Keith Olbermann

Must-see TV: Olbermann on Rumsfeld

Like Stephen Colbert, without the laughs.

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OK, we’ll admit the charge before Richard Cohen can even make it: Keith Olbermann’s extraordinarily sober response to Donald Rumsfeld’s “appeasement” smear wasn’t even a little bit funny.

Tim Grieve is a senior writer and the author of Salon's War Room blog.

Fox hunt

Olbermann nails Fox's Gibson

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Fox hunt

We’re waking up briefly from our holiday slumber to bring you the breaking, woeful tale of a fallen Christmas Warrior. It began when Fox News anchor John Gibson, who has been shilling a quickie, inflammatory book on the Fox News-created war on Christmas, was nailed by Media Matters for his comments on a religious-right radio show on Nov. 17. On the show, he warned all the non-Christian infidels who are “following the wrong religion” that “they’re not going to have to answer to me. We know who they’re going to have to answer to.” Nice. “Countdown” host Keith Olbermann blasted him for it in early December. Then Gibson (with an assist from Bill O’Reilly) attacked back, claiming that Olbermann was “misquot[ing] to justify saying some truly disgusting things about me.” (Like scandalized church ladies, neither O’Reilly nor Gibson will deign to mention Olbermann by name.) But Olbermann returned Tuesday night to play the tape of Gibson’s performance on air (Media Matters has it here) and the proof appears irrefutable. In fact, the long excerpt of the pandering Gibson is even more nauseating, and the fact that he’s denying it, more shocking.

Or is it? Take one look at the 59-year-old Gibson’s whipped blond pompadour and you suspect the guy’s a bold liar. Will Fox stand by their golden-tressed prevaricator or come clean? Yeah, we don’t think so, either. Still, don’t miss the terrific Olbermann segment captured by the equally terrific Crooks & Liars here. His “800 billion flies” reference is a keeper. And catch the full coverage, including all referenced transcripts, at TVNewser.

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Blue Glow

Salon's TV picks for Weekend, Aug. 4-6, 2000

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Series

The Queen Mother, 100-year-old Windsor matriarch, gets something even better than a kiss from Willard Scott — a new Biography (8 p.m. Fri., A&E) profile. Somebody quits O-Town on Making the Band (9:30 p.m. Fri., ABC), but he’s probably just being a drama queen again. Newlywed Jennifer Aniston spoofs hubby Brad Pitt’s “Fight Club” on a rerun of Saturday Night Live (11:30 p.m. Sat., NBC), with music from Sting. The new series The Museum of Television and Radio: Influences (7:30 p.m. ET/ 8:30 PT, Sun., Bravo) looks at the careers of current TV heavyweights, who also talk about performers who influenced their work. First up: Tracey Ullman and Ted Danson. King of the Hill (7:30 p.m. Sun., Fox) repeats the one where Peggy’s oversized feet finally get some respect — from a fetishist. E! True Hollywood Story (9 p.m. Sun., E!) uncovers the sordid backstage truth about (gasp) “Eight is Enough.” Lucille Ball would have been 89 on Aug. 6; celebrate with a nine-hour I Love Lucy Marathon (9 p.m. Sun., Nickelodeon), featuring a lineup of episodes chosen by viewer vote. Vitameatavegamin! Let us now consider Keith Olbermann. He left ESPN because he wanted to be taken seriously. He went to MSNBC to do a news show, but when he found out that “news” really meant “blowhards screaming at each other about impeaching Bill Clinton,” he started to get nostalgic for the comparatively stimulating political discourse of scores and stats. So off he went to Fox Sports, where he was put in charge of its godawful nightly sports report. Now he changes jobs yet again; his Keith Olbermann Evening News (10 p.m. Sun., Fox Sports) is a live Sunday night blend of scores, interviews and commentary. Olbermann is the producer of the show which means one of two things: He’ll finally be doing what he wants to do or he’ll have to fire himself.

