India

Pick of the week: Bollywood’s blissful, idiotic “RA. One”

Pick of the week: From dazzling dance numbers to post-"Matrix" action, "RA. One" showcases Bollywood's confidence VIDEO

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Pick of the week: Bollywood's blissful, idiotic Shahrukh Khan in "RA. One"

I won’t remotely pretend that I’m qualified to judge “RA. One,” the Indian science-fiction action-adventure movie that opens all over the world this week, against the larger context of Bollywood cinema. What I can tell you is that “RA. One” is reportedly the most expensive movie the Indian film industry has ever produced, that it represents the continuing fusion of Eastern and Western sensibilities and technologies, and that it’s prodigiously silly and miscellaneous and a whole bunch of fun. This is hardly an original statement, but Hollywood had better not take its global supremacy for granted. While “RA. One” is as calculating as all get out, is loaded with blatant product placement and — in classic Indian style — combines any number of different and perhaps contradictory genres in an effort to reach babies and grandmas and everyone in between, it never feels cynically niche-marketed or fundamentally bored with itself, the way so many big-budget American movies do.

If you’re unfamiliar with Bollywood movies, the conventional thing to do would be to start with an acknowledged classic — maybe a delirious ’90s romantic-comedy hit like “Dilwale Dulhania Le Jayenge” or “Kuch Kuch Hota Hai,” both of which feature superstar Shahrukh Khan, who plays both a doofus dad and a video-game hero in “RA.One.” Or something more serious and substantial in tone, like “Lagaan: Once Upon a Time in India” or “Mughal-E-Azam” or “Mother India.” But seriously, you don’t need to bother. “RA. One” is where Bollywood is right now, and no advanced degree in South Asian studies is required to grasp its combo of slapstick comedy, semi-chaste romance, “Matrix”-meets-”TRON” fight sequences and booty-shaking musical numbers, which blend hip-hop, bhangra, traditional Indian dance and ultra-cheesy MTV choreography. Seriously, check out the video at the bottom of this page, which features Khan, voluptuous costar Kareena Kapoor and American R&B star Akon doing the song “Chammak Challo” (which is roughly how you say “hot chick” in Tamil Hindi) and then tell me with a straight face that you don’t want to see this movie.

Shahrukh Khan is sometimes described as the Tom Cruise of India, in that he’s been a movie star for decades — Khan will turn 46 next week — and has a similar veneer of indestructible cheerfulness. But, honestly, that’s selling the Bollywood star short, since no one regards him as an unstable religious wacko (although he is a Muslim in a predominantly Hindu society) and he hasn’t yet encountered the treacherous, self-mocking character-actor phase that Cruise seemingly faces. In “RA. One,” he first plays Shekhar, a goofy London video-game designer with appalling hair, who creates a first-person ass-kicking game with an indestructible villain at the behest of his adorable tween son. That smoldering electronic baddie is the title character, whose name approximates the Hindi pronunciation of Ravana, the demonic, 10-headed king of Lanka from the “Ramayana.” In between the bevies of dancing girls in skimpy costumes, the gags involving Shekhar acting like a wimp or getting kicked in the balls (four times? Five?), and the no-kissing-allowed, comic-erotic relationship between Shekhar and his wife, Sonia (the robust and irrepressible Kapoor, herself one of the biggest female stars in Bollywood), RA. One escapes from the video game and comes after Shekhar’s son, for reasons I won’t bother explaining. (He’s evil!)

I’m not sure you can spoil the plot of a movie as nonsensical as this one, but let’s just say that in the second half of “RA. One” the action shifts from London to Mumbai — site of a long and pointless airport fight sequence featuring a guest appearance by Rajnikanth, a superstar of Tamil (as opposed to Hindi) cinema — and Khan plays G. One, the hero who emerges from the video game with a 0.01 percent chance (we are told) of defeating his nemesis. (At 146 minutes, “RA. One” is pretty brisk by Bollywood standards, but as is customary in India and many other markets, it will play with an intermission.) Aficionados of high-end digital effects won’t see anything especially new in “RA. One,” which rates about a B on the Michael Bay scale, but there is a terrific sequence when G. One has to run sideways along a runaway passenger train, ending in the complete destruction of a Victorian-era train station. (A strikingly similar scene appears in Martin Scorsese’s upcoming “Hugo,” and they’re likely both recalling this real-life disaster.

