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	<title>Salon.com > Soviet Union</title>
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		<title>Were the Tsarnaevs nuts or revolutionaries?</title>
		<link>http://www.salon.com/2013/04/30/were_the_tsarnaevs_nuts_or_revolutionaries/</link>
		<comments>http://www.salon.com/2013/04/30/were_the_tsarnaevs_nuts_or_revolutionaries/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 15:00:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
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		<category><![CDATA[Dzhokhar Tsarnaev]]></category>
		<category><![CDATA[Tamerlan Tsarnaev]]></category>
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		<category><![CDATA[Islam]]></category>
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		<category><![CDATA[Joe Biden]]></category>
		<category><![CDATA[CIA]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Marxism]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[John F. Kennedy]]></category>
		<category><![CDATA[Abraham Lincoln]]></category>
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		<guid isPermaLink="false">http://www.railrode.net/?p=13285028</guid>
		<description><![CDATA[We may find the Tsarnaevs' ideology deluded, but we should take it seriously if we want to avoid others like them]]></description>
			<content:encoded><![CDATA[<p>Why do we Americans find it so important to believe that terrorists and assassins in the U.S. can be dismissed as mere emotionally disturbed maniacs, rather than viewed as revolutionaries in the thrall of militant political or religious ideologies? Why are so we intent in removing the political from political violence?</p><p>These questions are timely, following Vice President Joe Biden’s dismissive description of the Boston Marathon bombers as “knockoff jihadis.” Mere amateurs, these brothers, who were capable of murdering several marathon participants, maiming scores more and shutting down a major city and even rail lines for hours or days. The real amateurism, it might be suggested, is that of the pundits and journalists trying to psychoanalyze the Tsarnaev brothers and their relations from a distance.</p><p>But there are already reports that Dzhokhar Tsarnaev, the surviving killer, has said that he and his brother acted in response to the U.S. wars in Iraq and Afghanistan — wars that they considered to be attacks on Islam. What if this really was the motive? What if these brothers really were sincere Islamist revolutionaries, like the thousands of others who have rallied to militant jihadism in the past several decades, whether they were connected to international Islamist networks or acting on their own? That doesn’t exonerate their brutal crimes in any way. But surely Islamist terrorists are best understood in terms of the common Islamist ideology they share, rather than personal or familial experiences that are unique to each.</p><p><a href="http://www.salon.com/2013/04/30/were_the_tsarnaevs_nuts_or_revolutionaries/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>81</slash:comments>
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		<title>Soviet spacecraft possibly spotted on Mars</title>
		<link>http://www.salon.com/2013/04/11/soviet_mars_spacecraft_possibly_spotted_in_photos_ap/</link>
		<comments>http://www.salon.com/2013/04/11/soviet_mars_spacecraft_possibly_spotted_in_photos_ap/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 21:53:00 +0000</pubDate>
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				<category><![CDATA[4]]></category>
		<category><![CDATA[Technology]]></category>
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		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[From the Wires]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[Mars]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[Space]]></category>
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		<guid isPermaLink="false">http://www.salon.com/2013/04/11/soviet_mars_spacecraft_possibly_spotted_in_photos/</guid>
		<description><![CDATA[NASA images reveal what may be parts of a Soviet ship that landed on the red planet in 1971]]></description>
			<content:encoded><![CDATA[<p>LOS ANGELES (AP) — Space fans from Russia scanning NASA images have spotted what may be a Soviet spacecraft that landed on Mars in 1971 and then mysteriously stopped working.</p><p>Photos taken by NASA's Mars Reconnaissance Orbiter circling the red planet pointed to what may be the Mars 3 lander along with its parachute, heat shield and other hardware that it jettisoned during the descent through the thin Martian atmosphere.</p><p>While scientists said the find appeared promising, more follow-up was needed to rule out other possibilities.</p><p>Mars 3 operated for only 15 seconds on the Martian surface before it suddenly stopped communicating. It was part of a double mission the Soviet Union launched in 1971. Its twin, Mars 2, crashed.</p><p>The Russian space enthusiasts were part of an online group that followed the Curiosity rover, NASA's latest Mars mission. They used crowdsourcing to pore through publicly available archive images and contacted scientists about their find.</p><p>Earlier this year, at the group's request, the reconnaissance orbiter passed over the region where Mars 3 was thought to have landed and photographed the site.</p><p><a href="http://www.salon.com/2013/04/11/soviet_mars_spacecraft_possibly_spotted_in_photos_ap/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<title>Bomb from World War II defused near Berlin&#8217;s main station</title>
