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	<title>Salon.com > Intellectual Property</title>
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		<title>Aaron Swartz, freedom fighter</title>
		<link>http://www.salon.com/2013/01/14/aaron_swartz_freedom_fighter/</link>
		<comments>http://www.salon.com/2013/01/14/aaron_swartz_freedom_fighter/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 18:07:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Technology]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Aaron Swartz]]></category>
		<category><![CDATA[jstor]]></category>
		<category><![CDATA[Hacking]]></category>
		<category><![CDATA[hackers]]></category>
		<category><![CDATA[open access]]></category>
		<category><![CDATA[information wants to be free]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Piracy]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[patent]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13170736</guid>
		<description><![CDATA[He understood that society prospers when the spread of knowledge is encouraged -- and not locked up by corporations]]></description>
			<content:encoded><![CDATA[<p>For Aaron Swartz, the act of sharing was a "moral imperative." In his <a href="https://ia801609.us.archive.org/32/items/AaronSwartzGuerillaOpenAccessManifesto/aaron-swartz-guerilla-open-access-manifesto.txt">Guerilla Open Access Manifesto,</a> released to the Web in July 2008, he specifically targeted the "world's entire scientific and cultural heritage," which he said "is increasingly being digitized and locked up by a handful of private corporations." Swartz called for those with access to such knowledge to make it available to others.</p><blockquote><p>You get to feed at this banquet of knowledge while the rest of the world is locked out. But you need not -- indeed, morally, you cannot -- keep this privilege for yourselves. You have a duty to share it with the world. And you have: trading passwords with colleagues, filling download requests for friends ... Only those blinded by greed would refuse to let a friend make a copy.</p></blockquote><p>In July 2011, Swartz was arrested on charges of illegally downloading 4.8 million documents from JSTOR, an online archive of scholarly articles. Facing a maximum possible prison sentence of 35 years and a fine of as much as a million dollars, Swartz killed himself Friday night, just two days after prosecutors rejected a plea bargain deal that would have allowed him to avoid jail time.</p><p><a href="http://www.salon.com/2013/01/14/aaron_swartz_freedom_fighter/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>40</slash:comments>
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		<title>Instagram sells us out!</title>
		<link>http://www.salon.com/2012/12/18/your_instagram_photos_might_be_in_ads_soon/</link>
		<comments>http://www.salon.com/2012/12/18/your_instagram_photos_might_be_in_ads_soon/#comments</comments>
		<pubDate>Tue, 18 Dec 2012 17:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Technology]]></category>
		<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[photos]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13148585</guid>
		<description><![CDATA[A new privacy policy enables the Facebook property to use our pics in ads. Just don't expect any royalties]]></description>
			<content:encoded><![CDATA[<p>The popular digital filter and photo sharing app Instagram might become a lot less popular in a few weeks. The company announced changes to its <a href="http://blog.instagram.com/post/38143346554/privacy-and-terms-of-service-changes-on-instagram">Privacy and Terms of Service</a> yesterday that are meant to "protect you, and prevent spam and abuse as we grow," which go into effect on Jan. 16. Instead, as the New York Times <a href="http://bits.blogs.nytimes.com/2012/12/17/what-instagrams-new-terms-of-service-mean-for-you/">reported</a>, Instagram's parent company, Facebook, quietly gave itself the right to share and sell its users' photos for profit.</p><p>Nestled within the "Rights" sections of Instagram's updated terms, Instagram and Facebook can share or sell photos (to ad agencies, for example) without notifying users or compensating them for it:</p><blockquote><p>"To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you."</p></blockquote><p><a href="http://www.salon.com/2012/12/18/your_instagram_photos_might_be_in_ads_soon/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>15</slash:comments>
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		<title>Where does the anti-SOPA movement go next?</title>
		<link>http://www.salon.com/2012/01/31/where_does_the_anti_sopa_movement_go_next/</link>
		<comments>http://www.salon.com/2012/01/31/where_does_the_anti_sopa_movement_go_next/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 01:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Stop Online Piracy Act]]></category>
		<category><![CDATA[on]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12262991</guid>
		<description><![CDATA[Challenging the kings of copyright requires a new vision of the public domain]]></description>