I make no claims for “RA. One” as great cinema, and director Anubhav Sinha displays no particular vision, beyond that of a general who’s kept his enormous army moving in roughly the right direction. (Sinha and five co-writers, Shahrukh Khan among them, get credit for the story and screenplay.) What makes this movie worth seeing is its blend of aesthetic and technical approaches — some of the crew and special-effects team was Western — its immense scale and abundant confidence, and its utter shamelessness in trying to entertain nearly all imaginable viewers, from Abu Dhabi to New Jersey to Zanzibar. If you’re bored by the action scenes or the love story or the dopey domestic comedy, just wait three minutes for something else to come along — and whoever you are, you won’t be bored by the musical numbers!

Hollywood has entirely abandoned that quest to embrace all comers in its single-minded focus on the young, male-dominated blockbuster audience, and not a single American film released this year at this budget level has made me laugh out loud and stomp my feet and yearn to leap from my seat and shake it quite the way this admittedly idiotic Indian movie did. (It definitely didn’t hurt that the New York preview screening I attended resembled an enormous family banquet, with catered Indian food, long speeches and wandering small children — the movie started more than half an hour late.) It’s hard to resist the conclusion that what has happened in industry and commerce and finance is also happening in pop culture. Hollywood has lost confidence, and may soon lose its grip on global preeminence — and a new leader, in what we used to call the “developing world,” is almost ready to take over.

“RA. One” is now playing in theaters worldwide.

Inside India’s softcore porn industry

Bollywood reflects on what these racy and ubiquitous films from the pre-Internet era say about the nation's culture

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Inside India's softcore porn industry

NEW DELHI, India — On a hand-painted poster for a 1990s’ grade-B Indian film “Qatil Jawani” (“Murderous Nymphette”), a plump and naked actress sits astride a shirtless man, her head thrown back in apparent ecstasy as the man’s hands paw at her chest.

Once ubiquitous in so-called “morning shows” at theaters across the country, softcore films like “Biwi Anadi Sali Khiladi” (“Innocent Wife, Cheating Sister-in-Law”) and “Kaam Tantra” (“Principles of Sex”) have slowly disappeared from the big screen in India with the increasing availability of hardcore pornography on the internet.

But now, as mainstream cinema sheds its former reticence about sex and female sexuality, Indians are beginning to take a second look at softcore porn, this time for what it says about Indian culture.

This December, television soap magnate Ekta Kapoor will release “The Dirty Picture,” a mainstream Bollywood biopic about Silk Smitha — a skin-show specialist from the ’80s who crossed over to perform sensuous so-called “cabaret” numbers in mainstream films.

More subtly, in this year’s “Tees Maar Khan,” a Hindi action comedy film, imported British-Indian bombshell Katrina Kaif made waves with the song, “Sheila Ki Jawani,” or “Young Sheila.” The song was an homage to the Hindi title of one of Silk Smitha’s softcore flicks, “Reshma Ki Jawani,” or “Nubile Reshma.”

And in New Delhi this week, Wieden+ Kennedy (W+K) ad agency is presenting an exhibition of softcore porn posters as, well, art.

“School kids, college students and even grown up men used to go to these movie halls just to see a glimpse of a woman bathing or a random love-making scene,” said W+K executive creative director V. Sunil, whose personal poster collection is on display in the exhibition called “Morning Show.”

Before the globalization of sexuality that came with the internet, India’s porn stars were big — literally.

Silk Smitha herself was no waif. Looking especially buxom packed into skimpy clothes, she knocked down evil thugs like bowling pins – highlighting a peculiar facet of India’s softcore porn.

The Indian films that were once labeled pornography were less about nudity and graphic sex than they were about female sexuality, according to Meena T. Pillai, a cultural critic at the University of Kerala — the state where the softcore porn industry was centered, due to its relatively liberal censor.

Apart from voluptuous stars and voluminous cleavage shots, the only real distinguishing factor of pornographic films was that they centered on a sexually aggressive woman, in contrast to the demure domestic ideal.