Specials

Comedian Dave Chappelle does stand-up from his hometown of Washington, D.C., in the special Dave Chappelle: Killin’ Them Softly (11 p.m. Sat., HBO). The new TV movie Deliberate Intent (8 p.m. Sun., FX) — FX’s first original TV movie — is the true story of a legal battle to hold the publisher of a how-to murder manual responsible for a triple homicide. Timothy Hutton, Ron Rifkin, Clark Johnson and James McDaniel star. Anne Heche plays a Marine Corps captain accused of murdering her superior officer (who was also her lover) in the new cable movie One Kill (8 p.m. Sun., Showtime) with Sam Shepard and Eric Stoltz. The two-hour documentary When Animals Talk (8 p.m. Sun., A&E) looks at the languages of various animals and how researchers are using those languages to communicate with chimpanzees, dogs and other animals. And when animals talk, what do they say? “For the love of God, don’t make me watch ‘Big Brother’ again!”

Sports

Baseball:
Braves at Cardinals (8:05 p.m. Fri., TBS; 8 p.m. Sun., ESPN)
Cubs at Padres or regional (4 p.m. Sat., Fox)
Mets at Diamondbacks (10 p.m. Sat., FX)

Exhibition football:
Falcons vs. Cowboys (10 p.m. Sat., ESPN)

Talk

Rosie O’Donnell (syndicated) Matt Lauer, Stephen Baldwin (rerun)
David Letterman (CBS) Steve Harvey, Todd Rundgren
Jay Leno (NBC) David Spade, Piper Perabo, No Doubt
Conan O’Brien (NBC) Dana Carvey, Jason Gedrick (rerun)

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Joyce Millman is a writer living in the Bay Area.

Game over

Keith Olbermann is hanging up his completely weird news gig and returning to the world of sports broadcasting. Now what the hell was that all about?

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It was on a chilly night late this election season that Keith Olbermann stole my heart. A Republican spokesman on Olbermann’s prime-time MSNBC news program, “The Big Show,” was holding forth with one of those 30-second stump speeches political operatives stencil to the inside of their eyelids before hitting the chat shows, accusing Democratic candidates of “demagoguing Social Security,” among other crimes. After wrapping up the interview, Olbermann paused a beat, looked into the camera and declared:

“Sir, ‘demagogue’ is not a verb.”

Denigrate, if you like, the smirking approach to the daily news that Olbermann brought to his two nightly news shows; condemn him, if you will, for transplanting the flippancy of ESPN’s “SportsCenter,” where he made his name, to the haughty environs of the nightly news — but in the post-Edwin Newman era, what so-called traditional TV news anchor is willing to throw down the gauntlet over a part of speech?

It’s disappointing, then, that Olbermann has decided to leave for Fox News to host another sportscast, ending, after this week, the bizarre experiment that was “The Big Show with Keith Olbermann.” When MSNBC hired Olbermann away from ESPN last fall, it probably expected a diverting news program with an edge — a can’t-miss combo of hot-button politics and Olbermann’s patented highlight-reel shtick. (Right down to the pseudocollegiate opening graphics, in fact, “The Big Show” was designed more like a sportscast than a news show, even opening with its own version of a bloopers reel — three or four minutes of quick-cut soundbites from the day’s news interspersed with Olbermann’s wise-ass commentary.) What the network got instead was a nightly metacommentary on the very scandal-milking that had become MSNBC’s reason for being. The Monica Lewinsky story, which broke just a few months after Olbermann started with MSNBC, turned him into the Ted Koppel of presidential blow jobs (just as Ted Koppel was becoming precisely the same thing), doubling his workload as MSNBC soon tapped him to host a second show, the late-night “White House in Crisis.”

After four months Olbermann vented with a surprising commencement speech at Cornell University, beating his and his colleagues’ breasts for “covering this story 28 hours out of every 24.” As I wrote in August, it was a little hard to empathize with Olbermann trying to have his fame and loathe it too — Olbermann has cashed a half year’s worth of checks since declaring that “about three weeks ago I … told my employers that I simply could not continue doing this show.” But it undeniably made for interesting television. Over the past several months, Olbermann’s show has turned into a long-running one-man psychodrama, the main subject of which has been not Clinton’s troubles but the increasingly sardonic anchor’s cheerful contempt for his own job.

