:encoded><![CDATA[<p>There are many reasons people try a water fast: to cleanse their system. To test their spiritual limits.</p><p>My reason was different, and possibly absurd. I wanted to try water fasting because I have a lifelong fear of being stranded on a desert island – or in an apocalyptic wasteland -- and starving. Admittedly, I’m afraid of practically everything, but this thought seemed to have at least a shred of rationality. If starving is not something you currently fear, read “Survivor Type,” the Stephen King story about what happens if you are stranded on a desert island without food, and get back to me.</p><p>Accordingly, if you pose that “What three things would you take to a desert island with you” question, my mind immediately goes to objects that would help me make a fire, and purify water and spear fish. By all means, you should take your beloved copy of Proust with you. I hope it’s delicious. I will be taking skinning knives.</p><p>I imagine I wouldn’t last long on my desert island. But how long? Would I die in the first day or could I possibly survive a week? Up until the end of the 19thcentury it was believed that people died after 10 days without food. They don’t. Today it’s <a href="http://www.scientificamerican.com/article.cfm?id=how-long-can-a-person-sur">believed </a>to be somewhere between 28 and 73 days, depending on the level of hydration. Surely I could make it a few days.</p><p><a href="http://www.salon.com/2013/03/20/neurotics_guide_to_fasting/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>Jimmy Kimmel presents &#8220;Movie: The Movie 2,&#8221; the sequel to the greatest film ever not made</title>
		<link>http://www.salon.com/2013/02/25/jimmy_kimmel_presents_movie_the_movie_2_the_sequel_to_the_greatest_film_ever_not_made/</link>
		<comments>http://www.salon.com/2013/02/25/jimmy_kimmel_presents_movie_the_movie_2_the_sequel_to_the_greatest_film_ever_not_made/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 18:30:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Video]]></category>
		<category><![CDATA[jimmy kimmel live]]></category>
		<category><![CDATA[movie: the movie]]></category>
		<category><![CDATA[movie: the movie 2]]></category>
		<category><![CDATA[Celebrity]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[humor]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13211548</guid>
		<description><![CDATA[Following the Oscars, the comedian released a movie parody with a star-studded cast]]></description>
			<content:encoded><![CDATA[<p>In late 2011, Jimmy Kimmel set out to create "the biggest, most star-studded film in the history of America." "Something that packs everything that moviegoers love into one spectacular motion picture event," he explained. The result was YouTube hit ""<a href="http://www.youtube.com/watch?v=w3NwB9PLxss">Movie: The Movie</a>," which he released following the Oscars in 2012.</p><p>Thanks to its success, Kimmel has followed up "Movie: The Movie" with "Movie: The Movie 2."</p><p>"When you have a success in Hollywood," Kimmel explains, "The only thing you can do is cheapen it with a sequel."<br /> <object width="644" height="362" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="https://cdnsecakmi.kaltura.com/index.php/kwidget/wid/_585231/uiconf_id/9212802?preloaderPath=https://secure.cdn.media.oscar.abc.com/media/2013/swf/vp2k/preloaders/abccom.swf?&amp;centerPreloader=true&amp;usePreloaderBufferAnimation=true&amp;VP2Core.videoID=VD55278604" /><param name="allowfullscreen" value="true" /><embed width="644" height="362" type="application/x-shockwave-flash" src="https://cdnsecakmi.kaltura.com/index.php/kwidget/wid/_585231/uiconf_id/9212802?preloaderPath=https://secure.cdn.media.oscar.abc.com/media/2013/swf/vp2k/preloaders/abccom.swf?&amp;centerPreloader=true&amp;usePreloaderBufferAnimation=true&amp;VP2Core.videoID=VD55278604" allowfullscreen="true" allowscriptaccess="always"></object></p><p><a href="http://www.salon.com/2013/02/25/jimmy_kimmel_presents_movie_the_movie_2_the_sequel_to_the_greatest_film_ever_not_made/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Melissa McCarthy: The new face of slapstick humor</title>
		<link>http://www.salon.com/2013/02/23/melissa_mccarthy_the_new_face_of_slapstick_humor_partner/</link>
		<comments>http://www.salon.com/2013/02/23/melissa_mccarthy_the_new_face_of_slapstick_humor_partner/#comments</comments>
		<pubDate>Sat, 23 Feb 2013 14:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Social]]></category>
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		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[Melissa McCarthy]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[slapstick]]></category>
