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	<title>Salon.com > Journalism</title>
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	<link>http://www.salon.com</link>
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		<title>Andrew Sullivan to leave the Daily Beast, taking The Dish with him</title>
		<link>http://www.salon.com/2013/01/02/andrew_sullivan_to_leave_the_daily_beast_taking_the_dish_with_him/</link>
		<comments>http://www.salon.com/2013/01/02/andrew_sullivan_to_leave_the_daily_beast_taking_the_dish_with_him/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 18:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Andrew Sullivan]]></category>
		<category><![CDATA[the dish]]></category>
		<category><![CDATA[the daily dish]]></category>
		<category><![CDATA[blogging]]></category>
		<category><![CDATA[bloggers]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Advertising]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13159736</guid>
		<description><![CDATA[The blog will adopt a metered-pay system, relying solely on readers for funding]]></description>
			<content:encoded><![CDATA[<p>Andrew Sullivan, the preeminent blogger whose platform, the Daily Dish, has been hosted by Time, the Atlantic and, currently, the Daily Beast, is making his boldest move ever: taking the site solo, hoping that readers will pay for content directly. The former New Republic editor and <a href="http://www.salon.com/writer/andrew_sullivan/">Salon columnist</a> announced today that he, along with the Dish's executive editors, Patrick Appel and Chris Bodenner, has signed an agreement forming Dish Publishing LLC, an independent publishing company that will continue to run the Dish without the use of advertising revenue or venture capital.</p><p>The move is a gamble that he hopes will one day become the norm within the journalism industry. Recalling the old advertising adage, "If you're not paying for the product, you are the product being sold," <a href="http://andrewsullivan.thedailybeast.com/2013/01/a-declaration-of-independence.html">he wrote in the announcement</a>, "we felt more and more that getting readers to pay a small amount for content was the only truly solid future for online journalism."</p><p><a href="http://www.salon.com/2013/01/02/andrew_sullivan_to_leave_the_daily_beast_taking_the_dish_with_him/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<title>Dying to take a celebrity photo</title>
		<link>http://www.salon.com/2013/01/02/dying_to_take_a_celebrity_photo/</link>
		<comments>http://www.salon.com/2013/01/02/dying_to_take_a_celebrity_photo/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 15:26:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Media Criticism]]></category>
		<category><![CDATA[Paparazzi]]></category>
		<category><![CDATA[Justin Bieber]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Editor's Picks]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13159587</guid>
		<description><![CDATA[An amateur photographer is hit by a car snapping a photo of the singer's white Ferrari -- and he wasn't even in it]]></description>
			<content:encoded><![CDATA[<p>In what immediately qualifies as the worst way to die of the new year thus far, a Los Angeles paparazzo was killed Tuesday while trying to obtain photographs … of Justin Bieber's car.</p><p>Bieber was reportedly <a href="http://www.tmz.com/2013/01/01/justin-bieber-ferrari-paparazzo-killed/ ">not even in his white Ferrari</a> when it was pulled over by California Highway Patrol for speeding — a friend of the singer was behind the wheel while Bieber was elsewhere. But the car – and Bieber's vehicular comings and goings – are familiar to local lensmen. In November, Judge Thomas Rubinson dismissed a reckless driving charge against photographer Paul Raef, who in July was involved in a high-speed freeway chase in pursuit of Bieber. At the time, Raef's frantic driving, at speeds over 80 mph, prompted several 911 calls. But Robinson ruled that a 2010 law meant to curtail that kind of potentially dangerous behavior, "in pursuit of photos for commercial gain," could conflict with legitimate First Amendment-protected news gathering.</p><p><a href="http://www.salon.com/2013/01/02/dying_to_take_a_celebrity_photo/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>12</slash:comments>
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		<title>U.S. journalist missing in Syria</title>
		<link>http://www.salon.com/2013/01/02/u_s_journalist_missing_in_syria/</link>
		<comments>http://www.salon.com/2013/01/02/u_s_journalist_missing_in_syria/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 14:57:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[GlobalPost]]></category>