“You’d be shocked if you actually saw a Malayalam [language] softcore porn movie. [The camera] basically stops at the thigh. It doesn’t ride further up than that,” said Pillai. “But the moment you show women’s desire, that movie would automatically be labeled porn.”

I.V. Sasi’s 1978 “Avalude Ravukal” (“Her Nights”), for example, was labeled softcore porn simply because it dramatized the story of a prostitute and depicted the heroine — played by Sasi’s wife, Seema — exercising her power over men by offering and denying them sexual favors.

Similarly, the titillating 1989 film “Layanam” — starring Silk Smitha — depicted three adult women seducing a young man.

Other softcore hits, like “Air Hostess Girls,” apparently stuck to more tried-and-true scenarios.

To make up for any lack of skin, theater owners and distributors illegally spliced in random sequences from foreign films — splashes of nudity or even hardcore porn.

The practice was so common that in Kerala it earned its own classification as “bit cinema,” and occasionally found its way onto theater promos like the one for a film called “Honey, I Love You,” where a white woman in a bikini is embossed with the tag line: “THE GOOD PARTS. THE SEXY PARTS. THE BODY PARTS.”

Following Silk Smitha, the hottest heroine in the Malayalam porn business was a buxom young actress named Shakeela who just kept getting bigger as she got bigger — appearing in more than 50 movies.

“In Kerala, in the south, we like slightly bulky women,” explains Sunil. “Anyone with big boobs is a big thing.”

 

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What if we lose Pakistan to China

Why America's waning influence on the Muslim nation could be good news for both the U.S. and India

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What if we lose Pakistan to ChinaPakistan's Prime Minister Yusuf Raza Gilani (L) shakes hands with China's President Hu Jintao during a meeting in Beijing May 20, 2011

NEW DELHI, India — With a U.S. withdrawal from Afghanistan on the horizon, India has been caught between cheering Washington’s moves to rein in Pakistan’s military and bewailing the possible fallout if America “loses” Pakistan to China.

Unlike the United States, which can take its guns and go home, India will have to deal with the fallout of the war in Afghanistan and Pakistani radicalism for the next decade.

A resurgent Taliban and the return of a radical Islamic regime in Kabul could create a new safe haven for anti-Indian terrorist groups like the Lashkar-e-Taiba — the Pakistan-based terrorist organization responsible for the November 2008 attacks on Mumbai.

Some analysts fear that even as Islamabad works to bring the Taliban on board for a peace deal in Afghanistan, the Taliban leadership may help broker a settlement between Pakistan and various domestic terrorist groups like the Tehrik-i-Taliban, uniting the various jihadi organizations to focus on India, according to Indiana University professor Sumit Ganguly.

Realistically, the United States won’t cut and run in 2014, but it will reduce its presence and convert its counterinsurgency operations into “counterterrorism plus,” says Christine Fair, a professor at Georgetown University’s Center for Peace and Security Studies.

The recent move to freeze $800 billion in military aid to Pakistan is probably as much a signal to Congress that the State Department knows what it’s doing than an indicator of any real plans to change horses midstream.

But let’s play what if.

Despite concerns about China’s rising influence in the region, losing Pakistan — an unlikely, if not impossibly bold maneuver — could be the most profitable move Washington has made in the War on Terror since Sept. 11. And India could benefit even more than the United States.

The conventional wisdom in New Delhi is that China uses Pakistan as a tool to thwart India’s rise as a regional power, while Beijing sees the growing strategic partnership between India and the United States as part of a broader effort to prevent China from developing interests any further afield.

But even though there is more than a little truth in those perceptions, the United States may have an opportunity to create a paradigm shift in the politics of the region with a change in the way it views Pakistan — paradoxically gaining influence by ceding power.

For 50 years, America has endeavored to create a strong, democratic ally in Pakistan by doling out billions of dollars in economic and military aid, only to watch with horror as it emerged as one of the most virulently anti-American countries in the world and a covert sponsor of terror, Lawrence Wright argued convincingly in a recent issue of the New Yorker.

Because aid flows through the military establishment and the Inter-services Intelligence Directorate (ISI), it seems, American cash has empowered a shadowy regime of spooks and soldiers at the expense of the legitimate civilian government. But that’s not the only compelling case for turning off the tap now, as Islamabad attempts to extort a dominant role for Pakistan in post-war Afghanistan.

