Suicide
Pick of the week: Haunting, gorgeous “Oslo, August 31st”
Pick of the week: "Oslo, August 31st" is a wrenching voyage of discovery in Norway's suddenly trendy capital
“Oslo, August 31st” is, as the title suggests, an evocation of one day in the Norwegian capital, as experienced by a troubled young man who’s facing the end of summer and the end of his youth. It’s a marvelously constructed personal journey, both wrenching and bittersweet, whose emotional ripple effects stay with you for days and weeks afterward. While much of international art cinema can seem overly talky or conceptually alien to American viewers, this second feature film from Norwegian director Joachim Trier is a dynamic, even breathtaking visual experience without much dialogue or any philosophical heavy lifting, following the bony, handsome, exceedingly vulnerable Anders (Anders Danielsen Lie) through coffee shops, nightclubs and bodies of water, en route to an ambiguous final destination.
I saw “Oslo, August 31st” last year at Cannes and found it powerfully affecting, but I never would have guessed that this small movie from a small country would have touched an international nerve the way it apparently has. In the wake of a breathless profile of doctor-turned-actor Lie and his supermodel wife, Iselin Steiro, in the New York Times’ style magazine — which made the film sound rather like a fashion accessory, or a handbook to Oslo architecture — I almost feel the need to dial back expectations a little. Yes, there are drugs and dance clubs and traveling shots but, honest to Pete, we’re not talking stylish, scenic, lovable hipster romp here, people. While “Oslo, August 31st” definitely has the dynamism and street-level energy of, say, an early Godard picture, and may indeed leave you eager to visit Norway, it’s first and foremost an intimate tragedy about a likable young man who has wandered off the path of life into some very dark woods, and isn’t necessarily finding his way back.
As in Trier’s equally wonderful first film, the 2006 “Reprise” — I’m pretty much the president of the cult on that one — the director is interested in exploring the existential dark side of Scandinavian social democracy, with its largely homogeneous character and devotion to equal opportunity. When I talked to Trier about that film, which featured Lie and Espen Klouman-Hoiner as a pair of arrogant, doomed aspiring novelists, he observed that in Norway “there are a lot of people with a lot of choices. It sounds wonderful but there’s a darker side to that. Lots of people are not dealing with those choices very well.” Anders in “Oslo, August 31st” is something like the worst-case outcome for Lie’s character in “Reprise”; he’s a guy from a loving, middle-class family who’s got looks, health, intelligence and education, but for unknowable reasons finds himself on the edge of middle age as a penniless, unemployable, supposedly recovering junkie.
Trier and co-writer Eskil Vogt adapted their central premise from “Le Feu Follet,” a 1930s novella about alcoholism by Pierre Drieu La Rochelle, but “Oslo, August 31st” could really be set anywhere at any time. It’s about the painful necessity of adapting to change, every single day that we’re alive, and if we identify with Anders even as we rage against his despair, it’s because every living human has at some point considered the possibility that it’s just too much and the struggle isn’t worth it. Anders is doing well in drug rehab, and has cautiously been granted a one-day leave to visit Oslo friends and apply for a job. But we can tell from the first moments of the film that his agenda is more complicated than that; Anders is in the position of a certain Danish prince, evaluating the reasons for being against the reasons for ceasing to be. (Trier, by the way, is cousin to another famous Dane, “Melancholia” director Lars von Trier, and one could argue their visions of the world are related as well.)
“Oslo, August 31st” runs a lean, mean 95 minutes, and not one second seems unimportant. Anders moves through the streets of Oslo looking for reasons to live and reasons to die, and even though we don’t know those streets as he does, we can tell that they’re haunted with memories and private agonies. The city is dotted with construction cranes and demolition sites, remorselessly regenerating itself while he appears to stand still. Indeed, Anders’ family home will soon be sold, and one of his personal missions is to pay a final visit. (The fluid, poetic cinematography is by Jakob Ihre.) He insults a prospective employer, refuses to make peace with his alienated sister, falls off the wagon — at first tentatively, and then enthusiastically — and leaves increasingly pathetic messages for his lost love, a woman who’s now in New York. (It’s the voice of Steiro, Lie’s real-life spouse.) On the other hand, he flirts with a younger girl who seems affectionate and charming, and who seems to open for him the promise of a new beginning. Their scene together at an Oslo swimming pool that has just closed for the season, so suggestive of both death and rebirth (and, literally, of baptism) is so gorgeous I wanted to cry. OK, I did cry, and that wasn’t the only time.
But none of that, not even the scenes where we feel that Anders is in imminent danger of taking his own life, are quite as painful as his visit with Thomas (Hans Olav Brenner), an old friend and veteran of long literary discussions and booze-and-drug sessions. Thomas has a wife and a kid now, and his vices involve an occasional bottle of beer. In the manner of one-time bohemians who’ve more or less grown up, he’s kind of an ostentatious jerk about it — but then admits to Anders, when they’re alone, that he’s desperately unhappy. Perhaps that’s the “ordinary unhappiness” Freud wrote about, the unhappiness we all have to accept to get from the last day of August into the first day of September, in Oslo or anywhere else. But is that enough? Is that ever enough, for anybody? And can we forgive those who decide that it isn’t?