		<category><![CDATA[Syria]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[NBC News]]></category>
		<category><![CDATA[Richard Engel]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13159551</guid>
		<description><![CDATA[James Foley was kidnapped by unidentified gunmen on Thanksgiving Day. He was last see on Nov. 22 in Idlib Province]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.globalpost.com/"><img style="margin: 0 10px 0 0;" src="http://images.salon.com/img/partners/ID_globalPostInline.gif" alt="Global Post" align="left" /></a> BOSTON, Mass. — Unidentified gunmen kidnapped a US journalist on Thanksgiving Day. More than a month later, he remains missing.</p><p>American James Foley, 39, was last seen on Nov. 22 in Idlib Province. Idlib has been the scene of heavy fighting in recent months between Syrian rebels and government forces.</p><p>Richard Engel, the chief foreign affairs correspondent for NBC News, and three members of his team, went missing in the same region in December. They were freed after their captors ran into a checkpoint manned by Ahrar Al Sham, a Syrian rebel group. Engel said a firefight erupted and two captors were killed. The rebels then escorted Engel and his team to the border with Turkey.</p><p>Little is known about the group that kidnapped Engel and his team. And it remains unclear if the same group is responsible for taking James.</p><p><a href="http://www.salon.com/2013/01/02/u_s_journalist_missing_in_syria/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Why is the media rehabilitating John Lott?</title>
		<link>http://www.salon.com/2012/12/21/why_is_the_media_rehabilitating_john_lott/</link>
		<comments>http://www.salon.com/2012/12/21/why_is_the_media_rehabilitating_john_lott/#comments</comments>
		<pubDate>Fri, 21 Dec 2012 15:57:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Guns]]></category>
		<category><![CDATA[Gun Control]]></category>
		<category><![CDATA[John Lott]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13152013</guid>
		<description><![CDATA[The pro-gun economist was discredited in the early 2000s, but TV news -- even PBS -- still takes him seriously]]></description>
			<content:encoded><![CDATA[<p>In the wake of the massacre at Sandy Hook Elementary School, one man has represented the pro-gun argument in the media perhaps more than anyone else: <a href="http://www.tnr.com/blog/plank/111263/meet-john-lott-the-man-who-wants-teachers-carry-guns">John Lott</a>. Lott, an economist who first lent credence to the argument that the answer to gun violence is more guns, was a major presence in the gun control debate of the past two decades, before being sidelined by controversy. So his reappearance on TV news programs in the wake of the shooting is surprising.</p><p>Here’s what critics say about him. Lott <a href="http://www.thedailybeast.com/newsweek/2001/03/11/the-gun-crowd-s-guru.html">held</a> prestigious positions at Yale and the University of Chicago, where he published his groundbreaking book, "More Guns, Less Crime." In the early 2000s, his work fell into controversy for employing what some academic critics termed “<a href="http://scienceblogs.com/deltoid/2003/04/25/0426/">junk science</a>” and for various apparently <a href="http://www.kellogg.northwestern.edu/faculty/dranove/htm/Dranove/coursepages/Mgmt%20469/guns.pdf">fatal methodological flaws</a>. Later, he was <a href="http://www.motherjones.com/politics/2003/10/double-barreled-double-standards">unable to prove the existence of a study central to his thesis</a>. He was also caught using a fake <a href="http://reason.com/archives/2003/05/01/the-mystery-of-mary-rosh">“sockpuppet” persona</a> to defend his work and attack his critics online. “In most circles, <a href="http://www.salon.com/2012/12/18/the_answer_is_not_more_guns/">this goes down as fraud</a>,” Donald Kennedy, the then-editor of the prestigious journal Science wrote in an editorial. Even Michelle Malkin said Lott had shown an “extensive <a href="http://townhall.com/columnists/michellemalkin/2003/02/05/the_other_lott_controversy/page/2">willingness to deceive</a> to protect and promote his work.”</p><p><a href="http://www.salon.com/2012/12/21/why_is_the_media_rehabilitating_john_lott/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<title>Huge racial disparities in political journalism</title>
		<link>http://www.salon.com/2012/10/25/huge_racial_disparities_in_political_journalism/</link>
		<comments>http://www.salon.com/2012/10/25/huge_racial_disparities_in_political_journalism/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 19:13:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[newspapers]]></category>