		<link>http://www.salon.com/2013/04/03/wartime_bomb_defused_near_berlins_main_station_ap/</link>
		<comments>http://www.salon.com/2013/04/03/wartime_bomb_defused_near_berlins_main_station_ap/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 16:32:00 +0000</pubDate>
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				<category><![CDATA[Technology]]></category>
		<category><![CDATA[Life]]></category>
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		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[From the Wires]]></category>
		<category><![CDATA[World War II]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Soviet Union]]></category>

		<guid isPermaLink="false">http://www.salon.com/2013/04/03/wartime_bomb_defused_near_berlins_main_station/</guid>
		<description><![CDATA[Nearby houses were evacuated and flights to the city's main airport were briefly disrupted]]></description>
			<content:encoded><![CDATA[<p>BERLIN (AP) — A World War II bomb was defused near Berlin's main railway station on Wednesday after trains were diverted, nearby houses evacuated and flights to the city's main airport briefly disrupted.</p><p>The 220-pound (100-kilogram) bomb was found Tuesday evening at a building site near the station, which stands in a relatively sparsely populated area near what used to be the border between West and East Berlin.</p><p>Experts decided to defuse the Soviet bomb on the spot, a former freight depot. They evacuated people from a few dozen nearby buildings and diverted trains heading north toward Hamburg. Most trains, however, were able to continue running undisrupted.</p><p>As a precaution, authorities also decided briefly to stop planes landing at the city's Tegel airport, a few miles away, while the bomb was defused — an operation that took half an hour. It wasn't immediately clear how many flights were delayed.</p><p>Some 150 people who lived nearby waited at a nearby school while the bomb was defused, police spokesman Jens Berger said.</p><p>Allied airplanes dropped huge quantities of ordnance on Germany during World War II in an effort to cripple the Nazi war machine.</p><p><a href="http://www.salon.com/2013/04/03/wartime_bomb_defused_near_berlins_main_station_ap/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Pick of the week: A Cold War sub drama, from the other side</title>
		<link>http://www.salon.com/2013/03/01/pick_of_the_week_a_cold_war_sub_drama_from_the_other_side/</link>
		<comments>http://www.salon.com/2013/03/01/pick_of_the_week_a_cold_war_sub_drama_from_the_other_side/#comments</comments>
		<pubDate>Fri, 01 Mar 2013 01:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Our Picks]]></category>
		<category><![CDATA[Our Picks: Movies]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Thrillers]]></category>
		<category><![CDATA[Cold War]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[submarines]]></category>
		<category><![CDATA[Editor's Picks]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13215114</guid>
		<description><![CDATA[A mysterious missing-submarine episode from the height of the Cold War comes alive in "Phantom"]]></description>
			<content:encoded><![CDATA[<p>Am I seriously nominating an old-school, low-budget submarine thriller, with Ed Harris and David Duchovny playing Russians, as my favorite movie of the week? I know it’s a little eccentric, but sure I am. For one thing, I’ve already aired my objections to Park Chan-wook’s unintentionally campy Goth-drama <a href="http://www.salon.com/2013/02/28/stoker_a_pervy_american_gothic_gets_lost_%E2%80%94_and_even_weirder_%E2%80%94_in_translation/">“Stoker,”</a> which is no doubt a better film on various technical and theoretical levels but also felt fundamentally empty. But even given its overly familiar story about a Soviet sub going rogue at a moment of heightened Cold War tension, writer-director Todd Robinson’s <a href="http://phantomthefilm.com/">“Phantom”</a> has a pulpy B-movie intensity and economy to match its cast of quality character actors.</p><p><a href="http://www.salon.com/2013/03/01/pick_of_the_week_a_cold_war_sub_drama_from_the_other_side/">Continue Reading...</a></p>]]></content:encoded>
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		<title>America&#8217;s forgotten war</title>
