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	<title>Salon.com > shin bet</title>
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		<title>Is a two-state solution still possible — or is Israel toast?</title>
		<link>http://www.salon.com/2013/01/31/is_a_two_state_solution_still_possible_%e2%80%94_or_is_israel_toast/</link>
		<comments>http://www.salon.com/2013/01/31/is_a_two_state_solution_still_possible_%e2%80%94_or_is_israel_toast/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 12:45:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13186518</guid>
		<description><![CDATA[Israel's secret policemen face the unthinkable in the Oscar-nominated documentary "The Gatekeepers"]]></description>
			<content:encoded><![CDATA[<p>Israeli filmmaker Dror Moreh got his start making TV commercials for Ariel Sharon, the war hero who served as Israel’s prime minister from 2001 to 2006, when he suffered a devastating stroke that has left him in a “persistent vegetative state” ever since. (Just last week, however, Sharon underwent a high-tech FMRI exam that revealed <a href="http://www.cnn.com/2013/01/28/world/meast/israel-sharon-brain-activity/index.html">“significant” brain activity,</a> suggesting that he may be aware of his surroundings.) That’s important background for Moreh’s Oscar-nominated documentary <a href="http://www.sonyclassics.com/thegatekeepers/">“The Gatekeepers”</a> in various ways.</p><p>For one thing, Moreh gained access to six former heads of the Shin Bet, Israel’s secretive internal security service – who had never before given public interviews – largely because of his political connections. Those men had all worked with Sharon and respected him. For another, understanding the political evolution of Ariel Sharon sheds some light on Moreh, whom I met a few days ago in New York, and also on the surprising pragmatism and moral complexity reflected in his interviews with the Shin Bet leaders.</p><p><a href="http://www.salon.com/2013/01/31/is_a_two_state_solution_still_possible_%e2%80%94_or_is_israel_toast/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>27</slash:comments>
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		<title>Israel confronts its &#8220;image problem&#8221;</title>
		<link>http://www.salon.com/2013/01/16/israel_confronts_its_image_problem/</link>
		<comments>http://www.salon.com/2013/01/16/israel_confronts_its_image_problem/#comments</comments>
		<pubDate>Wed, 16 Jan 2013 01:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13170437</guid>
		<description><![CDATA[Two Oscar-nominated documentaries expose the ethical and political failures of the Israeli occupation]]></description>
			<content:encoded><![CDATA[<p>It’s no secret that Israel has an image problem, to put it mildly. From unabated settlement construction in the West Bank infuriating the international community and eliciting repeated condemnations in the U.N., to Prime Minister Benjamin Netanyahu’s bellicose approach to Iran that has strained relations with the Obama administration, to Israel’s consistent disregard for Palestinian human rights, Israel is one of the most divisive subjects in international politics and media. At next month’s Oscar ceremony, that “image problem” will be on prominent display as two local films centered around the Israeli-Palestinian conflict and highly critical of Israel are up for nominations in the best documentary category.</p><p>"The Gatekeepers" – an Israeli/French/Belgian production directed by Israeli Dror Moreh – takes the audience into the world of Israel’s anti-terror operations since it assumed control of the West Bank and Gaza in 1967, as told by the very men who oversaw them. Moreh, who says he is inspired by Errol Morris’ "The Fog of War," conducts in-depth interviews with six former heads of Israel’s Shin Bet (the secret internal security service, comparable to the FBI), whose candid recounting of targeted assassinations, village raids and prisoner interrogations reveal the ethical and political failures of Israeli occupation.</p><p><a href="http://www.salon.com/2013/01/16/israel_confronts_its_image_problem/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>21</slash:comments>
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