Washington could save billions of dollars a year and stick Beijing with the bill at a single stroke, even as it alleviates Chinese fears of containment or encirclement by granting it equal responsibility for guaranteeing security in its own backyard.

More importantly, granting China that responsibility would likely compel Beijing to take a leadership role in managing and reforming Pakistan, rather than stirring up trouble with the confidence that the U.S. is riding herd. It would also address a simple reality: China already exerts more influence over Pakistan than the United States.

“I don’t think the Americans have done enough to reach out to China,” said Fair. “I don’t think they’ve done enough to reach out to Saudi Arabia. They have a lot more influence than we do.”

Moreover, paranoid fears aside, Beijing has repeatedly shown it has no interest in pushing Pakistan over the brink. In 1999, the Chinese thwarted Gen. Pervez Musharraf by refusing to support him in the Kargil War against India, for instance. Likewise, it was Beijing (not Washington) that induced the Pakistani government to send troops in to root out Islamic militants barricaded in the Lal Masjid in 2007.

And, most recently, when Pakistani Prime Minister Yousaf Raza Gilani sought a Chinese pledge of support following Washington’s decision to freeze $800 billion in military aid, Beijing maintained a studied silence.

“It is Pakistan that wants China more than China wants Pakistan,” said Suba Chandran, director of the New Delhi-based Institute for Peace and Conflict Studies.

Neither the United States nor India can match China when it comes to playing hardball with Pakistan’s military establishment. But both strategic partners could do a great deal more to promote Pakistan’s civilian institutions if they focused on trade, according to Shuja Nawaz, director of the South Asia Center of the Atlantic Council.

For instance, by expanding so-called “reconstruction opportunity zones” — where manufacturers enjoy preferential tariffs for exports to the United States — America could reduce the need for humanitarian aid at the same time it strengthens its economic ties with civilian Pakistanis. Similarly, removing various roadblocks could boost trade between India and Pakistan from today’s $2 billion to $42 billion a year — creating a strong, new economic impetus for peace that might well spill over into Afghanistan.

“The pressure will grow on the military establishments to tone down their rhetoric and stop talking to each other as adversaries as the two countries economies are increasingly going to be linked,” Nawaz said.

Meanwhile, said Chandran, a comparable increase in Sino-Indian trade promises to make China and India economic partners in the upcoming “Asian Century.”

If, that is, China and India can resolve a niggling border dispute and Washington can convince Beijing that the Indo-U.S. strategic partnership is not part of a secret plan to keep China down.

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Mumbai explosions kill at least 8, injure 70

Three separate blasts rip through India's financial capital

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Mumbai explosions kill at least 8, injure 70A car is seen damaged at the site of a bomb explosion in the Dadar area of Mumbai July 13, 2011. Three explosions rocked crowded districts of India's financial capital of Mumbai during rush hour on Wednesday, killing at least eight people, media said, in the biggest attack on the city since 2008 assaults blamed on Pakistan-based militants. REUTERS/Stringer (INDIA - Tags: CIVIL UNREST CRIME LAW)(Credit: © Stringer India / Reuters)

Three explosions rocked India’s busy financial capital of Mumbai late Wednesday, killing at least 8 people and injuring 70 in the city hit by a major terrorist attack nearly three years ago.

Local media reported the Home Ministry had called the explosions a terror attack. No Home Ministry officials could be independently reached for comment.

Television footage showed dozens of police officials, several of them armed, at the sites of the explosion and at least one car with its windows shattered.

An official at the city’s Police Control Room said one blast was in the crowded neighborhood of Dadar in central Mumbai. The others were at the famed jewelry market Jhaveri Bazaar and the busy business district of Opera House, both in southern Mumbai and several miles (kilometers) apart.

The official spoke on condition of anonymity because of office policy.

“It must be a bomb blast,” Chhagan Bhujbal, a state minister told a TV news channel.

The explosions took place around 7 p.m., when all the neighborhoods would have been packed with office workers and commuters.

The blasts — if confirmed as a terror strike — would mark the first major attack on Mumbai since 10 militants laid siege to India’s financial capital for 60 hours in November 2008.

