So Wallace, following a 92nd Street Y panel last night, said this:

“There will be pressure to elevate a woman but there will be an equal amount of pressure to pick someone who is prepared,” Wallace said.

And then she said this:

Wallace flagged one female official in particular who she thinks would be a good choice this year.

“Nikki Haley — she’s great,” she said. “She’s the most effective surrogate Romney has.”

If the Sarah Palin problem was a problem of preparation and vetting, Haley … might present some issues? Specifically an odd and mostly unsubstantiated sex scandal and also these rumors that she might at any moment be indicted on tax charges. The tax thing might be bullshit and the affair story was the product of a self-promoting creep but they’re “out there,” as they say.

More important, Haley has been governor of South Carolina since January of 2011. As in very slightly longer than one year. And slightly less time being a governor than Sarah Palin had in 2008. It’s almost as if Wallace is making a pick not based on the principle of Who Would Be Best For the Nation but on demographics and optics?

Wallace also apparently suggested Carly Fiorina, which, lol. Romney/Ex-CEO who famously received a giant golden parachute when she was forced out of her company 2012, everyone! Just the ticket for the new economy.

That is sort of a shame. The Palin thing is the most heavily over-covered story line of the entire 2008 campaign, so focusing on it might be totally logical from a marketing perspective, but it’s unfortunate from an artistic one. The film re-creates various moments of YouTube campaign ephemera very well — remember when that old white lady called Obama an Arab and McCain looked uncomfortable? When it takes us behind closed doors, it’s to witness scenes any moderately close observer of the election and its aftermath could’ve dreamed up him- or herself. It might have been fun to see a TV movie about the Democratic primary fight; the personality clashes of the disastrous Clinton campaign would have made for entertaining television, and Mark Penn is surely a creature crying out for a grotesque Emmy-winning portrayal by, say, Paul Giamatti.

Instead, McCain has won the nomination three-and-a-half minutes into the film. Soon we’re watching Julianne Moore watch Tina Fey on TV. You remember the “SNL” sketches making fun of Palin, right? In case you don’t, “Game Change” airs lengthy chunks from most of them. It also has tons of actual footage from CNN and MSNBC and Fox News, and it re-creates debates and speeches and the Couric interview and the Charlie Gibson interview and a bunch of other things you saw either live or on YouTube when they happened.

Moore’s performance is not just fair but maybe even flattering. (For one thing, she doesn’t hit those flat upper Midwest vowels as gratingly as the real Palin.) Woody Harrelson plays strategist Steve Schmidt — the film’s protagonist — as a grizzled, “too old for this shit” campaign veteran called back to the trail against his better judgment. Jamey Sheridan is given barely anything to do as Mark Salter, McCain’s “conscience.” Salter, the primary author of his “Maverick” mythos, is limited, after the Palin selection, to making a hilariously over-telegraphed face of concern as everyone else in the war room applauds her first speech.

But the film is about Schmidt and Nicolle Wallace because they were pretty clearly Halperin and Heilemann’s primary sources, and we watch them become horrified by the depths of Sarah Palin’s ignorance at exactly the same time as everyone else in America became horrified by her ignorance.

Because it’s Hollywood, there’s very little politics in the film’s depiction of politics. Policies are simply things for Sarah Palin to write on note cards and not memorize. Operatives confidently declare, in faux Sorkin-ese patter, that if this or that meaningless decision is made, it means “we’ll lose by five.”

There is a sheen of faux cynicism (McCain swears like a sailor!) but it masks complete naiveté: Everyone is basically honorable and decent. Nicolle Wallace — a member of the Bush administration communications team — is sincerely alarmed at the prospect of someone as dangerously ignorant as Sarah Palin in the White House. On election night, she breaks down in tears as she admits to Schmidt that … she didn’t vote. They embrace.

