Nuclear Weapons

The worst that could happen in Japan

What's missing in the media's Fukushima coverage? Thinking the unthinkable

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The worst that could happen in JapanIn this photo released by Tokyo Electric Power Co. (TEPCO), gray smoke rises from Unit 3 of the tsunami-stricken Fukushima Dai-ichi nuclear power plant in Okumamachi, Fukushima Prefecture, Japan, Monday, March 21, 2011. Official says the TEPCO temporarily evacuated its workers from the site. At left is Unit 2 and at right is Unit 4. (AP Photo/Tokyo Electric Power Co.) EDITORIAL USE ONLY(Credit: AP)

This piece originally appeared on TomDispatch.

Seldom more than thrice annually did any layman or stranger travel the old road that passed the abbey, in spite of the oasis which permitted that abbey’s existence and which would have made the monastery a natural inn for wayfarers if the road were not a road from nowhere, leading nowhere, in terms of the modes of travel in those times. Perhaps, in earlier ages, the road had been a portion of the shortest route from the Great Salt Lake to Old El Paso; south of the abbey it intersected a similar strip of broken stone that stretched east- and westward. The crossing was worn by time, but not by Man, of late.

I traveled that “old road” when it was still relatively new and heavily trafficked, and I was already a grown-up. I also traveled it when I was a teenager — the version with “broken stone” — through the blistered backlands of what had once been the American West, coming upon the “sports,” the mutants, “the misborn” who, in those grim lands, sometimes looked upon human stragglers “as a dependable source of venison.”

And if you’re now thoroughly confused, I don’t blame you. Let me explain. The passage quoted above comes from “A Canticle for Leibowitz,” a still-riveting novel published in 1959. I probably read it a year or two later and in that I was anything but unique. Like many American teens of the 1950s and early 1960s, I spent an inordinate amount of time in the irradiated lands between the Great Salt Lake and Old El Paso or other planetary dead zones like it, thanks to what was then called “pulp fiction.”

In those days, post-apocalyptic futures were us.

“Canticle,” like many novels of its era, was set in a new dark age after humans had destroyed so many of their own and so much of their civilization, leaving behind a mutant planet. It didn’t take a lot of smarts to know how they did that either: with the newly discovered power of the atom — already loosed on the perfectly real cities of Hiroshima and Nagasaki — aided and abetted by the hubris and bumbling of humanity. (I hope, given the headlines of the moment, you see where I’m heading.)

“Canticle” was the best of a bevy of post-apocalyptic novels. I read them often enough in those years, just I snuck into a Broadway movie theater in New York City, my hometown, to watch the world end in the long, dreary film version of Nevil Shute’s eerie novel “On the Beach.”

Of course, the great weakness of any novel in which life as we know it ends is that, when you shut the cover, your life and life around you go on as before. Still, in those years, we were gripped by the apocalyptic imagination of the moment, caught by pop novelists as well as a bevy of on-screen stand-ins for the split atom in B-movies aimed at a new teen audience — alien intruders and invaders, mutant creatures (ants, spiders, even rabbits), previously slumbering dinosaurs and assorted reptiles, even irradiated clouds from atomic tests, not to speak of super weapons run amok on planet Earth and other planets as well. Our imaginations were repeatedly — to use a word coined by the Hollywood magazine Variety — “Hiroshimated.”

All of this, for the young, was given a certain reality by the sirens that periodically screamed outside our school windows to signal the start of citywide nuclear tests. We would then “duck and cover” under our desks as protection against Soviet A-bombs, while the Conelrad emergency warning network interrupted normal radio broadcasts and the press reported on how many millions of Americans had “died” in events no less imaginary or, in their own way, scary than the pulp fiction we read.

In his book “Nuclear Fear,” Spencer Weart reports, for instance, that the Detroit public schools of the early 1950s used the pamphlet “Survival under Atomic Attack” as a “fourth-grade text.” He adds: “Since the children might be separated from their homes, Detroit parents were asked to put names on clothing with indelible ink, and about half complied. But experts frowned on identification by marking clothes, since ‘clothing can be destroyed by blast and fire.’ Some cities therefore handed out metal identification tags to hundreds of thousands of school children.”