Given nothing but a parody of actual news to report on night after night, Olbermann turned his program into a parody of a news show — or rather, an imitation of a parody of a news show, often closer to fellow SportsCenter alum Craig Kilborn’s “The Daily Show” on Comedy Central than to its straight-news analogue, “Nightline.” (He ended some of his broadcasts, for instance, by wadding up his note cards and throwing them at the camera — the postmodern televisual shorthand for “Fuck it, you and I both know this is showbiz” à la David Letterman and Norm MacDonald.) He even deprecated his own program by incorporating a self-deflating “Nightline” riff into his opening voice-over: “Because it’s still your tax dollars in action, we bring you Day 296 of the Clinton-Lewinsky investigation!”

The very premise of “The Big Show” seemed as if MSNBC were subconsciously parodying itself and its hyperventilating approach to the news from Washington. We cover public affairs like a full-contact sport anyway, it seemed to be saying — except better, because the season never ends and nobody ever wins — so why not just cut the crap and turn our prime-time news show into a sportscast? And with a weird amalgam of career savvy and idealism, going through 10 varieties of bemusement an hour, Olbermann took the cynical premise and ran with it, in the process showing how much TV news has to learn from sports journalism.

The mistake MSNBC made with Olbermann was to hire someone from outside the world of news, who therefore was enough of a greenhorn to still take newscasting seriously. It would be easy to patronize “The Big Show” as mere news lite — most of the largely positive reviews Olbermann has received have emphasized his wry asides and rapid-fire pop-culture references (e.g., “The ‘Them’ Webster Hubbell was referring to was of course Bill and Hillary Clinton and not the giant ants of the 1950s sci-fi movie classic”). But in fact, Olbermann was far more dignified a host than most of his choleric peers at MSNBC and Fox, treating his interview subjects with an almost old-fashioned courtliness. That became painfully clear last week when he took the night off and was replaced by abrasive yapmeister John Gibson of MSNBC’s talk-krieg “InterNight.” Gibson tromped all over the show’s studied coolness like a doberman tearing up the azaleas, orchestrating an “InterNight”-style barkfest among James Warren, John Fund and Arianna Huffington. It was a clash of two cable-news cultures: Olbermann’s art of the raised eyebrow against Gibson’s jackhammering pleas for attention. It was InterminableNight.

Olbermann’s decision to go back to sportscasting came just as, with the congressional elections and the ebbing of the impeachment drive, the political climate and world events conspired to bring onto his show something that he might have considered a long, long year ago to be actual news: for instance, last month’s near-war with Iraq. Ironically, with this interruption to the runaway hit sitcom of 1998, Olbermann seemed, if not uncomfortable, at least uncertain about what tone he should strike to deal with real issues of life and death. It’s as if months of repetition had made Olbermann more comfortable with the Lewinsky story, from which he could maintain a comfortable, smirking distance.

That might not have translated well to an actual international crisis. But it would have been interesting to find out: After all, what was the first Gulf War if not a highlight reel? What distinguished Olbermann from his colleagues was a sensitivity to semantic bullshit — that “‘demagogue’ is not a verb” instinct — which came straight out of his sportscasting background. He and his colleagues at ESPN took a stale, cliché-ridden field of journalism and subverted it, something that news broadcasting still sorely needs. Olbermann could barely bring himself to utter a cliché or parrot a piece of briefingese with a straight face: During the Iraq crisis, after the umpteenth repetition of the Pentagon’s claim that it “tapped directly into Saddam’s internal decision-making process,” he burst out to NBC’s Andrea Mitchell, “It sounds like they’ve put a bug in his brain.” Likewise, Olbermann’s pop-culture allusions weren’t just funny, they reminded us that there was actually a world beyond the White House lawn and the House judiciary committee, something that the wonky Washington corps of television journalists rarely acknowledges.

Ultimately, Olbermann’s broadcasts were proof of how archaic the typical anchored news show is: 50 years into the history of television, all these men and women in power suits are talking to us as if we’re wide-eyed innocents trustingly absorbing every word. Smarter broadcasters, like the ESPN sports desk and MTV’s programmers, know different. They know we’re sitting at home talking back to the TV; that if we don’t laugh with them we will assuredly laugh at them. ESPN’s sportscasters — like Beavis and Butt-head or their half-dozen successors on MTV — gain our empathy because they talk back to the TV on our behalf. The message they send, which Olbermann transplanted to MSNBC, is: “We know what you’re thinking.” Whereas the message of the outdated news-anchor setup is: “We know what you should think.”

