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	<title>Salon.com > Michael Kimball</title>
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		<title>Contemporary literature&#8217;s obesity epidemic</title>
		<link>http://www.salon.com/2013/01/01/contemporary_literatures_obesity_epidemic/</link>
		<comments>http://www.salon.com/2013/01/01/contemporary_literatures_obesity_epidemic/#comments</comments>
		<pubDate>Tue, 01 Jan 2013 17:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[Obesity]]></category>
		<category><![CDATA[Big Ray]]></category>
		<category><![CDATA[Michael Kimball]]></category>
		<category><![CDATA[literature]]></category>

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		<description><![CDATA[Novels like Michael Kimball's "Big Ray" reveal that corpulence has become a go-to metaphor for emotional unrest]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los Angeles Review of Books" align="left" /></a></p><p>AT OVER 500 POUNDS, the title character of Michael Kimball’s <em><a href="http://www.amazon.com/dp/1608198545/?tag=saloncom08-20">Big Ray</a></em> is too big to fit in most chairs so he usually sits on the floor. After he dies, his son remembers that the only way Big Ray could stand up was “in stages”:</p><blockquote><p>He needed to hold on to something he could push or pull — a door, a chair, or another piece of furniture. Then he would roll over onto his side and up onto his knees while pushing or pulling his upper body up. From his knees, he would get one foot flat on the ground and then the other foot. [...] Once his legs were under him, he could raise his upper body until he was standing upright.</p></blockquote><p><a href="http://www.salon.com/2013/01/01/contemporary_literatures_obesity_epidemic/">Continue Reading...</a></p>]]></content:encoded>
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