Peaceful as our actual American world was, it wasn’t that hard for us to imagine it in flames and ashes, and that was before President John F. Kennedy addressed the nation on television on October 22, 1962, in the middle of the Cuban Missile Crisis with the Soviet Union, to indicate — or so it seemed to many of us at the time — that we might really be toast tomorrow. (“We will not prematurely or unnecessarily risk the costs of worldwide nuclear war in which even the fruits of victory would be ashes in our mouth; but neither will we shrink from that risk at any time it must be faced.”) I was then just 18 years into a life that, as far as I was concerned, hadn’t even begun.

Of course, when the worst didn’t happen and the first U.S-Soviet arms agreement sent nuclear tests underground and out of sight in 1963, and not so long after that, the Vietnam War sent protest in other directions, the anti-nuclear apocalyptic imagination was essentially entombed. It was so much simpler to stop thinking about end-of-the-world possibilities and let those mutants and “sports” wander the blistered landscape of our unconscious unnoticed.

Except for a sudden, startling, and massive anti-nuclear upsurge that began after a partial core meltdown at the Three Mile Island nuclear plant in Pennsylvania in 1979 and lasted into the early years of the Reagan presidency, the nuclear issue remained largely absent from American lives. In more recent years, our nuclear fate (though not Iran’s, Iraq’s, and North Korea’s) has generally found itself elbowed to the back of a jostling cue of potentially apocalyptic dangers, including of course global warming.

And so, for decades, that part of my childhood remained the dark but largely forgotten underside of the golden 1950s. I never thought I’d want it back, but with six nuclear plants threatening to melt down in Fukushima, Japan, I find that I do.

The Alienation Zones of the Future?

Not to put too fine a point on it, as an unfolding nightmare Fukushima already inhabits territory perilously close to those irradiated landscapes of the pulp fantasies of my childhood — only you wouldn’t know it. As “not as bad as Chernobyl” slips into the fog, it might be better to describe the situation at Fukushima as “remarkably unlike Chernobyl” in rural Ukraine, where almost 25 years ago, a single uncontained nuclear reactor with a graphite core blew.

We now contemplate the possibility of multiple reactors accompanied by multiple containment pools for what is euphemistically called “spent” fuel (when it isn’t “spent” at all) — at least 11,195 such rods, 1760 metric tons of them — self-destructing in a highly industrialized country smaller than California with the third largest economy on the planet. In a situation we’ve never faced before, except perhaps in fiction, to talk about “safety” and offer “reassurance” should ring oddly indeed.

Don’t misunderstand, I’m no scientist and have no scientific basis for assessing what’s going to happen in Japan, but after days reading the news copiously and watching endless TV reports, I do know a cultural taboo when I see one. In case you hadn’t noticed, while each morning’s screaming headlines contain terrible words — “dire,” “catastrophic,” “ever worsening,” “racing against the clock” — along with terrifying descriptions and ever-extending timelines for the crisis, few (not even, it seems, most anti-nuclear writers and groups) can bring themselves to speculate publicly about what might actually happen, no less ask the single scariest question: What’s the worst that might happen?

In mainstream news reports everywhere, you can feel the urge not to tumble into the irradiated zone of the nuclear imagination. And so one of the strangest aspects of the massive coverage of the Fukushima catastrophe — wrapped as it is inside an earthquake/tsunami double-disaster — has been the lack of reporting on or exploration of what the worst human and environmental consequences might be. It’s as if those who report on and assess reality for us had been shoved to the edge of some cliff and none of them could bear to look down or try to describe what might be below.

And yet the question unspoken isn’t necessarily the question unasked, or tens of thousands of Japanese outside the danger zone, including many residents of Tokyo, a city of 13 million that lies only 150 miles away, wouldn’t be turning themselves into “nuclear refugees,” despite the stated advice of their government. Otherwise Americans, thousands of miles away, wouldn’t be rushing to clear pharmacies of iodide pills, again despite the clear reassurances of top government officials and leading experts.

