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T A B L E_T A L K When is it a bad idea to venture off the beaten path? Weigh in on the hubris of going where the tourists don't in Table Talk's Wanderlust area R E C E N T L Y Family values in Africa
High on Huautla
Why I hate B&Bs
A desert affair
Iowa heartland
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BY SUSANNA STROMBERG | People get lonely on ships. People get bored cooped up on a floating
island the length of a football field with 3,000 strangers. People get
lustful sitting in the cocktail lounge, sipping their second Bloody Mary
at 10 a.m., with nothing but time, watching the wistful blond gazing out
the window onto the aqua-colored glaciers as the ship floats by.
"Would you like another?" the cocktail waitress propositions, coyly,
handing you a third, fourth, fifth drink before you can answer.
"What the hell. Charge it," you say with reckless abandon, pounding your
fist on the table for emphasis, flinging your room key toward her with a
flip of your wrist. You've got nothing to lose. You don't know any of the
other passengers -- you've taken a cruise to meet someone, after all. In
all likelihood, you'll never see them again. Besides, you say to yourself,
what's life if you don't live it?
People develop a false sense of confidence talking to the bartender in the
disco, leaning across the bar, dipping their fingers into the bowl of
maraschino cherries, dancing with men twice their age, exchanging
flirtatious glances across the room with Paul, the ship photographer.
"So, is it going to happen with us?" Paul whispered as he settled into the
booth next to me. Our thighs touched beneath the table. He took my face
between his hands. "Well?"
I set down my Electric Lemonade -- the bartender was right, you couldn't
taste the alcohol -- and considered his question. Paul was wearing a
fluorescent green sweater that glowed like anti-freeze under the flashing
lights of the disco ball. The room spun. A couple dressed in shiny blue
leisure suits pranced onto the dance floor. He swung her between his legs
then pulled her in close to him and dipped her into a low back arch.
Everyone let out an "Oh!" Then the room was filled with applause.
Nineteen-year-old girls on a cruise with their family get lightheaded and
giddy in a hot, dark room filled with music and cigarette smoke and booze.
They feel flattered by the attention of men with deep blue eyes and
chiseled jaws -- "He looks just like Val Kilmer!" Distracted, my mind swam
away from Paul's question into the sea of glitz and Electric Lemonade, past
the curl of his upper lip, his lovely English accent. People become
disoriented. Frozen. Mesmerized. Silent. What was the question? How
should I answer? I was a novice at dating, never mind a 10-day affair
with a cruise ship photographer.
"I'll take that as a 'yes,'" Paul said, stroking my thigh. Then he took my
hand and led me out of the bar, down long, windowless halls to a flight of
stairs and into the bowels of the ship, to a door marked "Photographer."
"You're not supposed to be here," he hissed, looking around him. "I could
get in a lot of trouble." An adventure. Suddenly I felt careless and
daring. I pushed open the door.
The room was filled with three large color photo processors. Photographs
hung by clothes pins from plastic cord spanning the room -- like the
colorful laundry that you see hanging between buildings in photographs of
Italy. Only here the laundry was pictures of people. Other passengers,
posed with their families, wearing their most elegant attire. Photos taken
that evening before dinner. I thought I saw a picture of my grandmother, her
smoke-gray hair coifed neatly into a dandelionlike puff. But many of the
passengers were old like my grandmother. Their gray hair and sallow skin
gave the "laundry" a decidedly drab tinge.
Then I noticed a bulletin board on one wall, layered with different photos: topless women, women in
underwear, women with puckered lips, pouty lips; women whose expressions
were so seductive my legs tingled.
"This is my studio," Paul said. "Take off your shirt."
N E X T+P A G E | Stranded on an island of wannabe hedonists
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