		<link>http://www.salon.com/2012/11/23/americas_forgotten_war/</link>
		<comments>http://www.salon.com/2012/11/23/americas_forgotten_war/#comments</comments>
		<pubDate>Fri, 23 Nov 2012 15:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[Cold War]]></category>
		<category><![CDATA[America]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13105562</guid>
		<description><![CDATA[Historian Jon Wiener asks: If the Cold War was a great struggle the West won, then where are all the monuments?]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lareviewofbooks.org/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/06/LARB_LOGO_RED_LIGHT1.jpg" alt="Los Angeles Review of Books" align="left" /></a> IN THE EUPHORIC FIRST WEEKS after the fall of the Berlin Wall, East German protesters who had risked everything to overthrow their government and were now jockeying for position in the emerging new Germany were puzzled by a growing number of news reports from the other side of the Atlantic.</p><p>American conservatives, they kept hearing, were claiming credit for ending the Cold War and “liberating” them from the yoke of Soviet communism.</p><p>They were puzzled not just because the names of these conservatives — Gingrich, Buchanan, Kemp — were unfamiliar. What baffled them was more fundamental: they hadn’t received American help at all. The CIA, by its own later admission, was entirely absent during the long months and years when East German dissidents organized covert meetings in churches and semi-derelict apartment buildings, usually no more than a step or two ahead of the Stasi, the all-pervasive secret police.</p><p><a href="http://www.salon.com/2012/11/23/americas_forgotten_war/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>18</slash:comments>
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		<title>The Cuban Missile Crisis: An all-too-real October surprise</title>
		<link>http://www.salon.com/2012/10/23/the_cuban_missile_crisis_an_all_too_real_october_surprise/</link>
		<comments>http://www.salon.com/2012/10/23/the_cuban_missile_crisis_an_all_too_real_october_surprise/#comments</comments>
		<pubDate>Tue, 23 Oct 2012 19:43:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Politics]]></category>
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		<category><![CDATA[October surprise]]></category>
		<category><![CDATA[Bob Schieffer]]></category>
		<category><![CDATA[Cuban Missile Crisis]]></category>
		<category><![CDATA[Fidel Castro]]></category>
		<category><![CDATA[Nikita Khrushchev]]></category>
		<category><![CDATA[John F. Kennedy]]></category>
		<category><![CDATA[PBS]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13049954</guid>
		<description><![CDATA[A pair of PBS specials reminds us that 50 years ago this week, we were on the brink of total nuclear annihilation]]></description>
			<content:encoded><![CDATA[<p>It seemed at first more a testimony to his own advanced age that 75-year-old Bob Schieffer invoked the Cuban Missile Crisis before the final presidential debate got underway in Boca Raton, Fla., Monday night. Yet, as a pair of PBS documentaries tonight reminds us, nothing could be more central to a contemporary foreign policy discussion than the frightening brink of total nuclear annihilation reached during that tense October, 50 years ago this week.</p><p>Just about the whole vocabulary of current international dealings were used in that conflict half a century ago. Blockades, showing strength, drawing a red line — all part of Monday’s debate — were at the center of the Cuban Missile Crisis. And the war porn that got us all into it – annotated aerial spy plane photos of construction sites and alleged warmaking plans — along with show-and-tell demonstrations at the U.N., were part of the process of invading Iraq a decade ago.</p><p><a href="http://www.salon.com/2012/10/23/the_cuban_missile_crisis_an_all_too_real_october_surprise/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The week the earth stood still</title>
		<link>http://www.salon.com/2012/10/15/the_week_the_earth_stood_still/</link>
		<comments>http://www.salon.com/2012/10/15/the_week_the_earth_stood_still/#comments</comments>
		<pubDate>Mon, 15 Oct 2012 21:58:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[TomDispatch.com]]></category>
		<category><![CDATA[Noam Chomsky]]></category>
		<category><![CDATA[Turkey]]></category>
		<category><![CDATA[John F. Kennedy]]></category>
		<category><![CDATA[Cuban Missile Crisis]]></category>
		<category><![CDATA[Communism]]></category>
		<category><![CDATA[Soviet Union]]></category>
		<category><![CDATA[Cuba]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13041331</guid>
		<description><![CDATA[Fifty years after the Cuban Missile Crisis, its lessons about the perils of global domination still resonate]]></description>
