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	<title>Salon.com > The Messenger</title>
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		<title>Woody Harrelson on war, death, LBJ and Obama</title>
		<link>http://www.salon.com/2009/11/11/harrelson_2/</link>
		<comments>http://www.salon.com/2009/11/11/harrelson_2/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 08:11:00 +0000</pubDate>
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				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Beyond the Multiplex]]></category>
		<category><![CDATA[Coming home: The Army's fatal neglect]]></category>
		<category><![CDATA[Iraq war]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[The Messenger]]></category>

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		<description><![CDATA[The one-time "Cheers" star turned eco-radical climbs into bed to talk about his new film, and the new James Dean]]></description>
			<content:encoded><![CDATA[<p>Woody Harrelson began our interview by climbing barefoot onto the interior windowsill of his hotel room overlooking New York's Union Square to point out an apartment across the square where he lived briefly, 15 or 20 years ago. (It's in the building that houses the Heartland Brewery, if you know the neighborhood. On the second or third floor, he couldn't remember.) Then he got into bed.</p><p>There wasn't an ounce of pretense about any of this, I swear. He was curious to get a look at that old apartment, and felt like telling me about it. He was tired, so he got into bed. When you meet Harrelson, you get a momentary glimpse of what a strange and exhausting job it must be to be famous. The job involves meeting an endless ocean of people you don't know and most likely will never see again. The obvious solution would be to retreat behind a well-rehearsed performance of your persona, to recycle a handful of gestures and mannerisms.</p><p><a href="http://www.salon.com/2009/11/11/harrelson_2/">Continue Reading...</a></p>]]></content:encoded>
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