“Oslo, August 31st” opens this week at the IFC Center in New York, and June 1 at Laemmle’s Playhouse 7 and Laemmle’s NoHo 7 in Los Angeles, with more cities and DVD release to follow.
Learning from suicidal salmon
The fish's journey home is extreme and deadly -- and it offers surprising insight into human extremist belief
(Credit: iStockphoto/MichaelFossler) Salmon go to great lengths to kill themselves. After a short few years frolicking in the open ocean, they may travel thousands of kilometers to get back to the precise stretch of the same river in which they were born. On this journey they will have to slip past the birds, bears, sea lions, and humans that gather at river mouths to feast on them. They must swim exhaustively upstream for many miles, using most of their energy reserves to leap up waterfalls or swim ladders (artificial waterfalls constructed on the sides of artificial dams) until they reach their spawning grounds, where their last gasps are spent producing eggs or fertilizing them with sperm before collapsing in death, never to see the ocean again.
Continue Reading CloseRafe Sagarin is a marine ecologist and environmental policy analyst at the University of Arizona. His research has appeared in Science, Nature, Foreign Policy, among other publications. He lives in Tucson, Ariz. More Rafe Sagarin.
I can’t go on. I’m overdosing
I try to hurt myself, I ingest household products, anything to stop the pain of being abused as a child
(Credit: Zach Trenholm/Salon) Dear Cary,
When I was growing up I was abused. I feel like hurting myself badly, which many times I acted on … when I went to hospital a couple of months ago a nurse told me I should go hang myself, not in the hospital … it had a big effect and a psychiatrist too said the same thing in a separate incident. It feels like my life is over for good this time like there’s nothing to live for. I had seen someone kissing today. For people it might seem normal but for me it hurt, it was like a knife in the chest. I wanted to hit my mum.
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Cary Tennis writes Salon's advice column, leads writing workshops and creative getaways, publishes books, writes an occasional newsletter and tweets as @carytennis.
- Send me a letter! Ask for advice! Letter writers please note: By sending a letter to advice@salon.com, you are giving Salon permission to publish it. Once you submit it, it may not be possible to rescind it. So be sure.
- Make a comment to Cary Tennis not for publication.
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More Cary Tennis.
The depressing toll of the Great Recession
Mental health problems mount nationwide while budgets for treatment and care are shrinking
Down and out (Credit: AP/Rick Bowmer) In late 2009, as the unemployment rate in San Joaquin County, California, reached 18 percent and one in twelve homes were being foreclosed, two high school students in the town of Ripon, population 15,000, committed suicide within two months of each other. Over the next eighteen months, sixteen more teenagers around the county took their own lives, a not-uncommon occurrence that public health researchers refer to as “suicide contagion.”
Years of declining budgets had cut the number of counselors, nurses and psychologists in county schools, impairing the ability of individual districts to handle the needs of grieving students, parents and communities on their own. So school officials in cities like Ripon, Stockton, Lodi and Linden turned to each other for help.
Continue Reading CloseRob Waters writes about health, mental health and science from his home in Berkeley, California. His investigative feature in Mother Jones, “Medicating Aliah,” examined pharmaceutical industry influence over prescribing guidelines and won the Casey Award in 2006. His articles have appeared in Bloomberg Businessweek, Mother Jones, Health, Reader’s Digest and other publications. More Rob Waters.
I kissed her and then her husband killed himself
Now I'm in an agony of guilt and my life will never be the same
(Credit: Zach Trenholm/Salon) Dear Cary,
I met a woman at work nine months ago. We clicked immediately but I refused her advances because she was married, to her second husband, in fact. After a few months, I could no longer resist the attraction. Immediately after we kissed, she told her husband they hadn’t been in a real marriage for a long time and she was leaving.
She asked him to discuss dividing their possessions. Shortly after, he went upstairs and shot and killed himself.
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Cary Tennis writes Salon's advice column, leads writing workshops and creative getaways, publishes books, writes an occasional newsletter and tweets as @carytennis.
- Send me a letter! Ask for advice! Letter writers please note: By sending a letter to advice@salon.com, you are giving Salon permission to publish it. Once you submit it, it may not be possible to rescind it. So be sure.
- Make a comment to Cary Tennis not for publication.
- Send a letter to Salon's editors not for publication.
More Cary Tennis.
Can Facebook save your life?
As suicide notes increasingly arrive in status updates, the social-networking site offers help to the despairing
(Credit: Facebook/Salon) In September 2010, Rutgers freshman Tyler Clementi posted on his Facebook page that he was “Jumping off the gw bridge sorry” – and then did. Last Christmas, Simone Back wrote that she “Took all my pills be dead soon so bye bye every one.” Several Facebook “friends” added disparaging comments, but no one stepped forward to check on her. Black’s body was found the next day. And last December, Clay Duke posted a Facebook “testament,” writing that “Some people (the government sponsored media) will say I was evil, a monster … no…” He then went on a shooting rampage and killed himself.
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Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub. More Mary Elizabeth Williams.
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