Of course, Olbermann’s theater of bemusement also simply allowed us to wallow in the non-news of the past year while pretending we were above it all. But he must have known that, had he marched from his Cornell commencement speech into principled unemployment, a hundred John Gibsons would have been ready to take his place. Now that he’s jumping to Fox’s sports desk, he has diplomatically said that he’s not doing it out of disillusionment with the news business. Still, the decision recalls the ambivalence he betrayed when he first signed with MSNBC, telling reporters, “I am now, for better or worse, joining the ranks of newsmen.” The question is whether anyone at MSNBC, or anywhere else, will care that it took him only a year under its regime to decide that the experience was, if not worse, at the very least no better.

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James Poniewozik is the editor of Salon Media. For more columns by Poniewozik, visit his column archive.

Monica 2: This time, it's for the money

It's a very, very merry Testimoniday in punditland, as the talking heads pick over what's left of the Bill-Monica-Ken scandal.

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You know there is trouble in the land when President Clinton shows up early for an
appointment, and when he gives a brief speech. His questioning in front of Ken Starr’s grand jury began at
12:59 Monday afternoon, one minute ahead of schedule. And at 10 p.m., he
gave a speech that was over by 10:04.

In that speech, Clinton looked into the eyes of the American people
and said — oh, but you knew what he was going to say before it happened,
didn’t you? “This afternoon in this room …” “Protecting my family …”
“Important work to do …” Virtually every talking point in the speech was
hashed out in the press weeks ago — you could have written this speech
last week, except that, naive you, you might have used a word like “lied” or
“sorry” rather than “misled” or “regret.”

And the pre-prep continued tonight; by 8 p.m., the slogan “Candor, Contrition,
and Closure” simultaneously appeared on the chat shows as if by airborne
leaflet. (And don’t you just know that catch phrase was vetted to avoid
choosing an unfortunate initial? “This speech has to be about Pain,
Presidentiality, and Peace.” “Yeah, and Puss–” “OK, cancel those faxes!”)

Over the past few weeks, every wag in the press has taken a stab at writing a
dramatic speech for the president: Say it’s none of their business. Say
you’ll resign. Say you’re seeking help. The subtext to all these suggestions
is: For once in your life, do something unexpected. Say something that wasn’t
tested in focus groups and the op-eds and advisors’ sessions. We got instead
“A critical lapse in judgment and a personal failure on my part.” Did the man
miss a jump shot? For all its petulance toward Starr, it was a speech to
end no speeches, leaving John Ashcroft and James Carville and Bay Buchanan
and Barney Frank batting the same rhetorical back-court shots that they
had been before and will be, presumably, until the end of time. You want
closure? You can’t handle closure!

A different sort of closure, then: The checks are in the mail — Chris’,
Keith’s, mine. And yours too. The Dow Jones industrial average closed up
nearly 150 points. It was an excellent, excellent day in the
United States of America.

Let it never be said that the president has no effect on the economy.
By setting a grand-jury testimony date two weeks in advance, President
Clinton not only turned the media into a massive focus group, airing
out every possible stonewalling tactic and pre-scripting his
confession down to the last comma, he in effect decreed a national
holiday — Testimoniday — and opened a punditry Olympiad that would
help finance second homes and midlife-crisis car purchases up and down
the Northeast corridor.

So the last two weeks have been the “Speed 2″ of news squawk: Like
most sequels, a joyless exercise of the will, promising more loot and
less fun for all the Sandra Bullocks involved — red-faced, spittle-spewing Chris
Matthews, cagey John Gibson, squeaky, indomitable Arianna Huffington.
Again, we trotted out the presidential historians, poll takers and sex
columnists. Again, we got the clichéd subplot involving the
mustachioed Arab villain, raising the specter of America entering its
second war with Iraq to be fought over precious fluids. And again, a
nation huddled by the TV, steeling itself for the horrifying and
unprecedented prospect of William Jefferson Clinton telling the truth.


But enough about the leadership of the free world, a turning point in
the history of America, blah blah blah. This is Web journalism, after
all. Let’s talk about me.