			<content:encoded><![CDATA[<p>The world stood still 50 years ago during the last week of October, from the moment when it learned that the Soviet Union had placed nuclear-armed missiles in Cuba until the crisis was officially ended -- though unknown to the public, only officially.</p><p>The image of the world standing still is the turn of phrase of Sheldon Stern, former historian at the John F. Kennedy Presidential Library, who published the authoritative version of the tapes of the ExComm meetings where Kennedy and a close circle of advisers debated how to respond to the crisis.  Those meetings were secretly recorded by the president, which might bear on the fact that his stand throughout the recorded sessions is relatively temperate compared to other participants, who were unaware that they were speaking to history. </p><p>Stern has just published an accessible and accurate review of this critically important documentary record, finally declassified in the late 1990s.  I will keep to that here. “Never before or since,” he concludes, “has the survival of human civilization been at stake in a few short weeks of dangerous deliberations,” culminating in “the week the world stood still.”</p><p><a href="http://www.salon.com/2012/10/15/the_week_the_earth_stood_still/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Stuck in American Samoa: Please let me come home</title>
		<link>http://www.salon.com/2012/10/10/stuck_in_western_samoa_please_let_me_come_home/</link>
		<comments>http://www.salon.com/2012/10/10/stuck_in_western_samoa_please_let_me_come_home/#comments</comments>
		<pubDate>Wed, 10 Oct 2012 00:00:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Immigration]]></category>
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		<category><![CDATA[Life stories]]></category>
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		<category><![CDATA[stateless]]></category>
		<category><![CDATA[American Samoa]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13034645</guid>
		<description><![CDATA[Nine months ago, I took a vacation. Thanks to a broken immigration system and one misstep, I can't reenter the U.S.]]></description>
			<content:encoded><![CDATA[<p>Nine months ago, I came to American Samoa for a four-day New Year’s Eve vacation. Since then, I have been stranded here, unable to return back to the U.S. My story is unusual: I am a stateless person, despite having lived legally in the states for 16 years, and thanks to a broken immigration system, I am now trapped here indefinitely.</p><p>These nine months have been torture for me. I’m a heat-sensitive person, and American Samoa is like an open oven. No wind blows through here. It’s hard to breathe. I miss fresh vegetables and fresh-squeezed juices. I miss making lattes and baking cakes for customers at the coffee shop in Los Angeles where I worked. The only place I feel comfortable here is the local McDonalds, where I come every morning to use the free Wi-Fi and cool off in the air conditioning. I email with friends back in the United States. I blog about my experience. I email with advocates and petition them to help my case. But I wonder how long I can go on, and just how much one person can bear. I sometimes think of suicide.</p><p>Sixteen years ago, I came to America to seek peace and freedom. Now, I am stuck on an island in the South Pacific without the promise of escape.</p><p>___</p><p><a href="http://www.salon.com/2012/10/10/stuck_in_western_samoa_please_let_me_come_home/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>66</slash:comments>
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		<title>National Review&#8217;s Ryan-Romney cover resembles Soviet propaganda</title>
		<link>http://www.salon.com/2012/09/07/national_reviews_ryan_romney_cover_resembles_soviet_propaganda/</link>
		<comments>http://www.salon.com/2012/09/07/national_reviews_ryan_romney_cover_resembles_soviet_propaganda/#comments</comments>
		<pubDate>Fri, 07 Sep 2012 20:43:00 +0000</pubDate>
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				<category><![CDATA[News]]></category>
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		<category><![CDATA[Mitt Romney]]></category>
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		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13004219</guid>
		<description><![CDATA["The Case For Romney" gets a little bit Communist]]></description>
			<content:encoded><![CDATA[<p><a href="http://krugman.blogs.nytimes.com/2012/09/07/if-only-this-goes-on/?smid=tw-NytimesKrugman&amp;seid=auto">Paul Krugman</a> (and Open Salon <a href="http://open.salon.com/blog/bob_calhoun/2012/09/04/national_review_takes_a_bite_of_nazi_propaganda/comment">blogger</a> Bob Calhoun) flagged the latest National Review cover, which makes "The Case For Mitt Romney," Soviet propaganda-style:</p><p><img id="100000001766405" src="http://graphics8.nytimes.com/images/2012/09/07/opinion/080712krugman1/080712krugman1-blog480.jpg" alt="" width="480" height="339" /></p><p><a href="http://www.salon.com/2012/09/07/national_reviews_ryan_romney_cover_resembles_soviet_propaganda/">Continue Reading...</a></p>]]></content:encoded>
