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	<title>Salon.com > Morgan Freeman</title>
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	<link>http://www.salon.com</link>
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		<title>Morgan Freeman denies doing ad for NC candidate</title>
		<link>http://www.salon.com/2010/11/01/us_ad_morgan_freeman/</link>
		<comments>http://www.salon.com/2010/11/01/us_ad_morgan_freeman/#comments</comments>
		<pubDate>Mon, 01 Nov 2010 21:44:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[2010 Elections]]></category>
		<category><![CDATA[Morgan Freeman]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2010/11/01/us_ad_morgan_freeman</guid>
		<description><![CDATA[Actor claims he doesn't support Republican B.J. Lawson's candidacy]]></description>
			<content:encoded><![CDATA[<p>Oscar-winning actor Morgan Freeman is disputing a Republican congressional candidate's claim that he did a voiceover for a campaign ad.</p><p>Freeman said in a statement through his publicist Monday that he never recorded any ads for North Carolina candidate B.J. Lawson and that he does not support Lawson's candidacy. Lawson is trying to unseat Democratic Rep. David Price.</p><p>The advertisement features a narrator with a voice that resembles Freeman's. The narrator concludes, "It's time that you and I had a voice in Washington. Vote B.J. Lawson for Congress."</p><p>Lawson and campaign manager Martin Avila initially said Freeman did the ad. Avila later backed off that claim, saying the campaign had a contract signed for a Freeman ad with Los Angeles-based agency M.E.I. Political. The agency did not return a call seeking comment.</p><p><a href="http://www.salon.com/2010/11/01/us_ad_morgan_freeman/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>&#8220;Red&#8221;: Cynical, idiotic &#8212; and a total blast</title>
		<link>http://www.salon.com/2010/10/16/red_2/</link>
		<comments>http://www.salon.com/2010/10/16/red_2/#comments</comments>
		<pubDate>Sat, 16 Oct 2010 01:30:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[CIA]]></category>
		<category><![CDATA[Espionage]]></category>
		<category><![CDATA[Helen Mirren]]></category>
		<category><![CDATA[Morgan Freeman]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Our Picks]]></category>
		<category><![CDATA[Red]]></category>
		<category><![CDATA[Thrillers]]></category>

		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/andrew_ohehir/2010/10/15/red</guid>
		<description><![CDATA[Bruce Willis, Morgan Freeman, John Malkovich and Helen Mirren take down the CIA in a gleeful, violent farce]]></description>
			<content:encoded><![CDATA[<p>Film critics always run the risk of digging for deeper meanings below the surface of crap entertainment products (although heaven knows I would <em>never</em> do <a href="http://www.salon.com/entertainment/movies/andrew_ohehir/2010/10/06/secretariat">anything like that</a>). In the case of a campy, clever, intentionally dumb espionage caper like <a href="http://www.red-themovie.com/">"Red,"</a> which is based on an obscure DC Comics graphic novel, it's safe to say that ideology is beside the point. Still, "Red" arrives in the same year as <a href="http://www.salon.com/entertainment/movies/andrew_ohehir/2010/07/22/salt">"Salt,"</a> <a href="http://www.salon.com/entertainment/movies/andrew_ohehir/2010/06/10/a_team">"The A-Team"</a> and <a href="http://www.salon.com/entertainment/movies/knight_and_day/index.html">"Knight and Day,"</a> and tells a strikingly similar story: The military-intelligence complex has become a nexus of bureaucratic evil, and only the outcasts, retirees and traitors are fighting for truth and justice. (Yes, of course this is just this year's model of the age-old tale about individuals battling a corrupt system.)</p><p><a href="http://www.salon.com/2010/10/16/red_2/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
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		<title>Morgan Freeman: Making Mandela sexy</title>
		<link>http://www.salon.com/2010/02/11/oscar_performances_freeman/</link>
		<comments>http://www.salon.com/2010/02/11/oscar_performances_freeman/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 01:20:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Invictus]]></category>
		<category><![CDATA[Morgan Freeman]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Oscar 2010: The Performances]]></category>
		<category><![CDATA[Oscars]]></category>

		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/stephanie_zacharek/2010/02/10/oscar_performances_freeman</guid>
		<description><![CDATA[His "Invictus" turn could have been a stiff, dignified imitation. But he turned the icon into a warmblooded man]]></description>
			<content:encoded><![CDATA[<p>Morgan Freeman hasn't just played God; he actually <em>is</em> the voice of God. He has gazed down from heaven upon <a href="http://dir.salon.com/story/ent/movies/review/2005/06/24/penguins/index.html">penguins,</a> narrating the intricacies of their life-and-death struggles; in Steven Spielberg's <a href="http://www.salon.com/ent/movies/review/2005/06/29/war/index.html">"War of the Worlds,"</a> he reveals, in his all-seeing, all-knowing wisdom, that the invading aliens are dying because they have no immunity to diseases that barely faze humans; and, perhaps most significantly, his is the first voice you hear when you turn on the CBS Evening News. The voice of Morgan Freeman is everywhere; it's like God wallpaper.</p><p><a href="http://www.salon.com/2010/02/11/oscar_performances_freeman/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>&#8220;An Unfinished Life&#8221;</title>
		<link>http://www.salon.com/2005/09/09/unfinished_life/</link>
		<comments>http://www.salon.com/2005/09/09/unfinished_life/#comments</comments>
		<pubDate>Fri, 09 Sep 2005 19:01:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Morgan Freeman]]></category>
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/review/2005/09/09/unfinished_life</guid>
		<description><![CDATA[Robert Redford's latest is a poky, predictable picture -- and it kind of works.]]></description>
			<content:encoded><![CDATA[<p>Lasse Hallstr&ouml;m's "An Unfinished Life" is so conventional it's almost audacious. No one makes movies like this anymore, for some bad reasons as well as good ones. A taciturn rancher who, still bitter over the death of his son some 10 years ago, relearns how to love by getting to know the granddaughter he never knew he had; a man who has been mauled by a bear, and who suffers such severe pain he can barely leave his bed, but who nonetheless defends the growly beast with convenient circle-of-life maxims like "He was just doin' what bears do." How are we, enlightened moviegoers of the new century, supposed to countenance such characters without snorting into our popcorn? </p><p> If "An Unfinished Life" had been made 10 or 12 years ago, we'd have, rightfully, dismissed it as an intensely earnest, overly manicured, run-of-the-mill melodrama. But today "An Unfinished Life" comes off more as a curiosity than anything. The picture is outrageously predictable and somewhat poky, but there's also something admirably bold about the way it so adamantly demands we swallow its hokum. I couldn't believe half the things that came out of these characters' mouths, and yet I found myself perfectly willing to hang around until the end, just to make sure every intensely obvious character transformation took place as promised -- and to find out what happened to the bear. </p><p><a href="http://www.salon.com/2005/09/09/unfinished_life/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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