This is only the second column I’ve written for Salon on the Clinton-Lewinsky
sex scandal, and in that respect I am an atypical professional and a
poor provider for my family.

This time, I was asked to write pretty much the same sort of piece I
wrote in January; I felt burned out on the exhaustive, microscopic
coverage and was convinced I had nothing to add to the subject. So I
wholeheartedly said yes.

And in that respect I am entirely typical. For while commentaries on
the Lewinsky scandal inevitably riff on what it is “about” — sex,
perjury, character, politics, privacy, media ethics, the Constitution, the Bible –
they are all wrong.

The Monica Lewinsky scandal is about getting paid.

Wisely leading the pack in getting what he can out of his notoriety
while the gettin’s good is Matt Drudge. Anyone who says that new cable
networks like Fox are pushing amateur public-access programming off
the airwaves has obviously not seen Drudge’s talk show. A hat in search
of a television personality, Drudge has always been best at looking
hard-boiled, and once you actually hear him fumble nervously through
an interview the magic is gone. His modus operandi is to stammer out a
question — “Congressman Traficant, are you … um … what do you
foresee for the next couple of … ah … months?” — then smile
triumphantly, as if he had just extemporized “J’Accuse,” and lean back
rakishly in the Sam Spadey office set that Fox has installed him in.
You half expect him to knock back a swig of Jim Beam for effect.

Among the mouthpieces laying into Clinton on Drudge was Ann Coulter,
the author of “High Crimes and Misdemeanors” and yet another
hard-bodied soldier in the fembot army of young anti-Clintonites in
miniskirts. Is the GOP cloning these women in a desert compound
somewhere? You have to wonder if this isn’t some sort of psychosexual
torture intended to whip Clinton into a guilt-ridden state of
libidinal mania — every time he turns on the television, there’s some
foxy blond skirt wagging her finger, like some femme-fatale
school principal out of Van Halen’s “Hot for Teacher” video. (“That’s
right, Ms. Ingraham … Ah’ve been a baaad boy … Ah must be
punished … Betty! Send me in another one of those interns!”)

But let’s hear it above all for Bob Woodward and Carl Bernstein, the
old-timers who made a spry, better-late-than-never effort to inject
themselves into the Monica circuit, arguing for the superiority of the
real scandal that they uncovered a quarter-century ago, while
walking uphill through six feet of snow. The nation needs to wake up,
the now-superseded reporters argued, before we run into a
constitutional train wreck over a petty, irrelevant lie, a “moment of
national madness.” Which is all well and good for this rich and venerable pair to say. But if the media were to suddenly develop a sense of proportion about Zippergate, how would Michael Isikoff and the rest afford to move in next door to Woodward in Georgetown?


Mom is replacing the cab driver as the great local-color cliché of
American journalism. Any chatterer with a mother living in the
heartland now apparently believes he has a pipeline to the secret
heart of America, and thus we’re periodically treated to five seconds
of homespun wisdom that Sonny Boy managed to speed-dial up in between
the amuse-bouche and the appetizer. In USA Today, Des Moines Register
editor Dennis Ryerson’s mom is sick of Monica; here in Salon, Ned
Stafford’s mom, whom “the pulse of the real America flows through,”
calls Ken Starr a “foolish man.” (If your mother happens also to drive
a taxi, it’s a better career head start than a Medill scholarship.)

But in times of crisis we all have our jobs: For those of us flying
coach, that job is Keepin’ it Real. Thus the cable networks put on
their gas masks and sallied out into the streets for the vox populi
over the weekend. A CNN news crew went to all the trouble of lugging
camera equipment down several flights so as to halt Manhattan traffic interviewing riders on city
buses. A poor MSNBC drudge drew the short straw and interviewed
novelty T-shirted Weebles at a Wisconsin fair: “As much as I don’t
like being on television,” one woman ventured, she was nonetheless
willing to deliver herself of a three-minute screed on the president’s
morals.

But then her job was to be hesitant about appearing on television;
that’s part of Keepin’ it Real, just like the caller to a Fox show who
self-deprecatingly labeled herself as “a real American” — i.e., one
of those average schlemiels — to establish Main Street cred. Who says
the media condescends to us? We’re well trained enough now to
condescend to ourselves.