			<content:encoded><![CDATA[<p>The last few weeks have witnessed a remarkable convergence of conflicts over copyright: the arrest of Megaupload mastermind “Kim Dotcom” in New Zealand, an unprecedented show of unity among Internet giants such as Wikipedia and Google to fight anti-piracy legislation in Congress, and similar <a href="http://www.google.com/hostednews/afp/article/ALeqM5jYHJcDCbJsswW9NuqsUp9SrLhIQQ?docId=CNG.173c36ad7fcb2b6231ea476adcec64a0.7b1">protests in Poland</a> against new copyright measures.  In a world wracked by recession, war and revolution, a topic oft-dismissed by journalists as “arcane” — copyright — has surged to the top of the political agenda.</p><p>Indeed, supporters of anti-piracy legislation in Congress have confessed their ignorance of how copyright and the Internet work, saying the details were best left to the <a href="http://www.thedailyshow.com/watch/wed-january-18-2012/ko-computer">“nerds.” </a>Lawmakers soon heard from the nerds, though, as an online insurgency spread to thwart the <a href="http://en.wikipedia.org/wiki/Stop_Online_Piracy_Act">Stop Online Piracy Act</a>, galvanizing opposition across the political spectrum in a novel way, from the <a href="http://creativecommons.org/tag/sopa">Creative Commons</a> left to right-wing blogs such as <a href="http://www.redstate.com/erick/2011/12/22/stopping-sopa/">RedState</a>. The campaign epitomizes a promising new turn in American politics, as critics of intellectual property law finally find an audience and, more important, the makings of a political constituency.</p><p><a href="http://www.salon.com/2012/01/31/where_does_the_anti_sopa_movement_go_next/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>19</slash:comments>
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		<title>Does culture really want to be free?</title>
		<link>http://www.salon.com/2011/11/01/does_culture_really_want_to_be_free/</link>
		<comments>http://www.salon.com/2011/11/01/does_culture_really_want_to_be_free/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 15:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Art in Crisis]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Internet Culture]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=10159976</guid>
		<description><![CDATA[Are new media companies "digital parasites"? The author of "Free Ride" tells Salon piracy is killing art ]]></description>
			<content:encoded><![CDATA[<p>Over the last few weeks, Salon has been looking at the <a href="http://www.salon.com/2011/10/01/creative_class_is_a_lie/">destruction of the creative class</a> by the Internet, the recession and a <a href="http://www.salon.com/2011/10/13/why_branding_wont_save_the_creative_class/singleton/">transforming economy</a>. A new book, "Free Ride," by the journalist Robert Levine, intersects with some of these concerns. Subtitled “How Digital Parasites Are Destroying the Culture Business and How the Culture Business Can Fight Back,” Levine’s book looks at how publishing, the music industry, newspapers and other industries drank the <a href="http://dot.com/" target="_blank">dot.com</a> Kool-Aid, effectively killing themselves off. He’s particularly interested in copyright, the U.S. government’s role in unleashing the Internet and the impact of digital piracy.</p><p>Levine, a former Billboard executive editor who has also contributed to Rolling Stone, Vanity Fair and the New York Times, asks, effectively: Can the culture business survive the digital age? It’s a welcome reconsideration after the cheerleading that has greeted the Web and the structural changes in the U.S. economy. We spoke to the Berlin- and New York-based Levine about how we got here and where we go next.<strong></strong></p><p><a href="http://www.salon.com/2011/11/01/does_culture_really_want_to_be_free/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>86</slash:comments>
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		<title>Are your genes somebody else&#8217;s property?</title>
		<link>http://www.salon.com/2011/08/02/gene_patents/</link>
		<comments>http://www.salon.com/2011/08/02/gene_patents/#comments</comments>
		<pubDate>Tue, 02 Aug 2011 00:01:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Science]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2011/08/01/gene_patents</guid>
		<description><![CDATA[A federal court ruled on Friday that companies could hold patents for human genes. Here's what the fuss is about]]></description>
