When you think of Pakistan, acclaimed literary fiction is not your first thought. You’re thinking of the ubiquitous nation of 180 million that bleeds daily and leads sensationalist headlines declaring it the world’s “most dangerous place,” a title often  accompanied by encouraging descriptions such as “terrorist haven,” “chaos,” “explosive,” “nightmare,” and “failed state.”

You know Pakistan as the moody, unhinged sister of India, which hennas itself with ghastly violence seeped in extremism and sectarianism.

You know a country whose complex, messy and challenging narrative is reduced to caricatures paraded on news shows as the bearded, anti-American Rage Boys, angry, obscurant Mullahs, disfigured burqa’d women, and President Zardari’s well-groomed mustache.

However, if you look beyond the increasingly grim and sordid headlines and peer deeper into history, you will discover a Pakistan of brilliant, artistic richness as heard in the Qawwalis mastered by the late, great Nusrat Fateh Ali Khan or the philosophical meditations of Urdu poets Iqbal and Faiz.

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