		<category><![CDATA[humor]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13209098</guid>
		<description><![CDATA[The actress, who gets rammed by a car in "Identity Thief," is changing the way we traditionally see women in comedy]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lareviewofbooks.org/"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los  Angeles Review of Books" /></a></p><p>IN THE FIRST SEASON of the recently shuttered sitcom <em>30 Rock</em>, Tina Fey’s Liz Lemon, attractive faux-spinster and noted bossypants-in-charge, finds herself in a standoff with the writing staff. Before long there is mutiny afoot, and her underlings become violent. “Okay, fine,” Lemon says after a water bottle whizzes past her face. “Get it out of your system.” A curious barrage of workaday items proceeds to fly in her direction, including a grapefruit, some cheese puffs, running shoes, a Wiffle-ball bat, and finally — yes — a microwave. Lemon has met her threshold. “Hey, nothing that plugs in, you guys! Nothing that could really hurt me!”</p><p>“Nothing that plugs in” is an excellent, sensible rule, funny in its roundabout specificity, but it’s funny only because the microwave <em>misses</em> Liz Lemon’s slender frame, crashing instead into some piece of soundstage drywall. Now imagine Melissa McCarthy in the same scenario — cheese balls flying hither and thither, a microwave shuttling past her head — and picture the punchline this time. Chances are it’s less about a new rule and more about over-retaliation: McCarthy sees your microwave and raises you a flatscreen.</p><p><a href="http://www.salon.com/2013/02/23/melissa_mccarthy_the_new_face_of_slapstick_humor_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>My fake college syllabus</title>
		<link>http://www.salon.com/2013/01/26/my_fake_college_syllabus/</link>
		<comments>http://www.salon.com/2013/01/26/my_fake_college_syllabus/#comments</comments>
		<pubDate>Sat, 26 Jan 2013 00:30:00 +0000</pubDate>
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		<description><![CDATA[As your professor, I plan to take your money, never read your essays and pretend you're not checking Facebook]]></description>
			<content:encoded><![CDATA[<p><em>The following syllabus is for my new class, English 401: The Short Novel, meeting Tuesdays and Thursdays, 1:10-2:50pm.</em></p><p><strong>Course Description </strong><br /> In this class, we will analyze some of World Literature’s greatest short novels in an attempt to interrogate the essence of plot and character while reading as few words as possible. Each class session will begin with a student presentation of 15 to 20 minutes, so we’re looking at an effective class time of about an hour. I’d love to give you a five-minute break halfway through the period, with the tacit understanding that we actually blow 15, but then I’d have to pretend I didn’t notice when 36% of you didn’t bother to come back. Or I’d have to pass around the attendance sheet again, which is a major pain in the ass.</p><p>After the student presentation, which should cover structure and theme but will seldom rise above rote plot summary, I will provide whatever historical and biographical context is both critical to our understanding of the book and available on Wikipedia. But I will sound so authoritative and well-versed that you’d never know this, even if you had the book’s Wikipedia page open on the laptop you’re pretending to take notes on, rather than your Facebook newsfeed.<strong id="internal-source-marker_0.5466939166653901"><br /> </strong></p><p><a href="http://www.salon.com/2013/01/26/my_fake_college_syllabus/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Julie Klausner dated horrible men so that you don&#8217;t have to</title>
		<link>http://www.salon.com/2013/01/17/julie_klausner_dated_horrible_men_so_that_you_dont_have_to/</link>
		<comments>http://www.salon.com/2013/01/17/julie_klausner_dated_horrible_men_so_that_you_dont_have_to/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 20:00:00 +0000</pubDate>
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		<category><![CDATA[i don't care about your band]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13173760</guid>
		<description><![CDATA[A darkly comic memoir by the hilarious writer/podcaster reflects on her pursuit of love in all the wrong places]]></description>