The film subscribes to the simplest theory of Sarah Palin: That she is childlike, vain and incredibly ignorant but also an essentially decent person and wonderful mother. The moments that come closest to “unfair” — Sarah Palin doesn’t know that the head of Great Britain’s government is the prime minister, not the queen — are basically plausible. This isn’t Andrew Sullivan’s conniving, dangerous pathological liar. It’s an overwhelmed working mother whose most unhinged moments are explained by a crash diet. Her convention speech is largely stripped of its snarling attack lines, imagining a world in which it appealed to “the base” because of Palin’s heartfelt commitment to special-needs children and not because she was very good at saying mean things about Obama. (The film actually repeats the bullshit story that her teleprompter broke midway through, and she kept going.) Even when the film has her take a major heel turn — “if I am single-handedly carrying this campaign, I am gonna do what I want!” — after “winning” her debate with Joe Biden (played by video footage of Joe Biden), she is still basically an innocent seduced by the adoration of riled-up crowds and national attention. (Todd Palin barely does anything.)

The constant use of actual news footage adds a bit of verisimilitude but also constantly raises the question of why this lightly fictionalized version of the election actually needs to exist. “Game Change” is not really for serious political junkies, who remember all the stuff that did happen and will scoff at the stuff that didn’t. (At one point, John McCain answers his ringing iPhone in the middle of the night. He used a BlackBerry, HBO.) But if casually politically involved people want to see their assumptions about Sarah Palin reinforced, well, there are still those “SNL” sketches.

In the end, the Republican operatives who foisted Sarah Palin on an unprepared nation are rightly horrified that they created a monster, but at no point does anyone act concerned that their actual candidate was himself an angry, warmongering old crank with extremely fungible principles. Sure, Sarah Palin didn’t know what the Fed did. Do we have any proof John McCain knew what it should’ve done? Maybe everyone actually was totally unfair to poor Sarah Palin.

Oddly enough, Strong began his entertainment career playing key roles in cult series – Jonathan Levinson on “Buffy the Vampire Slayer”; Paris’ boyfriend on “Gilmore Girls”; the hopeful copywriter hired after Don Draper stole his idea on “Mad Men.” We caught up with him in Atlanta last week.

Sarah Palin is introduced on about page 350 of John Heilemann and Mark Halperin’s “Game Change,” a book that covered the 2008 Obama, Clinton, McCain and Edwards races as well. Was it always going to be just about her?

It was the director Jay Roach’s concept to just do the Palin story, and I agreed that I thought that was the best approach, for various reasons. One, I thought it was the most exciting story in the book, but not only that, I thought it was one of the most exciting stories in recent American politics. I just thought it would make an amazing movie. I also thought that doing a story about Barack Obama at this time, it would be impossible for the film not to come across as an informercial for his reelection and it would be difficult for an audience to get lost in a movie about him while he was still president. I think there’s a great movie there, too. But I think that movie needs to be made after he’s out of office.

When did you start to work on this? And, as in “Recount,” I understand it began with a lot of your own reporting.

I think we started in late summer, 2010. I did 25 interviews with people in the campaign and then read a ton of other books, too, on the subject, particularly Sarah Palin’s book “Going Rogue,” which was a beat-by-beat account of what happened in the campaign from her point of view.

What percentage of the movie was based on the book and what was your own reporting?

I would say 90 percent of the movie is the book, 5 percent is my original reporting, 5 percent is other sources.  But so much of my own reporting was just trying to confirm the veracity of the book, which I found to be extremely accurate, based on the interviews.

I don’t want to misrepresent I was some big scoop-getter in this process. The movie really is built on the back of reporting of the book. There’s nothing I found out that I wouldn’t have been able to find out if it hadn’t been the work John and Mark had done. But there’s one thing [I found out] that’s already been put on record that I’ll just mention – that Palin thought that the queen of England was the ruler of England. That’s something I got from my own reporting.

There were also some surprising quotes in the book that I don’t remember seeing in the movie, such as when she said during a low point of preparing for her single debate “If I’d known everything I know now, I wouldn’t have done this.”

Yeah, you know that was in the movie. It was in the script and was shot. It just ended up on the cutting room floor. But you’re absolutely right. It’s an amazing line, isn’t it? When you’re editing a film, you’re just trying to get it to breathe; you’re trying to make it work. Things kind of just get cut here and there. And that was just one of those moments. I believe that line was the casualty of a scene that was made significantly shorter.

How was this process different from your last film, which was also a political potboiler based on recent events?