			<content:encoded><![CDATA[<p>Can companies make you pay to look at your own genes? A federal appeals court ruling on Friday found that <a href="http://www.nytimes.com/2011/07/30/business/gene-patent-in-cancer-test-upheld-by-appeals-panel.html">they could</a>.</p><p>To be more specific, the court ruled that human genes, when isolated from their natural genetic housing (the chromosome), can be patented. The decision has been welcomed warmly by the biotech industry, which can now claim dominion over bits and pieces of our genetic blueprints. However, the ruling has been <a href="http://blogs.wsj.com/law/2011/08/01/a-look-back-at-fridays-gene-patent-ruling/?mod=google_news_blog">panned by critics</a> who say it's unethical and counterproductive to label human genes as intellectual property.&#160;</p><p>The decision revolves around a company called Myriad Genetics, which holds the patents to two genes, BRCA1 and BRCA2, which are linked to the development of ovarian and breast cancers. Myriad&#160; acquired the patents in question years ago, and markets a product called BRACAnalysis, which screens for predisposition to ovarian and breast cancer. The company charges $4,000 for the service. With the patents, it has the exclusive rights to isolate and analyze the two genes.</p><p><a href="http://www.salon.com/2011/08/02/gene_patents/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>19</slash:comments>
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		<title>Why patent lawsuits and hot tubs don&#8217;t mix</title>
		<link>http://www.salon.com/2010/09/03/the_incomprehensible_hot_tub_explained/</link>
		<comments>http://www.salon.com/2010/09/03/the_incomprehensible_hot_tub_explained/#comments</comments>
		<pubDate>Fri, 03 Sep 2010 23:33:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
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		<category><![CDATA[California]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2010/09/03/the_incomprehensible_hot_tub_explained</guid>
		<description><![CDATA[A tale of interface design, monopoly control in the spa world, and lots and lots of bubbles]]></description>
			<content:encoded><![CDATA[<p>Have you ever stared blankly at the control panel of a hot tub, baffled by even the simplest of tasks -- such as how to turn on the jets, or adjust the temperature, or even just turn the damn thing off? Perhaps you blamed your inability to comprehend on your state of impairment -- a not uncommon malady unfortunately associated with hot tubs.</p><p>I'll bet you never blamed monopoly control of hot tub electronic control systems or abusive intellecutal property law litigation!</p><p>I sure didn't (and believe me, I have been baffled by many a hot tub), and as my readers know, I'll blame monopoly control and out-of-control intellectual property laws for almost any sin, at the drop of, uh, a bathing suit.</p><p>But Jamie Love's IP-Health Digest alert, which normally concentrates on news from the pharmaceutical sector, dug up a tantalizing snippet of a lawsuit filed by a Californian manufacturer of hot tub electronic control systems claiming that another California company -- the apparent Microsoft of the hot tub world -- was restricting competition via aggressive litigation. Hot tubs and patent infringment? That's got Labor Day weekend <em>written all over it.</em> I had to know more.</p><p><a href="http://www.salon.com/2010/09/03/the_incomprehensible_hot_tub_explained/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>13</slash:comments>
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		<title>Music industry wants even more control</title>
		<link>http://www.salon.com/2010/08/25/music_industry_wants_more_control/</link>
		<comments>http://www.salon.com/2010/08/25/music_industry_wants_more_control/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 21:15:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/dan_gillmor/2010/08/25/music_industry_wants_more_control</guid>
		<description><![CDATA[Not satisfied with our current Draconian rules, the copyright cartel aims for absolute power]]></description>
			<content:encoded><![CDATA[<p>In the surely-you're-joking category, here comes the music industry to say it needs even tougher copyright rules. Sorry, no joke.</p><p>As CNET's <a href="http://news.cnet.com/8301-13578_3-20014468-38.html">Declan McCullagh reports</a> from a conference in Aspen, Colo., Cary Sherman, president of the Recording Industry Association of America, complained about "loopholes"&#160;in the current copyright system. But what he calls loopholes are among the few parts of the law that remotely temper the absolute control that the RIAA and its allies, mainly in the movie business, want copyright holders to have over everything digital.</p><p>Specifically, the entertainment industry is looking to enforce copyright by getting third parties to do some of the dirty work. In particular, the industry wants companies such as search engines and Internet service providers -- the latter is typically your phone or cable company -- to keep an eagle eye on what you do with your own computer, inspecting what you download and upload in granular ways. This is the rough equivalent of getting your phone company to listen to your calls to make sure you aren't planning anything illegal.</p><p><a href="http://www.salon.com/2010/08/25/music_industry_wants_more_control/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>37</slash:comments>
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		<title>&#8220;Common as Air&#8221;: The argument against intellectual property</title>
		<link>http://www.salon.com/2010/08/24/common_as_air_lewis_hyde/</link>