			<content:encoded><![CDATA[<p>Julie Klausner is very funny, and although it’s possible to escape into the things she’s made (her work writing for high cotton venues such as the New York Times<em> </em>and McSweeney’s, her work for television and the stage, and, notably, her “How Was Your Week?” podcast), there’s no need to check your brain at the door. Every comic inflation, every easy sex joke, every wry understatement is animated by a restless intelligence and a writerly instinct that wrings new life from the old tropes.</p><p>As a straight married man who has never spent any time as a straight single woman looking for love, I approached “I Don’t Care About Your Band,” Klausner’s darkly comic memoir of dating, as a kind of dispatch from a secret and enticing land.</p><p>Among the things I learned while listening:</p><p><a href="http://www.salon.com/2013/01/17/julie_klausner_dated_horrible_men_so_that_you_dont_have_to/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Defending Judd Apatow&#8217;s midlife crisis</title>
		<link>http://www.salon.com/2012/12/28/defending_judd_apatows_midlife_crisis/</link>
		<comments>http://www.salon.com/2012/12/28/defending_judd_apatows_midlife_crisis/#comments</comments>
		<pubDate>Fri, 28 Dec 2012 16:05:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13156402</guid>
		<description><![CDATA["This Is 40" is being dismissed as a self-indulgent, cringeworthy mess. But that's what makes it so brilliant]]></description>
			<content:encoded><![CDATA[<p>In the first week of its release on Dec. 21, "This Is 40” has been met with <a href="http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-this-is-40-judd-apatow-leslie-mann-reviews-20121227,0,5477103.story">poor box-office sales</a> and middling reviews, with many critics branding Judd Apatow's latest as <a href="http://movies.nytimes.com/2012/12/21/movies/this-is-40-from-judd-apatow-and-starring-paul-rudd.html">sloppy</a>, <a href="http://www.washingtonpost.com/gog/movies/this-is-40,1234220/critic-review.html">overlong,</a> <a href="http://www.detroitnews.com/article/20121221/ENT02/212210323">self-indulgent</a> claptrap. Both receptions are a shame, since "40” marks not only a continuation of the filmmaker’s creative evolution but also a culmination of what has been most compelling in comedy over the past couple of years. With its unflinching honesty, ruthless candor, and fascination with uneasy truth over pat payoffs, Apatow’s latest feels less like his previous work and more like a 132-minute episode of "Louie." Sure, the aesthetic is markedly different — "This Is 40” has the gloss of slick studio product — but the spirit and sensibility are the same: It's a stark autobiography and uncomfortable confession, where laughter is the casual byproduct of situation and personality (rather than the other way around) and dramatic beats ring painfully true.</p><p><a href="http://www.salon.com/2012/12/28/defending_judd_apatows_midlife_crisis/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Jerry Seinfeld explains how he writes comedy</title>
		<link>http://www.salon.com/2012/12/20/jerry_seinfeld_explains_how_he_writes_comedy/</link>
		<comments>http://www.salon.com/2012/12/20/jerry_seinfeld_explains_how_he_writes_comedy/#comments</comments>
		<pubDate>Thu, 20 Dec 2012 22:00:00 +0000</pubDate>
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		<description><![CDATA[The comedian dissects his joke about Pop Tarts]]></description>
			<content:encoded><![CDATA[<p>Analyzing comedy is a lot less funny than hearing it. But if you want to gain some insight into what goes into writing stand-up, legendary comic Jerry Seinfeld breaks it down for you in a video put out today by <a href="http://www.nytimes.com/2012/12/23/magazine/jerry-seinfeld-intends-to-die-standing-up.html"> the New York Times</a> (and it's actually kind of funny, too).</p><p>Seinfeld talks about how he constructed a joke about Pop Tarts and, of course, his trademark "nothing." "In my world, the wronger something feels, the righter it is," he says. "So to waste so much time on something this stupid--that felt good to me."</p><p><iframe src="http://www.youtube.com/embed/itWxXyCfW5s" frameborder="0" width="560" height="315"></iframe></p><p>Here's the Pop Tart joke from a 2010 performance on David Letterman's "Late Show" (at 1:19)--which is still a work in progress:</p><p><iframe src="http://www.youtube.com/embed/JpH-XjizJzk" frameborder="0" width="560" height="315"></iframe></p><p><a href="http://www.salon.com/2012/12/20/jerry_seinfeld_explains_how_he_writes_comedy/">Continue Reading...</a></p>]]></content:encoded>
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		<title>What do you mean, you don&#8217;t know who Gilda Radner is?</title>
		<link>http://www.salon.com/2012/11/30/what_do_you_mean_you_dont_know_who_gilda_radner_is/</link>
		<comments>http://www.salon.com/2012/11/30/what_do_you_mean_you_dont_know_who_gilda_radner_is/#comments</comments>
