While we don’t have teeming masses of migrating wildebeest (or bison or passenger pigeons, for that matter), North America is traversed by nearly every type of migration. This time of year, as the summer slowly gives way to fall, is a perfect moment to ponder the ancient patterns of wildlife. These 13 hot spots demonstrate the diversity of migration — be it by land, sea, river or air — and the remarkably different creatures who embark on these ambitious trips. Tell us about your fall plans to catch migratory animals in action in the comments.

You can find more migrations on Trazzler.

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And while I didn’t exactly expect a Martha Stewart thank you card, my mood quickly soured when he didn’t appreciate it. I’d already done so much for him: toys littered the floor, unused; a scratching post had become a tacky mail holder. Now, the cat stood at the front door, firm and ever-striving, demanding access to the one place I would not allow him to go.

“You’re not going outside,” I said.

Mrrrrow.

“The dogs next door will eat you,” I said.

Mrrrooowww.

I took a deep breath, and tried to focus on my latch hook rug. I don’t know how long you can successfully block out a cat’s insistent whining — or a dog’s bark, or a baby’s screams — but I have found I can maintain an admirable Zen-like calm for about 10 minutes. After that, I pretty much want to rip out someone’s heart.

“If you meow one more time, I’m going to totally lose it, I swear!” I finally said.

Which was such a setup, right? Because, come on: That cat knows one sound. There was zero chance he was going to veer off-script at this point. Bubba looked at the door, looked at me, blinked his gorgeous green peepers, and said: Mrroooww.

That was it. I jumped off the couch and dug through the junk drawer till I found it, stored in the funny plastic packaging in which it had arrived a year ago: “Come with me kitty,” it read, next to a picture of a proud tabby walking in his harness, tail aloft. I cracked it open and unfurled the blue nylon like I was holding our nation’s flag.

“OK, mister,” I said. “You are going on a leash.”

Last July, I wrote a story for Salon about my failed attempt to leash-train my cat. At the time, Bubba had grown cranky in our cramped quarters, and I felt the bone-deep frustration of someone woken up every morning at 5 a.m. by a tiny paw in her face. Everyone I asked about my endeavor — literally, everyone — warned me that it would not work. Cats don’t take to leashes, particularly at the robust age of 13, but to me it seemed like an elegant solution to the great dilemma of my cat’s life. He would die if he went outside. And he would die if he didn’t.

I know some cats are content to skitter about in the comfy confines of a house or apartment, never even bothering with the Great Beyond. But not my guy — he had tasted blood. Years ago, he was an outdoor cat in Dallas who returned at dawn with bloody teeth marks in his cheeks and feathers in his claws, and let me tell you, it has been hell to walk that back. I know he wouldn’t have survived this long if he hadn’t become an indoor cat — particularly in New York, where it was the only option — but there is part of me that will always feel I ripped Bubba away from his true calling just so he could cuddle with me on cold nights.

The leash was a non-starter. Once I coaxed him into the harness, he nailed himself to the floor. When I carried him down the stairs to our courtyard, he whined to go back inside. Cats are stubborn. Trying to force them to enjoy something is like trying to make a goth teenager line-dance at a wedding. And so I tossed the leash in the junk pile, a quirky keepsake from a fizzled experiment, the latest in the funny-sad adventures of pet owners who love too much.

Six months later, Bubba got sick. There were weeks of vomiting, one dramatic trip to the E.R., and a ghastly night in which he spit up white foam and I tried, with shaking hands, to insert a baby enema in the swollen blossom of his rear. He stopped eating. There were tests, and pills twice a day, and dozens of baffling late-night searches on the fear factory that is the Internet. Eventually Bubba got diagnosed with a chronic illness — irritable bowel disease, or IBD. The incessant 5 a.m. meows from July now seemed less like a cat who craved more square footage and more like the first distress signals of a body winding down.

No one knew exactly how long he had. “He could die next month. He could die in a year,” I cried to my mother one afternoon.

“So you have to be grateful for today,” my mother said. She is very sane and grounded. It can be deeply irritating at times.

But of course she was right. What else can you do? After we moved back to Dallas, the pills did their job, and he got better, stronger. He regained his appetite, and put back some of the weight. Still, I suspected the outdoors would call to him, and I wasn’t sure what to do about that. Our neighbor (and landlord) keeps rescue dogs, three barky bruisers, on the other side of the fence, and I was sternly warned not to let the cat roam free. But the space we had to ourselves was generous: A tidy little lawn, a narrow walkway that leads to a big gravel driveway. It is perfect for sauntering back and forth. It is perfect, quite frankly, for a cat on a leash.

That night, when I grabbed for the package, I did not think the leash was going to work. No way. I was doing that thing where you try to prove your own point by demonstrating the hopelessness of the other side. See how miserable it is on your leash? See, see? But I’d be lying if I didn’t admit I’d retained some hope. I had held on to that leash, after all, even after shedding most of my belongings in New York.