		<comments>http://www.salon.com/2010/08/24/common_as_air_lewis_hyde/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 00:20:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Slide Shows]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[Books]]></category>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2010/08/23/common_as_air_lewis_hyde</guid>
		<description><![CDATA[Slide show: Lewis Hyde's new book attacks the notion that all ideas should be owned. A review in cartoon form]]></description>
			<content:encoded><![CDATA[<p><a href="http://bnreview.barnesandnoble.com"><img align="left" alt="Barnes &amp; Noble Review" src="http://images.barnesandnoble.com/pImages/bn-review/2010/bnreviewlogo.gif" style="margin: 0pt 10px 0pt 0pt" /></a>Lewis Hyde's seminal work <a href="http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?delay=y&amp;PV=y&amp;EAN=9780307279507">"The Gift,"</a> lauded by the likes of Margaret Atwood, David Foster Wallace and Jonathan Lethem, keenly examined the intersection of creativity, economics and culture in order to construct an argument for the essentialness of art in contemporary society. Over 25 years later, Hyde's theory of gift economy as the foil of market economy has become even more relevant in our confusing age of digital rights management and open source software. With his newest book, <a href="http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?delay=y&amp;PV=y&amp;EAN=9780374223137">"Common as Air,"</a> Hyde has returned to offer a critique of the idea that all creative work is "intellectual property" and to elucidate and defend our "cultural commons."</p><p><a href="http://www.salon.com/2010/08/24/common_as_air_lewis_hyde/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>28</slash:comments>
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		<title>The key to economic growth: Stealing</title>
		<link>http://www.salon.com/2010/08/19/the_key_to_economic_growth_is_stealing/</link>
		<comments>http://www.salon.com/2010/08/19/the_key_to_economic_growth_is_stealing/#comments</comments>
		<pubDate>Thu, 19 Aug 2010 18:26:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Chinese Economy]]></category>
		<category><![CDATA[Economics]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2010/08/19/the_key_to_economic_growth_is_stealing</guid>
		<description><![CDATA[In the 19th century Germany caught up with England by ignoring copyright. China in the 21st: Ditto]]></description>
			<content:encoded><![CDATA[<p>Der Spiegel <a href="http://www.spiegel.de/international/zeitgeist/0,1518,710976,00.html">alerts us to important news:</a></p><blockquote> <p>Sigismund Hermbstadt ... a chemistry and pharmacy professor in Berlin, who has long since disappeared into the oblivion of history, earned more royalties for his "Principles of Leather Tanning" published in 1806 than British author Mary Shelley did for her horror novel "Frankenstein," which is still famous today.</p> </blockquote><p>The explanation for this tidbit may at first seem counterintuitive. In the first half of the 19th century, reports Der Spiegel, relying on the research of economic historian Eckhard Hoffner, Germany paid little attention to copyright law, in sharp contrast to Great Britain. The result, argues Hoffner, was a tremendous increase in the amount of published materials, particularly regarding scientific and technical knowledge, made available to the German public. Less regard for intelletectual property translated into a bigger market for producers of content.</p><p><a href="http://www.salon.com/2010/08/19/the_key_to_economic_growth_is_stealing/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>36</slash:comments>
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		<title>Yes, you can jailbreak your phone</title>
		<link>http://www.salon.com/2010/07/27/some_copyright_sanity/</link>
		<comments>http://www.salon.com/2010/07/27/some_copyright_sanity/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 17:15:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[Smart Phones]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/dan_gillmor/2010/07/27/some_copyright_sanity</guid>
		<description><![CDATA[Federal ruling allows slightly more freedom to use what you've bought the way you want, but much more is needed]]></description>
			<content:encoded><![CDATA[<p>Good news in the copyright world is rare, but we have a couple of small victories to celebrate this week. The bad news:&#160;They only emphasize how grossly unbalanced our system remains.</p><p>These wins for customer freedom center around a technology broadly known as DRM, which stands for Digital Rights Management -- methods used by hardware and software companies to allow customers only certain rights. It should more properly be called Digital Restrictions Management, because that's the real aim of DRM. People have found ways to break or work around DRM, but federal law makes it illegal to do so in most circumstances.</p><p>The cracks in DRM's legal facade are starting to grow, too. On Monday, the Copyright Office and librarian of Congress said, among other things, <a href="http://www.copyright.gov/1201/2010/Librarian-of-Congress-1201-Statement.html">that it's OK</a> to A) "jailbreak"&#160;your phone, thereby letting you install software not approved by the phone seller; and B) use brief excerpts of DVD&#160;videos in other works. Renewing a previously granted exception to federal copyright law, the office also said it was OK to unlock your phone so that you can use it with a different mobile network.</p><p><a href="http://www.salon.com/2010/07/27/some_copyright_sanity/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>33</slash:comments>