In the case of “Recount,” I had never done anything like that before. I had no background in journalism. I always tell people the biggest advantage is that I had no idea what I was doing. It was really exhilarating and kind of scary. By the time I did this, I’d done several projects now where I’ve interviewed people. I’ve just done it a lot more. I’m used to it; I’m used to dealing with sources.

Also, one of the big differences between the two films is that “Recount” has Democrats and Republicans, but this one is just Republicans. By the way, I prefer dealing with just one party in a movie rather than dealing with two, because you have all these balance issues that have nothing to do with story. You know, for every scene of one party, you have to have a scene of the other, kind of thing. In this we just get to tell our story.

Did you see any similarities in Katherine Harris, who is one of the central characters in “Recount”?

I don’t really see many  similarities between Katherine Harris and Sarah Palin as far as their portrayal in film. In “Recount,” Katherine Harris is secretary of state of Florida overseeing the recount process. The film shows how she, beat by beat, does everything she can to help one candidate. That’s violating her oath of office, and I think the film is very critical of that.

In “Game Change,” the film doesn’t show Sarah Palin doing anything unethically. It shows how Palin goes on to become this beloved, charismatic figure within the party, whereas Katherine Harris is not. This is just the story of someone who has been thrust on the national spotlight literally overnight, as Katherine Harris was, and is doing her best to try and make things work. I think Katherine Harris was doing her best to try to help one candidate get elected, when she should have been overseeing a fair and impartial process.

You do get to show the charismatic side of Palin, particularly on the rope lines or when she’s meeting other parents of Down syndrome children.

Yeah, the scenes were really moving. When campaign staffers would tell me those moments on the rope line, whether they loved Sarah Palin or didn’t love Sarah Palin, they all told me it would make them cry. You need to show what made her so beloved and dynamic. That’s an amazing part of the story.

Political dramas in general seem rife for criticism even before the film is released.

Absolutely. And that happened on “Recount” too. It happened on the Democrats’ side. Warren Christopher came out and attacked the film before he had seen it. In this case, we have Sarah Palin staffers basically attacking the film before they’ve seen it. To be honest with you, I don’t think it serves either one of them. I think both portrayals are much more complex, dynamic and layered than they realized because they hadn’t seen the film. It gives the films a lot of publicity.

We’ve had screenings across the country by now, and one of the main things that people talk to me about afterward in the Q & As is how sympathetic she comes across at times; how they never imagined they were going to see her in the light that they see her in – particularly liberal Democrats that don’t care for her are surprised about how much sympathy they have for her with the pressure she was under.

I’ve heard that one of the Palin staffers who complained had offered to be a consultant earlier.

Yeah. The offer was in an email to me, where he asked to be our confidential consultant with formal agreement. And I’m just very surprised. In the same email he basically validated the book by saying that the portrayal of Sarah Palin was complex and unique, not false and inaccurate. So I was pretty stunned that a week ago, a year after that email, he came out and attacked the film as being based on a book that’s grossly inaccurate. And if it was so grossly inaccurate, I don’t know why he would have offered to have been our confidential consultant a year ago.

We did hire a consultant. The person we hired [Chris Edwards] was someone who we thought had a very balanced, fair viewpoint of the entire campaign. He was her deputy chief of staff on the campaign, so he was there for everything.

And the reason to have a consultant is to get all the details right?

Yes. To have someone on set who sat next to Palin for those 60 days is an enormous asset. And he was primarily utilized for helping us with the technical details of what it’s really like on the campaign plane, who sits where; helping out with making the green rooms look how they actually looked. The goal was to make it look and feel as authentic as possible, and he was a great asset for that.

One of the other charges against “Game Change” is that HBO deliberately scheduled this for right after Super Tuesday to ruin any Palin election plans.

Me and Jay Roach never believed she was going to run back when we started  working on this in earnest in summer 2010. It was kind of the accepted discussion in political circles and in the press that she was not going to run, so that was really never a concern for us. And we were right; she never ran. We never thought this film was going to affect the election. I don’t think anyone who sees this movie is going to vote differently because of it. I don’t think it makes Republicans look negative. I don’t think it makes Obama look positive. I don’t think it’s going to affect the election at all.

