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T A B L E_T A L K

What's the weirdest thing you've ever encountered in your travels? One-up fellow pilgrims in Table Talk.






R E C E N T L Y

The Aussie Way of Wanderlust
By Tony Wheeler
Lonely Planet founder: Why Aussies are traveling fools
(11/12/97)

Road Warrior
Roger Black
Tips and tales from a globe-trotting print and Web designer
(11/11/97)

Descending the Congo
By Jeffrey Tayler
He wanted to canoe the Congo, but didn't count on the storms, mosquitoes -- and cannibals
(11/10/97)

Esther Dyson, road warrior
By Don George
The Net's most frequent flyer shares her travel secrets
(11/06/97)

Eating around in Boston
By Larry Smith
The way to the heart of Boston is through its stomach
(11/06/97)


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FORBIDDEN RUSSIA | PAGE 2 OF 2



 

The church was a pint-sized affair, as humble as a worn-out shoe. Yet it mimicked, in microcosm, the conventions of all Orthodox churches. There was the inevitable belfry -- before the Bolsheviks, bells were almost a defining feature of Russian faith and identity -- and a tiny cupola mounted on a steeple that might have more plausibly topped a doll house. I walked off the length of the church -- three lancet windows, twelve paces. Batches of wild yellow violets decorated grass as verdant as Eire.

An elderly man, poking his cane into the soft ground, hobbled up. "So you're interested in the church?" he asked. "Someone came here three years ago and took pictures, too." He invited me into his house, a hundred yards back down the hill, for a salad of green onions and sour cream and a steaming pot of tea. He and his wife, a bulldozer-faced old woman with the unsettling habit of belching at the end of her sentences, had lived there together for their entire married lives. She showed me the back room where she was born, on the day the Tsar abdicated in 1917. "Oh, people used to come to the church," she recalled. "But not anymore. The Reds took away the bells and all the icons. First the church died, then the village. Collectivization, they called it. We're the only ones left now, and after we've come to an end, there won't be anyone to look after it."

They expressed more wonderment at my travel plans than at my nationality. To them, America was as remote as Uranus, utterly unattached to their world. The road at the bottom of their hill was another matter. "You should know better than to try to drive this way," the old lady scolded, "especially now, during the summer." Her husband, too, looked askance at me. "You have to go when the weather is right," he emphasized. I looked through their lace curtains at the dizzyingly sunny fields bursting with chloroplastic life, and beyond, to the openpalmed midsummer sky. When the weather was right? Suddenly the totality of my miscalculation swept over me, and I burst out laughing. My host and hostess joined in, the old man pounding his cane for emphasis against the painted floor beams. "You mean, during the winter, don't you?" I gasped out. "Yes, yes, after the frost, only after the frost begins," replied the man. From the top of their hill, my stupidity must have seemed astounding. The woman's eyes filled with tears of hilarity. I could not catch everything that gurgled out in her thick peasant brogue, but I did make out her giggling "Not through the mud! Not through the gryaz!" repeated over and over. Yes, it was true. Around here, it was snow and ice that made the roads passable, not the tarlike summer slush.

A bit wiser, I was back on the main highway the following day. My rendezvous in Arkhangelsk with Volodiya and his jazz friends loomed nearer; I only had so much time to sniff about the countryside.

With each kilometer, the landscape, the sky, the human spaces became ever more elemental, ever less trampled by the hooves of our fast-galloping era. Even where the earth had been mauled by one or another modern enthusiasm, the unhurried, unheeding configuration of life in old Russia promised its own brand of redemption, the longstanding, outlasting kind of salvation that marks its way, year after year, in frost, in mud, in flowers.

Consider the many lives of the Siski Monastery, the St. Anthony Monastery on the River Sia. For half a millennium an outpost of piety and learning in the vast northern forest, its extraordinary beauty and tranquillity drew pilgrims from near and far. For other travelers, it served as a welcome way station along the arduous sledge route from Vologda to Arkhangelsk. In the years before the revolution, many a famous figure paused at Siski to rest and reflect. Here, Mikhail Lomonosov -- the runaway teenage son of an Arkhangelsk fisherman -- sought refuge among the monks until he was ready to continue his journey to Moscow. A pioneer of Russian science, the founder of Moscow State University, and a poet of considerable stature, Lomonosov went on to become as seminal a figure in his country's intellectual development as Isaac Newton was in that of England.