		<category><![CDATA[2012 Elections]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13051944</guid>
		<description><![CDATA[93 percent of front-page election articles have been written by white journalists]]></description>
			<content:encoded><![CDATA[<p>Statistics highlighted Thursday by election media analysts 4th Estate show a vast lack of racial diversity in political reporting. The <a href="http://www.4thestate.net/bleached-lack-of-diversity-in-newsroom-front-page-election-coverage/">infographic series "Bleached: lack of diversity on the front page"</a> showed that "93 percent of front page print articles, covering the 2012 Presidential Election, were written by white reporters."</p><p>Based on data collected from U.S. national print outlets, 4th Estate reported:</p><blockquote><p>The percentage of [front page election] articles written by Asian American reporters is 3.3%, by African American reporters is 2.9%, and by Hispanic reporters is 0.7%. This under-representation of minorities reporting on the front page holds true across most media outlets for most ethnic groups. The Dallas Morning News stands out as an exception where 18.8% of their front page stories were written by African Americans. The most striking under-representation of minorities in our data is that of Hispanic journalists, considering the Hispanic population stands at approximately 16.3% of the U.S. population (according to the 2010 Census).</p></blockquote><p><a href="http://www.salon.com/2012/10/25/huge_racial_disparities_in_political_journalism/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<title>Superman to quit Daily Planet, maybe start &#8220;the next Drudge Report&#8221;</title>
		<link>http://www.salon.com/2012/10/23/superman_to_quit_daily_planet_maybe_start_the_next_drudge_report/</link>
		<comments>http://www.salon.com/2012/10/23/superman_to_quit_daily_planet_maybe_start_the_next_drudge_report/#comments</comments>
		<pubDate>Tue, 23 Oct 2012 14:06:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[superman]]></category>
		<category><![CDATA[drudge report]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Comics]]></category>
		<category><![CDATA[Huffington Post]]></category>
		<category><![CDATA[clark kent]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13049533</guid>
		<description><![CDATA[In issue No. 13 of the latest series, Clark Kent quits his job and laments the state of journalism]]></description>
			<content:encoded><![CDATA[<p>In issue No. 13 of the current Superman comic book series, out tomorrow, Clark Kent will dramatically quit his day job as a reporter at the Daily Planet in front of the entire staff. The change in Kent's character reflects writer Scott Lobdell's goal of making Superman more relevant in the 21st century (part of a grander push from DC's "New 52" relaunch of several comics). A DC representative said, “This is not the first time in DC Comics history that Clark Kent has left the Planet, and this time the resignation reflects present-day issues – the balance of journalism vs. entertainment, the role of new media, the rise of the citizen journalist, etc.”</p><p><a href="http://www.salon.com/2012/10/23/superman_to_quit_daily_planet_maybe_start_the_next_drudge_report/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>When I finally saw my blood</title>
		<link>http://www.salon.com/2012/09/30/stay_at_home_dad_in_a_war_zone/</link>
		<comments>http://www.salon.com/2012/09/30/stay_at_home_dad_in_a_war_zone/#comments</comments>
		<pubDate>Sun, 30 Sep 2012 23:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[Real Families]]></category>
		<category><![CDATA[Life stories]]></category>
		<category><![CDATA[Syria]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Iraq war]]></category>
		<category><![CDATA[Love and Sex]]></category>
		<category><![CDATA[Beirut]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13024712</guid>
		<description><![CDATA[As Kelly reports from Syria, I'm taking care of our child, pouring another glass of wine and wondering: Is this it?]]></description>