But don’t you hope this film has an effect in the broader sense?

I hope has the effect of making people question what they want in a leader. The themes of the film aren’t partisan themes. The themes of the film are about the process, about how we elect our president and what we value in a leader, and how that value system and that process has been shifted by the internet, YouTube and the 24-hour news cycle.

I got the feeling it was a “Frankenstein” story – that these consultants had created a monster they regretted unleashing on the nation.

It was a “Pygmalion” story – I conceived it and Jay Roach completely agreed that this was a Pygmalion story of them finding an individual and then trying to turn her into something that perhaps she’s not. And there are consequences to that. And they lived the consequences.

Don’t you think it will affect any of Sarah Palin’s political plans going forward?

I don’t think anything is going to affect Sarah Palin except for Sarah Palin. No matter what she does, or what happens, she just has a base of support and they love her, and nothing’s ever going to change that. And people who are not fans of Sarah Palin — I don’t think anything’s going to change that. Because I think everyone has their opinions of her, and those opinions are essentially set in stone.

The goal of the film wasn’t to try and change anyone’s mind about anything. The goal of the film was to talk about the process of how we elect our president, and here’s a pretty crazy story in which a candidate was not vetted to be vice president of the United States. She was not properly vetted, and we came very close to having a vice president that perhaps wasn’t prepared for that job.

“Game Change” premieres Saturday at 9 p.m. on HBO.

Romney continues to insist Democrats, as well as some of his GOP rivals, are practicing “the politics of envy,” and on NBC Wednesday made what might be his dumbest remark yet. Asked whether there was ever a fair way to discuss income inequality, the GOP front-runner replied:

I think it’s fine to talk about those things in quiet rooms and discussions about tax policy and the like. But the president has made it part of his campaign rally. Everywhere he goes we hear him talking about millionaires and billionaires and executives and Wall Street. It’s a very envy-oriented, attack-oriented approach and I think it will fail.

Maybe Mitt wants to confine talk of inequality to “quiet rooms” because he’s seen the Pew Research Center data showing that Americans think conflict is growing between rich and poor.  Two-thirds of Americans see that conflict, up 50 percent since 2009. While African-Americans are still more likely than whites to see that conflict, the percentage of whites who agree tripled. Credit Occupy Wall Street for hiking consciousness about the gap between rich and poor, but credit the GOP for creating the conditions that allowed income inequality to soar, and the top 1 percent to gobble up 40 percent of the nation’s wealth.

A sly Sarah Palin called for Romney to release his tax returns on Sean Hannity’s show last night, to Hannity’s seeming distress. Palin defended Rick Perry’s “vulture capitalism” attack even as Hannity kept trying to get her to declare it unfair. She’s gone rogue again! We can only dream that Romney releases his tax returns. I think he’s less scared about showing his staggering wealth than revealing the scandalously low tax rate he pays, given how much of his income comes from investment and is thus subject to lower capital gain taxes. (I’m sure we’d also learn a lot from the tricks Romney’s accountants use to keep his effective tax rate even lower.)

Palin also demanded that Romney substantiate his claims to have created 100,000 jobs while at Bain, calling it a “come to Jesus” moment. What is she up to? Her snow-machine-driving husband Todd endorsed Newt Gingrich last week, to great derision, but it did raise questions about what the nominally neutral ex-V.P. nominee is thinking. She’s not thinking good thoughts about Mitt Romney, that’s for sure.

Meanwhile, the man who foisted Palin on the world, John McCain, today accused Romney’s anti-Bain attackers as supporting “communism.” But BuzzFeed recalls that in 2008, McCain himself attacked Romney’s Bain days. “He presided over the acquisition of companies that laid off thousands of workers,” McCain complained back then, and campaign manager Rick Davis told the National Journal:

“He learned politics and economics from being a venture capitalist, where you go and buy companies, you strip away the jobs, and you resell them. And if that’s what his experience has been to be able to lead our economy, I’d really raise questions.”

I’ll be talking about Romney’s Bain troubles, and the GOP circular firing squad, on MSNBC’s “Politics Nation” with the Rev. Al Sharpton at 6 ET.