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		<title>&#8220;Ask Lesko!&#8221; pitchman takes John McCain to task</title>
		<link>http://www.salon.com/2010/07/07/lesko_infomercial_copyright_mccain/</link>
		<comments>http://www.salon.com/2010/07/07/lesko_infomercial_copyright_mccain/#comments</comments>
		<pubDate>Wed, 07 Jul 2010 22:38:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[John McCain, R-Ariz.]]></category>
		<category><![CDATA[2010 Elections]]></category>
		<category><![CDATA[Republican Party]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2010/07/07/lesko_infomercial_copyright_mccain</guid>
		<description><![CDATA[No permission given to senator to use "free money from the government" infomercial in attack ad against GOP rival]]></description>
			<content:encoded><![CDATA[<p>Sen. John McCain is taking heat from a television infomercial star famous for hawking free government money, who is angry that the Arizona senator used him in a campaign ad without permission.</p><p>Matthew Lesko, known for his distinctive question-mark suits and his high-energy infomercials promising "free money from the government," says McCain used video of him to attack GOP rival J.D. Hayworth without asking -- and Lesko's not happy about it.</p><p>Lesko appears three times in a 1 1/2-minute Web video McCain released last week. The video pokes fun at Hayworth for hawking free government money in a 2007 infomercial.</p><p>"I'm amazed that these people just do things without requesting. I would've said yes," Lesko told The Associated Press. "I'm just shocked at the impoliteness that people do this stuff. There's no remorse."</p><p>Lesko said he hasn't ruled out suing McCain for copyright infringement, but said he's not keen on the idea of involving lawyers. Mostly, he wants politicians to be polite and ask permission before using other people's faces in their advertisements.</p><p>The McCain camp said its use of Lesko was clearly allowed under the "fair use" doctrine of copyright law.</p><p><a href="http://www.salon.com/2010/07/07/lesko_infomercial_copyright_mccain/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<title>Hometown papers&#8217; editorials unpredictable, for once</title>
		<link>http://www.salon.com/2010/07/01/home_town_journalism/</link>
		<comments>http://www.salon.com/2010/07/01/home_town_journalism/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 19:45:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Media Criticism]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/dan_gillmor/2010/07/01/home_town_journalism</guid>
		<description><![CDATA[Local dailies in Hollywood and Silicon Valley get counter-intuitive on copyright-vs.-progress story]]></description>
			<content:encoded><![CDATA[<p>Just as politicians tend to favor positions taken by the people who pay for their campaigns, local newspapers tend to editorialize in favor of the prevailing economic realities in their regions. That's why it was surprising in recent days to see how the top daily newspapers in their respective regions of California handled Google's <a href="http://bit.ly/cFCyMH">victory</a>, at least temporarily, over Viacom in a copyright case that's one battle in the war over who'll control the Internet.</p><p>You'll recall that a federal judge <a href="http://www.nytimes.com/2010/06/24/technology/24google.html?ref=business">slapped down Viacom's claim</a> that Google's YouTube video service, by allowing its copyrighted videos to be posted on the site, was contributing to copyright infringement. The judge said YouTube was following provisions of the current copyright law that say, among other things, that a site owner is not immediately responsible for what others post there. However, once notified by a copyright holder that it's hosting infringing work, the site is obliged to take it down.</p><p><a href="http://www.salon.com/2010/07/01/home_town_journalism/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>13</slash:comments>
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		<title>Viacom&#8217;s YouTube loss a victory for online speech, collaboration</title>
		<link>http://www.salon.com/2010/06/24/viacom_loses_free_speech_wins/</link>
		<comments>http://www.salon.com/2010/06/24/viacom_loses_free_speech_wins/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 13:58:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[YouTube]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>