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		<title>What to watch instead of &#8220;Winnie the Pooh&#8221;</title>
		<link>http://www.salon.com/2011/07/14/what_to_watch_russian_winnie_the_pooh/</link>
		<comments>http://www.salon.com/2011/07/14/what_to_watch_russian_winnie_the_pooh/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 08:39:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Animation]]></category>
		<category><![CDATA[Russia]]></category>
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		<category><![CDATA[Viral Video]]></category>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/feature/2011/07/14/what_to_watch_russian_winnie_the_pooh</guid>
		<description><![CDATA[While the yellow bear makes a comeback on the big screen, his Soviet doppelganger Vinni Pukh deserves some love too]]></description>
			<content:encoded><![CDATA[<p>With its <a href="http://www.salon.com/entertainment/movies/andrew_ohehir/2011/07/12/winnie_the_pooh">totally un-Pixarlated look and nougaty nostalgia core</a>, Disney's new "Winnie the Pooh" movie might be the perfect antidote for the summer 3-D blockbuster. Then again, do you really want to pay $12 for a film whose main appeal is that it feels <em>old</em>? Not to get all Eeyore on you, but I'd just as soon fork over my money for something I haven't seen before. (Which also rules out the new "Transformers," with <a href="http://www.salon.com/entertainment/tv/feature/2011/07/05/michael_bay_transformers_3_the_island">its reused fight sequences</a>.)</p><p>I know I'm not the intended audience for "Winnie the Pooh," and by all rights, it looks like a very cute picture. But if you're looking for a more far-out interpretation of A.A. Milne's children's classic, check out the Soviet-era "Vinni Pukh" cartoons (sometimes translated as Vinnie-Puh), <a href="http://www.animator.ru/db/?ver=eng&amp;p=show_film&amp;fid=6758">a trilogy of Russian shorts</a> based on Boris Zakhoder's translation of "Winnie the Pooh."</p><p><a href="http://www.salon.com/2011/07/14/what_to_watch_russian_winnie_the_pooh/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Gorbachev accuses Putin of contempt for voters</title>
		<link>http://www.salon.com/2011/02/21/russia_gorbachev_criticizes_putin/</link>
		<comments>http://www.salon.com/2011/02/21/russia_gorbachev_criticizes_putin/#comments</comments>
		<pubDate>Mon, 21 Feb 2011 12:38:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/news/feature/2011/02/21/russia_gorbachev_criticizes_putin</guid>
		<description><![CDATA[Former Soviet leader also says Russian government only has imitations of parliamentary and judicial systems]]></description>
			<content:encoded><![CDATA[<p>Former Soviet leader Mikhail Gorbachev has accused Russia's current rulers of conceit and contempt for voters in his harshest criticism of the government yet.</p><p>Gorbachev on Monday criticized Prime Minister Vladimir Putin and President Dmitry Medvedev for saying that they will decide between them who should run for president in Russia's March 2012 presidential vote.</p><p>Gorbachev said the statements show an "incredible conceit" and disrespect for voters. Gorbachev has previously avoided personal criticism of Putin, who is widely expected to reclaim presidency.</p><p>Gorbachev, who will turn 80 next week, also denounced the main pro-Kremlin United Russia party as a "bad copy" of the Soviet Communist Party and said that Russia has only imitations of a parliament and judicial system.</p><p><a href="http://www.salon.com/2011/02/21/russia_gorbachev_criticizes_putin/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;How I Ended This Summer&#8221;: A thriller from the Russian Arctic</title>
		<link>http://www.salon.com/2011/02/04/how_i_ended/</link>
		<comments>http://www.salon.com/2011/02/04/how_i_ended/#comments</comments>
		<pubDate>Fri, 04 Feb 2011 01:30:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/andrew_ohehir/2011/02/03/how_i_ended</guid>
		<description><![CDATA[Pick of the week: "The Shining" meets "Shutter Island" in the subtle, spectacular "How I Ended This Summer"]]></description>