			<content:encoded><![CDATA[<p>I'd lived in Beirut for nearly a year -- next to the mess in Syria, where more than 20,000 people had so far been killed; an hour or two from borders my wife crossed to find out why; and where, for a variety of reasons, I still had trouble explaining my own stake in all this -- when, in the kitchen the other night, I finally saw my own blood.</p><p>Before Beirut, we had lived in Turkey and Iraq, the latter of which was my wife Kelly's base. (She’s a correspondent for NPR.) Those weren't fun times, spending so many months apart. Among other problems, it was difficult to be a man, changing diapers, while my wife swash-buckled her way across Mesopotamia. With the mother of our daughter based in Baghdad, I learned how to excel at various domestic chores and also how to worry. What would happen if a mortar fell or if bad guys tested the glass on her armored truck? What would people think of a blonde woman traveling to Anbar Province? The Middle East, for my wife, was the big league. For me, it was a place to find a good doctor and maybe some daycare. Alone on a Friday night, I'd pour myself another glass and wonder: Was this it?</p><p><a href="http://www.salon.com/2012/09/30/stay_at_home_dad_in_a_war_zone/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<title>Philip Gourevitch: Memory is a disease</title>
		<link>http://www.salon.com/2012/09/26/philip_gourevitch_memory_is_a_disease/</link>
		<comments>http://www.salon.com/2012/09/26/philip_gourevitch_memory_is_a_disease/#comments</comments>
		<pubDate>Wed, 26 Sep 2012 20:31:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[The New Yorker]]></category>
		<category><![CDATA[Boston Review]]></category>
		<category><![CDATA[Philip Gourevitch]]></category>
		<category><![CDATA[Rwanda]]></category>
		<category><![CDATA[Literary Reportage]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13022821</guid>
		<description><![CDATA[The New Yorker staff writer discusses the dangers of narrative simplification and the role of literary reportage]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bostonreview.net/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/BostonReview-e1341262329868.jpg" alt="Boston Review" align="left" /></a> <em>On July 25, Philip Gourevitch gave the keynote address to the Human Rights Lecture Series at Stanford University. A long-time staff writer for </em>The New Yorker<em>, Gourevitch has written about the Iraq War and Abu Ghraib, the 2004 U.S. presidential campaign, French politics, and conflicts in Africa and the Middle East. His account of the aftermath of the Rwandan genocide, </em><a href="http://www.powells.com/biblio/9780374286972?&amp;PID=35607" target="blank">We Wish To Inform You That Tomorrow We Will Be Killed With Our Families: Stories from Rwanda<em></em></a><em>, won the National Book Critics Circle Award and was included in the </em>Guardian<em>’s list of the 100 greatest nonfiction books. In 2009, Gourevitch started reporting again from Rwanda.</em></p><p>We met over drinks before his lecture to discuss the challenges of writing about the history that we are in the midst of making, the burdens of memory and the appeal of forgetting, the dangers of narrative simplification, the limits of humanitarianism, and the messiness of politics.</p><p><a href="http://www.salon.com/2012/09/26/philip_gourevitch_memory_is_a_disease/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>I quit my writing job!</title>
		<link>http://www.salon.com/2012/09/25/i_quit_my_writing_job/</link>
		<comments>http://www.salon.com/2012/09/25/i_quit_my_writing_job/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 00:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Writers]]></category>
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		<category><![CDATA[workplace]]></category>
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		<category><![CDATA[Writers and Writing]]></category>
		<category><![CDATA[Since You Asked]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13020807</guid>
		<description><![CDATA[I was passed over for editor so I walked. Now at 57, I'm scared and have no income]]></description>
			<content:encoded><![CDATA[<p><strong>Dear Cary,</strong></p><p><strong>I recently quit my job as a staff writer for a weekly newspaper. I had applied for the editor’s position, since our current editor was leaving for (much) more lucrative work outside the confines of journalism. I felt qualified for the job and had established an excellent working relationship in the community with many people. I had worked as a staff writer for almost two years at the time and felt confident that I was prepared to take on the editor’s position.</strong></p><p><strong>My reason for leaving my position was the fact that the publisher, who was rarely in our office, basically ignored my application for almost a month, then put me into the editor’s position as "fill-in" (his words) and offered me no pay raise, no title and no support. Rather, he denigrated me at every turn. I received approximately 20 minutes of training for the editor’s position. Even though I had worked in the publishing field for almost 15 years, my publisher told me that the "fill-in" position would afford me "valuable experience" -- apparently the 11 years I had been employed in various departments by this company hadn’t given me enough "experience" to get a promotion or a raise (by the way, my rate of pay was, from start to finish, $7.50 per hour).</strong><strong></strong></p><p><a href="http://www.salon.com/2012/09/25/i_quit_my_writing_job/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>53</slash:comments>