		<category><![CDATA[First Amendment]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/dan_gillmor/2010/06/24/viacom_loses_free_speech_wins</guid>
		<description><![CDATA[Judge says YouTube obeyed copyright law in widely watched legal case]]></description>
			<content:encoded><![CDATA[<p>UPDATED</p><p>Echoing most news media, the New York Times <a href="http://www.nytimes.com/2010/06/24/technology/24google.html?ref=business">called it</a> "a major victory for Google in its battle with media companies," but yesterday's <a href="http://bit.ly/cFCyMH">decision</a> (pdf) by a federal judge in a closely watched copyright case was, most of all, a victory for free expression.</p><p>U.S. District Judge Louis L. Stanton tossed out a <a href="http://news.findlaw.com/wp/docs/google/viacomyoutube31307cmp.html">Viacom lawsuit against Google's YouTube</a> video site, in which the media conglomerate said YouTube, by allowing its copyrighted videos to be posted on the site, was was contributing to copyright infringement.</p><p>At issue, in its most basic form, was whether the <a href="http://images.chillingeffects.org/512.html">"safe harbor" provision</a> of the <a href="http://www.copyright.gov/title17/92appb.html">Digital Millennium Copyright Act</a> (DMCA) meant what it said. Boiled down and oversimplified, safe harbor means this: If you host other people's work, you are not immediately responsible for what they post on your site. Once notified by a copyright holder that you're hosting infringing work, you're obliged to take it down.</p><p><a href="http://www.salon.com/2010/06/24/viacom_loses_free_speech_wins/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>17</slash:comments>
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		<title>Judge sides with Google in Viacom copyright suit</title>
		<link>http://www.salon.com/2010/06/23/judge_sides_with_google_over_viacom_lawsuit/</link>
		<comments>http://www.salon.com/2010/06/23/judge_sides_with_google_over_viacom_lawsuit/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 23:24:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[YouTube]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2010/06/23/judge_sides_with_google_over_viacom_lawsuit</guid>
		<description><![CDATA[Parent company of Comedy Central, MTV promises to appeal after $1 billion claim is dismissed]]></description>
			<content:encoded><![CDATA[<p>A federal judge in New York sided with Google Inc. in a $1 billion copyright lawsuit filed by media company Viacom Inc. over YouTube videos, saying the service promptly removed illegal materials as required under federal law.</p><p>Wednesday's ruling by U.S. District Judge Louis Stanton in the closely watched case further affirmed the protections offered to online service providers under the Digital Millennium Copyright Act. The 1998 law offers immunity when service providers promptly remove illegal materials submitted by users once they are notified of a violation.</p><p>That safe harbor had helped persuade Google to buy YouTube for $1.76 billion in 2006, even though some of its own executives had earlier branded the video-sharing service as "a 'rogue enabler' of content theft," according to internal documents unearthed in the case.</p><p>Although it's a major victory for Google and other Internet service providers, Wednesday's decision won't end a legal brawl that has already dragged on for more than three years. Viacom vowed to keep the case alive in appeals court, a process likely to last another year or two.</p><p><a href="http://www.salon.com/2010/06/23/judge_sides_with_google_over_viacom_lawsuit/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The copyright wars come to &#8220;Glee&#8221;</title>
		<link>http://www.salon.com/2010/06/09/glee_and_the_copyright_wars/</link>
		<comments>http://www.salon.com/2010/06/09/glee_and_the_copyright_wars/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 21:55:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Glee]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2010/06/09/glee_and_the_copyright_wars</guid>
		<description><![CDATA[Could real high school kids get away with such reckless appropriation of commercial pop music?]]></description>
			<content:encoded><![CDATA[<p>It's always fun to see an expression of pop commercial froth as explicitly fanciful and studiously <em>non-serious</em> as <a href="http://www.salon.com/entertainment/tv/glee/index.html">"Glee"</a> get chewed up, deconstructed, regurgitated and analyzed down to the last quark for the purposes of satisfying the omnivorous hunger of the 21st century cultural punditocracy. There is nothing so insubstantial that a mountain of explication and criticism can't be built on top of it, and when you have a legitimate mass sensation, such as "Glee," no holds are barred.</p><p>And we all bring our own axes to the party. Today's entry, <a href="http://balkin.blogspot.com/2010/06/copyright-elephant-in-middle-of-glee.html">"Copyright: The Elephant in the Middle of the Glee Club,"</a> a post at the group blog Balkinization by Christina Mulligan, a visiting fellow of the Information Society Project at Yale Law School, is a perfect example. (Thanks to <a href="http://twitter.com/glynmoody/status/15800051107">a tweet from Glyn Moody</a> for the tip.)</p><p><a href="http://www.salon.com/2010/06/09/glee_and_the_copyright_wars/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>21</slash:comments>