So what’s the worst that can happen? Obviously, I don’t know. All I know is that, with our experts largely silent on the subject, perhaps it’s worth calling upon those “pulp” novelists of the 1950s and 1960s to prod us into facing the unexplored question — especially since their mutant landscapes are still part of our consciousness. We certainly know that, in the wake of Chernobyl, 15,000 square miles of Ukraine — an expanse the size of Switzerland — was designated a “contaminated area,” including the “ghost town” of Pripyat a mile from that plant where 50,000 people once lived. Ukraine’s uninhabitable areas exist inside what, as if out of one of those old novels, is still officially known as an “Alienation Zone.” We also know that, with spent fuel rods and one reactor core at Fukushima containing plutonium, an element with a half-life of 24,000 years (some of which will still be around nearly half a million years from now), damage could be long-lasting. Assumedly, the reactors themselves will have to be entombed in some fashion for all future history.

But what about irradiated zones? What, if the worst happens, about “dead zones” of “hundreds of square miles,” no less 15,000 of them, on the heavily urbanized main island of Japan? Or worse: What about the possibility that a city of 13 million inhabitants could become essentially uninhabitable? Small towns in Ukraine are one thing, but great cities, the very essence of modern civilization? What about that? What then? What in the world would that — or worse — mean in such a small, highly industrialized land (and what in the world would it mean for the rest of us)?

Calling on the Nuclear Apocalyptic Imagination

Right now, the experts and the media have barely raised the most expectable of possibilities in a situation that began with the thoroughly unexpected, a 9.0 earthquake, followed by a tsunami so powerful that it breached or topped defensive coastal walls and, in some places, swept six miles inland, leading to a nuclear disaster the likes of which has never been faced and for which no preparations seem to have been made.

Does this really give us confidence that the same event will somehow end within the bounds of the expectable? Is it better for governments to consistently underplay or lie about present and possible future realities, to offer ordinary citizens nothing but not the truth, lest they be “panicked” — and for the media, however half-consciously, to similarly shy off possibilities that might truly frighten?

After all, we’re talking about atomic power; about, that is, the primordial forces of nature. So why shouldn’t we raise primordial questions that remind us of the powers we insist, most of the time, on handling so blithely? As Jonathan Schell wrote recently, “a stumbling, imperfect, probably imperfectable creature like ourselves is unfit to wield the stellar fire released by the split or fused atom… The earth is provided with enough primordial forces of destruction without our help in introducing more.” Understandably, for all sorts of reasons, including venality and simple fear, governments (and those who write about them) have the urge to try to tame the atom even as it threatens us, to turn Fukushima into a garden-variety 24/7 story, which it isn’t.

It’s important, however, to ask about the worst, even in a purely speculative manner, since it lurks just below the surface anyway. The belief that panic will be less if we say nothing about what most of us are thinking is probably untrue. And should some unpredicted worst never happen, we can all breathe a sigh of relief, and consider whether we really want to face such worsts the next time around, whether this is actually how we want to live on this planet.

Consider one irony: from almost the moment they happened, the 9/11 attacks in New York City were treated as if a nuclear strike had occurred. (Hence, the instantaneous name for the site where the World Trade Towers once stood, Ground Zero, a term previously reserved for the place where an atomic explosion took place.) Ever since then, this nation has been convulsed by, and has discussed ad nauseum, various worst-case possibilities and potentially apocalyptic dangers from terrorism, which remains a relatively minor threat on our planet and has, since 9/11, posed few real dangers for Americans.

In those years, in fact, no apocalyptic fantasies about terror seemed too far out to raise publicly or too unlikely to grip a nation ready to be scared to death. To take but one example, in a 2008 presidential debate among four Democratic candidates, ABC’s Charlie Gibson devoted the first 15 minutes to “what is generally agreed to be the greatest threat to the United States today”: “a nuclear attack on an American city” by al-Qaeda. This was quite typical of American discourse for the last decade, despite no evidence whatsoever that al Qaeda had such a bomb or access to one or was capable of transporting it to, and setting it off in, an American city.