		<pubDate>Fri, 30 Nov 2012 19:22:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13111396</guid>
		<description><![CDATA["SNL" historians reintroduce the comic genius after some Gilda's Club chapters decide to drop her name ]]></description>
			<content:encoded><![CDATA[<p>It was sad to hear that<a href="http://host.madison.com/news/local/health_med_fit/gilda-s-club-changing-name-as-fewer-know-namesake/article_0893171c-53c8-50bd-900f-6381aee41f71.html"> some chapters of the Gilda's Club cancer charities</a> have decided to drop Gilda Radner's name from their title because young people no longer know who she was. (<a href="http://www.salon.com/2012/11/28/a_gildas_club_loses_gilda/">See the Nov. 28 post by Salon columnist Mary Elizabeth Williams on the subject.</a>) We say that not just because we love Gilda's comedy, but because we liked who she was as a person. What many people don't realize is that there were some dramatic contrasts between the Gilda Radner you saw on "Saturday Night Live" and who she was behind the scenes.</p><p><a href="http://www.salon.com/2012/11/30/what_do_you_mean_you_dont_know_who_gilda_radner_is/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Bob Saget is writing a book with &#8220;dirty humor&#8221;</title>
		<link>http://www.salon.com/2012/11/28/bob_saget_is_writing_a_book_with_dirty_humor/</link>
		<comments>http://www.salon.com/2012/11/28/bob_saget_is_writing_a_book_with_dirty_humor/#comments</comments>
		<pubDate>Wed, 28 Nov 2012 23:00:00 +0000</pubDate>
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		<description><![CDATA[The comedian and "Full House" star's book is due out in 2014 ]]></description>
			<content:encoded><![CDATA[<p>Most comedy fans know that Bob Saget has a <a href="http://www.npr.org/templates/story/story.php?storyId=4797499">really, really foul mouth</a>. The rest of America, however, still remembers Saget as the cuddly-wuddly dad on the ’90s sitcom “Full House,” or the wholesome host of “America’s Funniest Home Videos.” But Saget’s new book, due out in 2014 by It Books, an imprint of HarperCollins, aims to shed that image once and for all.</p><p>It Books executive editor Mark Chait, who helped negotiate the deal, said of Saget, "I've been dying to do a book with Bob ever since he almost made me p-ss my pants with laughter in 'The Aristocrats,'" a reference to the <a href="http://www.imdb.com/title/tt0436078/">2005 documentary</a> in which Saget, along with 99 other comics, improvised perverse and absurd renditions of a classic Vaudeville joke. "It is now well-known that Bob Saget is <em>very </em>different from the neurotically conservative Danny Tanner character he played on 'Full House.' With this book he truly lets it all hang out -- the full monty of his crazy self, his dirty humor and unique personality," Chait said.</p><p>The AP notes that the book will have "filth and craziness and stories of such comedians as Richard Pryor and Don Rickles." And, if Saget's <a href="https://twitter.com/bobsaget/status/273317302517248000">tweets</a> <a href="https://twitter.com/bobsaget/status/265667257173151744">are any</a> <a href="https://twitter.com/bobsaget/status/271117286860025857">indication</a>, "<a href="https://twitter.com/bobsaget/status/273808479712595968">it may get dirty</a>."</p><p>h/t <a href="http://www.hollywoodreporter.com/live-feed/bob-sagets-humor-book-due-395164">THR</a></p><p><a href="http://www.salon.com/2012/11/28/bob_saget_is_writing_a_book_with_dirty_humor/">Continue Reading...</a></p>]]></content:encoded>
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		<title>New York Times gets Twitter parody account suspended</title>
		<link>http://www.salon.com/2012/11/20/new_york_times_gets_twitter_parody_account_suspended/</link>
		<comments>http://www.salon.com/2012/11/20/new_york_times_gets_twitter_parody_account_suspended/#comments</comments>
		<pubDate>Tue, 20 Nov 2012 21:27:00 +0000</pubDate>
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		<description><![CDATA[The Gray Lady claims it had the feed, which mercilessly mocked its Style section, taken down over copyright issues]]></description>
