[The SALON Interview]

[Bright lights, bad reviews]

Jay McInerney
on the
aftermath
of literary
stardom.


By DWIGHT GARNER

a funny thing happened to Jay McInerney, the zeitgeist-flicking author of the hippest and funniest pop novel of the early '80s -- "Bright Lights, Big City" -- on the yellow brick road to literary fame and fortune. Somewhere along the way he transmogrified into the Dan Quayle of the American publishing scene, a man who can hardly buy an ounce of critical respect.

Maybe it's what McInerney refers to as the "accumulated weight" of all those photos of him out nightclubbing (remember his involuntary participation in Spy magazine's "Iron-Man" nightlife decathlon contest?), looking like a gin-soaked deer caught in the headlights. Or maybe it was the overriding glibness of his ensuing novels ("The Story of My Life" was particularly thin) that made critics want to pile on. Either way, you can say this about McInerney in 1996: he has the firm, sturdy gaze of a survivor.

Next page: The upwelling of the id




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