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		<title>Are dumb questions the future of journalism?</title>
		<link>http://www.salon.com/2012/09/19/are_dumb_questions_the_future_of_journalism/</link>
		<comments>http://www.salon.com/2012/09/19/are_dumb_questions_the_future_of_journalism/#comments</comments>
		<pubDate>Wed, 19 Sep 2012 13:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13016023</guid>
		<description><![CDATA[A spoof of Newsweek's infamously sensational covers]]></description>
			<content:encoded><![CDATA[<h3></h3><h3>Was Mussolini Right?</h3><div> <div> <div><a href="http://prospect.org/sites/default/files/mussolini.jpg"><img title="" src="http://prospect.org/sites/default/files/styles/medium/public/mussolini.jpg" alt="" /></a></div> </div> </div><p>"He made the trains run on time," they said about Italian dictator Benito Mussolini, and it was more than just a cliché. It was a statement about a government that works, a government that means what it says and does what it wants. Sure, there were some problems with the treatment of dissidents. But some very smart political analysts are asking a question that would have been surprising just a few years ago: Is it time to give fascism another try?</p><p><a href="http://www.prospect.org"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/Prospect-Logo.png" alt="The American Prospect" align="left" /></a> To be clear, no one is proposing a Fourth Reich. This isn't about Germany in the 1930s, and it isn't about genocide. It's about fascism as an economic program, where the government stops being ashamed about merging with corporate interests. It's the ultimate pro-business position, and that's why the wonks proposing a new look at an old philosophy have a catchphrase sure to draw adherents: "Fascism means jobs." If they're right, it could remake the American political landscape over the next decade.</p><p><a href="http://www.salon.com/2012/09/19/are_dumb_questions_the_future_of_journalism/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Must-see morning clip</title>
		<link>http://www.salon.com/2012/09/11/must_see_morning_clip_27/</link>
		<comments>http://www.salon.com/2012/09/11/must_see_morning_clip_27/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 13:53:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Must see morning clip]]></category>
		<category><![CDATA[Anderson Cooper]]></category>
		<category><![CDATA[gay pride]]></category>
		<category><![CDATA[Gay Rights]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13007808</guid>
		<description><![CDATA[Anderson Cooper talks about his decision to come out]]></description>
			<content:encoded><![CDATA[<p>Anderson Cooper and Kristen Chenoweth opened the season's first episode of "Anderson Live" by talking about Cooper's decision to come out earlier this summer. Chenoweth goaded Cooper about his "big summer,"  saying, "I just wonder if you'd like to say, like, I don't know -- you went out a lot. You came out, and talked."</p><p>Cooper officially came out <a href="http://andrewsullivan.thedailybeast.com/2012/07/anderson-cooper-the-fact-is-im-gay.html">via a letter</a>  to the Daily Beast's Andrew Sullivan in July, where he explained his decision to come out:</p><blockquote><p>I’ve begun to consider whether the unintended outcomes of maintaining my privacy outweigh personal and professional principle. It’s become clear to me that by remaining silent on certain aspects of my personal life for so long, I have given some the mistaken impression that I am trying to hide something - something that makes me uncomfortable, ashamed or even afraid. This is distressing because it is simply not true.</p></blockquote><p>Cooper echoed the same sentiments on camera yesterday, reiterating his message on the importance of transparency, "the tide of history only moves forward when everyone is fully visible."</p><p>Watch the full clip here:</p><p><iframe src="http://www.youtube.com/embed/xLVRsvQw2S4?feature=player_embedded" frameborder="0" width="400" height="225"></iframe></p><p><a href="http://www.salon.com/2012/09/11/must_see_morning_clip_27/">Continue Reading...</a></p>]]></content:encoded>