			<content:encoded><![CDATA[<p>The New York Times, not an <a href="http://www.nytimes.com/2012/11/14/dining/reviews/restaurant-review-guys-american-kitchen-bar-in-times-square.html?pagewanted=1&amp;smid=fb-share">entirely</a> <a href="http://www.nytimes.com/2012/08/28/opinion/brooks-the-real-romney.html?_r=2&amp;hp">humorless</a> publication itself, yesterday had a popular New York Times parody Twitter account, <a href="https://twitter.com/NYTOnIt">@NYTOnIt</a>, suspended. The account mocks some of the lifestyle Times pieces that note obvious or well-known observations as news (an example from this summer: "GUYS, drunk people go to diners really late at night, and The Times is <a href="http://www.nytimes.com/2012/07/18/nyregion/in-williamsburg-floating-groggily-between-night-and-day.html?_r=2&amp;smid=tw-share …">ON IT</a>").</p><p>The Times claims that the issue wasn't the humor, however. It was the <a href="http://cityroom.blogs.nytimes.com/2012/11/20/doffing-its-hat-and-the-times-t-beneath-it/?partner=socialflow&amp;smid=tw-nytmetro">use of trademark</a> Gothic style "T," which the parody account adopted and edited to include a beret. Eileen Murphy, a spokeswoman for the Times, <a href="http://www.poynter.org/latest-news/mediawire/196087/twitter-suspends-nyt-on-it-account/">told Poynter</a>, “We’re not seeking to disable the account however it is important to The Times that our copyright is protected and that it is clear to all users of Twitter that parody accounts or other unofficial Times accounts are not affiliated nor endorsed by The Times.”</p><p><a href="http://www.salon.com/2012/11/20/new_york_times_gets_twitter_parody_account_suspended/">Continue Reading...</a></p>]]></content:encoded>
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		<title>PJ O’Rourke: We live in an age of &#8220;1984&#8243;-lite</title>
		<link>http://www.salon.com/2012/10/22/pj_o%e2%80%99rourke_we_live_in_an_age_of_1984_lite/</link>
		<comments>http://www.salon.com/2012/10/22/pj_o%e2%80%99rourke_we_live_in_an_age_of_1984_lite/#comments</comments>
		<pubDate>Mon, 22 Oct 2012 11:30:00 +0000</pubDate>
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		<description><![CDATA[The writer examines the five satires that have most influenced the way he sees the world]]></description>
			<content:encoded><![CDATA[<p><strong>Let’s hear the top five. <em>Gulliver’s Travels</em>.</strong></p><div> <div> <div> <p>Well, in the first place it is very funny. We read it first as kids as an adventure story, without understanding the political context in Europe or the philosophical context. Then when we read it again as adults we realise that Swift is having a good deal of fun here. Just the religious allegory with the Big-enders and the Little-enders and the idea of people who live for ever. And don’t they just turn out to be the kind of people who live for ever today? They show every sign of Alzheimer’s.</p> <p><a href="http://thebrowser.com/"><img style="margin: 0 10px 0 0;" src="http://thebrowser.com/sites/all/themes/brw/logo.png" alt="The Browser" width="150" align="left" /></a></p> <p><strong>When did you first read it?</strong></p> <p>I was about 14, I think. It was a little bit of a slog, but such a good story that I pushed forward with it. Swift’s take on human nature is evergreen. Whether people would use horses any more [as the perfection of nature], I don’t know. I don’t suppose we’re as familiar with them as Swift was; we’d use dogs or cats. No, not cats. There’s something a little wicked about cats.</p> </div> </div> </div><p><a href="http://www.salon.com/2012/10/22/pj_o%e2%80%99rourke_we_live_in_an_age_of_1984_lite/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Calvin Trillin wins Thurber Prize for American Humor</title>
		<link>http://www.salon.com/2012/10/04/calvin_trillin_wins_thurber_prize_for_american_humor/</link>
		<comments>http://www.salon.com/2012/10/04/calvin_trillin_wins_thurber_prize_for_american_humor/#comments</comments>
		<pubDate>Thu, 04 Oct 2012 03:16:00 +0000</pubDate>
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		<description><![CDATA[It's about time]]></description>
			<content:encoded><![CDATA[<p>Long-time New Yorker staff writer Calvin Trillin won the 2012 Thurber Prize for his book, "<a href="http://www.amazon.com/Quite-Enough-Calvin-Trillin-Forty/dp/saloncom08-20">Quite Enough of Calvin Trillin: Forty Years of Funny Stuff</a><em>." </em>Trillin has the comic equivalent of perfect pitch," said judge and humor writer <a href="http://www.dispatch.com/content/stories/life_and_entertainment/2012/10/02/wit-of-poet-reveals-versatility.html">Jennifer Crusie</a>. "He addresses everything from sausage to politics with clarity, elegance and a fine dry wit, never missing a note."</p><p>Trillin talked about his approach to humor in an interview with <a href="http://www.motherjones.com/media/2011/09/not-quite-enough-calvin-trillin">Mother Jones</a> last year:</p><p><a href="http://www.salon.com/2012/10/04/calvin_trillin_wins_thurber_prize_for_american_humor/">Continue Reading...</a></p>]]></content:encoded>
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