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		<title>Viacom vs. YouTube: Who is the real pirate?</title>
		<link>http://www.salon.com/2010/03/19/google_youtube_and_viacom/</link>
		<comments>http://www.salon.com/2010/03/19/google_youtube_and_viacom/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 13:20:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[YouTube]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2010/03/19/google_youtube_and_viacom</guid>
		<description><![CDATA[The video service claims the entertainment company knowingly uploaded its own copyrighted content -- and then sued]]></description>
			<content:encoded><![CDATA[<p>The long-running <a href="http://www.latimes.com/business/la-fi-ct-viatube19-2010mar19,0,4961187.story">legal fight between Google and Viacom</a> over copyright violations on YouTube heated up on Thursday, after thousands of pages of court documents were unsealed at Viacom's request. Viacom is apparently hoping that copies of e-mails between YouTube's founders dating back to the video service's earliest days prove that YouTube knew it was consciously pirating copyrighted content. But YouTube is fighting back. Chief counsel Zahavah Levine made some strong accusations of her own in a blog post <a href="http://youtube-global.blogspot.com/2010/03/broadcast-yourself.html">on "The Official YouTube Blog."</a></p><p><a href="http://www.salon.com/2010/03/19/google_youtube_and_viacom/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<title>Apple vs. Google: The smartphone smackdown</title>
		<link>http://www.salon.com/2010/03/03/apple_versus_google_smartphone_smackdown/</link>
		<comments>http://www.salon.com/2010/03/03/apple_versus_google_smartphone_smackdown/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 20:15:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Smart Phones]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2010/03/03/apple_versus_google_smartphone_smackdown</guid>
		<description><![CDATA[Here come the lawyers. Could the future of mobile personal computing hang in the balance?]]></description>
			<content:encoded><![CDATA[<p>Apple's decision to sue the Taiwanese smartphone maker HTC on 20 different counts of patent infringement sent the tech world into <a href="http://techcrunch.com/2010/03/02/apple-goes-after-htc-in-lawsuit-over-20-iphone-patents/">a frenzy</a> on Tuesday. The immediate takeaway, echoed in a thousand blogs, was that Apple's real target is <a href="http://techcrunch.com/2010/03/02/google-htc-apple-lawsuit/">Google.</a> HTC is the leading manufacturer of phones that use Google's Android operating system, including the <a href="%20http://www.salon.com/technology/how_the_world_works/2010/01/05/google_nexus_one/index.html">Nexus One.</a></p><p>In the wake of the news, you could practically hear the commentariat licking its collective lips. Apple versus Google has everything you could ask for in <a href="http://techcrunch.com/2009/08/24/500-days-of-apple-and-google/">a tech war.</a> A company that believes in absolute control in a showdown with a company that thrives on exploiting the open Internet; the coolest gadget maker in the world facing off with the cleverest organizer of information. IBM, Microsoft, Nokia ... the giants of ages past are afterthoughts in this struggle.</p><p><a href="http://www.salon.com/2010/03/03/apple_versus_google_smartphone_smackdown/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>28</slash:comments>
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		<title>Why Genentech lobbyists are worth every penny</title>
		<link>http://www.salon.com/2009/11/16/genentech_and_biosimilars/</link>
		<comments>http://www.salon.com/2009/11/16/genentech_and_biosimilars/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 18:45:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Healthcare Reform]]></category>
		<category><![CDATA[How the World Works]]></category>
		<category><![CDATA[Biotechnology]]></category>
		<category><![CDATA[Intellectual Property]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2009/11/16/genentech_and_biosimilars</guid>
		<description><![CDATA[Figuring out the right rules for biotech drug development should be hard. But Big Pharma makes it easy]]></description>
