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	<title>Salon.com > Salman Rushdie</title>
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		<title>Salman Rushdie fears nothing</title>
		<link>http://www.salon.com/2012/02/10/salman_rushdie_fears_nothing/</link>
		<comments>http://www.salon.com/2012/02/10/salman_rushdie_fears_nothing/#comments</comments>
		<pubDate>Fri, 10 Feb 2012 21:45:00 +0000</pubDate>
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				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
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		<category><![CDATA[Salman Rushdie]]></category>

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		<description><![CDATA[The famed author opens up to Salon about new threats, his just-finished memoir and his forthcoming TV show]]></description>
			<content:encoded><![CDATA[<p>Plates and glasses are cleared away, and a hush descends on the packed private dining room of a fancy Manhattan Indian restaurant; a distinguished writer -- the star of the evening’s event -- is about to give a reading. The iPad in his hands bathes his familiar features in a soft, electric glow that complements the muted lights and blinking candles spaced around the room.</p><p>As Salman Rushdie intones his own elegant prose in a rich, musical British accent, a soundtrack plays softly but distinctly in the background. If the music seems particularly well-selected -- if its rhythms subtly match the story's turning points -- that’s because it was commissioned expressly for the purpose.</p><p>Though the story is short, Rushdie stops several times to ask the audience if he should continue. At each juncture, rapt listeners beg him to go on. After the performance is over, guests murmur words like “mesmerizing” and “transporting” as they turn back to their tablemates -- and I’m one of them.</p><p>The event is a glitzy dinner organized by <a href="http://www.booktrack.com/">Booktrack</a>, a company that publishes e-books with "synchronized soundtracks"; the occasion is the launch of the e-publisher's first short story -- Rushdie’s “In the South" -- with accompanying music composed by John Psathas. ("In the South" is available for download now from Booktrack's website.)</p><p><a href="http://www.salon.com/2012/02/10/salman_rushdie_fears_nothing/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>11</slash:comments>
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		<title>Salman Rushdie, back on trial</title>
		<link>http://www.salon.com/2012/01/26/salman_rushdie_back_on_trial/</link>
		<comments>http://www.salon.com/2012/01/26/salman_rushdie_back_on_trial/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 16:10:00 +0000</pubDate>
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		<category><![CDATA[India]]></category>
		<category><![CDATA[Salman Rushdie]]></category>

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		<description><![CDATA[Threats and protests keep Rushdie from the Jaipur Literary Festival -- just the latest assault on Indian freedoms]]></description>
			<content:encoded><![CDATA[<p>The Jaipur Literature Festival is a remarkable thing. It calls itself “the greatest literary show on earth.” In many ways, it is. Over 70,000 people show up. It’s organized by writers, not event managers. It’s free. Great crocodiles of school children in winter blazers crowd its sessions. Turbaned men with splendidly curled mustaches ladle out steaming hot chai into clay cups for the attendees. Parrots squawk in the trees. Chipmunks chase each other up and down the branches while Nobel laureates and Booker winners hold forth on the lawns. Indian grandmothers and blonde European expats trample over each other, fiercely fighting for seats. (The grandmothers tend to win.) It is a literature festival. But it’s more of a boisterous Indian <em>mela</em> – a fairground where anyone can come.</p><p>“We wanted it to be a place where you could meet Salman Rushdie, not just read him. Before Jaipur, you might only have been able to see him at some British Council event,” said William Dalrymple, the festival’s genial host. That was just about a month ago.</p><p><a href="http://www.salon.com/2012/01/26/salman_rushdie_back_on_trial/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>8</slash:comments>
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