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	<title>Salon.com > Interpol</title>
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		<title>Anonymous 2012: a year in review</title>
		<link>http://www.salon.com/2012/12/27/anonymous_2012_a_year_in_review/</link>
		<comments>http://www.salon.com/2012/12/27/anonymous_2012_a_year_in_review/#comments</comments>
		<pubDate>Thu, 27 Dec 2012 07:39:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13155445</guid>
		<description><![CDATA[It was a busy year for the global hacktivist collective Anonymous
]]></description>
			<content:encoded><![CDATA[<p>In 2012, the loose association of tech-based activists protested bullying, LGBT discrimination, corporate media, Israel, <a href="http://anonnews.org/press/item/1720/">Muslim genocide</a>, police brutality, election-rigging, douchebaggery/bullying, surveillance, nationalist education, and of course Internet censorship—expanding both the range of its “causes” and the tools it deployed to defend them.</p><p>Of course, it’s impossible to say with certainty which actions "Anonymous" actually pulled off, since its membership is ill-defined and anyone can claim association, not to mention that sometimes Anonymous hacktivists act alone or as part of a subgroup.  Even when Anonymous has put out one of its quintessential videos claiming responsibility for a hack or DDoS (Distributed Denial of Service—shutting down a website by flooding it with requests) attack, it hasn’t always turned out to be true.</p><p>Given that, below are Anonymous’ “Top 20” for 2012. With its widening arsenal and focus, one can only imagine what these Internet denizens have in store for 2013.</p><p>[slide_show id=13151256]</p><p>&nbsp;</p><p><a href="http://www.salon.com/2012/12/27/anonymous_2012_a_year_in_review/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The music business is banking on your nostalgia</title>
		<link>http://www.salon.com/2012/10/08/pop_nostalgia_gone_mad/</link>
		<comments>http://www.salon.com/2012/10/08/pop_nostalgia_gone_mad/#comments</comments>
		<pubDate>Mon, 08 Oct 2012 17:05:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Sum 41]]></category>
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		<category><![CDATA[Punk]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13033415</guid>
		<description><![CDATA[When Sum 41 goes on a tenth anniversary tour, you know pop music has gotten desperate ]]></description>
			<content:encoded><![CDATA[<p>Right now, somewhere in North America, the Canadian band Sum 41 is preparing a tour to celebrate the tenth anniversary of its 2002 release, <a href="http://www.amazon.com/dp/B00007BH56/?tag=saloncom08-20&quot;">“Does This Look Infected?”</a> Don’t worry if you don’t know it. The album was a minor entry in the 2000s pop-punk canon, with songs that Entertainment Weekly described as “antiseptic” (if catchy). In fact, the band is probably known more for its singer having once been married to Avril Lavigne than for its music.</p><p>Why, then, are we marking the tenth anniversary of “Does This Look Infected?”</p><p>Because that’s what we do now. Anniversaries are a big business in pop music, where celebrating nice round numbers means the possibility of cashing checks full of them. From mediocre pop-punk to legendary rock ’n’ roll, seemingly no anniversary goes unremarked — or unmarketed — anymore.</p><p><a href="http://www.salon.com/2012/10/08/pop_nostalgia_gone_mad/">Continue Reading...</a></p>]]></content:encoded>
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