Isn’t it strange then that, faced with an actual unprecedented nuclear event following on natural disasters that verged on the locally apocalyptic, so few can bring themselves to discuss possibilities? Perhaps it’s time for our news outlets to call instead on Cormac McCarthy, author of “The Road,” and so on the nuclear apocalyptic imagination to give the experts a hand and remind us of the nature of Alienation Zones.

Tom Engelhardt, co-founder of the American Empire Project, runs the Nation Institute's TomDispatch.com. His latest book, "The United States of Fear" (Haymarket Books), has just been published.

Japan’s cinema of disaster, from Godzilla to J-horror

The island nation's great and strange pop culture has been preparing for apocalypse ever since Hiroshima

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Japan's cinema of disaster, from Godzilla to J-horror"Eureka," Astro Boy, "Godzilla"

I don’t imagine this offers much comfort to the Japanese people right now, but no culture in the world has been so shaped by disaster, or so obsessed with it. It is beyond words like “irony” or “coincidence” to express the fact that the only nation ever to suffer the effects of nuclear war now faces a nuclear catastrophe of unknown scope and unforeseeable consequences, following one of the biggest earthquakes in history and the resulting tsunami. Furthermore, I recognize that it borders on profanity to start talking about movies after thousands of people have died, and many thousands more face a dangerous and unstable situation. Culture cannot “heal” those kinds of wounds, and cannot make the dead live again. But it represents the collective means for the survivors, over time, to come to terms with what happened. One can argue that Japanese pop culture, in the years since Hiroshima and Nagasaki, has become an extended course in post-traumatic psychology and disaster preparedness.

Sometimes the connection is obvious, as in the first “Godzilla” film of the mid-1950s, whose undisguised anger at nuclear-armed Yankee imperialism had to be concealed in a bastardized, American-friendly version. But it’s striking that so many areas of Japanese pop culture that have nothing to do, at least officially, with World War II or the Bomb, are so concerned with violence, war, disaster and nightmarish transformation, from yakuza films to apocalyptic science fiction and gruesome horror flicks. All that becomes even stranger when you consider that postwar Japan may well be the least violent society in human history: While 21st-century America has averaged five or six murders a year per 100,000 population (which is fairly low by our standards), Japan averages much less than one murder per 100,000, with other violent crimes also barely registering.

It’s unfair to suggest that all the weirdness in Japanese pop culture derives from Hiroshima, an event that only a relative handful of older people can now remember and a large proportion of younger people are undoubtedly sick of hearing about. (The inherent fragility of living on an archipelago that’s frequently subject to large earthquakes and devastating tidal waves has a lot to do with it, too.) But the legacy of disaster — informed largely but not exclusively by the A-bomb — has had ripple effects throughout Japanese art and culture in ways too myriad to explore here. Indeed, once you start looking for disaster trauma in Japanese films you can find it almost everywhere; the nine movies and one TV series I’ve mentioned here are only meant to suggest the breadth of the phenomenon.

Clint Eastwood’s maudlin and mediocre tsunami movie “Hereafter” was just pulled from Japanese distribution, and one can understand why nobody there wants to watch that right now. But it’s not because that island nation’s famously stoical people are afraid to face the reality of death and destruction. This is not a silver lining, because there is no silver lining to Japan’s situation right now, but I feel confident of this: Japanese filmmakers, heirs to one of the world’s greatest cinematic traditions, will tell us this story in their own way. They’ve been preparing for this for a long time.


Astro Boy

The plucky little robot warrior who pioneered the anime genre (and the manga, or Japanese comic book, genre before that) represents one side of Japan’s confrontation with nuclear disaster: An attempt to accentuate the positive. (See also Gamera, the nuked-out chelonian defender of children.) But there’s also a tragic back story to Astro Boy’s adventures, since the scientist who invented him originally meant him as a replacement for his dead son, one who turns out to be incapable of human feeling. (Any resemblance to the Pinocchio legend, and to the Kubrick-via-Spielberg film “A.I.,” is probably no accident.) As any anime fan already knows, Astro Boy’s Japanese name translates as “Mighty Atom.”