			<content:encoded><![CDATA[<p>I feel pretty safe in telling you that there are layers of social and political allegory beneath <a href="http://www.filmmovement.com/theatrical/index.asp?MerchandiseID=233">"How I Ended This Summer,"</a> Russian director Alexei Popogrebsky's thriller about two men alone in the Arctic. I mean, it's a Russian movie -- that goes with the turf. But you don't have to go spelunking for deep meanings below this impressively crafted piece of cinema to enjoy it. Filmed at an actual meteorological research station in the Russian Arctic coast that was built under Stalin, "How I Ended This Summer" combines memorable images of the gorgeous, rugged wilderness, meticulous sound design that emphasizes the characters' isolation, a dash of dark wit and a dose of madness.</p><p>Yes, if you're keeping score at home that makes three weeks running that Pick of the Week has settled on a foreign film from a snowy northern country (with a fourth, I suspect, on the way next week). I'm not exactly doing it on purpose, but it may well have something to do with the amazing winter those of us in the eastern two-thirds of the country are enduring. Actually, compared to the frozen slush of the Northeastern megalopolis in February, the desolate beauty, perpetual sunlight and endless seafood buffet of an Arctic Ocean summer look like Barbados.</p><p><a href="http://www.salon.com/2011/02/04/how_i_ended/">Continue Reading...</a></p>]]></content:encoded>
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		<title>How &#8220;Battleship Potemkin&#8221; reshaped Hollywood</title>
		<link>http://www.salon.com/2011/01/12/potemkin/</link>
		<comments>http://www.salon.com/2011/01/12/potemkin/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 01:32:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/andrew_ohehir/2011/01/11/potemkin</guid>
		<description><![CDATA[An electrifying new restoration reveals Eisenstein's Soviet-era classic as pioneering action cinema]]></description>
			<content:encoded><![CDATA[<p>Anybody who thinks that Sergei Eisenstein's <a href="http://www.amazon.com/gp/product/B000V7HFL4?ie=UTF8&amp;tag=saloncom08-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B000V7HFL4">"Battleship Potemkin"</a> is an "art film" either hasn't seen the movie at all or had it ruined for them by some combination of a butchered print and a tedious film-history professor. As a remarkable new restoration of the 1925 Soviet silent classic makes clear, "Battleship Potemkin" is first and foremost an action drama, a work of straightforward emotion and pulse-quickening tension. This taut, 71-minute picture is stitched together from more than 1,300 shots, very few of them lasting more than three or four seconds. For better or worse, this film's true revolutionary legacy is not art cinema but Hollywood; it's got a lot more in common with Tony Scott's <a href="http://www.salon.com/entertainment/movies/andrew_ohehir/2010/11/10/unstoppable">"Unstoppable"</a> than it does with Andrei Tarkovsky.</p><p><a href="http://www.salon.com/2011/01/12/potemkin/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;Disco and Atomic War&#8221;: How David Hasselhoff won the Cold War</title>
		<link>http://www.salon.com/2010/11/12/disco_atomic_war/</link>
		<comments>http://www.salon.com/2010/11/12/disco_atomic_war/#comments</comments>
		<pubDate>Fri, 12 Nov 2010 19:30:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/andrew_ohehir/2010/11/12/disco_atomic_war</guid>
		<description><![CDATA[A hilarious Estonian documentary (yes, really!) asks whether disco and "Dallas" defeated Communism]]></description>
			<content:encoded><![CDATA[<p>You won't see another documentary all year long that packs quite the same combination of pure fun and eye-opening information as <a href="http://icarusfilms.com/new2010/disco.html">"Disco and Atomic War,"</a> a strange and delightful work of historical collage from Estonian filmmaker Jaak Kilmi. No, I know -- I can feel you slipping into a coma out there: <em>O'Hehir is trying to convince me to watch an Estonian documentary!</em> But hang on a second while I fling a pitcher of ice water in your face and explain that this particular Estonian documentary features David Hasselhoff (in his classic "Knight Rider" phase) and dueling Finnish- and Soviet-made instructional videos about disco dancing. And you have not lived, my friends, until you have seen a bunch of 50ish Finnish people in mid-'70s leisure wear completely giving up the funk.</p><p><a href="http://www.salon.com/2010/11/12/disco_atomic_war/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;Carlos&#8221;: International terror, Sopranos-style</title>
		<link>http://www.salon.com/2010/10/15/carlos/</link>
		<comments>http://www.salon.com/2010/10/15/carlos/#comments</comments>
		<pubDate>Fri, 15 Oct 2010 00:01:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/andrew_ohehir/2010/10/14/carlos</guid>
		<description><![CDATA[Edgar Ram]]></description>
			<content:encoded><![CDATA[<p>For some obvious reasons and others we can guess at, quite a few 21st-century filmmakers seem drawn to the shadowy and outrageous history of 1960s and '70s radicalism, especially at its outermost fringes. <a href="http://www.ifcfilms.com/films/carlos">"Carlos,"</a> the dazzling, epic-scale movie and/or mini-series from French director <a href="http://www.salon.com/2009/05/15/oliver_assayas">Olivier Assayas,</a> is the latest and probably greatest example, but it's definitely not alone. In the last few years we've also seen Steven Soderbergh's <a href="http://www.salon.com/2008/12/12/soderbergh_2/">"Che,"</a> Uli Edel's Oscar-nominated <a href="http://www.salon.com/2009/08/25/baader_meinhof">"Baader Meinhof Complex,"</a> Japanese director Koji Wakamatsu's docudrama <a href="http://www.imdb.com/title/tt0923869/">"United Red Army"</a> (never released in the United States) and Italian director Marco Bellocchio's <a href="http://www.salon.com/2005/11/10/btm">"Good Morning, Night."</a> (It might be stretching the point to include Steven Spielberg's 2005 <a href="http://www.salon.com/2005/12/23/munich/">"Munich,"</a> but it's definitely related.)</p><p><a href="http://www.salon.com/2010/10/15/carlos/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