That attack, which targeted two luxury hotels, a Jewish center and a busy train station, was blamed on Pakistan-based militant groups. The attacks escalated tensions between the nuclear-armed rivals and prompted them to suspend peace talks.

However, the talks have recently resumed.

Pakistan’s government expressed distress on the loss of lives and injuries soon after Wednesday’s blasts were reported.

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Afghanistan is ranked the most dangerous country for women

An expert survey ranks the most perilous countries for women, but results should be viewed critically

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Afghanistan is ranked the most dangerous country for womenIn this Monday, May 16, 2011 photo, women learn tailoring at a training center of the Afghan Institute of Learning in Kabul, Afghanistan. Sakena Yacoobi's AIL has grown from a few makeshift schools in Pakistan and Afghanistan in the mid-1990s to an organization running schools, women's learning centers, day care centers and clinics across seven of the 34 Afghan provinces. (AP Photo/Mustafa Quraishi)(Credit: AP)

Afghanistan is the most dangerous country in the world for women according to a panel of gender experts assembled by Thompson Reuters Foundation. The experts, whose findings were gleaned in a survey from TrustLaw (an arm of Thompson Reuters Foundation), ranked which countries were most perilous for women through a number of different factors.

Which countries were found to be most dangerous? Afghanistan was ranked the most dangerous, followed by the Congo, then Pakistan, then India, then Somalia.

Why? In Afghanistan, “violence, poor health care and brutal poverty,” notes Al-Jazeera, afflicts women, “while in Congo there are horrific levels of rape” (reportedly some 420,000 women are raped a year). Other practices and circumstances found in countries considered the most dangerous include domestic abuse, genital mutilation, acid attacks and economic discrimination.

The NATO airstrikes in Afghanistan, one women’s rights advocate told Al-Jazeera, are among the dangers threatening women in the country.

How did the survey work? 213 gender experts — aid professionals, academics, health workers, policymakers, journalists and development specialists — from all around the world ranked the countries based on general perceptions and six specific risks: health threats, sexual violence, non-sexual violence, cultural or religious factors, lack of access to resources and trafficking.

Surprising results? Some have responded with surprise to see India so high up the list, given that women, such as former Prime Minister Indira Ghandi — are able to reach the highest levels of public offi. However, it ranked highest for sex trafficking. Only 12 percent of the experts ranked it the worst country in regards to this practice, but no other single country was picked as consistently.

The Wall Street Journal’s Tripti Lahiri registers some surprise at countries missing from the list: “China also practices widespread sex selection and is ranked on the State Department’s Tier 2 Watch List on human trafficking, same as India, while South Africa has a reputation for a high level of sexual violence. Two years ago, Amnesty International declared maternal mortality a “human rights emergency” in Sierra Leone, but the country didn’t appear among those the experts polled were most worried about on this front.

Trustworthy methodology?: TrustLaw explain the methodology of how they reached the rankings, but do not go into detail about the gender experts who provided the results, save for that they are from all five continents and a range of professions. Potential biases in how the experts might have been chosen cannot be checked. It also is problematic that TrustLaw does not elaborate on how it uses terms like “rape” and “domestic abuse,” which can come in numerous and insidious forms. More worrying still, the survey frames “danger” in such a way that it was always going point to non-Western countries as the most dangerous for women. For a more nuanced look at why this is hugely problematic, see the fantastic article by Lila Abu-Lughod of Columbia University called “Do Muslim women really need saving?” In stark contrast, the TrustLaw survey at best offers a snapshot of genuinely concerning situations across the world, but lacks any real or valuable analysis; at worst it betrays concerning cultural and racial biases.

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Natasha Lennard covers the Occupy movement for Salon. A British-born, Brooklyn-based journalist, she has been covering Occupy Wall Street since before the first sleeping bag was unrolled in Zuccotti Park. One of the first journalists arrested at an Occupy action, she has managed to enrage Andrew Breitbart, Rush Limbaugh and Glenn Beck. You can follow her on Twitter (@natashalennard), and email her any Occupy updates/videos/ideas to natasha.lennard@gmail.com

Flesh for sale

From kidney brokers to blood farmers, a journalist exposes the "red market" in human body parts

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Flesh for saleScott Carney

During the mid-2000s, Scott Carney was living in southern India and teaching American anthropology students on their semester abroad when one of his charges died, apparently a suicide. For two days, he watched over her body while the provincial police investigated her death, reporters bribed their way into the morgue to photograph the newsworthy corpse, local doctors performed an autopsy, and ice had to be rounded up to retard decomposition. Finally, his boss asked Carney to take pictures of the girl’s mangled remains for analysis by forensic experts back in the States.