Godzilla, Gamera, Mothra and their friends

Every article ever written about Godzilla cites the big lizard as a nuclear fable or allegory, especially in his original mid-’50s incarnation, when he was at his angriest and most destructive. But until I read Oxford professor Peter Wynn Kirby’s recent online New York Times post, I hadn’t realized that the original 1954 “Gojira” (often packaged as such to differentiate it from the later, American-friendly version with Raymond Burr) was a response to a specific disaster — not the Hiroshima bombings but the poisoning of a Japanese trawler crew by an American thermonuclear device tested near Bikini Atoll. It’s fair to suggest that the later Japanese movie monsters of the ’60s and ’70s put a vastly friendlier spin on nuclear power, and even the Big G ultimately becomes a misunderstood, almost tragic, kid-friendly figure, bearing a suspicious resemblance to a battered Siamese tomcat.

Grave of the Fireflies and Barefoot Gen

Japanese postwar culture devoted tremendous energy to forgetting about what had happened in August 1945, but you know what they say about the return of the repressed. Anime was pretty well established by the ’80s, and wasn’t entirely for kids, but the genre got a violent jolt with the unforgettable wartime fables “Grave of the Fireflies” (1983) and “Barefoot Gen” (1988), among the first efforts in Japanese pop culture to depict the firebombing of Tokyo and other major cities (in the first film) and the history-shaking Hiroshima nuke (in the second). Those films spoke to and for a postwar generation that couldn’t personally remember the events in question, and their effects have been far-reaching.


Akira

Katsuhiro Otomo’s now-legendary anime film (based on his own manga) appeared the same year as “Barefoot Gen,” and has nothing specifically to do with Hiroshima or the A-bomb. But its slick and sinister vision of a dystopian city of the future called Neo-Tokyo, dominated by secret government projects, vain and corrupt scientists and underground biker gangs, drew as much on the apocalyptic collective unconscious of Japan as it did on “Blade Runner.” Along the way, Otomo established a kind of cultural template — in which today’s orderly Japan will be replaced by the nightmarish chaos of the future — that’s been a running theme of manga and anime ever since.


Tetsuo the Iron Man

Shinya Tsukamoto’s low-budget 1989 cult classic pretty much introduced cyberpunk to Japan, long before the general public had ever heard the word, but this David Lynch-influenced nightmare about a man who turns into a machine also embodies the distinctive pathologies of post-Hiroshima Japanese pop culture. Tsukamoto might be outraged by the suggestion that his movie is the result of some post-nuclear hangover, but to me the formal disorientation and technological-psychological terror of “Tetsuo” speak for a generation marked by a national trauma. Like “Akira,” this movie launched a zillion imitators (including Tsukamoto’s various wacked-out sequels), establishing the techno-Kafka nightmare transformation as one of recent Japanese pop’s favorite themes.


Princess Mononoke

Aficionados can argue about whether Hayao Miyazaki is indeed the greatest exponent of Japan’s anime tradition (my vote: yes) or whether this dark and spectacular environmental fable is his best film (yes again). You can’t reduce “Princess Mononoke” to a post-Hiroshima allegory, and I’m not trying to. This 1997 film weaves Japanese fairy tale and myth, the influence of C.S. Lewis and J.R.R. Tolkien, and a highly contemporary eco-consciousness into a work with all the complexity and texture of a masterpiece. “Princess Mononoke” isn’t about the A-bomb any more than “The Lord of the Rings” is about World War I, and maybe a bit less than that. But it’s a distinctively Japanese work of art, imbued with the sense of human arrogance and folly, and the sense that the precarious balance of ordinary life is always poised on the brink of destruction.


Eureka

Shinji Aoyama’s black-and-white, minimalist near-masterpiece from 2000 runs almost four hours and has been described by the director as a remake of John Ford’s “The Searchers” inspired by the Sonic Youth album “Daydream Nation.” It begins with a bus kidnapping — which we see only as a few fragmented images — but that episode of violence is over almost as soon as it begins, and the rest of the film is concerned with its survivors. “Eureka” has been highly influential in formal terms, inspiring a new generation of lo-fi, naturalistic filmmakers around the world. But beyond that, it’s difficult for non-Japanese viewers to avoid seeing it as a partly conscious allegory — diagnosis might be a better word — about a nation haunted by its traumatic past and paralyzed by dread of the future.