Defiled by the Bolsheviks -- who rid the monastery of its monks, then converted the premises into a rest home for the party faithful -- Siski was holy ground anew. The previous summer, the Moscow Patriarch had landed in a helicopter to reconsecrate the site, and to pray for a reawakening of the monastery and its sacred mission.

On the day I arrived, the afternoon air was surprisingly sultry. The half-restored monastery was mirrored in triplicate, once for each of the lakes that surrounded it. A sandy-haired boy frolicked in the water with his dog. His barefoot sister stood on a footbridge of rough-hewn planks, carefully angling a homemade fishing rod. A long, splendid procession of billowing clouds paraded over and past the Siski churches, illuminating the still, heathen water with cumulus visions of heaven.

The monks were just completing their midday dinner, but a space was cleared for me on the long table where they had gathered to eat. They were dressed simply, some in loosely cut cotton shirts and trousers and others in Chinese denim work clothes. Without a word, a bearded brother placed before me a bowl of steaming cabbage shchi and a slice of black rye bread. From the rapt attention my every spooning of soup attracted, I guessed that my visit was the most entertainment my hosts had had in quite some time.

The conversation was friendly enough, but rudimentary. It recalled in no way, for instance, a meal in a Jesuit residence. I was struck by how rustic these monks' gestures were, and by the distinctly circumscribed way they spoke of their lives and their faith. I asked one brother how it was to live at the monastery during the long months of winter. "It's very gray, very cold," he replied, unenthusiastically. "But we're used to it. We hold services; we pray. And we have a lot of work restoring the buildings."

I was about to hand around a batch of Amerika magazines when the abbot intervened, a bit starchily I thought. "I'll put those in our monastery library," he commanded, sweeping up the copies under his arm.

I followed him upstairs to the library, which as it turned out was a bookshelf behind the locked door of his office. For someone with the rank of abbot, Trifon was surprisingly young and vigorous. He faced the world, however, with an expression in the ascetic tradition: lean, alert, and intense. In a more forthcoming manner than he had at first demonstrated, he described the difficulties the monastery faced in making its way in the post-Soviet era. His goal was to bring it back to the self-sufficiency it had enjoyed in the bygone era of a Russia governed by God and Tsar. Pilgrims and tourists, the abbot hoped, would be attracted to the region's serenity -- and generate revenue for the monastery. The lands along the river and the labor of the monks' hands would provide for the rest of their earthly needs. Then he made the sign of a cross.

There was, however, the matter of the brothers themselves. Life at the monastery was hard, and Trifon feared that few had a true calling for the arduous work and discipline that restoring the Siski complex required. The novices, in particular, were not so different from the St. Petersburg architecture students who were helping during the summer with the reconstruction of one of the monastery's churches. "A couple of months working in the middle of nowhere suits them fine, but then they become restless," he observed with a forced sort of smile, "restless for your American television and cinema, restless for their family and friends, restless to do anything but stay here during our long winter."

The abbot had another struggle on his hands, one that to me was less expected. The local council had vigorously protested Moscow's decision to return the monastery to the church. The old-time bosses -- now convinced followers of Adam Smith -- wanted to put the place to more lucrative uses: a cross-country ski resort was one suggestion.

Before long, the affair turned nasty. First the abbot heard complaints, then threats. On the eve of the Patriarch's visit, one of the monastery's main churches mysteriously burned down. Even now, the abbot said, the church's hold on the monastery remained precarious. The former Communist apparatchiki had never really lost control. They were still in charge of their party fiefdoms, still running the sawmills and collective farms that were the region's economic mainstays. "They want us to fail," Trifon lamented, "and I fear that they will stop at nothing to see that their wish comes true."

On the way back out to my Niva, I passed two of the novices returning from the fields, great awkward hoes slung over their backs. They asked me if I had any more magazines. I hesitated for a moment, then had them follow me.

As I pulled away, they were gaping, dumbstruck, at an issue featuring a gyrating Michael Jackson on the back cover. It was an advertisement for the Voice of America. Somehow -- across whole oceans and continents of experience -- the photograph was already drowning out the gentle lapping of the novices' evensong prayers.
SALON | Nov. 13, 1997

From "Open Lands: Travels Through Russia's Once Forbidden Places," by Mark Taplin. Reprinted with permission of Steerforth Press of South Royalton, Vt., 802-763-2808. Copyright © 1997 by Mark Taplin.


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