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		<title>The unmaking of a company man</title>
		<link>http://www.salon.com/2010/08/26/united_states_military_imperialism_education/</link>
		<comments>http://www.salon.com/2010/08/26/united_states_military_imperialism_education/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 16:45:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/news/opinion//feature/2010/08/26/united_states_military_imperialism_education</guid>
		<description><![CDATA[After hewing to military orthodoxy for years, my real education began in the shadow of the Brandenberg Gate]]></description>
			<content:encoded><![CDATA[<p>Worldly ambition inhibits true learning. Ask me. I know. A young man in a hurry is nearly uneducable: He knows what he wants and where he's headed; when it comes to looking back or entertaining heretical thoughts, he has neither the time nor the inclination. All that counts is that he is going somewhere. Only as ambition wanes does education become a possibility.</p><p>My own education did not commence until I had reached middle age. I can fix its start date with precision: for me, education began in Berlin, on a winter's evening, at the Brandenburg Gate, not long after the Berlin Wall had fallen.</p><p>As an officer in the U.S. Army I had spent considerable time in Germany. Until that moment, however, my family and I had never had occasion to visit this most famous of German cities, still littered with artifacts of a deeply repellent history. At the end of a long day of exploration, we found ourselves in what had, until just months before, been the communist East. It was late and we were hungry, but I insisted on walking the length of the Unter den Linden, from the River Spree to the gate itself. A cold rain was falling and the pavement glistened. The buildings lining the avenue, dating from the era of Prussian kings, were dark, dirty, and pitted. Few people were about. It was hardly a night for sightseeing.</p><p><a href="http://www.salon.com/2010/08/26/united_states_military_imperialism_education/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Shocking news: The world is stable!</title>
		<link>http://www.salon.com/2009/12/08/stable/</link>
		<comments>http://www.salon.com/2009/12/08/stable/#comments</comments>
		<pubDate>Tue, 08 Dec 2009 01:05:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/news/opinion//feature/2009/12/07/stable</guid>
		<description><![CDATA[China dominance? U.S. decline and fall? Believe it when you see it]]></description>
			<content:encoded><![CDATA[<p>In a few weeks, the second decade of the 21st century will be upon us. (Note to purists who insist that it will begin on Jan. 1, 2011: Get a life.) The first decade of this century is likely to be remembered as the Decade From Hell. It began with a stock market crash and the 9/11 attacks. It ended with the greatest global economic crisis since the Great Depression and deepening U.S. military involvement in Afghanistan and Pakistan. A decade's worth of stock market gains were swiftly erased and for 10 years there has been no new net job creation outside the areas of healthcare, education and government.</p><p>The oughts can't end a moment too soon.</p><p>What does the decade of 2010-20 hold in store? There is already a consensus among America's commentariat. We are told that the near future will see the decline of the United States and the rise of China in global power politics and, as an added attraction, the decline of the nation-state.</p><p>Yeah, sure. I'll believe it when I see it.</p><p><a href="http://www.salon.com/2009/12/08/stable/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Why the Berlin Wall fell</title>
		<link>http://www.salon.com/2009/10/14/uncivil_society/</link>
		<comments>http://www.salon.com/2009/10/14/uncivil_society/#comments</comments>
		<pubDate>Wed, 14 Oct 2009 07:06:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2009/10/14/uncivil_society</guid>
		<description><![CDATA[Stephen Kotkin's fascinating "Uncivil Society" presents a revisionist account of Communism's failure]]></description>