Pulse

Arguably the greatest film of the so-called J-horror wave of the late ’90s and early 2000s, Kiyoshi Kurosawa’s “Pulse” brought the current of apocalyptic dread that runs through Japanese pop culture into the Internet age with a vengeance. Part mournful art film, part techno-paranoia and part creeped-out ghost thriller, “Pulse” is an imperfect but memorably haunting experience, which recalls the nuclear disaster (and suggests the original “Godzilla” film) while spinning a contemporary film about a soul-sucking website that makes people disappear.


Fish Story

I guess Yoshihiro Nakamura’s crackpot, “Donnie Darko”-style fable about how a forgotten mid-’70s punk single saves the earth from destruction in this century was just too weird and specific and Japanese to reach an American audience. (As far as I know, “Fish Story” was never released in this country, and isn’t available on Region 1 DVD.) For me, at least, it’s one of the seminal works of Japan’s post-post-Hiroshima cultural moment and one of the most enjoyable unknown films of recent years. Oddly but perfectly balanced between pitch-perfect period farce, romantic tragedy and sci-fi mock-apocalypse, “Fish Story” is fueled by the faith that stupid and pointless dreams are worth pursuing and that Japan’s perverse culture will outlast all destructive forces. I only wish that cheesy but wonderful punk single, with the mysterious mid-song silence that spawned so many terrible rumors, could do something to help the Japanese people right now.

 

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Russia warns U.S. over missile defense plans

Russian concerns over U.S. missile shield could put damper on recently enacted New START treaty

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Russia warns U.S. over missile defense plansUS Secretary of State Hillary Rodham Clinton, right, and Russia's Foreign Minister Sergey Lavrov finalize the New START treaty during the Conference on Security Policy in Munich, Germany, Saturday, Feb. 5, 2011. (AP Photo/Frank Augstein)(Credit: AP)

Russia’s deputy foreign minister is reported as saying the development of the U.S. missile shield may force Moscow to review its participation in a landmark U.S.-Russian nuclear arms treaty.

Russia news agencies quote Sergei Ryabkov warning that a “qualitative and quantitative” buildup in the U.S. missile defense capability would prompt Moscow to consider whether it should abide by the New START treaty. Moscow has made similar warnings in the past.

The New START took effect last week. It limits each country to 1,550 strategic warheads, down from the current ceiling of 2,200.

NATO has approved a plan for a U.S.-led missile shield in Europe and invited Russia to join.

Russia’s Deputy Defense Minister Anatoly Antonov said Monday the shield is aimed at Russian nuclear forces.

Preliminary report warns of Iran nuke disaster

Nuclear plant infiltrated by computer worm, reactor with disabled control system has force of "small nuclear bomb"

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Preliminary report warns of Iran nuke disasterModel of Iran's Bushehr nuclear plant where reports say computer virus penetrated control systems

The control systems of Iran’s Bushehr nuclear plant have been penetrated by a computer worm unleashed last year, according to a foreign intelligence report that warns of a possible Chernobyl-like disaster once the site becomes fully operational.

Russia’s envoy to NATO, Dmitry Rogozin, also has raised the specter of the 1986 reactor explosion in Ukraine, but suggested last week that the danger had passed.

The report, drawn up by a nation closely monitoring Iran’s nuclear program and obtained by The Associated Press, said such conclusions were premature and based on the “casual assessment” of Russian and Iran scientists at Bushehr.

With control systems disabled by the virus, the reactor would have the force of a “small nuclear bomb,” it said.

“The minimum possible damage would be a meltdown of the reactor,” it says. “However, external damage and massive environmental destruction could also occur … similar to the Chernobyl disaster.”

