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	<title>Salon.com > mob thrillers</title>
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		<title>Pick of the week: A Korean mob thriller that could teach Hollywood a thing or two</title>
		<link>http://www.salon.com/2013/03/22/pick_of_the_week_a_korean_mob_thriller_that_could_teach_hollywood_a_thing_or_two/</link>
		<comments>http://www.salon.com/2013/03/22/pick_of_the_week_a_korean_mob_thriller_that_could_teach_hollywood_a_thing_or_two/#comments</comments>
		<pubDate>Fri, 22 Mar 2013 00:00:00 +0000</pubDate>
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		<category><![CDATA[mob thrillers]]></category>
		<category><![CDATA[crime thrillers]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13248054</guid>
		<description><![CDATA[Are Asian crime dramas still better? Yes, and the sleek, suspenseful hit "New World" proves it]]></description>
			<content:encoded><![CDATA[<p>Ever since the Hong Kong action-movie boom of the 1980s, the film industries of East Asia have arguably been better at making old-fashioned, hard-boiled crime thrillers than Hollywood has. Martin Scorsese’s Oscar-winning <a href="http://www.salon.com/2006/10/06/departed/">“The Departed,”</a> after all, was a remake of the 2002 Hong Kong thriller <a href="http://www.salon.com/2004/09/24/infernal_affairs/">“Infernal Affairs”</a> (albeit an excellent remake with its own spirit and considerable subtlety). While Asian pop cinema remains just off the radar screen of mainstream American culture, it’s a whole lot easier to find than it used to be. This week, Korean writer-director Park Hoon-jung’s byzantine, slick and bloody mob drama <a href="http://www.wellgousa.com/theatrical/new-world">“New World”</a> opens theatrically in numerous North American cities, just a few weeks after its smash-hit premiere in Korea.</p><p><a href="http://www.salon.com/2013/03/22/pick_of_the_week_a_korean_mob_thriller_that_could_teach_hollywood_a_thing_or_two/">Continue Reading...</a></p>]]></content:encoded>
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