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	<title>Salon.com > joseph conrad</title>
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	<link>http://www.salon.com</link>
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		<title>Chinua Achebe: The man who rediscovered Africa</title>
		<link>http://www.salon.com/2013/03/22/chinua_achebe_the_man_who_rediscovered_africa/</link>
		<comments>http://www.salon.com/2013/03/22/chinua_achebe_the_man_who_rediscovered_africa/#comments</comments>
		<pubDate>Fri, 22 Mar 2013 14:45:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Chinua Achebe]]></category>
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		<category><![CDATA[Things Fall Apart]]></category>
		<category><![CDATA[joseph conrad]]></category>
		<category><![CDATA[heart of darkness]]></category>
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		<description><![CDATA[The novelist and political dissident captured the soul of a continent -- and helped me discover my own history]]></description>
			<content:encoded><![CDATA[<p>When, in 1958, the London publishers William Heinemann received a manuscript of Chinua Achebe’s “Things Fall Apart,” they were unsure whether to publish it. The central question, according to editor Alan Hill, was this: “Would anyone possibly buy a novel by an African?” Not only were there a mere handful of examples of African writing in English at the time – such as Amos Tutuola’s surreal “The Palm-Wine Drinkard” and Cyprian Ekwensi’s novel of contemporary Lagos, “People of the City” – but none of them had the ambition, the subtlety, or the confidence of “Things Fall Apart.”</p><p><a href="http://www.salon.com/2013/03/22/chinua_achebe_the_man_who_rediscovered_africa/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Joan Didion&#8217;s &#8220;Salvador&#8221; delves into the heart of darkness</title>
		<link>http://www.salon.com/2013/03/14/joan_didions_salvador_delves_into_the_heart_of_darkness/</link>
		<comments>http://www.salon.com/2013/03/14/joan_didions_salvador_delves_into_the_heart_of_darkness/#comments</comments>
		<pubDate>Thu, 14 Mar 2013 19:00:00 +0000</pubDate>
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		<category><![CDATA[Joan Didion]]></category>
		<category><![CDATA[Central America]]></category>
		<category><![CDATA[el salvador]]></category>
		<category><![CDATA[heart of darkness]]></category>
		<category><![CDATA[joseph conrad]]></category>

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		<description><![CDATA[Though it was first published 30 years ago, Didion's account of the war in El Salvador still feels as urgent today ]]></description>
			<content:encoded><![CDATA[<p>Over the last few years, I’ve been sent 400 to 500 review copies of books and audiobooks. I haven’t read them all, although I have tried to read at least a handful of pages of all of them, or listen to at least the first couple of minutes. Most of them have offered at least some pleasures to reward the time, and I’m happy in general that we live in a world where there is a place even for books and audiobooks that appeal to the narrowest of audiences.</p><p>The most striking thing about all this reading  and listening is how few of these books and audiobooks have taken up any kind of long-term residence in my mind and in my life – how few have troubled me so that I think about them months and years after I thought I had finished my time with them, and how few have brought pleasure or solace of the sort that cause me to want to reread them.</p><p>If I tried to categorize what it is that gives these books their special staying power, the first thing I might do is make a list of the qualities that — surprisingly — aren’t sources of this power. It’s not the subject or the content, although subject and content that is inherently interesting or dramatic can go a long way toward helping a book be interesting or dramatic.  It’s not timeliness, although I’m always happy to spend time with a book that has something to say to the present moment. And it’s not the events the book offers, although I’m drawn to a book that offers a series of interesting events.</p><p><a href="http://www.salon.com/2013/03/14/joan_didions_salvador_delves_into_the_heart_of_darkness/">Continue Reading...</a></p>]]></content:encoded>
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