After my Salon story, a few readers emailed to tell me I should keep trying. “He’ll get used to it,” they said. “Don’t give up.” And those words were dancing around my head as I fastened the harness around his white scuff. He let out a frustrated little yelp.

“You’re trying to exhaust me so I won’t miss you when you’re gone,” I told him. And then, I opened the door.

I expected him to hunker down and refuse to budge. Instead, it was like he had been electrified. He wasn’t spazzy and frantic, just alert, as though his ears were a tuning fork that had just divined the sounds of the entire universe. He padded through the grass and gummed blades of grass. He rolled around in a pile of dirt. He scratched an old log with his claws. He sniffed everything: the license plate on my car, an old ceramic pot. He sniffed the air like a cartoon animal standing underneath a pie that has just been set on the window sill — his snout pulsating madly, his whole body arcing upward.

He explored all corners of our little universe that night. A crawl space behind a tree. A patch of scrub in the driveway where bugs hide. The cool feel of the gravel on his belly. I was delighted that he didn’t seem to mind being tethered to me. He never tried to break free or wriggle his way out of the harness. A few times the leash got caught on some inconvenient bush, and he waited, patiently, until I untangled it.

I don’t know what changed, why the experiment worked this time. Maybe it’s the fact that I live on a quiet side street, with less bustling background noise than in the courtyard where we once tried this in New York. Maybe it’s that the smells and sounds outside the door finally matched the ones imprinted on his memories from so long ago. Maybe it’s just that failure is often the beginning of a success story.

In the weeks since then, we have gone out every day. He knows exactly when the dogs next door are inside, and he announces it with his mewling presence at the front door. Sometimes, he walks out, looks around, and comes right back in. Sometimes, he just lies in the grass while I read the paper. Sometimes, he’ll be in the middle of a mission, and a sound will startle him, and he’ll bolt so fast that I have to sprint to keep up with him, only I can’t move that fast in flip-flops holding a cup of coffee, so he thrashes about on the leash like a caught fish at the end of a line. It’s hilarious and horrible. (The leash is a marvel of gentle but sturdy engineering; it is designed for these panics and does not choke or hurt him.) I have new anxieties now: He will scramble up a tree before I catch him; he will somehow make his way into the dogs’ yard (his current obsession) and be unable to escape. But he’s happier now. He sleeps more soundly.

When my cat first got sick, I panicked. I was not ready to let him go. Worse than the sadness, perhaps, was the embarrassment I felt at how it unraveled me. He was an old cat. He was a cat. Friends of mine were shouldering such epic loss — a parent, a spouse, a child. I felt like I was just dipping a toe in the stream of grief that life holds for a human being — and it had undone me. Still, the loss of any true companion can be excruciating. It’s just in our nature.

Each night at 10:30 p.m. we wander outside and sit together on the gravel driveway. He stares up at a streetlight where the dragonflies buzz and cluster. I stare up at the moon. I still don’t know if he’ll die next month, or next year. But I try to be grateful that today, at least, my cat got to live.

1. What’s your profession, and how old are you? Where are you located? (The basics.)

I am a writer, comedian and artist living and working in New York City. I have performed my one-man comedy, “Outré Island,” in different venues around the city, where I portray many unusual characters in a lost civilization. I also do commissioned paintings and graphic design.

2. What inspired Tiny Confessions?

My wife and I adopted our dog, Willie, about a year ago. Being a comedian, I naturally began imagining his thoughts and dreams as we walked around. As I had been trying to figure out a way to combine my comedy writing with my art, this seemed to work perfectly together. I was really just trying to amuse myself and hope that others would follow along.

3. A lot of these themes have to revolve around guilt complexes … but I’m not sure if I’m supposed to feel sorry for these animals, or if these animals are feeling sorry for me.

For some reason I have always found guilty secrets to be funny. There’s a Woody Allen movie where he steals a woman’s purse, only to find that it contains chains and other crazy things. I like the idea that everyone has some hidden weirdness or eccentricity. That seems to be what my comedy is always about. For the most part, though, I try to keep them fairly positive and light. I don’t think anyone wants a print of a cat that says, “I once killed a man in Texas.”

4. What was your very first (or favorite?) Tiny Confession?

The first one was a Yorkshire terrier thinking, “I have no concept of how small I am.“ My poofy little bichon sometimes tries to get into it with Rottweilers and pit bulls. I also thought it was an inspiring message for shorter people like me and my wife. My favorite Tiny Confession is one that I can’t release just yet because of copyright infringement. It’s an image of Darth Vader thinking, “I was hoping that the other guy was my son.” Maybe one day Tiny Confessions will be so big that George Lucas will want to combine our empires together. Until then I’m trying to stay out of jail. 