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		<title>World&#8217;s worst jobs</title>
		<link>http://www.salon.com/2012/09/07/worlds_worst_jobs/</link>
		<comments>http://www.salon.com/2012/09/07/worlds_worst_jobs/#comments</comments>
		<pubDate>Fri, 07 Sep 2012 16:14:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[GlobalPost]]></category>
		<category><![CDATA[Jobs report]]></category>
		<category><![CDATA[Jobs]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[Syria]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13004252</guid>
		<description><![CDATA[If you think your gig is bad, try collecting sperm from elephants]]></description>
			<content:encoded><![CDATA[<p>Today's jobs report says the US added just 96,000 jobs in August, <a href="http://www.businessinsider.com/the-jobs-report-august-non-farm-payrolls-2012-9" target="_blank">34,000 less than expected</a>. The unemployment rate fell to 8.1 percent from July's 8.3 percent, but that's only because people <a href="http://www.bls.gov/news.release/empsit.nr0.htm" target="_blank">stopped looking for work</a>, not because they found a job.</p><p><a href="http://www.globalpost.com/"><img style="margin: 0 10px 0 0;" src="http://images.salon.com/img/partners/ID_globalPostInline.gif" alt="Global Post" align="left" /></a></p><p>It's hard out there on the ragged edge of the economy, but take a look at GlobalPost's seven worst jobs. Earning an honest buck has never been this hard.</p><p>Henry Ford probably didn’t have <a href="http://www.globalpost.com/dispatch/china/101010/silicon-sweatshops-foxconn-labor-taiwan">China’s Foxconn factories</a> in mind when he created his famous assembly line outside Detroit in 1913.</p><p>Eighteen Foxconn employees attempted suicide there in 2010, highlighting the job's tedious nature and poor working conditions at the facilities. Remember these workers the next time you complain about your overbearing boss.</p><p><a href="http://www.salon.com/2012/09/07/worlds_worst_jobs/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>7</slash:comments>
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		<title>Stop sucking up to Bloomberg</title>
		<link>http://www.salon.com/2012/08/22/stop_sucking_up_to_bloomberg/</link>
		<comments>http://www.salon.com/2012/08/22/stop_sucking_up_to_bloomberg/#comments</comments>
		<pubDate>Wed, 22 Aug 2012 15:54:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Michael Bloomberg]]></category>
		<category><![CDATA[Bloomberg News]]></category>
		<category><![CDATA[Media Criticism]]></category>
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		<category><![CDATA[Financial Times]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12989172</guid>
		<description><![CDATA[Why is New York's mayor perpetually portrayed as a hero? Because journalists fear him -- or want to work for him]]></description>
			<content:encoded><![CDATA[<p>This week, Harper's magazine is publishing a report I've been working on for the better part of the last year. The piece looks at a powerful paradox in the media world whereby major metro newspapers are becoming more politically influential even as they lose readership, revenue and reporting resources. In one-newspaper towns all over America, this has made newspaper owners into 21st century Citizen Kanes -- able to suffuse both editorial page and news coverage with propaganda that serves their personal and political agendas.</p><p><a href="http://harpers.org/archive/2012/08/hbc-90008782">You can find out more about the article here</a>. As you'll see, I cover monopolists such as Dean Singleton, Douglas Manchester and Sam Zell, and the havoc they've wreaked on cities like Denver, San Diego and Chicago, respectively. These kind of owners do not see newspaper monopolies only from a short-term financial perspective, whereby objective journalism generates profit. On the contrary, as documented in my Harper's piece, they seem to see them as political investments whose returns in influence and power come about via slanted propaganda.</p><p><a href="http://www.salon.com/2012/08/22/stop_sucking_up_to_bloomberg/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>12</slash:comments>
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		<title>Hold the Reddit hype</title>
		<link>http://www.salon.com/2012/07/24/hold_the_reddit_hype/</link>
		<comments>http://www.salon.com/2012/07/24/hold_the_reddit_hype/#comments</comments>
		<pubDate>Tue, 24 Jul 2012 17:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Media Criticism]]></category>
		<category><![CDATA[Reddit]]></category>
		<category><![CDATA[Aurora shooting]]></category>