			<content:encoded><![CDATA[<p>When the Berlin Wall fell 20 years ago this November, it seemed, from the outside, to have simply melted away like the Wicked Witch of the West after a good dousing. Like the witch, the Soviet Union and its Eastern bloc had appeared to be an implacable and wily adversary, an aspect of modern life as inevitable as death and taxes. But Dorothy's astonishment at discovering that a mere pailful of dirty water had foiled her nemesis was nothing compared to that of the average Westerner upon seeing the Wall crumble for, it seemed, no reason at all. Suddenly, television was filled with images of mobs of East Germans dancing on the concrete monolith that, a few weeks earlier, they couldn't even approach without being gunned down. Not a drop of blood had been shed. How did <em>that</em> happen?</p><p><a href="http://www.salon.com/2009/10/14/uncivil_society/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>50</slash:comments>
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		<title>Critic&#8217;s Picks: The tragic twilight of Leon Trotsky</title>
		<link>http://www.salon.com/2009/10/01/trotsky/</link>
		<comments>http://www.salon.com/2009/10/01/trotsky/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 10:31:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/critics_picks/2009/10/01/trotsky</guid>
		<description><![CDATA[A gripping new account captures the October Revolution's great intellectual facing doom (and feeding bunnies)]]></description>
			<content:encoded><![CDATA[<p>No matter what your political orientation, if you believe -- or ever did believe -- in the potential betterment of humanity, then you've got something to learn from the strange and tragic story of Leon Trotsky. It's a tale of pride and power and political failure, of genius turned to the service of dogged, dogmatic conviction, of a supremely intelligent man who destroyed others in the name of a cause that then destroyed him. It was a story that finally reached its end in 1940, in a legendary encounter with an assassin armed with a mountaineer's pickax, as Stanford professor Bertrand Patenaude illustrates in <a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FTrotsky-Downfall-Revolutionary-Bertrand-Patenaude%2Fdp%2F0060820683%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1254345664%26sr%3D1-1&amp;tag=saloncom08-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325">"Trotsky: Downfall of a Revolutionary,"</a> his gripping, cinematic new book about the last years of the Ukrainian Jew who was born Lev Davidovich Bronstein. (Whatever your feelings about Trotsky, the story of his murder by Ram&#243;n Mercader, the suave Stalinist agent who had wormed his way into the heavily guarded Trotsky compound outside Mexico City, may give you sleepless nights.)</p><p><a href="http://www.salon.com/2009/10/01/trotsky/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Rape in Berlin: Facing the truth</title>
		<link>http://www.salon.com/2009/07/17/berlin_4/</link>
		<comments>http://www.salon.com/2009/07/17/berlin_4/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 16:18:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/movies/beyond_the_multiplex//feature/2009/07/17/berlin</guid>
		<description><![CDATA[Thousands of German women were sexually assaulted near the end of WW II. Brutal payback, a war crime or both? ]]></description>
			<content:encoded><![CDATA[<p><div class="art c">     <img class='wp-image-10049392' src='http://media.salon.com/2009/07/story26.jpg' /></p><p class="credit">Strand Releasing</p><p class="caption">Nina Hoss in "A Woman in Berlin."</p><p>At first glance, Max F&#228;rberb&#246;ck's World War II melodrama <a href="http://www.strandreleasing.com/">"A Woman in Berlin"</a> is exactly the kind of worthy but unremarkable foreign-language movie likely to come and go quickly, hitting a few big-city theaters on its way to DVD. But however and wherever you see it, "A Woman in Berlin" is a distinctive achievement, a World War II movie unlike any other and one of the few films ever to address a topic that makes almost everyone want to look away: What happens to women in wartime.</p><p>Since long before the time of Helen of Troy -- who was Helen of Sparta until the Trojan prince Paris snatched her -- women's bodies have been among the principal spoils of war. Even in the modern age, when women are theoretically regarded as human beings rather than property, this old pattern has reasserted itself on a regular basis. "A Woman in Berlin" is based on the notorious 1953 memoir by a woman who called herself Anonyma. She was among the thousands of girls and women who were repeatedly raped by occupying Russian soldiers amid the smoldering ruins of Berlin during the chaotic final stages of World War II. As many of the younger and more attractive women did, Anonyma turned to a Red Army officer for protection, preferring to be a kept woman rather than the sex toy of any random infantryman.</p><p><a href="http://www.salon.com/2009/07/17/berlin_4/">Continue Reading...</a></p>]]></content:encoded>
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