The virus, known as Stuxnet, has the ability to send centrifuges spinning out of control and temporarily crippled Iran’s uranium enrichment program. It is believed to have been the work of Israel or the United States, two nations convinced that Iran wants to turn nuclear fuel into weapons-grade uranium

Iran has acknowledged that the malware — malicious software designed to infiltrate computer systems — hit the laptops of technicians working at Bushehr, but has denied that the plant was affected or that Stuxnet was responsible for delays in the startup of the Russian-built reactor.

The Islamic Republic is reluctant to acknowledge setbacks to its nuclear activities, which it says are aimed at generating energy but are under U.N. sanctions because of concerns they could be channeled toward making weapons. Only after outside revelations that its enrichment program was temporarily disrupted late last year by the mysterious virus did Iranian officials acknowledge the incident.

Ali Asghar Soltanieh, Iran’s chief representative to the IAEA, cut short attempts by AP to seek comment on possible damage by Stuxnet at Bushehr.

But Rogozin, the Russian envoy, described how engineers at Bushehr “saw on their screens that the systems were functioning normally, when in fact they were running out of control,” conjuring up a frightening dimension to the potential fallout from the virus.

“The virus which is very toxic, very dangerous, could have had very serious implications,” Rogozin told reporters, adding it “could have led to a new Chernobyl.”

Experts are split on how powerful the Stuxnet virus might prove.

Olli Heinonen, who retired last year as head of investigations of Iran’s nuclear programs at the International Atomic Energy Agency, believes it could have infected control systems at Bushehr, or elsewhere, causing “a lot of havoc.”

Bur German cybersecurity researcher Ralph Langner says that, while the virus has infested the reactor’s computers, “Stuxnet cannot technically mess with the systems in Bushehr.

“Bottom line: A thermonuclear explosion cannot be triggered by something like Stuxnet,” said Langner, who has led research into Stuxnet’s effects on the Siemens equipment running Iran’s nuclear programs.

A spokeswoman for Atomstroyexport, the Russian company in charge of construction at Bushehr, also cast doubt on there being major damage at the plant, saying its control system is fully autonomous and virus-proof.

The IAEA — the U.N. monitor of Iran’s nuclear activities — declined comment on damage at Bushehr. But officials, who asked for anonymity because they were not authorized to discuss the issue, have said the agency is unhappy with safety and operating standards at the reactor.

Chernobyl’s reactor No. 4 exploded in 1986, spewing radiation over a large stretch of northern Europe. Hundreds of thousands of people were resettled from areas contaminated with radiation fallout in Ukraine, Belarus and Russia. Related health problems still persist.

Langner, the German expert, told AP it could take about a year to clear the worm out of Bushehr’s systems. Western intelligence officials believe the site could be operational in coming months.

Bushehr has been hit by numerous setbacks.

It was scheduled to be in use by 1999 but was delayed by construction and supply glitches. Moscow may also have stalled the project in attempts to pressure Tehran to compromise on its nuclear program.

Under a deal signed in 2005, Russia will provide nuclear fuel to Iran, then take back the spent fuel — a step meant as a safeguard to ensure it cannot be diverted into a weapons program. Iran has also agreed to allow the IAEA to monitor Bushehr and the fuel deliveries.

——

Associated Press writers Slobodan Lekic in Brussels and Vladimir Isachenkov and James Heintz in Moscow contributed to this report.

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Iran permitting some countries to visit nuclear sites

The United States, chief critic of the country's atomic aspirations, is not among them

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Iran permitting some countries to visit nuclear sitesA guard outside a nuclear reactor in Bushehr, Iran. The nuclear power plant was built in cooperation with Russia. (Credit: Behrouz Mehri)

Iran said Tuesday it had invited the European Union and some other world powers — but apparently not chief critic the United States — to tour nuclear sites before the next round of international talks in late January on its disputed nuclear program.

The Associated Press reported the invitation to tour the facilities on Monday, citing a letter from a senior Iranian envoy that suggested Jan. 15-16 for the visit. A diplomat familiar with the letter said Iran invited Russia, China, Egypt, the group of nonaligned nations at the U.N.’s International Atomic Energy Agency, Cuba, Arab League members at the IAEA, and Hungary, which currently holds the rotating EU presidency.