One of the most prominent winners in the scandal, MSNBC anchor Keith
Olbermann, has made a point of protesting his success lately, publicly
stating that he’s sick, sick of the relentless scandal hunt and
recently crankily introducing “our usual long-running story.”
Nonetheless, Testimoniday commercials whipped up by MSNBC trumpeted,
“He’s covered this story like nobody else, and no one will bring you
the president’s testimony like Keith Olbermann.”

Why the ambivalence? Olbermann knows full well that like all
supernovas, this one will leave new stars in its wake; and he knows too
that before January he was just a former ESPN sports jockey on
the cable-news backwater where Soledad O’Brien of “The Site” used to
interview a computer-animated cartoon. But that exposure can only go
so far; since this scandal tends to dirty everyone who touches it (or
at least leaves them a little, you know, sticky), a newsie who wants
to profit from it must tactfully let us know that he feels just
ghastly about the whole ruddy business, truly. Keith Olbermann can
be remembered years hence as that guy who did all those Monica
Lewinsky newscasts, or he can be remembered as that journalist who
detested doing all those Lewinsky newscasts.

Or, of course, he could be remembered as the man who walked away from
a high-profile prime-time slot rather than advance his career by
pimping a story he putatively hates. And I could be remembered as the
queen of freaking Egypt.

But it is not only the thick of hair and fat of Rolodex who have a
financial stake in the Clinton investigation. Clinton’s troubles, like
everything else nowadays, are business news, and they have been linked
repeatedly to the wild swings in the stock market. Here’s how Carl
Cannon of the National Journal summed up regular-folk sentiment,
echoed throughout the weekend in polls and call-ins, in a National Public Radio
interview: “The economy’s never been better, the stock market’s never
been better. I’m working, my wife’s working, my idiot brother-in-law
who hasn’t had a job in two years — he’s working. I got a new boat.
I’m building onto the house. And you want to put all this in jeopardy
over sex?”

As a member of the cultural elite I know this news is supposed to
cheer me. But it’s hard to get all misty over a mercantile,
bean-counting nation wanting to hang onto its leader like a pair of
lucky underwear. Back in those pioneering days of early February, when
we realized the country was ready to absolve a president for
fornication, a press corps of pâté-campagne-eating Rousseaus
proclaimed a new Enlightenment in America. The Puritans are dead! Vive
la France! But we’re not tolerant. Nor are we intolerant. It’s just
that, if it doesn’t affect our 401Ks, we don’t give a crap.

We haven’t become the French at all. We’ve become the Swiss.


The scene at the Newseum in Virginia Sunday night resembled purgatory
five minutes after a Delta shuttle crash. Jeff Greenfield was hosting
“a national town meeting” on CNN to discuss what to expect on
Testimoniday and examine the role of the media, but the “town” that
CNN assembled consisted entirely of a bleacherful of reporters and
commentators answering questions from other reporters and commentators
and, very occasionally, viewers. Jesse Jackson speculated on the first
family’s spiritual condition; Pat Buchanan reminisced about Watergate;
Greta Van Susteren fixed her hair on camera.

In fact, CNN barely managed to get in an actual caller every half
hour, a situation perhaps exacerbated by the fact that the network
didn’t even pony up for a toll-free number. And in a sense it was
perhaps the most honest two hours of journalism we have seen in this
entire saga. Why go through the charade of putting a town in the town
meeting? The voice of the public would just be filtered through the
people filling the bleachers here. Why not simply cut out the
middleman?

Here was a Beltway pundit’s Platonic Republic: an electorate stripped
of both politicians and voters, leaving nothing but talking heads.
Tomorrow, Clinton would admit to sex with Lewinsky, or he wouldn’t;
the country would turn on him, or it wouldn’t. Like it mattered. In
this chilly looking little forum, we had moved long beyond that: A
presidential mea culpa was not merely a foregone conclusion, it was
already over. This massive Time Warner chorus was ready to start
pursuing the Next New Thing, to look ahead to November and January and
beyond, and to do it in the company of the only people who really
understood them. The media had become interviewer, subject and
audience.

It was paradise.

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James Poniewozik is the editor of Salon Media. For more columns by Poniewozik, visit his column archive.

Page 12 of 12 in Keith Olbermann