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	<title>Salon.com > Richard Gere</title>
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		<title>The package deal</title>
		<link>http://www.salon.com/2012/12/05/the_package_deal/</link>
		<comments>http://www.salon.com/2012/12/05/the_package_deal/#comments</comments>
		<pubDate>Wed, 05 Dec 2012 01:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Jon Hamm]]></category>
		<category><![CDATA[phallus]]></category>
		<category><![CDATA[michael fassbender]]></category>
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		<category><![CDATA[Richard Gere]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13110601</guid>
		<description><![CDATA[More actors are seen going commando and full-frontal: Is this a sign they're relinquishing their masculinity?]]></description>
			<content:encoded><![CDATA[<p>This may go down in history as the year the penis became omnipresent. A symbol of power since the Greco-Roman era, the phallus’s prowess in America’s post-fig leaf society has resided largely in its invisibility. But this year the penis suddenly became visible even when it wasn’t. Last month, from within his trousers, <a href="http://jonhammswang.tumblr.com/">Jon Hamm’s bulge</a> upstaged his campaign for Obama. In October, New York’s Mayor Bloomberg appeared turned on, in more ways than one, as he held a Hurricane Sandy press conference. And who can forget the Boner Rower whose Olympic bronze medal appeared to be crowned by a public happy ending? The recent swell in penises on the big screen has served to dismantle the symbolic power of the phallus and, in a time where reality and entertainment are blurred, it is little wonder that celebrities’ off-duty members are commanding our attention as much as Judd Apatow’s penile punch lines – and shedding their masculine mystique at the same time.</p><p><a href="http://www.salon.com/2012/12/05/the_package_deal/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>12</slash:comments>
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		<title>Richard Gere on Obama disappointment</title>
		<link>http://www.salon.com/2012/09/15/richard_gere_on_obama_disappointment/</link>
		<comments>http://www.salon.com/2012/09/15/richard_gere_on_obama_disappointment/#comments</comments>
		<pubDate>Sat, 15 Sep 2012 16:30:00 +0000</pubDate>
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		<category><![CDATA[Thrillers]]></category>
		<category><![CDATA[Wall Street]]></category>
		<category><![CDATA[Arbitrage]]></category>
		<category><![CDATA[Richard Gere]]></category>
		<category><![CDATA[Susan Sarandon]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13012835</guid>
		<description><![CDATA[Hollywood's most famous Buddhist on Obama's "insane" wars, the coming collapse of China and his new "Arbitrage"]]></description>
			<content:encoded><![CDATA[<p>Richard Gere has been in terrific movies and he’s been an A-list Hollywood leading man, but the peculiar curse of his career is that he’s rarely or never done both at the same time. I suppose that accounts for the fact that across four-plus decades and 40-odd movie roles, Gere has never been nominated for an Oscar and was often portrayed, at least in his youth, as a lightweight pretty boy – as if the character he played in Paul Schrader’s underrated “American Gigolo” in 1980 were actually him. It’s difficult, frankly, to pick a role in Gere’s long career that plausibly might have won him a statuette; both “Gigolo” and “Looking for Mr. Goodbar” were too sleazy for the Academy, and Terrence Malick’s “Days of Heaven” was way too arty. Billy Flynn in <a href="http://www.salon.com/2002/12/27/chicago_3/">“Chicago”</a>? I guess that’s the one.</p><p><a href="http://www.salon.com/2012/09/15/richard_gere_on_obama_disappointment/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>16</slash:comments>
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