			<content:encoded><![CDATA[<p>Robert Pear's <a href="http://www.nytimes.com/2009/11/15/us/politics/15health.html?_r=1&amp;pagewanted=1&amp;hp">New York Times scoop reporting</a> that both Republican and Democratic legislators submitted statements to the Congressional Record that are word-for-word copies of materials written by Genentech lobbyists is one of those classic stories bound to make us feel warm and cuddly about how responsibly our government officials perform their jobs.</p><p>The Genentech lobbyists, who appear to be worth every cent the Bay Area biotech firm pays them, came up with two different position statements specially targeted to Republicans and Democrats, in reference to an amendment to the House healthcare bill recently passed by a razor-thin majority.</p><p>The Democrats emphasized the job creation aspect of the amendment.</p><blockquote> <p>Republicans opposed the bill, but praised a provision that would give the Food and Drug Administration the authority to approve generic versions of expensive biotechnology drugs, along the lines favored by brand-name companies like Genentech.</p> </blockquote><p>One important line repeated by at least two representatives: "I do believe the sections relating to the creation of a market for biosimilar products is one area of the bill that strikes the appropriate balance in providing lower cost options."</p><p><a href="http://www.salon.com/2009/11/16/genentech_and_biosimilars/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<title>The AK-47: Shot down by its own success</title>
		<link>http://www.salon.com/2009/09/29/kalashnikov_copycats/</link>
		<comments>http://www.salon.com/2009/09/29/kalashnikov_copycats/#comments</comments>
		<pubDate>Tue, 29 Sep 2009 18:57:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Russia]]></category>
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		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2009/09/29/kalashnikov_copycats</guid>
		<description><![CDATA[The USSR never made a priority of protecting Kalashnikov rifle intellectual property. Oops!]]></description>
			<content:encoded><![CDATA[<p>Izhmash Arms, Russia's "official" manufacturer of Kalashnikov AK-47s, may be on the verge of bankruptcy, reports <a href="http://www.spiegel.de/international/world/0,1518,652043,00.html.">SpiegelOnline.</a></p><p>I say "official" because there are many Kalashnikov manufacturers dotting the globe, the legacy of an era in which licenses to make the rifle were distributed freely, for ideological purposes. Profit wasn't supposed to be the point of the Soviet Union, after all.</p><p>As reported by Benjamin Bidder, a slump in arms exports, high levels of outstanding debt, and the machinations of a mysterious ultranationalist businessman are all plaguing Izhmash. But the real problem may be more akin to the woes currently afflicting the newspaper industry and recorded music business: It's very hard to make a buck when your product is easily copied and widely accessible.</p><p>Two years ago, in the post <a href="http://www.salon.com/tech/htww/2007/06/01/ak_47/">"How Is an AK-47 Like a QWERTY Keyboard,"</a> HTWW considered the theory of Oxford University's Phillip Killicoat, as presented in <a href="http://www-wds.worldbank.org/external/default/WDSContentServer/IW3P/IB/2007/04/13/000016406_20070413145045/Rendered/PDF/wps4202.pdf">"Weaponomics: The Global Market for Assault Rifles,"</a> that the worldwide success of the Kalashnikov owed less to its inherent quality than to its achievement of "path dependent lock in."</p><p><a href="http://www.salon.com/2009/09/29/kalashnikov_copycats/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>24</slash:comments>
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		<title>Swedish pirates invade European Parliament</title>
		<link>http://www.salon.com/2009/06/08/swedish_pirate_party/</link>
		<comments>http://www.salon.com/2009/06/08/swedish_pirate_party/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 19:11:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[How the World Works]]></category>
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		<guid isPermaLink="false">http://www.salon.com/technology/how_the_world_works//2009/06/08/swedish_pirate_party</guid>
		<description><![CDATA["We are not red, blue or green. We are just pirates." ]]></description>
			<content:encoded><![CDATA[<p>Talk about missing the real story. The recently concluded European Parliament election has been variously described <a href="http://www.ft.com/cms/s/0/3beed410-5368-11de-be08-00144feabdc0.html">as a victory for "center-right" forces</a> and a defeat for the left, as an embarrassment because the lowest turnout in three decades was registered or as an utter disgrace because the fascist <a href="http://www.telegraph.co.uk/news/worldnews/europe/eu/5479327/European-elections-2009-How-Labour-let-the-BNP-flex-its-muscles.html">British National Party won two seats.</a></p><p>But here's the real shocker: The Swedish Pirate Party, already the third largest political party in Sweden, took 7.1 percent of the Swedish vote and <a href="http://www.ip-watch.org/weblog/2009/06/08/pirate-party-to-enter-european-parliament/">won at least one seat in the European Parliament.</a></p><p>From the <a href="http://www.piratpartiet.se/international/english">Swedish Pirate Party's Web site:</a></p><p><a href="http://www.salon.com/2009/06/08/swedish_pirate_party/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>21</slash:comments>
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