This unsettling experience gave Carney his first inkling of how a human being becomes a thing. When he abandoned academia for investigative journalism (he writes for Wired, Mother Jones and other publications), his South Asian surroundings offered him many examples of the ways human bodies — in part or in whole — are transformed into commodities. He calls this the “red market,” a term that encompasses the trade (legal and illegal) in human bones, blood, organs, embryos, surrogate pregnancy and living children.

“The Red Market: On the Trail of the World’s Organ Brokers, Bone Thieves, Blood Farmers, and Child Traffickers” is the alarming product of Carney’s research. It includes vivid, on-the-spot reports from Indian “bone farms,” where remains looted from graveyards are processed into skeletons for Western anatomy students (hundreds of reeking bones left out to bleach in the sun) and tsunami refugee camps where most of the residents bear the scars of kidney “donations.” Carney relays these tales with enough florid touches (“Toads the size of baseball mitts hop across the muddy track”) to make them seem downright hallucinatory.

Freakish as these stories can be — none more so than the dairy farmer who kept several men prisoner in sheds, some for more than three years, extracting their blood to sell to a nearby hospital — they are the secret face of the age of modern medical miracles. Poor people supply human flesh in various forms for rich people, while a well-meaning ethical system of anonymity and mandated “altruism” allows middlemen to siphon off most of the profits.

When the supply isn’t sufficient to the demand, some enterprising individuals take it upon themselves to even things up. One of the most heartrending stories Carney tells is of an Indian family who bankrupted themselves trying to find their son, who was kidnapped by an orphanage and essentially sold to an American adoption agency. The Midwestern couple that may have adopted the boy are resisting attempts to establish the child’s identity, even though the Indian father tells Carney he understands “it’s not realistic for us to ask for him back, but at least let us know him.”

Denial makes such injustices possible. Carney argues that the inequities of the red market were only exacerbated by regulations like the National Organ Transplant Act of 1984, which prohibited the sale of human organs and tissue and was championed by then-Sen. Al Gore as a way to make sure that the human body could not be treated as “a mere assemblage of spare parts.” Although Carney is no fan of the market philosophy that would reduce our bodies to salable “widgets,” he thinks we need to face up to the fact that altruistic donation will never provide as much of these precious materials as we desire. “As a society we neither want to accept open trade in human tissue, nor do we want to reduce our access to life-extending treatments. In other words, we want to have our cake and eat it, too.”

He also thinks “absolute transparency of the supply chain” would go a long way toward eliminating the brokers, recruiters and suppliers who exploit those driven to trade their kidneys and blood for cash or to rent out their wombs. “Every bag of blood should include the name of the original donor, every adopted child should have full access to his personal history, and every transplant recipient should know who gave him an organ,” he writes. (Contrary to what you see in the movies, much of this information is sequestered by what Carney regards as “misguided” privacy laws.) Yes, the hustlers will immediately commence  forging documents, but even so, “a clear paper trail makes it easier to flag dangerous operators.”

And while he doesn’t come right out and say it, Carney obviously thinks the world’s privileged patients ought to revise their expectations and reconcile themselves to their mortality. He more or less implies that the handful of years most kidney transplant recipients gain from the operation may not be worth the cost in exploitation. (Most Indian “donors” get as little as $800 for their organs — though some are promised more — not enough to make a significant difference in their circumstances or lift them out of destitution for more than a year or so. This is out of the $14,000 or so paid by the recipient for the transplant.)

No doubt Carney doesn’t linger on this point because he knows it’s a nonstarter. Most people would countenance a good deal of dodgy behavior if it meant a few more years of life for themselves or a loved one. Nevertheless, it makes sense that they be made aware of how much their survival may have cost others, and Carney rightly decries the “depersonalization of human tissue” that obscures that cost. This challenging and revelatory book makes it a little bit harder to overlook the human being in every human body.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.com.

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