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	<title>Salon.com > Jack Cashill</title>
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		<title>Obama&#8217;s oddest critic</title>
		<link>http://www.salon.com/2012/07/17/obamas_inspector_javert/</link>
		<comments>http://www.salon.com/2012/07/17/obamas_inspector_javert/#comments</comments>
		<pubDate>Tue, 17 Jul 2012 11:45:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Barack Obama]]></category>
		<category><![CDATA[Jack Cashill]]></category>
		<category><![CDATA[2012 Elections]]></category>
		<category><![CDATA[Editor's Picks]]></category>

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		<description><![CDATA[Jack Cashill is obsessed with the president's college poetry and positive it proves his life is "one massive fraud"]]></description>
			<content:encoded><![CDATA[<p>In the spring of 1981, a seemingly unremarkable poem called “Pop” appeared in the Occidental College literary magazine. It began:</p><blockquote><p>Sitting in his seat, a seat broad and broken<br /> In, sprinkled with ashes<br /> Pop switches channels, takes another<br /> Shot of Seagrams, neat, and asks<br /> What to do with me, a green young man<br /> Who fails to consider the<br /> Flim and Flam of the world…</p></blockquote><p>On the surface, it is a poem about a young man’s relationship with, and ambivalence toward, a paternal figure. But in recent years, attentive readers have noticed some extraordinary subtext: In fact, it is a poem about pederasty and sexual abuse. What’s more, it is shot through with clues that its author -- Barack Obama -- was not its author at all, that “Pop” himself was its true author, and that “Pop” was also, unbeknownst to its false author, its false author’s true father.</p><p><a href="http://www.salon.com/2012/07/17/obamas_inspector_javert/">Continue Reading...</a></p>]]></content:encoded>
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