		<category><![CDATA[dark knight shooting]]></category>
		<category><![CDATA[james holmes]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12963063</guid>
		<description><![CDATA[The site broke important Aurora news, but "crowdsourced" journalism is as sensational and market-driven as the MSM]]></description>
			<content:encoded><![CDATA[<p>As you will know if you are a person on the Internet, a lot of the most important details about the shooting in a Colorado movie theater last Friday have come out through the Internet. We were able to find victims' Twitter accounts (including <a href="http://mashable.com/2012/07/20/aurora-shootingjessica-redfield/">that of Jessica Ghawi</a>, who posted enthusiastically right up to the start of the movie), survivors' stories <a href="http://www.ksl.com/?sid=21351740&amp;nid=1017">on WordPress</a>, and one of the few photos of accused shooter James Holmes <a href="http://www.tmz.com/2012/07/21/james-holmes-colorado-shooting-sex-profile-website/">on Adult Friend Finder</a>.</p><p><a href="http://www.salon.com/2012/07/24/hold_the_reddit_hype/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>36</slash:comments>
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		<title>&#8220;The World Without You&#8221;</title>
		<link>http://www.salon.com/2012/06/29/the_world_without_you/</link>
		<comments>http://www.salon.com/2012/06/29/the_world_without_you/#comments</comments>
		<pubDate>Fri, 29 Jun 2012 20:06:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Full Stop]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Writers and Writing]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[U.S. Military]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12948094</guid>
		<description><![CDATA[Scott Cheshire sits down with author Joshua Henkin]]></description>
			<content:encoded><![CDATA[<p>In <em>The World Without You</em>, Joshua Henkin’s latest novel, the Frankel family comes together one year after the family’s only son, Leo, a journalist, was killed on assignment in Iraq. That death has cast an all-consuming shadow on the family: siblings, marriages, and grandchildren are troubled; Mom and Dad are breaking up after forty years; and Leo’s widow is moving on. This is Henkin’s third novel to remind us that literature can be thoughtful, intelligent, and also wildly entertaining.</p><p><a href="http://www.full-stop.net"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/fullstop.jpg" alt="Full Stop" align="left" /></a>Henkin directs the MFA program at Brooklyn College and also happens to be a true gentleman: we met at a café in Park Slope where, at first, he sort of interviewed me, asking where I was from, how I grew up, and how did I like my coffee? This would have gone on, I think, for the remainder of our conversation if I hadn’t remembered we were actually there to talk about him. And so we went on to talk about King Lear, character and the family drama, MFAs, and why “show, don’t tell” is mostly bullshit.</p><p><a href="http://www.salon.com/2012/06/29/the_world_without_you/">Continue Reading...</a></p>]]></content:encoded>
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		<title>A Washington Times plagiarist&#8217;s self-declared vindication</title>
		<link>http://www.salon.com/2012/05/30/a_washington_times_plagiarists_self_declared_vindication/</link>
		<comments>http://www.salon.com/2012/05/30/a_washington_times_plagiarists_self_declared_vindication/#comments</comments>
		<pubDate>Wed, 30 May 2012 17:57:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[The Washington Times]]></category>
		<category><![CDATA[Media Criticism]]></category>
		<category><![CDATA[Plagiarism]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Washington, D.C.]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12929653</guid>
		<description><![CDATA[Arnaud de Borchgrave wants you to know that his very important friends don't think he did anything wrong]]></description>
			<content:encoded><![CDATA[<p>Arnaud de Borchgrave, the ridiculously named eminent former foreign correspondent and editor, has gotten into a spot of trouble recently for plagiarism. De Borchgrave's columns for the Washington Times and the UPI wire service routinely and brazenly borrow passages from a variety of sources, as reported by <a href="http://www.washingtonpost.com/blogs/erik-wemple/post/washington-times-columnist-originality-deficit/2012/05/16/gIQAH6gOUU_blog.html#pagebreak">Erik Wemple in the Washington Post</a> and <a href="http://www.salon.com/2012/05/17/coverup_at_washington_times/singleton/">Mariah Blake here at Salon.</a> The Times management knew there was a problem -- Blake's story quotes some very egregious examples of copy-and-paste abuse -- but after suspending his column for a few months, he was back at work by late March. Once other news outlets reported his plagiarism, de Borchgrave <a href="http://www.washingtonpost.com/blogs/erik-wemple/post/arnaud-de-borchgrave-takes-leave-from-washington-times/2012/05/22/gIQAZdeihU_blog.html">took a "leave of absence"</a> from the paper.</p><p><a href="http://www.salon.com/2012/05/30/a_washington_times_plagiarists_self_declared_vindication/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<title>How to stop the bleeding</title>
