Restaurants
Bad news! Chefs discover the Internet
The New York Times finds that some restaurateurs are angry -- and really like tweeting about it
Watch out everybody! Chefs have discovered this internet thingy — and they’re pissed off! In today’s New York Times, Julia Moskin delves into an emerging, and highly entertaining new internet phenomenon: The chef flame war.
As Moskin writes, many chefs are increasingly using Twitter, blogs and other websites to get even with people who are getting on their nerves. They’re hitting back at critics (Kitchen Cabinet member Amanda Cohen took to her website to rebut her restaurant’s New York Times dining section review). They’re sniping at each other (NY restaurateur Joe Dobias attacked superstar chef David Chang, Baohaus’ Eddie Huang called one of his competitor restaurants a “hellhole”). They’re striking back at uninformed bloggers (LA chef Ludovic Lefebre’s wife, Kristine, reduced one food blogger to tears by pointing out that her husband’s tuna tartare isn’t “underdone,” that’s the way it’s meant to be), and taking user-reviewers to task (California chef Jason Neroni’s Twitter stream: “Yelp is for cowards.”) Oof. It’s like the Wild West out there!
As one chef points out in the article, this kind of grandstanding is part of what eaters’ now expect from a big-name chef — “they want us to be rock stars” — but it has far more to do with the way that the internet has changed the way people read and learn about restaurants. As Francis Lam recently wrote on Salon, the traditional restaurant critic is going through some tough times these days. Unlike other forms of criticism, people use restaurant criticism primarily as a barometer of whether or not a place is worth visiting. Now internet can do the same job, on a much bigger scale.
Websites like Yelp allow diners to post their own reviews in a matter of minutes, Twitter and Facebook allows them to instantly broadcast their verdict to all of their friends, and bloggers can help make and unmake food trends. There’s something very empowering about the way the internet is, like so many other industries, democratizing the restaurant world. As NYU professor Krishnendu Ray recently told me in a conversation about Indian food, the emergence of new media even helps speed the uptake of exotic ethnic cuisines into the mainstream of America. “People have always trumpeted rare ethnic foods, but now they have a byline.”
Obviously, there’s a down side. For restaurateurs with an upscale and detail-oriented cuisine, it can be infuriating to read a review written by somebody who doesn’t know much about food (“I’ve never had sweetbread, but this sweetbread sucks”), and it’s only logical that chefs, especially chefs with reputations to protect, start fighting back. If anything, it’s surprising that David Chang wasn’t telling bloggers to screw off five years ago. It may not be the most civil of developments, but it’s certainly not a surprise — and, for fans of internet feuds, this is good news indeed.
Thomas Rogers is Salon's Arts Editor. More Thomas Rogers.
Battle of the fat-fetish restaurants
A bizarre lawsuit pits two heart attack-themed obesity-celebrating establishments against each other
Signage at Arizona's Heart Attack Grill To call something the saddest news of the month this early in February isn’t saying much, but I suspect the gloom I feel after reading reports of a lawsuit between two American fast food restaurants will last at least through Presidents’ Day.
The Heart Attack Grill in Chandler, Arizona (“A Taste Worth Dying For”) is suing Heart Stoppers Sports Grill in Delray Beach, Florida for stealing its ideas. The Heart Attack Grill, whose menu features single through quadruple bypass burgers (one beef patty for each bypass), “flatliner fries” deep fried in pure lard, unfiltered cigarettes, and Jolt Cola, filed a lawsuit against Heart Stoppers that, according to SlashFood.com, “outlines about 30 ways Heart Stoppers is similar, including signs with EKG heart monitors on them, waitresses dressed as nurses and offers of free food to patrons weighing more than 350 pounds.”
Continue Reading CloseSara Breselor is an Editorial Fellow with Salon Food. More Sara Breselor.
Requiem for a (ridiculous) restaurant
Tavern on the Green had famously awful food and absurd decor. But that didn't stop it from being truly beloved
8 January 2010 - New York , NY - Tavern on the Green, the landmark restaurant in Manhattan?s Central Park, holds a public preview of thousands of items it will auction off next week. The restaurant filed for bankruptcy protection in September 2009. The court-ordered sale will be held January 13-15. Photo Credit: Brian Zak/Sipa Press /tavern_bz.009/1001090423 (Sipa via AP Images)(Credit: Associated Press) The year-round Christmas lights are off; the topiary of King Kong goes ungroomed. The closing of Tavern on the Green, an outlandishly flamboyant restaurant in Central Park with famously awful food, might seem to be notable only to students of the New York restaurant scene. And yet, day after day, I find myself reading about its history, its bankruptcy, and now, the auctioning of its property. People are coming out of the tri-state woodwork hoping to land some of the most outrageous décor pieces since the tsars stopped dropping acid. Some of them, maybe many of them, are building homages to the restaurant in their homes. With fandom like that, I knew I had to see the restaurant at least once, even if it meant crashing the auction. I had to find out what inspired such loyalty.
Continue Reading CloseFrancis Lam is Features Editor at Gilt Taste, provides color commentary for the Cooking Channel show Food(ography), and tweets at @francis_lam. More Francis Lam.
$650 for New Year’s Eve dinner?
A food-and-restaurant consultant explains the price of your special end-of-year restaurant meal
Reserved table concept, background using Christmas related(Credit: Rudyanto Wijaya) All things considered, this isn’t really the happiest of New Year’s Eves for the restaurant industry. Despite what Ben Bernanke says, the economy still feels grimmer than a Tiger Woods family reunion, and restaurateurs continue to be hit hard (especially high-end ones) by America’s newly frugal lifestyle. Back in the pre-recession years, New Year’s Eve allowed many restaurants to turn a hefty profit — with elaborate, and often very expensive, multicourse prix fixe menus — but this year, it may not be easy. After a grim 2009, the food research firm Technomic predicted that restaurant revenues would fall again in 2010, and ominously, a recent British survey found that 80 percent of people plan on spending New Year’s at home.
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Thomas Rogers is Salon's Arts Editor. More Thomas Rogers.
Shake Shack expands, home-made turducken, Ezra Klein on junk food
A condensed reading list from this week's dining sections
- In today’s New York Times: Good news for fancy-burger fans! Shake Shack, Danny Meyer’s much-loved burger-and-custard stand, plans a massive, slow expansion over the next five years. By the end of that period, if all goes well (and, of course, nothing is guaranteed in the current economy), there will be 20 Shake Shacks across the United States — and even one in, of all places, Kuwait. In case you haven’t yet experienced the Shack, which has both delicious food and highly entertaining vibrating meal “pagers,” you’re in for a treat.
Thomas Rogers is Salon's Arts Editor. More Thomas Rogers.
Last rites for Tavern on the Green, banned fruit, and blue-cheese cookies
A condensed reading list from this week's dining sections
Highlights from today’s newspaper food coverage:
Today, the New York Times visits the soon-to-be dismantled and sold Tavern on the Green, the legendary and legendarily overpriced restaurant in New York’s Central Park best-known for its topiaries and passion for Christmas lights. For a time the country’s most lucrative restaurant, the Tavern’s failure is one of the most high-profile restaurant closures in recent years, and Kay LeRoy, one of the owners, ex-wife of the Tavern’s founder and former TWA “air hostess,” gives a thoroughly entertaining tour of the restaurant’s many knickknacks and artifacts — including a chandelier from 1790, a 3-foot German carved monkey, and a topiary of King Kong (which was, of course, debuted by Fay Wray). The article’s accompanying slide show is an oddly moving tribute to a very different, more luxurious time (i.e., 2007).
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Thomas Rogers is Salon's Arts Editor. More Thomas Rogers.
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