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	<title>Salon.com > Robert Rauscheberg</title>
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		<title>Andy Warhol&#8217;s great secret</title>
		<link>http://www.salon.com/2012/10/21/andy_warhols_great_secret/</link>
		<comments>http://www.salon.com/2012/10/21/andy_warhols_great_secret/#comments</comments>
		<pubDate>Sun, 21 Oct 2012 16:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[pop art]]></category>
		<category><![CDATA[Roy Lichtenstein]]></category>
		<category><![CDATA[Robert Rauscheberg]]></category>
		<category><![CDATA[Jasper Johns]]></category>

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		<description><![CDATA[The pop icon changed the nature of art and celebrity forever because he knew art did not have to look like art]]></description>
			<content:encoded><![CDATA[<p>Robert Rauschenberg and Jasper Johns — friends and lovers — succeeded in the task they had set themselves in their New York studio during the 1950s. They had determined to free American modern art from the chilly grip of Abstract Expressionism, and that they had done. Their images of, and appropriations from, popular culture stopped being seen as a joke and started to be taken seriously. Influential curators from MoMA would make their way to Manhattan’s leading art galleries — such as Betty Parsons and Leo Castelli — to see firsthand the latest work by these two young Americans. There they would quietly peruse and identify pieces to purchase and add to their impressive collection of modern art. Many others would also go and browse: the Manhattan intelligentsia, collectors and other artists. Among the regular visitors was a fey man in his early thirties who had already made a name for himself as a fashion illustration but who now desperately wanted to break into the art world.</p><p><a href="http://www.salon.com/2012/10/21/andy_warhols_great_secret/">Continue Reading...</a></p>]]></content:encoded>
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