5. You’ve done mostly animals, but have branched out to several human figures as well as a fortune cookie. Any plans on future Tiny Confessions?

Yes, I am constantly coming up with new subjects for these. So far I have done one “historical” figure in William Shakespeare. The silly thing about it is it’s really just me dressed as William Shakespeare. So I plan on doing a whole series of historical figures, but with me in costume. Again, trying to amuse myself.

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“Great White Death” (1981): An early Troma film shot in that sensationalist pseudo-documentary style known as Mondo), Jean-Patrick Lebel’s “Great White Death“  is narrated by 60′s film star Glenn Ford, adding an extra element of “WTF” to this post-”Jaws” shocker. Alternating between debunking myths about various ocean creatures and recreating gruesome footage of shark attacks, “Great White Death” is most often compared to its equally disturbing older brother, “Faces of Death.“

Why you’ll like it: If you wished Shark Week had less talking and more people-eating, this is your film. Essentially torture porn for shark fans, “Great White Death” is more hardcore than anything you’ll find on Discovery, but by today’s standards the actual “attacks” look fairly hokey. (The real beauty of the film comes from Lebel’s French crew, who shot a good portion of the film underwater.) And it’s at least somewhat more realistic-looking than “Faces of Death,” though it’s hard to tell if that makes it better or worse when you get to the shots of a man being pulled from the water, minus half a leg.

“Blue Water, White Death” (1971): Predating “Great White Death” by over a decade and “Jaws” by four years, this intensely cinematic documentary by Peter Gimbel and James Lipscomb could be considered the granddaddy of little Shark Week.

Why you’ll like it: A film that’s as much about the directors’ “Moby Disk”-esque obsession to capture footage of a great white as it is about the shark themselves, “Blue Water” is like “Jaws” meets “The Life Aquatic.” Don’t tell me Wes Anderson didn’t steal this shot directly:

A must-see classic.

“12 Days of Terror” (2004): Interestingly enough, this cheesy TV docudrama about the 1916 shark attacks on the coast of New Jersey was actually created for Discovery … but it’s a far cry from the “Save the sharks!” programming you’ll see on the network today.

Why you’ll like it: If you ever wanted to see the story that inspired Peter Benchley to write “Jaws,” this is probably the closest you’re going to get. Sorry, nobody had camcorders back in the early 20th century, and Jacques Cousteau would have only been six years old. So grab your popcorn, sit back, and revel in all the corniness that is “12 Days of Terror.”

Now, however, the bullfight brigade has fought back. This week Prime Minister José Luis Rodríguez Zapatero announced that the ministry of culture will take charge of the “development and protection” of bullfighting, wresting it from the interior ministry and preemptively blocking further attempts at making it disappear. As a matador representative of the Bullfighters Union told the U.K. Guardian Sunday, the move protects “a symbol of Spanish cultural heritage that shapes the national identity.”

Bullfighting is also big business in Spain. It’s an industry that provides jobs, fills stadiums and attracts legions of domestic fans and international tourists. But its popularity has been waning steadily in recent years, thanks to a declining economy and less interested, younger audiences. And then there’s that whole ritualized animal cruelty and death thing. The World Society for the Protection of Animals calls bullfighting outright “animal abuse” that “should be banned worldwide” and notes that bullfighters pit themselves against already weakened animals.

Bullfighting isn’t just dangerous to bulls, either. Just Saturday, a Spanish man was gored to death after waving a pink umbrella at a bull during a festival in the small town of Rafelbunyol. And last year 40 spectators were injured when a bull jumped into the stands during a bull-dodging competition.

Plenty of sporting and artistic pursuits carry risk. Whether it’s NASCAR or Cirque du Soleil, the element of danger lends to the frisson of excitement. But the calculated danger in those endeavors is limited to highly trained professionals. Who also happen to be human. Writer Harry Mount points out in Monday’s Telegraph bullfighting requires “artistic skill,” but since when were skill and training the best measure of any endeavor’s value? The real question is this: Does it still make sense?

In the U.S., similar controversies have erupted in recent years over rodeos, and similar arguments are mounted over “tradition.” But the difference here is that rodeos have been able to successfully introduce more animal-friendly restrictions on certain events and adapt practices without dramatically reinventing the whole culture. It would be considerably tougher in Spain. But the pageantry of bullfighting’s past and the beauty of its rings could be preserved without shedding blood. It sure seems worth a shot. And it’s already happened in places like the Canary Islands, where bullfighting has been banned for 20 years.

Change is difficult — changing minds, changing industries. But no nation thrives when it clings pointlessly to its past. Though bullfighting just got a healthy reprieve, “because it’s always been so” is about the dumbest reason to keep doing anything. And more and more, the backward notion that Spain’s “identity” is rooted in animal cruelty has plenty of its own people seeing red.