		<link>http://www.salon.com/2012/05/30/how_to_stop_the_bleeding/</link>
		<comments>http://www.salon.com/2012/05/30/how_to_stop_the_bleeding/#comments</comments>
		<pubDate>Wed, 30 May 2012 00:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Life stories]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Libya]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12928934</guid>
		<description><![CDATA[A year after Chris died, I was still shocked by how little I knew about being in combat zones. It was time to learn]]></description>
			<content:encoded><![CDATA[<p>A tourniquet is a simple tool, but I found it practically impossible to deal with when I needed it the most. Slickened with blood, the inch-wide Velcro-backed webbing slid through my gloved hands like a wet snake when I tried to pull it tight. In an adrenaline panic fueled by the sound of gunfire and explosions, I hadn’t noticed that it had twisted under Darryl’s heavily bleeding leg, giving the Velcro nothing to grab when I was finally able to cinch it down. I needed to sort it out fast, or my colleague was going to die.</p><p>Darryl was severely injured. Both legs had been blown off at the knees and he lost his left arm at the elbow. Another journalist, freelance reporter Carmen Gentile, was working to stop the bleeding from the arm, fumbling with a tourniquet of his own and appearing to have a better go of it.</p><p>“How are you doing?” he shouted to me over the din of battle.</p><p>I took a deep breath and forced myself to focus. I ripped off my already tattered rubber gloves to get a better grip and started over, willing myself to be calm.</p><p><a href="http://www.salon.com/2012/05/30/how_to_stop_the_bleeding/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Studs Terkel: American genius</title>
		<link>http://www.salon.com/2012/05/18/studs_terkel_american_genius/</link>
		<comments>http://www.salon.com/2012/05/18/studs_terkel_american_genius/#comments</comments>
		<pubDate>Fri, 18 May 2012 00:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Salon on The Story]]></category>
		<category><![CDATA[Life stories]]></category>
		<category><![CDATA[Journalism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12922226</guid>
		<description><![CDATA[The late oral historian talks about what textbooks never tell us, and how he gets his riveting real-life interviews]]></description>
			<content:encoded><![CDATA[<p><em>Oral historian and writer Studs Terkel made history by doing something very simple: He talked to people about their lives. In his book “Working,” he spoke with Americans about their jobs, but what emerges is nothing short of a portrait of the human condition. To celebrate what would have been his 100th birthday, the radio show “<a href="http://thestory.org/">The Story</a>” is running a series devoted to Terkel, featuring conversations with Eudora Welty, Dorothy Parker, R. Buckminster Fuller and Mahalia Jackson. Also, host Dick Gordon conducts new interviews with people working today. As part of Salon’s partnership with “The Story,” we’ll bring you some of his fascinating interviews over the next few days. We kick off with host Gordon’s 2002 interview with the man himself, who passed in 2008. To listen to the radio program, <a href="http://thestory.org/archive/the_story_051512.mp3/view">click here</a>.</em></p><p><strong>I notice in your conversation with the veteran from Vietnam [from the Studs Terkel book, "Will the Circle Be Unbroken?: Reflections on Death, Rebirth, and Hunger for a Faith"] he tells you right at the beginning that your interview gave him stuff he would think about for a long time. And it got me wondering about what that interview was like. How does Studs Terkel sit down with someone and get them spilling their inner selves about life and death? What's the secret?</strong></p><p><a href="http://www.salon.com/2012/05/18/studs_terkel_american_genius/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>8</slash:comments>
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