Iran’s economy appears to be struggling under the weight of four rounds of international sanctions over its nuclear program, which the West suspects is aimed at producing weapons though Tehran denies that. Iran returned last month to nuclear talks with the so-called 5+1 countries — the United States, Britain, France, Russia and China, plus Germany — which hold sway over the sanctions. And the invitation to visit nuclear sites may also be a sign that Tehran is looking for ways to ease its financial pain.

The State Department mocked Iran’s offer, calling it a “magical mystery tour.” Spokesman P.J. Crowley said the offer is no substitute for Iran fully cooperating with the U.N. nuclear watchdog to prove that its nuclear program is strictly for peaceful purposes and not to build a bomb.

Asked by reporters how the U.S. felt about being excluded from Iran’s invitation, Crowley responded sarcastically by saying: “We’re just crushed.” While he did not urge others to decline the invitation, he did say there is no reason for any country to attend.

Iranian Foreign Ministry spokesman Ramin Mehmanparast confirmed the invitation on Tuesday, saying it went to “the EU, the nonaligned movement and representatives from 5+1 countries.” He said Iran would name the countries later and added that the invitation was a sign of Iran’s “good will” and greater transparency about its nuclear program.

Mehmanparast did not give a firm date, but said the tour would take place before the January round of nuclear talks.

An Iranian official speaking from a European capital said facilities to be visited include the uranium enrichment facility at Natanz and the Arak site where Tehran is building a plutonium-producing heavy water reactor. Both facilities are considered suspect by the West because they could be used to make the fissile core of nuclear warheads; Tehran’s refusal to shut them down has triggered U.N. Security Council sanctions.

The new round of negotiations is meant to explore whether there is common ground for more substantive talks on Iran’s nuclear program. A round of talks in Geneva in December yielded no breakthrough.

The Security Council has demanded that Iran freeze uranium enrichment — a process that can produce both fuel and fissile warhead material. But Iranian negotiators flatly ruled out discussing such demands at the Istanbul meeting, Western diplomats familiar with the talks said.

The offer of a visit comes more than three years after six diplomats from developing nations visited Iran’s uranium ore conversion site at Isfahan, which turns raw uranium into the gas that is then fed into enriching centrifuges. Participating diplomats told reporters they could not assess Iran’s nuclear aims based on what they saw there.

A diplomat familiar with the invitation said the U.S. and some other Western powers in the group were not invited in an apparent attempt to split the six powers ahead of the next round of planned nuclear talks.

China, and to a lesser degree Russia, have acted to dilute harsh sanctions proposed by the U.S. and its Western allies on the Security Council, leading to compromise penalties enacted by the council that are milder than the West had originally hoped.

On Tuesday, Chinese Foreign Ministry spokesman Hong Lei acknowledged that Beijing has received an invitation and hopes the dispute over Iran’s nuclear program would be resolved through dialogue.

The Foreign Ministry of Hungary also confirmed receiving the Iranian letter and said it is discussing the offer with other EU member nations and EU foreign policy chief Catherine Ashton.

France has not received any invitation to inspect Iran’s nuclear facilities, French Foreign Ministry spokeswoman Christine Fages said.

———-

Associated Press reporter George Jahn in Vienna contributed to this report.

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Russia reclaims tons of nuclear waste

International Atomic Energy Agency coordinates month-long repatriation of spent fuel from Serbian reactor

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The U.N. nuclear agency says tons of highly radioactive nuclear waste from a defunct Serbian reactor have been repatriated to Russia.

An official familiar with the operation said Wednesday the waste included 13 kilograms (28.66 pounds) of uranium enriched at a level close to that used to make nuclear warheads.

The International Atomic Energy Agency, who coordinated the project, said 2.5 metric tons (2.76 tons) of the spent fuel arrived Wednesday at a secure Russian facility from Serbia’s Vinca reactor.

An IAEA statement said the amount is the largest single shipment of its kind so far repatriated under an international program to return such material.

The agency said it took more than a month for the shipment to reach the Russian reprocessing facility.

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